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Archive for the ‘antiques’ Category

The joy (?!) of housework

In antiques, behavior, domestic life, family, life, women, work on August 20, 2016 at 12:29 pm

By Caitlin Kelly

OK, you think, she’s lost her marbles — for good this time.

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The ikat is for our headboard, the check for side tables

How can anyone enjoy housework?

 

I do.

Here are 10 reasons I enjoy cleaning our home:

  1. Jose — my husband, a photo editor and photographer — and I are now both full-time freelance. That means spending a lot more time, together, in a one-bedroom apartment. It’s not only our home, but on many days also our shared work space.  If it’s not tidy, clean and organized, we’re toast. Where’s that check? Where’s my invoice? Have you seen my notes?! Not an option.

Housework also offers me a quick, physically-active break from the computer.

Because I lose no time to commuting, I don’t resent spending 20 minutes a day making sure our home is in good order.

 

People who spend hours just getting to and from work every day — and/or caring for/ferrying multiple children to multiple activities — have much less time available to do anything, let alone clean the bathtub.

 

2.    We live in a small apartment.

There’s no extra wing — or bedroom or bathroom or unfilled closet (I wish!) in which to stash all the junk. If it’s out, we see it. So we spend a lot of time putting stuff away.

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3. Jose does all the laundry.

Every bit of it, every single time. I loathe doing laundry, (machines in our apartment building basement), and am grateful he actually enjoys doing it. Plus he gets to hear all the building gossip.

And I (yes) really enjoy ironing.

 

4. I spent my childhood in institutional settings — alternating between boarding school and summer camp, ages 8 through 16.

That meant sharing space with two to four other girls, stuck with ugly, uncomfortable iron beds at school and plain wooden bunks at camp. School offered basic cotton coverlets and faded paper wallpaper.

Always someone else’s tastes and rules.

I’m so fortunate now to own our home, one in which we’ve invested care, sweat and two major renovations.

In world where so many people are homeless — the indigent, refugees living in tents for years — to have a home that is clean, safe, private and ours?

I treasure it.

5. In boarding school we were graded daily — with a sheet of paper taped to the bedroom entrance — on our neatness. I always got terrible marks which meant I had to stay in at weekends and/or (yes, really) memorize Bible verses as punishment. I can think of fewer more effective ways to make someone hate being tidy.

Today it’s wholly my choice, freely made.

Yay, autonomy!

 

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A table set for one of our dinner parties

6. We own lovely things, many of them old.

It’s my joy and pleasure to take good care of them for whoever gets them next time around. We have no kids, so who knows…A friend? An auction house?

Whether the 18th century oak dining table or valuable original signed photographs, it’s a privilege to own them. Why not take good care of them?

7. I don’t consider it housework but home care.

There’s a very real difference for me.

8. We have no pets or children  and we’re both pretty tidy.

Without mud, dander, fur and jammy hand-prints appearing every day everywhere, caring for a small apartment just isn’t a big deal — two to three hours’ work does the whole place.

It’s not a huge house filled with stuff and/or being endlessly re-shuffled and messed by others, some them breathtakingly oblivious to how much time and work it takes to keep a home looking its best.

I’m amazed, (and appalled), by people whose children and husbands or male partners (typically) just don’t do their fair share of laundry and cleaning up.

It’s a huge burden on women who already have plenty on our plates as it is.

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I designed our (only) bathroom and never mind cleaning it.

9. My parents’ homes were/are poorly cared for.

They had plenty of money and each owned some very nice things, so, in my view, had no excuse for neglecting these gifts. I hated seeing dust everywhere and finding a fridge either empty of any food or full of rotting vegetables.

10. Our home nurtures us deeply.

As highly visual people, we’ve chosen every element of it carefully — from wall colors to cust0m-made lined curtains, antique rugs and original photographs, silver and silver-plate cutlery, linen and cotton napkins.

 

We’ve created a home that demands some real attention: dusting, polishing, shining, washing — but that also rewards us handsomely with beauty, warmth, comfort and a place to recharge.

 

We also love to entertain, often holding long, lazy Sunday lunches for our friends or welcoming young journalists to crash on our sofa.

Keeping the place guest-ready means we’re happy to host without panicking.

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$31. Score!

 

 Is housework something you dread and avoid — or does doing it give you some pleasure as well?

A few more style notes…

In antiques, art, beauty, design, domestic life, life, Style on July 8, 2016 at 11:30 am

By Caitlin Kelly

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We love to have dinner on our balcony, a pleasure we eagerly await all year long

A few more thoughts…

Once a year or so, take inventory — toss/add as your budget allows

It’s easy, when you live with the same objects year after year after year after year, to overlook the point at which:

1) you’re bored to tears with them; 2) your tastes have really changed but your home shows no sign of this; 3) your things are now really stained/torn/worn out/scratched.

