Do you live to work — or work to live?

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Do you ever just STOP and take a breather?

 

By Caitlin Kelly

This recent blog post by a good friend — an American living in London — once more reminded me of what I value most…time away from the grind of work:

Last September Jeff and I spent a week in Greece and it was one of the most relaxing and restorative breaks I’ve ever taken in my life. It may be a silly thing to say about a fairly standard holiday, but it felt like a profound experience at the time. I needed it badly, felt great after I got back, and the sense of refreshment stayed with me a long time. When I was back in London I was emotional balanced, better at my work, and much better equipped to handle the flow of projects. We were in our 30s and this was the first holiday Jeff and I had ever taken that didn’t involve family or friends of some kind. There was no agenda, no purpose to the trip except to press pause on life for a moment and the positive effect of doing so was intense.

And then, like an idiot, I waited nearly a year to take significant time off again. It showed. I was getting anxious and overwhelmed by things that would not have phased me in a more rested state.

It’s not easy to take a proper holiday when you live far away from your family, losing a day each way to travel, (driving or flights, usually), plus cost.

You only get so many paid vacation days and then…they’re gone!

It’s also difficult if you’re burdened with debt, have multiple children and/or a very tight budget.

 

A holiday doesn’t have to be luxurious, but it does mean time for farniente — literally do nothing.

 

Relaxing.

People like Jose and I work freelance, which means that every day we don’t work we don’t get paid — and our bills don’t magically drop in size and volume. (Our health insurance alone is $1,400 every month, more than our mortgage payment.)

Even so, I usually take at least six weeks every year to not work, even if it’s just sitting at home.

American work culture isn’t as bad as Japan’s where karoshi — death from overwork — is real. But its savage demands of low wages, a thin social safety net, precarious employment, almost no unions — plus the insane costs of a university education — combine to keep too many Americans working with few breaks.

And —  how dare you look “unproductive”?!

Here’s my whip-smart pal Helaine Olen, writing on this in the Washington Post:

The United States is, famously, the only First World country that does not mandate employers give employees paid time off. (That includes Christmas and Thanksgiving.) In Canada and Japan, workers must receive at least 10 paid vacation days, and the Canadians also enjoy a number of paid official holidays. The European Union mandates all employees receive 20 days off annually — and that also does not include paid holidays. But in the United States? Nothing.

Instead, the wealthiest among us boast of their work habits — both Rupert Murdoch and Ivanka Trump (before her recent work-life family balance makeover) bragged that they would stop in their offices on Sundays to encourage their workers to do the same. Sheryl Sandberg urged women to lean in by going home and having dinner with the kids — and then signing back on the computer to catch up. At the same time, we all but demonize those who don’t have employment or can’t get by on what they earn.

I still enjoy writing, but I’ve been doing it for a living for decades and no longer seek the career-boosting thrill of a Big Magazine byline.

I’d love to write a few more books, but this year has been dis-spiriting — both of my book proposals, (which cost unpaid time to produce), have each been rejected by more than three agents. Not sure if I’ll keep trying with the second one.

 

Do you work to live or live to work?

 

Has that changed for you over time?

A literary con artist exposed

 

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Wannabe an author?

 

By Caitlin Kelly

Few things are as seductive to newer/less-published writers as the glittering promise of smoothly guaranteed access to an agent and editors and movie deals and television series.

Workshops in Irish castles and Tuscan villas.

Baring your soul in a room full of other ambitious writers, guided gently by a wise, kind mentor.

Feeling lucky and grateful to have found someone who wants to help you and whose charm and skills and self-confidence are deeply reassuring.

You, too, can be just like her!

 

Here’s a wild tale now racing around American social media circles, about a woman named — (most recently!) — Anna March, whose name I immediately recognized as someone who belonged to several on-line women’s writing groups I participate in.

Turns out, she changed her name repeatedly, took money from writers to help with their manuscripts and promised them access to some of the toughest outlets — she’d sold an essay to The New York Times’ column Modern Love, the equivalent in our world of winning a Nobel Prize; at a NYC conference this spring, I heard its editor, Daniel Jones, tell a crowded room the odds of getting published there are worse than getting into Harvard, (whose acceptance rate is 5.6 percent.)

March knew exactly which buttons to push to enlist ambitious women and lure them into her schemes:

Access

Everyone’s desperate for access to the top editors and agents. Rejection is wearying and dis-spiriting and anyone who says they’ll make it easier…sign me up!

