By Caitlin Kelly
There’s no way past it. If you’re going to read a blog written by a journalist…
The Devil Wears Prada
I’ve seen this 2006 film so many times I know much of the dialogue off by heart and always look forward to my favorite scenes.
It follows the trajectory of Andrea Sachs, a gormless fresh graduate, who is very serious about journalism, stuck in a first job — at a NYC glossy fashion magazine — she neither wants nor respects. It’s a job.
This one always hits me!
It’s set in Manhattan, with key scenes in buildings and locations holding some great memories in my own writing life.
It’s really about what it takes to pay dues, to go along and get along in a rough and unfamiliar environment.
The price of ambition.
There are some lovely scenes in Paris as well.
Lots of arguments about whether her friends are true friends, or people who have no clue what it really takes to get ahead in this brutally competitive industry.
Plus, Meryl Streep and Stanley Tucci and acres of gorgeous clothes and accessories.
It was made for $35 million — and has earned almost 10 times that since.
I know of no other film that so abundantly makes clear what it takes to do really slow, really detailed, really deep reporting work, aka investigative journalism. It won Best Picture for 2015 and richly deserved it.
It follows a real team of four reporters at the Boston Globe who dug up a rats’ nest of priest’s abuse. There are scenes that should be required viewing in every journalism class, like the one where Sacha Pfeiffer (played by Rachel McAdams) has to coax grim details from a male abuse victim.
No one who hasn’t done this work — and especially those who loathe and insult journalists — can really grasp the emotional intelligence (empathy, compassion, patience) it takes to get victims to share the stories that can, sometimes, create tremendous political and legal change.
I’ve watched this one many times and never tire of it.
It also makes very clear the tremendous pressure often placed on senior newsroom management by powers-that-be eager to shut down some unwanted attention.
And the military chain-of-command that still runs most newsrooms.
And the balls-to-the-wall determination it demands of reporters to keep chasing elusive answers.
Plus, again — Stanley Tucci!
Absence of Malice
This is an older one, from 1981, with Sally Field as a reporter and Paul Newman as the subject of her story.
Nominated for three Academy Awards, and written by a former newspaper editor, it addresses when, how or if a reporter should ever have a romantic relationship with someone they’re writing about it.
It also shows that speaking to “civilians” — regular people who don’t understand how journalism works — can wreak havoc on their lives.
Some of our collection of laminated press credentials….
All The President’s Men
Better known to those who love it as ATPM, this follows the Watergate scandal that brought down former U.S.President Richard Nixon, and the two Washington Post reporters — Carl Bernstein (Dustin Hoffman) and Bob Woodward (Robert Redford) — who broke the story after many months of reporting and a lot of internal and external doubt whether the story was true and verifiable.
Jason Robards is terrific as the Post’s patrician editor, Ben Bradlee, with his Gucci-clad feet on every desk.
It’s a total boy-fest, with almost no women involved in the editing or reporting, but still so worth watching.
For an entire generation of would-be journalists, Woodward and Bernstein were the ultimate role models.
Michael Keaton and Marisa Tomei — and Glenn Close — star in this send-up of New York City tabloid journalism. Having worked at the NY Daily News, I get it now!
If you want a glimpse of what newspaper tabloid life is like, this is it.
A Private War
This is a recent film, from 2018, about the legendary American foreign correspondent, Marie Colvin, played by the excellent British actress Rosalind Pike.
Colvin had already lost an eye covering the Tamil Tigers in Sri Lanka but never stopped worked in dangerous places.
She was killed while on assignment in Homs, Syria, Feb. 12, 2012.
And guess who’s in the cast?