Towels and bed linens do wear out; try Zara Home for terrific and stylish new options.

We recently took our glassware, wrapped it carefully and gave it to our town’s thrift store, and finally treated ourselves to new, handsome glassware, both for water/juice and wine.

These are the wine glasses, from West Elm, and the juice/water glasses, also from West Elm.

We love them!

A collection can be three (or more!) of pretty much anything. Group them together for impact

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The large black horse, hand-carved folk art, was found in an antiques shop in Port Hope, Ontario and the little wooden one at auction there. The little metal guy? I can’t remember.

 

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Three of these, the angular ones, we bought in Mexico City, pewter; one is silver plate and one…not sure!

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Years of collecting have given me a decent collection of silver and silver-y objects

 

Think long-term

It’s always tempting to buy cheap stuff because…it’s cheap!

But waiting, saving up and paying a little more for better-quality fabrics, better furniture construction and classic design means you’ll be able to enjoy your things for years, maybe decades.

 

Classic doesn’t have to mean boring!

 

I still love the three antique painted rush-seat chairs I sent home from a country auction in Nova Scotia to my then home in Toronto — using them many years later.

Thrift and consignment shops, especially those located in upscale neighborhoods or towns (i.e. drive if necessary!) can be a treasure trove of amazing quality. Craigslist and Ebay, of  course, also have a wide range of offerings.

If you know what you’re looking at — (is it a real antique or a reproduction? Oak or maple? Wood or laminate? sterling or silverplate? glass or crystal?) — tag and estate sales are another great source.

Invest in the best-quality framing you can

It forces you to be highly selective once you start using a frame shop, as even the smallest piece can cost $150 for a custom-cut frame.

It’s money well spent to preserve your favorite things, whether a letter from a grandparent or treasured photographic prints (make sure the mat is acid-free and the glass UV-resistant.)

I like the wooden frames from Pottery Barn (on sale!) and Anthropologie has some quirky and charming ones as well; Pier One can be a great source for more ethnic/rustic styles.

Study every room — what shapes are in it, and how does each piece relate to others?

Most furniture is inevitably square (tables, chairs) or rectangular (beds, chests, sofas.)

Before you know it, you’ve filled every room with big fat chunks of stuff, now looking crowded and tedious. Sigh!

Think about including a variety of shapes (ovals? circles?) and scale (large, small?)

Does each room also include a variety of height (chairs, chests, armoires, etc) so your eye moves around it easily?

Make sure you have at least 24 inches between every piece or you’ll always feel hemmed in and irritable as you keep bumping into things.

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Mirrors!

Our living room — which faces northwest and gets a lot of light — has two mirrors in it; our sitting room has one, and our bedroom has one as well, all decorative.

The mirror pictured above came out of one of my favorite antique shops, in the town of North Hatley, Quebec; it’s clearly Middle Eastern and was filthy…took an hour of Windex and Q-tips to get most of the dust out of all that fretwork! It cost about $225.

 

A pretty mirror fills a few functions nicely:

 

1) it fills up a dead wall; 2) it reflects light into and around the room; 3) a lovely frame can add color, interest and texture relating to the rest of the room; 4) you can see yourself!

Of the four mirrors we own, only one was bought new (from Anthropologie); this one. It’s very affordable — $128 — for a lovely and intricately hand-carved wooden frame that feels exotic and vaguely Indian or Celtic.

It now sits on an apple-green wall so there’s a nice contrast between the background and the wood.

The rest came from antique stores.

Several favorite sources for stylish new mirrors include the websites Horchow, Wisteria, and Ballard Designs.

Mirrors are also more versatile than highly-colored artworks, and can easily be moved from room to room as your tastes change.

Style notes: 12 ways to make your home (more) lovely

In antiques, beauty, design, domestic life, life, Style on July 5, 2016 at 12:36 pm

By Caitlin Kelly

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I admit it.

I’m obsessed with style, the ability to make our home comfortable and memorable, usually on a budget.

Our home is full of books on design, art, art history — and stacks of interior design magazines. I also studied it in the 90s and now teach at my old school, The New York School of Interior Design in Manhattan.

I was lucky to grow up with parents whose visual sense, always, was strong, eclectic and interesting — from Eskimo sculpture to Japanese uki-o-ye prints to faded wool rugs from the Mideast. Mirrored pieces of bright cotton from India, woven shawls from Peru, early silver.