Mentoring

No one can do this work alone, and many of us (me, included) coach other writers. Isolation often means over-relying on social media to connect with people who says they’re a peer, and assuming the people offering you their help — for money — are legit. The difference? I’ve actually published two books.

Sisterhood

Puhleeze. She was quite skilled at persuading women what a great and supportive feminist she is. I’m a tough old boot so this shit doesn’t do a thing for me; actions, not words.

Solidarity

Writing is a lonely and difficult business so when someone is supportive and kind, you think, whew! She gets it.

Here’s a bit of the story:

March had never published a book but had been quietly working literary Los Angeles’ social media connections for months. A spunky, unapologetic, sex-positive feminist ready to raise hell, she was supportive and flattering. She was also conspicuously generous — concerned about the line of people waiting to get into the party, March asked a pair of new acquaintances if she should give $20 bills to those stuck on the sidewalk. The bill for the night would total more than $22,000.

Why is she doing this? people asked, stealing glances at March.

Some had a larger question:

If something or someone sounds too good to be true…it usually is.

NY Daily News halves staff; an ex-reporter, some of my memories

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One of my notebooks, complete with coffee stains! That funny thing in the middle is a stylized early camera, and the News’ logo, as it was once the city’s picture paper…

By Caitlin Kelly

It was, when I worked there in 2005 and 2006, the sixth-largest newspaper in the United States, with 600,000 readers, a real source of pride. Today it’s down to 200,000.

This week its owners Tronc (ugh, what a name) fired half of the Daily News staff — including almost every photographer and sports reporter– insisting their latest gambit will be a focus on breaking news.

Oh yeah, that thing that Twitter already owns…

Some details:

 

Media conglomerate Tronc bought The Daily News in September, adding it to a stable of other newspaper and magazines that includes The Chicago Tribune and The Baltimore Sun.

The Daily News, once the country’s largest-circulation newspaper, has been among the most aggressive New York City publications in its coverage of President Donald Trump, with the newspaper’s cover often needling Trump about recent scandals or missteps.

The paper has received 11 Pulitzer Prizes including one in 2017 in conjunction with nonprofit investigative organization ProPublica for coverage of evictions based on obscure laws that pushed business owners and residents from their property.

My year at the News was the weirdest, most stressful and eye-opening of my career in journalism — and I’d already worked for the Toronto Globe & Mail and the Montreal Gazette, both broadsheets, a name that denotes the physical size of a newspaper as much as its more sombre approach to news.

The News is a tabloid, a whole new world.

I hadn’t worked in a newsroom in 20 years when I was hired there, thanks to a manager I’d known and worked with in Montreal who came to New York from Chicago to run the paper.

For him, and for me, it was a poor match; he’s British and Canadian and didn’t know the five boroughs of New York City intimately, tribal lore for anyone working at the News. Neither did I.

The paper used to inhabit a gorgeous Art Deco building on 42d Street; I arrived to their offices on the very western end of 33rd Street, sharing a building with the Associated Press.

The newsroom didn’t even have cubicles, just a huge bullpen stretching a full city block, sunlight straggling in through clerestory windows.

I stepped into a 1940s movie, full of guys in suspenders and gold chains who liked to yell at one another and saw two co-workers edge up to a fist-fight over a noisy cellphone.

As my manager-to-be greeted me for my job interview, he eyed my outfit, (no blazer or jacket): “You packing?” My first book was about women and guns.

Never dull!

As a reporter there, I quickly discovered a city I hadn’t known before — the News’ reader’s median household income was $44,000 — maybe a healthy salary elsewhere but not much in New York City.

I drove alone to Harlem and the Bronx and Queens, getting to know its lower-income neighborhoods and residents. (I once got into such an altercation in the Bronx over a street parking spot I had to call the cops in fear of attack.)

I did a stake-out in Midtown in sweltering summer heat and humidity, which meant sitting on the sidewalk for hours — surrounded by all the competing press — waiting to nab an interview with a Quebec tourist who’d been attacked. (I got the assignment after the city editor hollered into the newsroom: “Who speaks French?!”)

I kept sneaking into the hotel to find her, only to be caught and thrown out by a furious security guard. This, after a New York Times reporter followed me into the elevator, guessing I knew where I was going and trying to match it.

