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Posts Tagged ‘design’

12 tips for creative success

In art, beauty, behavior, books, business, culture, design, journalism, life, photography, work on February 28, 2014 at 1:37 am

By Caitlin Kelly

Loved this, from Slate:

Most people agree that what distinguishes those who become famously creative is their resilience. While creativity at times is very rewarding, it is not about happiness. Staw says a successful creative person is someone “who can survive conformity pressures and be impervious to social pressure.”

To live creatively is a choice. You must make a commitment to your own mind and the possibility that you will not be accepted. You have to let go of satisfying people, often even yourself.

And this, from writer Myke Cole:

My sub­con­scious con­jured an image of a fab­u­lous party, filled with other writers and pub­lishing types. A place where I could walk in the door to a chorus of cheers, the “Norm” moment, where guard could be let down com­pletely, where there was only shared vocab­u­lary and a fluid ease that would make the jit­ters go away. There was a social circle that would be the payout for all the rejec­tion and worry and sweat equity I poured into my books. When I talked about it with my brother, I simply described it as “that.” I wanted to have “that.”

All I had to do was get a book deal. I would break out of the world I knew and set up in some secret corner of the social fabric, a back­stage pass to the world of writers that I just *knew* was out there, even though I had never seen it before…

There is no party. Not beyond the hour or two at a con or pub­lishing event where you get to show off for a shining moment, bask in the acco­lades for a few min­utes, fan boy gush face to face over someone whose work you admire but never hoped to meet.

And then it’s over, and you’re left with the work.

My husband Jose recently passed a major professional milestone: 30 years as a photographer and photo editor at The New York Times. On 9/11, the day he was to have moved into my apartment in suburban New York from his home in Brooklyn, he instead unpacked his scanner, printer and computer — and helped his colleagues transmit their horrific images from his apartment. His grace under fire helped the paper win that year’s team Pulitzer Prize for photo editing.

photo: Caitlin Kelly

photo: Caitlin Kelly

He grew up poor, the son of a Baptist preacher in Santa Fe, NM, far from the centers of media power and influence. He attended state school on scholarship. He’s slight, quiet, modest. Everyone else in his family became teachers.

One day, shooting for the Associated Press, the White House press corps — accompanying then First Lady Rosalynn Carter, landed in El Paso.

“Someday that’s going to be me,” said Jose, as he saw its four or five wire service photographers emerge from the plane.

Several colleagues snickered at his hubris.

And then he was, during his eight-year career in the White House Press Corps, photographing Presidents Bush, Reagan and Clinton.

Here’s his brand-new blog, Frame36a, (which refers to the extra frame we used to be able to squeeze from a 36-image roll of film), which will offer advice, insights and fantastic back-stories to some of his best photos.

We all won’t have a career like his.

But anyone with creative ambition — musical, artistic, photographic, literary, choreographic — will face obstacles, whether you’re 17, 27 or 57: lack of funds, no representation, a lost prize or fellowship or scholarship.

After a decade or so, they’ll probably morph into different challenges, but it’s rarely easy.

If you think it should be, this isn’t the world for you.

Start small

You don’t have to start out by winning a major prize or selling your work for a lot of money. You just have to get started. I began my career as a photographer, and one of my first sales was to my own high school, an image they bought for the school library. Was I scared to pitch our principal? Hell, yes! But it worked. I also had a show of my images in a Toronto library, again, because I dared to ask. The smaller the ask, the less scary it should be. Those initial triumphs are essential baby steps to your self-confidence as a creative person able to find, and sell into, the marketplace of ideas.

My high school award. Anything to boost your confidence helps!

My high school award. Anything to boost your confidence helps!

Start young/early

Don’t wait for permission to create! You don’t need a certificate or degree from anyone, anywhere, to create interesting, challenging and worthwhile work. Don’t be terrified if your competitor graduated from RISD or has a Phd from Harvard or was a star at the Iowa Writers’ Workshop. If you have the passion and drive to find the toughest teachers out there — and they might be someone you meet at a conference or class — you’ll be on your way. I sold my first photos, three magazine covers, when I was still in high school. Jose was selling his photos while a freshman in college to the Associated Press; by the time we both graduated, we had large and impressive portfolios of nationally-published work. We were far, far ahead of our 22-year-old peers competing for work and jobs.

She didn't win, because her goat behaved badly. But she learned how to compete.

She didn’t win, because her goat behaved badly. But she learned how to compete.

Don’t give up if you fail the first (second, third) time

I’m amazed how quickly some people give up. I interviewed three times at Newsweek and was never hired there. No harm, no foul. I’ve had an awesome life and career without them. I’ve applied two (three?) times for the Alicia Patterson Fellowship, and was one of 14 finalists (of 347 applicants) last time. I’ll probably apply a few more times until I get it. In the meantime, I just keep improving my skills and strategies.

If you’re really aiming high, you’re always competing against highly-educated, smart, talented and well-prepared competitors. Expect it and arm yourself accordingly. If you want it badly enough — whatever it is — you’ll keep coming back to get it. Or you’ll find something more interesting instead.

Both of my non-fiction books, both of which were published by major New York houses to excellent reviews, were each rejected by 25 publishers first. Fun!

It’s too easy to watch others win awards and prizes and fellowships and hate them. Bandage your ego and get back in the game.

Find people whose work inspire you

This is essential. People who have succeeded in your field have likely hit (and surmounted) many of the same obstacles along the way that you’re facing. Read, listen to and watch them: at conferences, in TED talks, their websites or blogs or books. Follow them on social media like Instagram and Twitter.

If you’re feeling bold, reply to them or re-tweet their words. A relationship with someone who’s already carved their path is helpful. Don’t expect them to mentor you, though. Successful creatives are really busy!

Understand your industry or field: who has power and why?

The best way to get ahead creatively is not to shut yourself away in your studio or a hut in the woods, no matter how romantic that sounds. If you don’t keep up with the movements, controversies and players in your field, you’re too isolated and have no real idea how to access the powers-that-be, the ones whose choices are going to affect your ability to succeed as well.

Make sure to attend at least one conference a year in your industry so you can hear the latest and network with your peers. Showing up in person helps to prove your commitment; people see that and respond accordingly.

Self-doubt and self-confidence will perpetually war within you

It’s the ultimate paradox: to create means taking a risk, putting your skills and ideas into public view for possible rejection or criticism, but it also requires and demands enough confidence in your work to put it out there in the first place.

No creative person I know, or know of, hasn’t suffered — sometimes mightily — from this internal war.

