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Posts Tagged ‘learning to write’

Thank you!

In behavior, blogging, books, business, culture, education, journalism, work on November 28, 2013 at 12:16 am

By Caitlin Kelly

It’s sometimes easy to forget that attention is a gift. We’re all busy, tired, distracted.

So when readers come to Broadside — for one post, or several – I know it’s a choice.

It’s been amazing and inspiring for me to “meet” people from around the world here, even just from reading your gravatars when you sign up to follow. Several of you have become good friends, from London to L.A.

Newest followers include a dancer/choreographer and playwright from Tel Aviv, a retired history teacher in Florida, a country singer from Nashville, and a suburban mum in Britain.

You are one seriously diverse audience!

I appreciate your comments, and especially so when you finally decide to join the conversation — I know many of you lurk, silently. Please weigh in!

London

London (Photo credit: @Doug88888)

It’s been a new privilege to start teaching and coaching, and the response has been terrific, with students coming from Australia, New Zealand, California, Virginia and other spots. Working with Skype is great, as we can see one another and exchange ideas and laughter. The other day, I waved to three small children in Adelaide as their mum and I were about to start a session. So fun!

Selfishly, coming back to teaching and coaching has also offered me a needed and welcome break from the usual routine of pitch/sell/write/revise. As a full-time writer, I’m an intellectual production line of one — the old brain gets tired!

It’s been great to leave my apartment, meet new clients face to face and begin to expand my teaching to other places. It looks like I might be teaching at NYSID, my former school of interior design in Manhattan. I really love teaching, and I’ve missed it. It’s fun to share my skills and help you meet your goals.

Writing well isn’t easy!

For some odd reason, people now think it is or should be or want it to be.

Great writing is really the end product of clear, focused thinking: about topic, tone, voice, diction, rhythm, intent, mood. It has many moving parts, and until they spin together without friction, you’re more likely to hear the nasty grinding of gears than the smooth humming you’d prefer.

So, dear readers, and those of you placing in your trust in my skills to teach and coach you, you’re very much appreciated.

Thank you!

Please sign up now for my webinars: reporting, essays, ideas and more

In blogging, books, business, education, journalism, Media, work on October 24, 2013 at 10:52 am

By Caitlin Kelly

CKELLY HIGH RES

I mentioned this here a while ago.

Now we’re ready to go!

As some of you already know, I’m an award-winning journalist who’s published two non-fiction books of national reporting and writes frequently for The New York Times. My work has appeared in publications in Canada, (Chatelaine, Flare, Toronto Life, Maisonneuve , etc.), the U.S., France, Ireland and New Zealand, including The Wall Street Journal, VSD, Marie Claire and Ladies Home Journal.

I’ve also taught journalism at Concordia University in Montreal, New York University, Pace University and The New York Times Student Journalism Institute. I also recently taught the first webinar here at Kristen Lamb’s online conference, WANACON.

I’m offering six webinars:

Think Like a Reporter

Finding and Developing Story Ideas

Growing Your Blog

Writing for A-List Editors

You, Inc: The Business of Freelancing 

Crafting The Personal Essay.

Each is 90 minutes in length, half of which is saved for your questions and comments.

They range in price from $100 to $200; details, prices, dates and sign-up are all here. After you’ve registered, I’ll email you each directly with the sign-in location for the webinar.

The first is Sunday November 3 at 4:00 pm. Eastern time. 

Finding and Developing Story Ideas will be helpful to anyone who’s freelancing, or hopes to. I’ll talk about which ideas are best suited to websites, newspapers, magazines or non-fiction books — sometimes all of these.

Three recent students say:

“By any metric, Caitlin soars as a teacher, especially her sincerity and kindness. Students don’t care how much you know until they know how much you care. Caitlin embodies that – with the experiences she can share, the skills she can teach, and lives she can change.”

– Amer Taleb

 

Caitlin is an exemplary mentor and teacher. She doesn’t just provide excellent training for the exacting standards and requirements of journalism and authorship, but shares her experience and knowledge readily, offering real, pertinent information and how to use it.

 

She invests herself in those she teaches, helping them to develop the wide array of skills and instincts they will need to succeed in any area.”

– Cadence Woodland

“I enjoyed Caitlin’s presentation very much. As a journalist with only a few years experience, I appreciated her willingness to share her expertise and experiential wisdom. She made herself available for questions afterwards, which was particularly helpful. Her experience was insightful. If you have a chance to take a class with her, don’t hesitate. Great value.”

– Lisa Hall-Wilson

If you have any questions, please email me at learntowritebetter@gmail.com

I hope you’ll sign up — and please spread the word!

Ten Ways To (Seriously) Improve Your Writing

In behavior, business, culture, entertainment, Media, Money, work on September 28, 2010 at 2:18 pm
Author Margaret Atwood attends a reading at Ed...

Margaret Atwood: "Put your bum in the chair!" Image via Wikipedia

It’s commonly said, (among writers who do it for their living), that blood to a surgeon is like rejection to a writer — a necessary part of every day’s work.

Whether a surgeon likes blood is irrelevant. Do professional writers — and ambitious amateurs — enjoy rejection? Irrelevant.

It’s not a game for delicate souls, whether you are paid for your work or hope to, or do not.

