By Caitlin Kelly
I need help!
Everyone has an obsession, right?
Mine seems to be shelter magazines, the industry word for magazines focused on interior design. Stacks of them fill baskets, bookshelves and bags around our apartment, and I part with them reluctantly, only because there’s no room.
I grew up, ages 8 to 16, in boarding school and summer camp, which I’m sure has something to do with this. Boarding school meant sharing a room with at least 3 or 4 others, sleeping in a twin metal bed with an institutional chenille or cotton bedspread. Summer camp meant sharing with 3 or 4 others and sleeping in a wooden bunk-bed, its only “decoration” the graffiti of earlier residents on the raw wood.
So beauty, comfort, style and elegance matter a great deal to me.
I’m able to keep my wallet snapped shut and stay off of most on-line shopping sites, but…but…oooohh, I do love a gorgeous fabric and have splurged multiple times ordering fabric-by-the-yard and having it made into custom throw pillows or curtains.
I had our old Crate & Barrel sofa refreshed with new bold piping on the seat cushions and had these throw pillows custom-made. Adding piping or welting always makes it look more finished.
Because Jose and I so enjoy entertaining, it’s nice to open the door and feel completely at ease that our guests will enjoy a pretty, comfortable environment.
I also studied interior design seriously in the mid-1990s at the New York School of Interior Design, planning to ditch journalism and change careers. But my husband bailed and I couldn’t afford to work for $10/hour to start at the bottom. I loved my classes and now really appreciate what training and skill it takes to create a spectacular space.
My parents each had terrific taste, collecting art and antiques. My father had a gorgeous Knole sofa I still remember decades later. My mother brought home lovely mirrored textiles from India and pale mantas from Peru.
And my maternal grandmother inherited a pile of money and hired Toronto’s best interior designer to furnish her apartment and, later, carriage house. I still remember a spectacular orange wallpaper from her powder room.
Our living room curtains, lined, custom-made maybe a decade ago. Lots of colors to work from in here; that pale yellow-green (Farrow & Ball’s Gervase Yellow) is one of them.
So I happily spend hours paging through other people’s homes, whether a villa in Tuscany, a cottage in Muskoka, Ontario or a 17th. century pile in some bit of rural England. I’m not especially drawn to opulence, and much prefer simplicity, like 18th century Swedish designs or the work of Axel Vervoordt.
I love The English Home, as much for its amazing early houses — some 400 or 500 years old — as the distinctly British sense of color and design. All those tall, tall windows, lined chintz curtains and dressing tables.
On my last visit to London, my pal Cadence, author of Small Dog Syndrome blog — who knows my love of textiles — took me to the Cloth Shop, a legendary London store that supplied fabrics and ribbons to the costume-makers of the Harry Potter films. I bought a lovely teal fabric that now covers our bed headboard.
Two Farrow & Ball colors; French Gray and Peignoir (the lavender one). The drawers were custom-built into a former closet and this is the corner of our small dining room.
And, because I am a complete Farrow & Ball fangirl, I traveled 2.5. hours one-way by train and taxi in July 2017 to visit their paint and wallpaper factory in Dorset and meet one of their two heads of color, Charlie Cosby; here’s an interview with her and some explanations of their quirky paint color names, like Dead Salmon, Clunch and Elephant’s Breath.
Here are a few of my favorite go-to design retailers: Wisteria, Ballard Designs, Jayson Home, Anthropologie, Mothology, Dash & Albert, Serena & Lily.