Writers, even the most visibly accomplished, the ones we envy and admire, (who now have a reputation they might squander), lose their nerve or voice. Performers vomit and tremble before setting foot on stage. Artists burn work they’ve spent months or years to produce.

We’re human. It happens.

Make peace with your fears. Name and number them — “Oh, yeah, self-doubt 34a, how the hell are you these days?”

Then keep moving.

You will have to hustle, self-promote and shout louder than you might ever prefer

If you are a modest, gentle soul — like my lovely Jose — you may find the creative path more difficult, surrounded by arrogant, shouty chest-beaters. If you truly crave Big Success, however you choose define it, you may have to toot your own horn loud and long, no matter how declasse your family or friends or native culture consider that.

Volunteer your time and skills within your creative community

I think this is overlooked as a key to long-term success.

You don’t have time? Make it. People most respect, value and reach out to help those they respect personally — not just someone whose work they read about or saw in a show or in concert. I was only 19, still in college, when I volunteered to interview lions of Canada’s journalism industry for a book. How else could I ever have met or spoken to them, let alone learned their wisdom? Then they also knew who I was. Win-win.

I’ve served for years on volunteer boards for writers’ groups. It helped to hone my people skills, (still a work in progress!), taught me about fund-raising and how to defend and explain my ideas to a skeptical group.

It also shows clients and colleagues my pride in, and commitment to, my larger creative community.

Find, or create, a group that meets weekly, or monthly. Create an on-line listserv or Facebook group. Mentoring others comes back in waves of generosity, for years.

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Make time to reflect, recharge and revive your spirit

No matter what you hope to create or produce, make time to recharge. Sit still in silence every day. Stare at the sky, no matter what the weather. Make notes whenever you get an idea. Keep them!

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Travel as far and as often as you can afford

There’s no better way to sharpen your senses than to step out of habitual behaviors and routines: taking the same subway line or bus route;  eating the same cereal at breakfast; seeing the same faces at work. Even a two-hour road trip to a nearby town or city or nature preserve can offer you new ideas and insights.

Have a clear vision of what you hope to accomplish, today and/or in a decade

You can’t get there, wherever there is, without a clear idea what it is. Only by naming it can you start to lay the necessary groundwork — whether admission to the best program of study, a fellowship, a job, access to a busy mentor, publication of your novel or a gallery show. It’s too daunting to stare only at the cloud-shrouded Everest of your final goal. Focus on the foothills!

I recently started a writers’ group and called it Story Sherpas — no one gets there alone, without the help and support of a team along the way.

Study the work of the very best in your field

Don’t assume the best are working today. They might have powerful lessons to offer from their endeavors — possibly centuries ago.

Bonus:

Save a lot of money!

Creative “success” can, and often does, evaporate overnight — and with it your ability to dick around and await your muse.

Read this cautionary tale, from a New York writer whose book advance was a stunning $200,000, way more than any writer I know has ever received. She blew it.

Don’t ever rest on your laurels. They can wither mighty fast.

What spurs you to creative success?

The writer’s week: PLM, stretch lace and late payments

In behavior, business, journalism, life, Style, Technology, work on January 19, 2014 at 2:33 pm

By Caitlin Kelly

Occasionally, I review a week in the life of a full-time writer, me.

BUSINESS OF FREELANCING

Monday

That’s a whole week ago, so I can barely remember. Finished up a fact-checking job for another writer, someone I’ve never met who lives in Florida, whose book is a series of brief biographies. A story I’d written for the Wall Street Journal — whose income, as always, I rely on — was abruptly killed, an overnight loss of $600. Shit.

In an online members-only writers’ forum, I saw the plea for fact-checking help and, for $25/hour, jumped in. I made up $500 of that lost $600 with a week’s phoning, emailing and on-line research, even though I’d never fact-checked before. Much of my work now means jumping, without hesitation or fear, into media and projects I have zero experience with.

But now I have to let all the people I interviewed for the WSJ piece know they’re not going to get the mention they had hoped for. One of the problems of writing for a living that’s rarely discussed publicly is managing your sources, without whom you have nothing to write about. I hate wasting people’s time and now have to share this disappointing news with them. I fear it make me look incompetent, when a killed story happens maybe 1% of the time.

Tuesday

Off to cover a trade show in Manhattan, at the (ugh) Javits Center, the massive conference center at the western edge of the city. I hate Javits! This is the third year in a row I’ve attended the National Retail Federation’s Big Show, an annual event that brings every possible vendor of anything interesting to a retailer — scanners, training programs, scheduling software, PLM (product life management) software. It’s basically an annual arms race, in which one or several Big Box retailers adopts a specific system, the vendor touts their win, and competitors think “Hmmmm, maybe we need this as well.”

The center is so huge that even walking to the bathroom or coat check is a hike; one vendor wearing a pedometer tells me she walked 10 miles there in one day.

malled cover LOW

I run around the place interviewing the eight people I’ve been asked to meet. Some use acronyms I’ve never heard — PLM, RFID — and I’m dancing as fast as I can. RFID turns out to be, (to me anyway), fascinating, radio frequency identification, which embeds every paper clothing tag with a device that can be read from a distance without opening a box to check inventory. (OK, I guess I’m a systems geek.)

Having worked retail for 2.5 years as an associate for The North Face — the subject of my book, “Malled: My Unintentional Career in Retail” – and having to slash open huge boxes of clothing with a box cutter, (talk about inefficient and dangerous), I’m really intrigued by this efficient new system. But it’s expensive — 7 to 8 cents per tag — and I realize how much cost our clothing prices include that we never see or know about.

I leave Javits at 4:00 pm, into pouring rain. Of course, there are no cabs at the taxi rank and a long line of miserable people waiting. My feet are killing, me but I hoof it another four long, wet blocks to the bus stop to catch the crosstown bus to Grand Central to catch the train home.

INTERVIEW TECHNIQUES

Wednesday

So excited! Today I’m attending another trade show in the city, for the same editor, someone in a distant state I’ve also never met, (typical of my worklife). This show is a lot smaller, and a lot more fun, a combination of textile manufacturers and designers whose own paintings and digital prints designers buy, then use in their own collections. Glam-looking professionals, all in chic bits of black, cluster on the sidewalk clutching their coffees, waiting for the doors to open at 9:00 a.m.

Two dozen of us watch an hour-long video of spring/summer 2015 trends: pale colors, lots of mesh, netting, lace and transparent fabrics. Neon is out, kids! I run around the show until 5:00 interviewing the people on my list. Many are French, so I speak the most French I have in ages, which I love. I see spectacularly beautiful silk, lace, wool, mesh and satins and recognize the names of some Very Big fashion labels on the buyers selecting their choices. One designer of amazing patterns, which you can buy, own and use exclusively for $625, tells me that one of my favorite women’s activewear companies uses many of his designs.