I ducked into the ladies’ restroom to ditch him.

I interviewed an African-American family who showed me a blanket with images woven into it of their slain son.

I spoke with legal aid attorneys in the Bronx.

I interviewed the father of a soldier whose helicopter had fallen off a mountaintop in Afghanistan and women soldiers suffering from PTSD.

I broke a national story about how many crimes occur on cruise ships that, for many reasons, go unreported and unaddressed.

We spent a brutal afternoon listening to 911 calls from the attacks on the World Trade Center.

Digital advertising has stripped away newspapers’ primary income stream, and newsgathering — even with crappy salaries — isn’t cheap.

It’s a tough time now to be a staff newspaper reporter.

I’m glad I had the chance.

 

 

 

How to create a lovely outdoor space

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By Caitlin Kelly

Our balcony is on the top floor — sixth — and it’s 72 square feet of heaven. The minute it’s warm enough, we’re out there from dawn to dusk, savoring birdsong, Hudson River views, stars and cool breezes.

It’s not that difficult to make a small space affordably cheery and welcoming, but it can feel overwhelming when you start. Ours has zero inherent charm — red brick walls and a grey painted concrete floor.

Think of your outdoor space — whether a patio, balcony, terrace, verandah — as another room of your home with the same needs: comfortable seating, lighting, something soft and pretty underfoot — lots of color and texture.

Some tips:

Choose a color scheme and stick to it

Blue and green are perennial favorites, mimicking the colors of nature. If you’re in the city, surrounded by concrete — maybe bright yellow or brilliant fuchsia is more your speed. Ours are a light olive green, cobalt blue, navy blue and white. I chose our plant colors as well to play nicely with our cushions and tablecloths — planting only blue/purple lavender and salvia, deep purple lobelia and lantana — plus bright pops of orange.

 

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Invest in solid, attractive planters, pots and window-boxes

Jose’s my in-house carpenter and has twice designed and made lovely wooden planters, lined with plastic and gravel. Made of simple plywood, we painted them green and added a glossy navy blue trim for contrast.

Over the years, we’ve added some quality pots of varying sizes, (all in blue and green), a growing investment. If terrible weather looms (hail!), bring them indoors when possible and store them away from ice and snow. I found these fantastic navy blue ceramic planters this year at Home Depot.

 

Create a comfortable seating area

It might be a few chairs (please, not flimsy plastic!) —  woven bistro-style or durable powder-coated metal or a wooden bench or a lounger. Years ago, my first husband built a solid six-foot-wide wooden bench that I’m still using 25 years later, albeit with replaced top and bottom. With three wide cushions on top, it becomes a banquette, while also storing all our hardware, painting tools and leftover potting soil.

We’ve collected throw pillows for years, some custom-made from vintage fabrics, some custom-made of new fabric and some store-bought. We lean them against the (sturdy) glass divider separating us from our neighbor and — voila! — dining/seating area.

 

Shade?

If your space offers no natural shade, consider a patio umbrella or, if you own your home, an awning.

 

Table?

How big a table can your space accommodate? Ours is 36 inches wide and perfect for dinner for four. Yours can be made of pretty much anything, (wood, metal, glass), but will need to withstand weather! Ours is a powder-coated model from Crate & Barrel, and has lasted for many years. It’s light enough to move easily and folds flat.

 

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Lighting matters

This can be the most challenging. This year I scored three gorgeous, huge lanterns from one of my favorite sources — Jamali Garden — a Manhattan-based company whose selection of every possible garden-related item is both fantastic and surprisingly affordable. Mine were (!!) only $17 apiece — much less costly than competing offers from Pottery Barn or Crate & Barrel. I also bought 12 navy blue votive holders to line our windowsill. You can string Christmas lights, use hurricane lamps, even (if safe enough!) old-time kerosene lanterns.

 

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Rugs!

We have a very large plastic one (blue and white, of course) but this year I added a small blue and white rag rug for under my feet. Much nicer! There are many options now for outdoor rugs and even if it sounds impossibly splurge-y, it’s a great choice: they can be hosed down, stored during the winter and soften and cover nasty stone/concrete/worn-out wood beneath.