I’ve earned my living selling my writing since my sophomore year of college; here are ten issues professionals/ambitious writers take seriously:

1) Study writing. No, you don’t have to sign up to be an English major or get an MFA or try to get into the Iowa Writers’ Workshop. But if you truly want to improve your work, you’ll put your bum in the chair (as Margaret Atwood told me when I asked her how to write) and put your work before the skilled, experienced eyes of a teacher. That might be a workshop, a writers’ group led by a professional, an on-line class. Great writing, like everything that’s excellent, demands discipline and some training.

2) Study with more than one teacher. Every writing teacher has his or her quirks and habits, and the worst students learn to mimic them in order to curry favor. Bad idea.

3) Know what you want to say. Simply emoting about your mean Dad or drunk Mom may feel terrific and be cathartic for you, but without adding clarity, insight and polish, it’s rarely sufficiently satisfying to your readers. What larger, ongoing, universal truth(s) do you also plan to elucidate?

4) It’s all about the reader. Not you. Not impressing your BFF or writing pals whose enthusiasm and support are lovely, but ultimately totally distracting. They are to a writer’s growth as a Mom’s cheering your soccer game are to a coach’s whistle, drills and experienced observations.

5) Who is your reader? Who do you want to read your material? Everyone. Bah! Think again. Car manuals and cellphone instructions and IKEA literature are written to appeal to “everyone.” Who’s your best reader? Do you crave the undivided attention of suburban moms? Ex-addicts? Current addicts? Fellow lovers of hummingbirds/hiking/sushi/petanque? Decide who you most want to grab by the lapels and write for them. Because not everyone is going to love your work. If they do, be very nervous. It’s not necessarily a good sign.

6) Read your work out loud. Yup. Your dog/cat/budgie won’t mind a bit.  Artists look at their paintings in a mirror to catch it from a different angle. Reading your words out loud immediately alerts you to their cadence, rhythm, alliteration. Do they sound good? Do you want to hear more?

7) Let it cool down. Baked goods removed from the oven and consumed too soon — before cooling into the finished product — shred, crumble and waste the energy you spent creating them. Good writing should wait a while before it’s consumed by anyone other than yourself. Great writing can wait even longer. Write something and put it aside for 20 minutes, two days, two months. It will always read better after distance and reflection because you’ll see its flaws and have the dispassion with which to fix them.

8) Criticism is key to success. You’ve got to put your work out there — for review, criticism, thoughtful replies. Your work must be read by serious and ambitious writers/teachers/agents/editors. Some of them will have the skill to offer helpful insights, (some of which may surprise you or make you uncomfortable), and the generosity to do so.

9) You are not your writing. Until or unless you can separate yourself from the most intimate and private thoughts you share publicly, you’re toast — because you’ll overly personalize even thoughtful-but-challenging comments on your work as an attack on you. Wrong! As one pro writer friend told me, when I had to revise 10 chapters (there are only 12!) of my new memoir: “You’re a mechanic. Fix the engine.”

10) Rejection is essential. For many reasons. It means you’re actually putting your work and ideas out into the intellectual marketplace. Picture a bustling farmers’ market. Is everyone selling the same amount as quickly? Probably not. They know, and hope for, the best — a percentage of their goods to sell. If they go home with an empty truck, score! But they are wise not to expect it because they, like many others, took the risk of working hard to grow it, truck it and put it out for sale. No farmer expects buyers to coo over the beauty of their rutabagas. They have nutured their products with much hard work — but are able to remember that they are selling a product.

I have sold two non-fiction books to two commercial publishers. (And written another four or five  full-length book proposals, circulated to many editors, that did not sell.) I’ve been through six agents, three of whom were very good, one of which — the final one — is truly excellent.

She’s very tough! We’ve even had shouting matches on the phone, as two hard-headed perfectionists hammer it out. Better to have so demanding an expert than some chatty, happy milquetoast who can’t sell my stuff.

Every day, these editors and the agents who put our work before them, are inundated with competitors. Both of my books were rejected by 25 others before they were bought. My agents kept on plugging because, as good agents do, they believed in the projects and in me.

What if  I’d just given up, in floods of weeping and teeth-gnashing despair, after the 11th or 14th — or second — rejection?

Here’s a great post on this subject. And another.

At ASJA Today, Professional Development Day — See You Tomorrow

In business, Media on April 23, 2010 at 7:40 am

Today is the annual conference of the American Society of Journalists and Authors, whose board meeting was yesterday — I’m on its board, along with a dozen others from all over the country, from a New York Times’ best-selling author from Virginia to an environmental writer from Florida to our president, who’s leading our good, endless fight against Google scanning our books — with no pay to us.

I’ll meet three new-to-me editors today, in a sort of speed dating kind of way, hoping to win assignments from them: two are from big national magazines and one website. Our group has almost 1400 members and I look forward every year to seeing old friends, some of whom I’ve featured here, whether Greg Breining, who writes about the outdoors in Minnesota or Maryn McKenna, whose terrifying new book Superbug is about MRSA. This year Greg was in charge of our mentoring program — for $50 you get 30 minutes with an accomplished writer to ask them anything you want; one of my former mentees, Lisa Palmer, is now too busy with work to attend!

If you’re ever looking for a place to make new friends, meet smart colleagues and learn a ton, consider joining us in Manhattan tomorrow at the Roosevelt Hotel or find us on-line.

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