I’ll never look at a piece of clothing quite the same way again. This is why journalism is so addictive. In one day, I’ve enjoyed: meeting a pile of highly creative people; gotten to use my language skills; learned a great deal about this industry and made some useful new contacts for future stories and projects. What’s not to like?

Thursday

Time to bang out two 1,000-word stories, due this evening to my editor in California. No pressure!

I also call and email editors whose payments to me — as is now typical — have not arrived, even weeks later. While 30 days is normal, the pace of my production is much faster now, and waiting for a month for something I have to bang out within a day or two seems ridiculous. At this point, I have pennies in my bank account, bills are due and I have to start using my line of credit. (I have significant retirement savings and another emergency fund with six months’ expenses, but a short-term cash flow issue is not, in my mind, an emergency. I keep those funds in case, God forbid, I simply can’t work at all for a period of time, to be able to keep contributing the amount my husband relies on every month for our expenses and savings.)

A freelancer who can’t pay their bills on time is someone whose business, health and reputation are at risk. I’ve had a bank line of credit — $16,000 worth — for more than a decade. When I call and email editors, my tone needs to be breezy, relaxed, happy, not someone desperate for any assignment. (Even if it might be true!)

I email and call half a dozen editors, print and on-line, to check on the progress of my pitches to them. A pitch I’ve sent to one Marie Claire editor comes back, suggesting another editor there, and possibly a better fit for a competing magazine. I try the second MC editor and decide to give it a week before trying the competitor.

THINK LIKE A REPORTER

Friday

Exhausted. Between writing, blogging, tweeting and FB, I feel like my eyes are going to melt. I should jump at once into my next story, a long personal essay for Good Housekeeping, but I desperately need a day to myself and off the damn computer. I’m also physically spent from two crazy days of walking and non-stop interviewing.

I have an eye exam and discover — which I knew — I finally need reading glasses. The optometrist is a woman my age who tells me I’ve dodged that bullet a decade longer than most.

I get an email, out of the blue, from a source in California I’d interviewed last year for my (unsold) book proposal, asking me (!) to possibly speak at their annual conference. I give her an idea what that will cost and hope it will come through. I enjoy public speaking and it’s the easiest money I now earn.

I drive to Greenwich, a super-wealthy Connecticut town about 20 minutes east of us, to pick up a gallon of my favorite, spendy, British-made paint, Farrow & Ball. We’re having a new contact over for dinner — someone who might (!) send me on a very cool research trip for her organization — so we want the apartment spotless. I splurge on some gorgeous fresh flowers, white nerines, orange tulips and some greenery, and pick up the food for the dinner. I’d hoped to make filet mignon but at $29/lb. (!!!!) choose pork chops instead.

Saturday

One of the great pleasures of living so close to New York City is being able to hop in for a few hours after a 40-minute train ride. I buy a 10-trip ticket — whose price has just risen again — now $83. I walk from Grand Central to ICP, the International Center of Photography to see a show of photos by Lewis Hine.  Admission is $14. New York City is really expensive!

The show is fairly large, and the images — of immigrants arriving at Ellis Island in 1905, of child labor in 1915, of African Americans in the 1920s — are powerful, some of them very familiar. A former schoolteacher, Hine became the pre-eminent photographer of his era, capturing slices of life that were damning and which prompted social change. Yet he died broke and unknown.

I wonder what impels us to do the work we do, to care as deeply as we do, if this is to be our inglorious end.

Our dinner is a lot of fun; our guests have lived and worked in Europe, the U.S. and Africa, so we have lots of stories to share, from the White House (my husband was a NYT photographer there for 8 years) to Rwanda.

Sunday

Pooped! A day to sleep, recharge, catch up with my husband, himself a busy, tired NYT photo editor, and read four newspapers — the WSJ, two days of the NYT and the weekend Financial Times.

I bang out this blog post, trying not to freak out about the coming week: bills due, no checks (yet) and a 2,000 word piece due on Thursday I haven’t had a minute to start work on.

Hibernate, beautifully — 10 easy ways to feather your nest

In antiques, art, beauty, behavior, culture, design, domestic life, life, Style on January 2, 2014 at 2:04 am

By Caitlin Kelly

Yes, that headline is a mixed metaphor…

Long-time readers of Broadside know that one of my obsessions loves is interior design, which I studied full-time for a while at the New York School of Interior Design, a life-changing experience.

Before stepping into their classrooms, I thought, “How hard can it be?”

I stepped out, (with a stellar GPA, yay!) with a deep, abiding respect for the true challenges of making any space safe, welcoming, beautiful — and usually on a budget. We learned to mix color from scratch, envision rooms from the floor to the ceiling and design an entire room within a week and learn every iteration of interiors from ancient Egypt to the 20th century in Historical Styles, (which every student calls Hysterical Styles.)

Luckily, my husband allows me pretty much free rein in our 1,000 square foot apartment and is mellow enough to not freak out if he comes home to find the furniture re-arranged, again. After 25 years in the same space, you have to make a few tweaks.

In the Northern Hemisphere, it’s frrrrrrreezing for the next few months, so staying in and loving your home is a great choice.

Here are ten simple suggestions to help you feather your nest:

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Bring in nature!

Even in deepest winter, there is color and texture out there for the cutting — bittersweet, greenery, curly willow. I splurge every week for fresh flowers, even $5 or $7 for a fresh lily.

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Add some patina

This battered old stool sits in our small bathroom, holding a metal bowl my Dad brought home from Israel — that holds soap, creams, toothpaste. Both the bowl and the wood add a nice mix of textures and age. Even the slickest and most modern space can accommodate something weathered and worn, a bit of history.

Include symmetry and repetition

Here’s a small shelf in our dining room. The shelf was originally deep blue and hung in our bathroom but was the perfect shape, size and scale for this space as well. (Hint: re-purpose! Move stuff from room to room and repaint as needed.) The two pierced lanterns cost $13.50 each, bought at Tao Foods in Minneapolis in October 2012. (It’s why I keep my eyes peeled everywhere I travel; you never know where you’ll find the next affordable treasure!) The pierced sterling salt cellars were our wedding gift from my father. I like how the circles echo one another, as does the pierced metal, one dull and mottled, one shiny.

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Go through all your cellphone snaps and Instagram images — and frame some!

I took this shot in May 2013 while visiting the Grand Canyon. I keep meaning to frame it, but haven’t yet.