 

Plants and flowers

I’m not a great gardener, for sure, but opening our balcony door to a profusion of color and scent is such a treat! The tallest planter this year holds fragrant lavender and rosemary, while the purple salvia is a positive bee-fest. Make sure whatever you choose is suited to the amount of sun, shade and wind of your outdoor space.

There are so many great retail sources for all of these items — but don’t forget your local thrift and consignment shops, estate sales and flea markets, with lots of charm and low prices. Consider re-purposing a bright Indian-print coverlet as a tablecloth…

My favorite (American) retailers for outdoors design and accessories include:

Ballard Designs, Serena & Lily, Fermob, Wisteria, Frontgate, Jamali Garden, Crate & Barrel, Mothology, Anthropologie.

Who’s ruling you?

 

 

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MUST BE PRODUCTIVE — ALL THE TIME!!!! (not!)

 

By Caitlin Kelly

Love this piece by friend, former coaching client, author, Viv Groskop — a UK comedian and journalist who’s (natch) a Cambridge graduate who also speaks fluent Russian, from UK website The Pool:

Although it sounds like you need to say it in Jonathan’s voice in your head (“Yas, queen, brules!”), brules are genius. They are the “bullshit rules” you’re living by without knowing it. They’re another term for “limiting beliefs”, a popular expression that describes unnecessary myths and outdated values that not only don’t serve you any more but may even never have been true in the first place. If you can identify your “bullshit rules”, you can see clearly where you’re holding yourself back.

I see so many people making themselves unhappy living by other people’s rules — those of their parents, their peers, their neighbors, their friends, their co-workers.

And I hear so many (broke, resentful, frustrated) Americans say: “But I played by the rules!” As if the people who make the rules (banks, insurance companies, government) actually have to abide by them.

Life is short and living by other peoples’ rules that make you miserable can feel safe and secure — everyone else is OK, right? — but can be a real waste of time.

I was lucky enough to grow up in a family of creatives — my father made films and my mother and late step-mother were writers — so the notion I had to get a “real job” sitting in an office wasn’t ever one of our rules. (Be charming! Compete hard! Keep going! were more like it.)

 

Some of the “rules” I live by:

 

— Make as little money as possible in the least amount of time. Every day I see fellow writers crowing about their six-figure incomes — i.e. making $100,000 a year — a sum I never attained, even in my best-paid NYC journalism staff jobs. We have decent retirement savings now, so the pressure to make bank is lower than it was, and is, for many. I’ve never measured my human or professional value based on my income. I’m most proud of our savings, a more valuable figure because they give us freedom.

Sleep a lot. I typically sleep 8-10 hours every night, counter to the I’m-so-busy draaaaaaaama proving how “productive” some are. I also take naps, as needed. I’m not ashamed of my need to rest and recharge.

I’d rather be creative than productive.  I make much less money than some others, but I’m also not cranking out shit I find silly or stupid. People do what they have to financially, but after decades working as a writer, if a story doesn’t engage me intellectually or emotionally, no thanks.

— I enjoy cooking and cleaning. Our marriage is pretty retro in that regard and I do almost all the housework since my husband is earning the bulk of our income right now. Working at home makes this much easier for me, not losing hours every day commuting to an office.

— Travel as often and far away as possible. This definitely affects my thinking on everything — if something costs the same as a plane ticket or a week spent abroad, travel always wins! I just had lunch with a friend this week who’ll soon be teaching in Hong Kong for four months, a place I’ve never been. Hmmmmm. Time for a visit?

 

What are some of the rules you live by?

 

 

A few more thoughts about feelings

 

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By Caitlin Kelly

 

It’s been quite the rollercoaster, kids!

First off — very good news! My surgery July 6 went great and I’m free of disease.

What a blessed relief. I start radiation treatment in September.

But…what a disorienting time it’s been.

Jose, my husband, and I are career journalists — who, since the age of 19 when we began working for national publications even as college undergrads — learned early that having, let alone expressing, our feelings was an impediment to just getting shit done.

When you’re on deadline, no matter how stressed/tired/hungry/thirsty/in pain you might actually be, you have to get the bloody story done.

Jose, working as a New York Times photographer, once stepped on a nail so long it punctured his boot and his foot while covering the aftermath of a hurricane in Florida. He’d flown down — yes, really — aboard Air Force One, as he’d been in Connecticut covering Bush. He got a tetanus shot as the jet took off to head back to New York.