ALL IMAGES COPYRIGHT CAITLIN KELLY 2013.

Here’s one I did frame, taken looking up a staircase on the Ile St. Louis in Paris a few years ago. It sits a few feet away from the pierced lanterns and salt cellars (repeating the theme of pierced, patterned metal.)

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Combine practical and pretty, whenever possible

When we renovated our kitchen and nearby pantry, I designed a breakfast bar, a spot for our juicer and toaster and coffee filters. I had bought the wooden tray years earlier and found the metal holder in a Vermont antique shop. I had no idea what to use it for, but it all came together nicely.

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If you’re living far from your home town or country, keep a few fun reminders of your native culture in view

I found this funny wooden box in Toronto, on Queen Street West, as well as this great old tea tin, with Peterborough and Toronto on the label — where dear friends live and where I grew up. I use both containers in our kitchen. Neither cost more than $20.

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Splurge on a fabric upgrade and/or welting

This, I admit, was a splurge — but one we enjoy every single day during the fall and winter; (we change our throw pillow covers in the spring and summer.) The sage green velvet sofa from Crate and Barrel is easily a decade old, and the original welting was literally worn through. It looked horrible and I struggled for a while to determine a solution. I went back to my trusty fabric supplier (in Rhode Island, discovered on vacation there years ago), who chose this terrific rust-toned linen and made new finger-width welting for the two back and seat cushions. I sent her the striped silk, (bought here on sale a year ago), and had her make 22-inch throw pillows. I wanted a luxurious mix of fabrics (velvet, silk, linen, cotton) while repeating the same colors: deep red, pale green, rich yellow. Total cost for that fabulousness — less than half the price of a new sofa. Score!

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Add color and pattern, preferably playing off one another

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The John Robshaw napkins were found on sale at Gracious Home in Manhattan, the $13 tablecloth at HomeSense. Purple, gray, silver and white was the color scheme I chose, (in candles, napkins, dishes and glasses) for our Christmas meal. We never use paper napkins. I love the color, sensuality and durability of cotton or linen! Good quality cloth napkins can last for many years.

Customize!

I bought these boring white frames from Pottery Barn and painted them a custom color. I added a museum postcard and gift wrap

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Let your softer side show

I may be a tough old New York journo, but these guys keep me smiling on the roughest days. The bunny was a pre-op gift from Jose. I gave him the brown bear. The battered old white bear has been in my life since I was very small. The pig and elephant were found at Dan & Whit’s in Norwich, Vermont in 1989 or so; they made excellent travel companions, sitting on the dashboard, when I made my first solo trip to the Grand Canyon. (No whining!) The small Steiff black and white bear I’ve had for many decades; I found the small enamel panda last year in a Tucson shop. Jose gave me the wooden walrus and the monkey. My friend Sarah, a fellow journalist in Arizona, sent me the octopus.

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Here are the top 20 posts from 2013, from one of my go-to design sites, Apartment Therapy. You’ll find lots of great ideas and inspiration here.

A beautiful home nourishes us — 10 ways to nurture yours

In antiques, art, beauty, business, culture, design, domestic life, life, Style, urban life on November 30, 2013 at 12:18 pm

By Caitlin Kelly

“If you want a golden rule that will fit everything, this is it:
Have nothing in your houses that you do not know to be useful or believe
to be beautiful.”―
William Morris
Chinese Jade ornament with flower design, Jin ...

Chinese Jade ornament with flower design, Jin Dynasty (1115-1234 AD), Shanghai Museum. (Photo credit: Wikipedia)

One of the few architecture blogs I read is from Alabama firm McAlpine Tankersley. I love their designs, even though the mega-mansions and second homes they are hired to create are far beyond my reach financially.

A recent post:

Architects and Interior Designers are in the business of affecting the physical plane of our world by producing a scape that can be seen and touched – lived in and on.  Integral to its success is the layering of texture, tones, and the reflection and refraction of shades of light and dark.  Depth and scale of shape in measured doses to elicit a calculated response…

Our sensual experiences have a physiological response by stilling our minds, calming our hearts and relieving stresses.

Great beauty has the power to relax and center our energy and emotions.  Lowering our internal pressures free us to see more clearly and calmly.  It is always a goal to create a meditative space that is restorative in nature, a space that you feel better in and are compelled to linger through.

…Beauty can be a retreat for healing.  Luxury is a tonic for the soul.

As someone who has seriously studied antiques, art and interior design, these words deeply resonate with me.

I spent much of my childhood at boarding school — brown metal beds, chenille bedspreads, weathered floral wallpaper, linoleum floors — and summer camp. Living with other people’s institutional aesthetic choices has left me with a fairly ferocious desire to make every place I live in lovely, welcoming and, as Susan writes here eloquently, a retreat for healing.

Journalism is also a business often conducted in atrocious working conditions: noisy, filthy, crowded and/or filled with stress, whether financial or professional. By the time my husband staggers in the door after a long day and a long train/taxi commute, he’s ready to be soothed!

I loved studying design seriously, understanding why some colors and proportions are inherently beautiful and others jarring and wearying. In our color class, we were taught the color scale and how to use shades and tones. In our materials class, we learned the relationships between textures and how to use them safely and elegantly.

It doesn’t matter if “home” is a small dorm room or a trailer or an apartment or a house. It’s what you make of it.

Here are some ways to create beauty in your home:

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The bouquet above cost $30 — a splurge, for sure — but provided enough material for bouquets in three rooms that will last for at least two weeks.

Fresh flowers, a plant or some branches

Unless I’m totally skint, every week includes a bouquet of fresh flowers or greenery from my local florist. No, it’s not a necessity, but what a lovely touch to have even one bright pink gerbera, the tart scent of eucalyptus or some branches of curly willow. I also stock up on Oasis (florists’ foam) which can turn any water-tight container into a vase and frogs (glass and metal holders that fit into a low or flat container), easily found in thrift shops and flea markets. Or — take your kitchen shears and find some bittersweet or holly growing wild.

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I found these pierced-metal lanterns for an unlikely $13 each in a cafe in Minneapolis.

Candles, votives and/or tea-lights

Not a day goes by that I don’t light a candle, or several, usually as we sit down to dinner. It creates a totally different mood from any other sort of illumination. Instead of leaping out of bed on a cold, dark winter’s morning, take five minutes to light a small bedside candle.

Fresh towels or linens

Even a new $5 dishtowel, in a fun pattern or color, can cheer up your kitchen. I find unusual shams, sheets, coverlets and pillowcases like this gorgeous floral duvet cover at Anthropologie and these super towels in a blue and white pattern from Zara Home.

Three or four sources of light per room — and overheads only in bathroom, hall and kitchen

Think about the most soothing and beautiful interiors you’ve been in. They may have been in a hotel or restaurant, where professionals have seriously considered how to create a mood using light and darkness. There are different kinds of lighting, (task, overhead, floor lamp, table lamp) as well as different colors of bulb. Three-way bulbs allow for different levels of brilliance. Overhead lighting — especially fluorescent — is often depressing, unflattering and too dim to be useful. If you can afford it, consider adding dimmers to every overhead light.

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On my desk, I’ve layered a 19th-century woven wool paisley shawl underneath a Peruvian manta.

This hand-embroidered vintage linen tablecloth perfectly covers our headboard.

This hand-embroidered vintage linen tablecloth perfectly covers our headboard.

Vintage textiles

My passion! Few items add as much character and warmth to an interior as an early hand-made quilt, gently worn vegetable-dye rug, embroidered linen napkins or pillowcases. You can easily find vintage fabrics on-line through EBay and Etsy, as well as flea markets and antique shows. If you know how to sew, whip up some throw pillows or a tablecloth.

Scent

It might be a scented candle or lavender sachets tucked between your linens or your sweaters. I love making sachets from vintage textile scraps. (Also great to toss into your suitcase!)

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Lovely flatware

You can find great old things for pennies. We use mis-matched silver plate I’ve found in flea markets everywhere I travel. A bottle of silver polish will restore them to a soft gleam.

A piece of pottery

It might be a spoon-rest or a teapot or a bowl. Having a useful object made by someone’s hands is a great reminder that not everything in our homes has to be made cheaply by overseas labor. I recently wrote to the Ontario potter who made this teapot, which Jose bought for me in Toronto years ago, just to thank him for adding such beauty to our lives.

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Vary the shapes and sizes of your objects and furniture

Is everything you own shaped like a square or rectangle: (sofa, tables, rugs, bed)? Add some curves! A round or oval mirror, a round or demi-lune side or console table, even a long, narrow runner in the hallway will mix things up. An over-sized round lantern or bowl can change the look of a table or chest of drawers.

Pools of darkness, to add mystery

Obviously not in places that need to be very well-illuminated for your safety, like stairs, kitchen or bathroom. But the most alluring spaces have a feeling of discovery or mystery. I found my small, dimmable uplighter lamp at Home Depot for a big $13.05.  This once-dead corner of our living room now contains a round covered table, on it two marble garden ornaments, an antique planter and a pierced metal lantern found on sale at Pier One. The Victorian mirror was an antique store find in small-town Ontario.

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The value of re-making your home

In beauty, behavior, design, domestic life, life, Money, Style, urban life on September 29, 2013 at 12:03 am

By Caitlin Kelly

Kotowski Palace in Warsaw, interior design

Kotowski Palace in Warsaw, interior design (Photo credit: Wikipedia)

As someone passionate about interior design, and who has studied it seriously at the New York School of Interior Design, I enjoy this blog, the public face of an American design firm, McAlpine Tankersley.

I liked this recent post about why it’s worth re-making your home:

Change is always necessary to promote growth and without varying from the comfortable and the everyday, lessons are seldom learned. Faced with potential, however, fear kicks in and says, “let’s just keep things the way they are”; even if a situation is stagnant, it’s my stagnant situation and I’ll sit in it. But how can change have value? An example I can show (because you do tend to come here for visuals to accompany my soapbox) was evident in Bobby’s personal Montgomery home.

In the ten years he lived in this English cottage, the interior underwent three major transformations. As designers, we always use our personal homes as living, active laboratories. We try things out on our tireless, often unsuspecting, families before we suggest them to our clients. Experimentation and change in our environs are personal tools of lesson and discovery.

This is so true!

I’ve lived for 25 (!) years in the same top-floor, 1,000 square foot one bedroom apartment. I doubt I’ll live anywhere else, which is a little depressing, (it’s small and New York is brutally expensive for most larger spaces in neighborhoods we like), but also focuses us intently on making our home the prettiest, most efficient and most comfortable and welcoming we can make it.

It’s absolutely been my design lab.

When I moved in, it was all a bland, boring beige, with cat-pee-stained/stinky oatmeal-colored wall-to-wall-carpet. Gross!

I’ve changed the wall colors here many times, currently a deep mustard in the bathroom, a cool beige in the kitchen, a soft gray in the bedroom and dining room, and a soft yellow-green in the living room and hallway; since there are few doors, the sight-lines make a major difference if the colors and tones relate poorly.

I’d also rather invest in fewer, better items, (like many Europeans do, living in small spaces) than face the expense of designing, furnishing, cleaning and maintaining a large(r) house. Not to mention the cost of new roof/boiler/furnace and all the attendant work of cleaning and maintaining any outdoor property.

If you’re wealthy, great!

But if you’re not, re-using your home-space to its best advantage is often more about being creative and open-minded: re-purposing, re-covering, repainting, moving things around, editing heavily, building your own items and scoring great finds at flea markets, tag sales and auctions.

I read every shelter magazine out there, every month, so I see the blinged-out mega-mansions some people live in.

But I also read blogs like Design Sponge and Apartment Therapy, which feature regular folk with smaller budgets or less opulent taste.

As we finish up our kitchen renovation — one for which I waited 25 years — I already see the enormous difference it makes, emotionally and practically, in our lives. We didn’t pour $50,000 or $100,000, (yes, people do) into our small galley kitchen.

But we did splurge on some items: honed granite counters, high-end appliances (a Bertazzoni gas range and Bosch dishwasher), and spend-y Farrow & Ball paint for custom-made cabinets and walls.

I love the little surprises that (happily) occurred — the shelves we bought have a subtle green-ish gray stain that perfectly matches the cabinets. The narrow grooves in our drawers and cabinets (in lieu of external hardware) create runnels of sunlight reflected from the windows. The new cream tile, with its glossy surface, bounces much more light, both artificial and natural.

At Luxor Design Northgate Mall / louis-quinze ...

At Luxor Design Northgate Mall / louis-quinze style interior. Definitely more formal than our place! (Photo credit: Wikipedia)

It’s been an amazing experience, and the second reno we’ve done; we re-did our one, tiny (5 by 7 foot) bathroom four years ago.

I gained a lot of confidence from the results, and now hope to find some part-time work as a designer using these as my portfolio.

The next major step?

Refinishing and darkening our hardwood floors.

Have you re-made your home?

Changed its colors or designs?