But this has meant, for decades, whatever we truly felt in a difficult situation — also listening to and photographing war, trauma, crime victims, fires — we suppressed our fear, grief, sadness. It might have popped out later, privately, or not.

Ours is not a business that welcomes signs of “weakness” — you can lose the respect of peers and editors, losing out on the major assignments that boost our careers if you admit to the PTSD that can affect us — even if it privately stains our souls with trauma for years.

This cancer diagnosis, and the sudden and reluctant admission of my own very real vulnerability, blew my self-protective walls to smithereens.

I’ve never cried as much in my entire life, (I never was one to cry), even in the toughest situations, as I have in the past month.

Tears of fear and anxiety.

Tears of gratitude for friends’ kindness.

Tears of pain. It’s a much rougher recovery than four previous surgeries on my knees, shoulder and hip.

Tears of pure exhaustion from being medically probed and punctured for weeks on end.

Tears of worry I won’t get back to being wry, wise-cracking me. (If not, who will I be?)

I feel like a lobster cracked open.

I’ve spent my life being private, guarded and wary of revealing weakness, vulnerability or need.

My late step-mother loved to taunt me as being “needy.” That did it.

I was bullied in high school which taught me that authority figures who did nothing to stop it didn’t care about me as a person, just a number in a chair.

But this has been life-changing — not only in the rush of so many negative emotions — but the kindness, gentleness and compassion I’ve also felt with every single medical intervention. Ten minutes before being wheeled in the OR, I was laughing with my surgeon and her nurses. That’s a rare gift.

I also feel some shame at how infantile one becomes — focused with ferocious selfishness  — memememememememe! — when in pain and fear. Two dear friends were widowed and another’s adult daughter died of cancer within the same month as all of this, and it’s taken a lot of energy to offer them the attention and love they so need.

People have offered to talk to me about their experiences of breast cancer. I can’t. Too often, they plunge into detail and I can’t listen, process and empathize. It’s too much.

That may be my own weakness, because feelings can feel so overwhelming.

Interesting times….

 

My tribe — journalism

By Caitlin Kelly

 

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One of the many reasons I still enjoy journalism  — after working in it for more than 30 years — is the people who choose to do it for a living: smart, sharp, a quick learner, down-to-earth and a team player.

I’ve worked as a staff reporter and feature writer for the Globe & Mail, Montreal Gazette and New York Daily News, each of which offered some wild adventures. At the Globe, I covered a Royal Tour across three provinces and met Queen Elizabeth aboard Brittania; at the Gazette I flew into an Arctic village of 500 people and came home through an iceberg and at the Daily News broke stories like the DHS — back in 2006 — holding onto migrant children.

If you’re not, always, insatiably curious — the kid who drove your parents and teachers and professors mad with questions and challenges — it’s not a great fit.

 

It is our job to challenge authority.

 

Right now in the United States, we’re massively and daily under attack, even to the point of murder — as five journalists, a mix of writers and editors, were murdered at a small local paper in Maryland, The Capital Gazette.

This is what I’m talking about:

One week after the shooting at the Capital Gazette newspaper in Annapolis, Maryland, President Donald Trump put an end to any speculation that the tragedy could lead to a truce in his unrelenting war on the news media.

“Fake news. Bad people,” Trump said, pointing at the news crews covering his rally Thursday in Great Falls, Montana, as the crowd went wild.

“I see the way they write. They’re so damn dishonest,” Trump said. “And I don’t mean all of them, because some of the finest people I know are journalists really. Hard to believe when I say that. I hate to say it, but I have to say it. But 75 percent of those people are downright dishonest. Downright dishonest. They’re fake. They’re fake.”

“They make the sources up. They don’t exist in many cases,” he continued. “These are really bad people.”

This, from the President whose latest Cabinet member just resigned mired in scandal, Scott Pruitt.

I’m appalled by Trump’s incessant lies and hostility toward us.

Watch his spokesman, Sarah Huckabee Sanders, actually insult reporters during White House press briefings and you wonder why anyone keeps showing up to give her the opportunity.

Watch the 2015 film “Spotlight” –– which won the Academy Award for Best Picture and is based on a true team working at the Boston Globe to uncover sexual abuse in the Catholic Church — for one of the best and most truthful depictions of our work.

People who know nothing of journalism or why most of us do it or why we believe it’s of essential value to any functional democracy — at its best, speaking truth to power — can easily spit on us and scream at us or, as several have, kill us.