The kitchen renovation: Part Three

In beauty, design, domestic life, life, Style on September 28, 2013 at 12:40 am

By Caitlin Kelly

Swoon!

It’s starting to feel like a kitchen, kids!

We gratefully — while away on vacation in Canada — missed two weeks of noise, dirt and dust while the crew demolished our 30+ year-old kitchen, with its ugly molding, not-nice wooden cabinets and peeling tile floor.

Gone is the dishwasher whose replacement basket, (can you say rip-off?!) would have cost us $300. Gone is the chipped porcelain sink. Gone is the complete lack of a place to safely and cleanly stow garbage; we now have a slide-out bin with two containers.

We still await the installation of: counters, sink and faucet, outlets and the staining and finishing of the floor. And we got herringbone flooring, as my heart had fervently desired, a gift from the contractor who scored it for a fraction of the original price.

The crew of two, both Turkish, speak Turkish to one another and step onto the balcony to have a cigarette or make a phone call. They work crazy hard with no breaks. One, Mike, did our bathroom four years ago and it’s good to have someone I know, like and trust with me in my home all day.

I’m honored that Mike, whose career expertise is working with tile, (and these guys normally work on much larger and wealthier projects than ours), loved my tile choice. Yay!

The workmanship is terrific — the wooden drawers slide smoothly and stop slowly and firmly. When I noticed a 1/8th of an inch (probably less) difference in one, it was fixed within seconds. We could have saved some money by buying Ikea cabinets, but I wanted exactly what I wanted, and the smooth, solid, heavy wood, with dovetailed drawers, made to our exact specifications, feels good.

It’s helpful to actually be here now, as a few surprises showed up — like the installation of the wrong accent tile. The right tile arrived and is even prettier than I’d hoped.

It is both gratifying and terrifying to watch my design — even road-tested with 3D scale models — come into full color and shape. A lovely surprise? The insets which replace drawer handles reflect daylight from the nearby windows. So does the glossy, creamy tile, making the small, narrow room much brighter than before.

Here are some photos of it…the final blog post will be the Big Reveal.

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You can see the herringbone floor; gray-green cabinets (which will not have exterior hardware); the stove; wall tile (yet ungrouted), and the space where the accent tile will go.

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This is the cost of doing business…a corner of our living room filled with tools for the duration.

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And there goes our balcony…needed as a place to cut tile. Mike did it there — in February! — last time.

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With his permission, Mike…and the sink side of the kitchen.

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There will be three of these Restoration Hardware sconces, each 10″ in diameter. An unpleasant surprise? The illustration on the RH website shows a lovely glow — but not the fact that the bulb protrudes and is visible.

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Here’s my lovely husband making a silly face as he grills a week’s worth of meat on our balcony — with our table as a windbreak.

The kitchen renovation: Part Two

In behavior, design, domestic life, food, life, Style, urban life on September 6, 2013 at 1:29 am

By Caitlin Kelly

It still hasn’t begun!

The apartment has been in chaos for weeks, as we excitedly (and too early) emptied all our cupboards in preparation for the work to begin. But because we live in a co-op apartment building, we have to submit a ream of paperwork and get it approved before any hammers can swing.

Here are the “before” photos, and a description of how we got to the decision to do this, and what we chose.

It will probably start next week, when we are (blessedly) far away from the noise and dust of demolition for a bit.

But I’ve already learned a few lessons useful to anyone considering a reno.

Each one ends in “ive”!

Proactive

Every single item that is going to be bought, re-used or replaced in your new room needs to be measured carefully and ordered, sometimes weeks or months in advance, so it’s right at hand when the workmen arrive and are now on a timeline.

English: Electric cables in old apartment building

English: Electric cables in old apartment building (Photo credit: Wikipedia)

Insensitive

To mess! Our living room and hallway are now a staging area, full of boxes of our stuff and boxes of the new items yet to be installed. The place is going to be nuts for a while. Focus on how gorgeous it will be when it’s all done.

Attentive

Make a punch list of every single element going into the new room or space and what is needed to have it safely and legally installed. This includes: lighting, outlets, faucet, tile, counter-tops, flooring, appliances, paint, primer, grout, hardware, etc. With so many details, it’s easy to get overwhelmed and forget something along the way.

Keep checking in with your suppliers and contractor to make sure they, too, are on top of everything and have agreed — in writing — to your explicit wishes. If there are points of disagreement, you’ll need a paper trail.

Decisive

This is one of the most tiring pieces of committing to a renovation project, endless, daily, sometimes several times a day, decisions that must be made quickly  — and permanently. (Change orders are really expensive and your contractor may hate you for making them, or — worse — bail since s/he always has a list of other clients awaiting his crew’s attention as well. Make a plan and stick with it.)

After designing our kitchen’s entire color scheme around the cream enamel panel of the Italian stove we’d chosen that color was discontinued by the time we ordered it. Shriek! I had to suddenly decide what to do, (fine, stainless steel, boring), and not freak out or rethink all the other choices and start again from scratch.

I don’t have time to do all of this twice. Most of us don’t.

You have to decide on a budget and then make every decision to fit within it, (or exceed it, and decide how you’ll handle that additional cost.) It’s tiring! And since most of us have never studied design and rarely spend tens of thousands of dollars (even thousands) within a few weeks, it’s a lot to handle.

Assertive

If you really want something to happen a certain way, or want a very specific product or material, say so!

No one can, or wants to, read your mind and it’s up to you, (or the architect/designer you’ve hired), to be very clear and specific with your contractor about what you have in mind. Don’t hand-flap and sigh and walk away in frustration. Some things will fall through. There will be some surprises, and almost all of them add expense — yours!

I went through three contractors to find the one we’re now working with, for the second time. The first two seemed to take personal offense at my custom designs. It’s your home, your taste and your budget. Trust your contractor to offer smart and helpful options, but don’t be afraid to say no if it really isn’t what you want.

A stainless steel countertop

A stainless steel countertop (Photo credit: Wikipedia)

Responsive

This is the other half of being decisive. In the middle (!) of writing this post, my husband called to ask me to read yet another email and write yet another email to the contractor. Gah! Has to be done.

I’ve probably answered half a dozen emails, so far, from the contractor and I do so promptly. We’re all busy and all juggling multiple projects. You should also expect this from him/her as well.

Creative/Innovative

Very few of us have an unlimited budget or space or timeline for The Perfect Renovation. How can you work most creatively within your space and budget?

Our kitchen is really small, (eight feet long, galley kitchen, no outlet for a stove hood), and our pantry is literally a narrow, tiny closet. We may not buy a microwave, which some people would insist is a must. Not for us; I’ve never owned one so feel no compulsion to have one just because we’re getting a new kitchen. It’s just as cramped as it was before!

We also moved a china cabinet from one room to another and are changing its purpose — we’ll use it to hide ugly cans and bottles and supplies, while we transfer pretty plates, glasses and platters to our new open shelves.

We were also able to reduce the quote by offering to prime and paint our cabinets and walls and by bartering my husband’s photography skills for the contractor — who always needs professional images for his website. That alone saved us $2,000.

Obsessive

I feel like I’m now surgically attached to our measuring tapes! I know the height of the sconces, the height of the legs for the holders for our platters, the width of our shelves…

Expensive

Oh, yeah. Assume that whatever you’ve budgeted is an amusing-but-naive attempt. Unless (lucky you!) you are a multi-skilled DIYer (electrical and plumbing work? tiles?), you’ll be paying other people considerable coin to bring their skills into your home. Tiles, stone, flooring, lighting, cabinet handles…it all adds up.

Sighed our contractor: “Those TV design shows make me crazy! They never include the true costs of this stuff. I have to keep explaining this to clients every time.”

Agreed our saleswoman at our tile/stone vendor, “You know Houzz? Forget it! Clients come in here wanting exactly what they saw in a picture there, but a lot of it is custom work. They have no idea that how expensive it is.”

Any other tips you can offer?

Related articles

What did you make today?

In animals, beauty, design, life, nature, science on August 17, 2013 at 12:02 am

By Caitlin Kelly

It was the end of the day, time to go for my walk along our town’s reservoir.

It’s a walk I’ve made dozens of times, in every season, for many years, along an asphalt path shaded by towering trees, the  reservoir on one side, filled with ducks and swans and turtles. People come there to fish, or sit, or jog.

Cyclists whiz past.

Nothing new.

All familiar.

But for…a trick of the light.

Spider web

Spider web (Photo credit: Wikipedia)

If you’re in the right place at just the right moment, and you’re paying attention — not yammering on your cellphone or texting or racing past — you’ll see stuff.

A deer. A small black turtle. Some ripe raspberries.

And there, shimmering in the early evening sunshine, was a huge spiderweb, as big — I measured — as the entire size of my hand, from base of my palm to the end of my middle finger, seven inches.

It was spectacular!

It was attached, with multiple strands, to the thick bark of a tree, as if, like some bivouacking mountain-climber, s/he’d decided to latch on and dangle. There were multiple attachment points, and then the web itself, with so many concentric circles I couldn’t count them all — 20?

In the center sat a very small brown spider, (probably exhausted!), perhaps half the size of my smallest fingernail. Even better, there were about five other, smaller webs nearby, sort of a spider condominium, each with its own spider. (Relatives? Tenants? Guests?)

I stood there for a few minutes, awestruck by the skill, artistry and the spontaneous beauty it brought to the end of my day.

What on earth could I possibly make of such delicate strength?

What did you make today?

The kitchen renovation: Part One

In beauty, design, domestic life, food, life, Style, urban life, US on August 10, 2013 at 12:19 am

By Caitlin Kelly

When you’ve waited 25 years for something, it’s easy to get just a little obsessed.

The roasting spit in this European medieval ki...

The roasting spit in this European medieval kitchen was driven automatically by a propeller the black cloverleaf-like structure in the upper left. (Photo credit: Wikipedia)

We start our kitchen renovation soon, and the next four to six weeks will be a crazy time. The fridge will be in the entrance hall, for a while, (called a foyer here, pronounced foy-ur). We’ll make toast and coffee and juice in the dining room and, hopefully, grill or eat cold food on our balcony.

As we get ready, packing up all our cookware and tableware, we’re giving away a lot of stuff we haven’t been using or are sick of, so it’s a fresh start in other ways as well.

The galley kitchen is small — eight feet long with a 39-inch wide floor between counters.

Our sexy new Italian stove, a 30-inch gas Bertazzoni, comes with a free microwave, an item I have never owned or wished to own, so maybe we’ll use that as well.

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If you’re thinking of tiling a large space, photograph the tiles, then make enough color copies  — preferably to scale (i.e. their actual size) — to fill that space so you can visualize it.

Deciding to renovate is scary! It means making a big leap of faith — that Jose will keep his job, that we’ll be alive and healthy enough to enjoy it, that we’ll realize some of that investment if/when we sell the apartment.

It also means making a shitload of spend-y and permanent decisions: tile, counters, sink, faucet, flooring, walls, lighting, appliances. No wonder so many people freak out or hire a designer or just choose all-white as the safest default.

We’ve chosen, (yes, I’ll post lots of photos), a light green granite for the counters, a copper sink and oiled bronze faucet, these Restoration Hardware sconces and two sorts of tile, cream and an accent that is pale green, rust and cream.

The granite will be honed, which gives it a matte finish. I hate the glare and reflection when working on polished stone in a kitchen; we love it in our bathroom.

We’re skipping upper cabinets in favor of open shelves, also from Restoration Hardware. They’re about one third the cost and I just don’t like the hemmed-in feeling of cabinets.

Here’s the Farrow & Ball colors – cream for the walls, green for the cabinets.

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The floor will be oak, either laid diagonally, (which visually expands the room) or herringbone, which I really prefer.

We’ve bought a Bosch dishwasher, super-quiet — I work a few feet from the kitchen and will be happy not to hear its noise.

In the mid 1990s I studied at the New York School of Interior Design, (and got an A in our color class, from our terrifyingly demanding Swiss teacher.) I did well and learned a great deal, so feel a little more confident than the average bear.

I know, for example, that red and green are complementary colors (think Christmas, but different) so the tones of red/rust and green will work together harmoniously. The cream will be variegated in tone and rough-edged but a neutral. We’ll choose the wall and cabinet colors after everything is installed and I can see how it all relates; we’re doing that work ourselves to save money.

But still…

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A few things that have brought us this far:

— Reading shelter books — aka home design and renovation magazines — for years and creating a highly detailed file of photos for reference, everything from styles of electrical outlets to possible color schemes. When it came time to buy, I didn’t necessarily buy the exact items but I had a visual vocabulary and a coherent scheme. The look I wanted is English country kitchen but a bit rough-edged.

– Reading a wide array of design/home/cookware catalogs for inspiration and ideas.

My Farrow & Ball color chart. We already have F & B colors in our living room/hallway (Gervase Yellow) and bathroom (mustard yellow.)

– Carefully examining others’ kitchens and talking to friends who recently renovated about what they chose and why. Learn from others’ mistakes!