 

According to the Committee to Protect Journalists, 46 of us died on duty in 2017 — six of them freelancers like me.

One of them, Kim Wall, was a massively talented young woman who went out on a submarine in Denmark to profile its inventor. He murdered her, dismembered her and threw her into the water.

It stunned every one of us who — by definition  — have to be self-reliant and often go out alone on assignment to meet people whose character and motives we do not know.

It creates foxhole camaraderie.

So I wrote this story, which ran last week on Poynter, a website devoted to journalism, (named for its benefactor) about long-term newsroom friendships, quoting (among writers from the L.A. Times, New York Times and Wall Street Journal, a friend and highly accomplished science writer Maryn McKenna:

 

McKenna thinks that’s, in part, because of Foxhole camaraderie. Journalists work weekends and holidays and have to deal daily with sources who don’t want them there.

“That all tends to build a gestalt of: ‘The outside world doesn’t understand us, so it is up to us to appreciate each other.’ There’s definitely a journalistic personality — we’re simultaneously deeply cynical and utterly committed to old-fashioned virtues of truthfulness and accuracy and grinding hard work — and the stresses of journalistic practice make it clear pretty quickly who in the newsroom shares those values and who doesn’t. Once you find people who do share them, you cling to them.”

The power of comfort

By Caitlin Kelly

When we’re feeling anxious, few things are as helpful as comfort.

It can be difficult for some people — private, feisty, super-independent — to open up wide enough to admit: “I need help!”

*cough*

But if you can, and if people respond with love, my oh my…

Self-soothing is also a crucial life skill.

It might be food or drink or a hug or a hand to hold.

 

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My pre-op nerves soothed  by a tiny rhino. (Good band name!) It went well.

 

It might be a stuffed animal, whether you’re six, 16 or 60.

It might be a kind word in the middle of a tough moment or a gentle touch.

It might be a bright bouquet of flowers.

It might be a lovely notecard — on paper, sent with a stamp — that arrives just at the right time.

It might be the loving presence of your dog or cat — or husband/wife/partner.

It might be a view out the window of something lovely that soothes you.

It might be your favorite music.

It might be a familiar poem or prayer.

In a time of some personal anxiety, I have been truly grateful for all of these, arriving from Dublin and Paris and London and Hawaii.

Some of you have commented here and some have emailed me privately.

 

Thank you!

 

Carpe the damn diem!

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All the time in the world? Maybe not…

 

By Caitlin Kelly

 

You know how this goes.

I’ll do it: tomorrow, next week, next month, next year.

Sometime.

But not right now.

I’m too: busy, tired, broke, otherwise committed, ambivalent, not sure it’s going to work out perfectly.

It might be trying for a dream job.

It might be repairing a broken relationship — or starting a tender new one, romantic or platonic.

It might committing to a course of study.

It might mean selling everything you own and/or disappearing for a while (not abandoning your loved ones.)

 

Whatever it is, I urge you to get on with it.

 

It’s the worst cliche, but a cancer diagnosis — even one as incredibly hopeful as mine is — will instantly alter how you perceive time and its brevity and its value.

I’ve cut off useless drama. I’ve turned down invitations. I’m avoiding situations I know will stress me further.

But I’m also making and planting gorgeous new wooden planters for our balcony and accepting assignments for later this summer and planning a trip, possibly to Cornwall, in the late fall.

Two dear friends — one in London, one in California — were widowed in the same week. Both were, sadly, expected but still.

Now another friend’s husband is newly diagnosed.

 

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This time last year I was carefree, solo, sunning myself in a tiny, beautiful Croatian town on the Adriatic, Rovinj. I stayed in, and loved, a boutique hotel made up of two buildings from the 18th and 17th century, walking down smooth cobble-stoned streets.

If this had happened last year, I would have lost a ton of money on prepaid flights, tickets and hotels and had to cancel a trip that was absolute heaven.

This year I’m walking down hospital corridors and consulting with six physicians, submitting to seven presurgical tests and procedures — slightly less amusing!

I am so glad I was able, financially and physically, to make that journey as a birthday gift to myself.

To take it for myself.

To give it to myself without reservation or guilt or remorse for that “wasted” time or mis-spent savings.

 

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Whatever brings you joy, get out there and claim it.

 

Today!