– Knowing our $25,000 budget would be blown before we began, by about $6,000. Fuck it. I’m happy chasing more assignments when I see the results in front of me every day.

– Knowing, liking and trusting our contractor and his workmen, who did our bathroom renovation about four years ago. They were friendly, meticulous and did a great job. We’re happy to see them again.

– Once you start choosing your elements, keep a file folder of photos of all of it for reference.

– If you are adding three-dimensional elements, (like our sconces which are each 10″ wide and 10″ deep), make a mockup and attach it to the wall so you can see it in 3D, and how it fits with everything else before you buy. We made a color photocopy and stuck in onto a 10″ deep piece of foamcore (reinforced paper available at office supply stores) or cardboard.

– Reading blogs like Apartment Therapy, which features everyday renovations almost daily, with the backstory and a list of sources.

– Checking out Houzz for all sorts of design inspiration; they have 362,770 images of kitchens!

– Reading British, French and Canadian design magazines — whose editorial choices are often very different (and to my mind much more interesting) from that of American magazines. Europeans, especially, often live in much smaller spaces and so is ours. The monster American kitchen reno’s typically featured have no relevance for our needs. Nor their huge budgets!

Making your home lovely — on the cheap

In antiques, art, beauty, behavior, design, domestic life, life, Money, Style on March 2, 2013 at 4:31 am

It’s an ongoing challenge for many of us — how to make your home attractive and affordably? Dorm room, shared flat or your very own first house, the basics remain the same: you need charm, color, texture, function and comfort.

The world is jammed with design blogs, like Design Sponge, so there’s no shortage of advice out there for the taking. I love this post — the Ten Commandments of Buying Used Furniture — from one of my absolute favorite blogs, Apartment Therapy.

For you Pinterest fans, here’s a post on using it for this purpose.

I’ve been making a pretty home since I left my parents’ house at 19. Few things are as nurturing and healing as a home that makes you smile every time you open the front door, and few as draining and depressing as hating your four walls, (and ceiling and floor.)

In the late 1990s, I also studied at the New York School of Interior Design, which I absolutely loved.

Here are some of my tricks, and some images from our home:

Consignment shops

You can find terrific deals in consignment shops, (places where people leave quality stuff and hope for a percentage of the sale price.) I snagged a glass pitcher for $12 and a reproduction wooden Pembroke table, at one of my favorite spots in Greenwich, CT, about a 30 minute drive from my home. Greenwich is one of the nation’s wealthiest towns, so their cast-offs are awesome! The table wasn’t super-cheap — $350 — but well worth it; light, versatile, classic and well-made.

Thrift shops

People give away stuff all the time without a clue as to its real value, just to get rid of it easily. Visit often and you’ll score furniture, lamps, china, cookware and linens for pennies.

Auctions

Not every auction house is as pricy or scary as Sotheby’s! I lived for a while in a small town in New Hampshire, and attended a weekly auction nearby for almost 18 months. I learned a lot — like how to distinguish between the real thing and a reproduction or to know that a “marriage” means joining together two pieces that don’t belong together but look impressively old anyway. Read a few books on antiques, and you’ll pick up the basics of what a truly old, (often valuable but underpriced), object looks like. Keep your eye out for lower-priced treasures like quality rugs, serving pieces and candlesticks. This is a fantastic list of every antique term, from a comprehensive British website all about buying antiques.

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I found this flat-weave wool rug for $125 in a Toronto antique store. It had raggedy edges so I bought some black Ultrasuede and had our local dry cleaner add it to each end, for an additional $30.

The wooden box pictured here was about $10 at auction — perfect size for magazines.

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Curbside

Our bedroom door came from the curb, i.e. someone threw it out! It’s probably from the 1930s or so. I like its round brass knob.

Fabric stores

They always have remnants, cheap. Even a yard or two of gorgeous fabric, hand-stitched into a pillow cover, can add pizzazz to your chair, sofa or bed.

We’ve had this Crate and Barrel china cabinet for ages. I got tired of looking at dishes, so added this fun fabric, for about $40, inside the glass. It picks up the room’s theme, which is photos and engravings of Paris.

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Paint

The cheapest way to make everything look fresh and new. A quart of paint  — about $20 or so — can totally change the look of a small bookcase, a stiff cardboard lampshade, stool, chair, table or chest of drawers. Consider adding a hit of pure red, creamy white, glossy black, chartreuse or tangerine.

Save up for the good stuff!

I once waited for years, literally, until I could afford exactly the only lamp I wanted, the Tizio by Richard Sapper, a classic. It cost me a staggering $500 in the mid-1980s, (today, a small version is $300+), but I still use it every day and love it. I’ve never once regretted buying quality. I’m still (!) sitting on the sofa I bought in Toronto in the 1980s, slip-covered. It’s not cheap when you buy it — but if you amortize the cost over 10+ years, it is.

English: Tizio lamp by Richard Sapper (1972)

English: Tizio lamp by Richard Sapper (1972) (Photo credit: Wikipedia)

Shop everywhere

Garden stores, gourmet shops, sporting goods stores. You never know what you’ll find. I snagged a pair of fab pierced metal lamps at the back of a cafe in Minneapolis — for $13.50 apiece. I’d actually just gone there for lunch, but decided to poke around. I discovered sheets of soft, pliable, versatile copper at a local yacht supply store, a great material for lamps, votive liners, even covering a kitchen countertop. Jose was in Tucson teaching a workshop when he found some spectacular talavera planters and plates he shipped home. I hand-carried small framed prints home from Stockholm.

Including places you think you can’t afford

Everyone has sales sometime. Anthropologie has lovely homegoods, often on sale, as well as these sites I love, Mothology and Wisteria.

Use your imagination!

I found an old Chinese wooden frame ($75) and ordered up a custom-cut antiqued bit of mirror to put behind it from a glazier. It’s now our bathroom mirror; total cost $125.

Antique shows and flea markets

I scored a fantastic Moroccan metal lantern for $15 by arriving early at a local antiques fair. I had it sand-blasted smooth for $50 by my local auto body shop and painted it a delicious red from Farrow & Ball. (The coppery metal one beside it is a $12 on-sale find from Pier One.)

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Stock a tool box and know how to use it

Hammer, pliers, staple gun, screwdriver, small saw, wood glue, nails and screws. A small hand-held sander is a great help, easily stored. Keep a supply of plastic dropsheets and foam brushes. Be ready to sand, stain, re-size and re-paint your finds as needed. Or make your own stuff to fit difficult spaces; Jose created three fantastic planters for our balcony from sheets of plywood we cut and painted.

What cool things have you done to make your home lovely on a budget?

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