Having studied art and antiques has also helped me recognize good/old things cheaply and quickly when I find one — like the teapot from 1780 I found upstate for $3, (whose exact twin made the cover of House Beautiful.)

Then I married another highly visual man, a career photographer whose own home when we first met was filled with quirky details and strong colors.

Today, 16 years into our marriage, our apartment is a mix of objects old and new, photos and drawings and posters, things and images we’ve collected on our various travels and adventures, from Ontario to Paris to Mexico.

 

We even bought our hand-made hammered copper bathroom sink in a small town in Mexico — for $30; knowing the exact dimensions we needed allowed us to buy it with confidence, (and bring it home in our suitcase.)

 

Here are some images and some ideas…

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The ikat is for the headboard, the checks for the tables

 

Pick a few colors and start collecting textiles, art and objects that relate to one another

It might be bright yellow or hunter green or pale blue. Once you’ve chosen your palette, your eye will start to see it everywhere and you’ll know it will fit nicely with what you already own.

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Breakfast on the balcony — everything in the photo acquired through a mix of retail stores on sale (pillow covers, blue bowls), auctions (vintage blue platter, creamer), antique stores (tablecloth), flea markets (coin silver spoons, blue transferware dish and silverplate cutlery) and on-line sites.

Our main living room colors are sage green, a Chinese red, black and cream, echoed across the sofa, rug, throw pillows, curtains; the bedroom a range of soft blues and greens. The living room and hallways are painted a soft yellow-green (Gervase yellow, Farrow & Ball) and the bedroom the crisp green of a Granny Smith apple.

We live on the top floor, staring at tree-tops — inspiration!

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A vintage tablecloth, scored in Maine

Mix old and new things

If you love clean, simple minimal design, mix in some older elements to soften the feeling of all that metal, plastic and glass.

You can often find gorgeous bits of silver, glass, crystal and porcelain at local thrift and consignment shops for very little money.

A mix of textures helps as well — linen, wool, velvet, cotton.

Brown furniture is currently deeply unfashionable — hence cheap — and often of terrific quality

Flea markets, auction houses, tag and estate sales and thrift and consignment shops are full of this stuff, often inherited.

One of my best finds, a reproduction Pembroke table, (a style with a drawer and two leaves), came out of a consignment shop in Greenwich, CT. It wasn’t super-cheap ($350) but in excellent condition and is light and versatile.

If you really hate a brown piece of furniture, but it’s well-priced and handsome, you can always paint it.

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Five of these for $10 at our local thrift shop

Keep your eyes peeled

 

You never know where you’ll find just what you’re looking for, and sometimes in the least likely spot.

 

We recently dropped into West Elm — a national retail brand known for modern pieces — and found, on sale, four metal brackets to hold wall-mounted plants for our balcony. We also scored three faux branches of mountain laurel, for the price of one week’s fresh flowers.

One day, out for lunch in small-town Ontario, we stopped in at antique shop across the road. Boom! The perfect small lamp we needed for a corner of the bedroom, an early ginger jar, in an unlikely shade of gray. (I had a new white linen shade made to fit.)

Five red goblets — $10 — at our local thrift shop. Score!

Re-purpose

I found two large wooden storage boxes at a local plant nursery. I’m not sure what they were supposed to be used for, but I stacked them and made them into a side table. A former grain measure (I think!) now holds magazines.

When I needed a lot of fabric, cheaply, I found a couple of printed cotton shower curtains on sale and used them for curtains, a headboard cover and a table cover.

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A table set for one of our dinner parties. We love to entertain and do it often.

Keep a tape measure handy and use your camera phone

The only way to be sure that a piece of art of furniture is going to fit into your home, (and play nicely with your current belongings), is if you know exactly what dimensions you need.

If you see something you love in a store but aren’t sure, snap images of it from every angle and measure it carefully.

You can have things shipped

Two of my favorite pieces came from very far away — a great vintage Chinese chair I found in New Orleans and shipped home via UPS and a teal armoire (possibly 18th century) no one wanted (!) when I bid by phone on it through a regional auction house I used to visit when I lived in New Hampshire.

Even with the shipping charges, it cost less than a new piece on sale, made in China.

One of my favorite belongings is a photo I found in Sydney, Australia and sent home to wait for me.

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Fresh flowers — a must!

Don’t forget the charm, color and texture of live flowers and plants

We keep fresh flowers and/or plants in every room year-round.

Invest in a few frogs (metal and glass holders for floral stems) and some blocks of Oasis (the green foam florists use to make arrangements), and you can use almost any container to make a pretty display.

Paint!

Nothing is less expensive or as easy to change if you need a new look — and it can be a chair or stool or box, not an entire room.

If a wooden floor is hideous, paint it!

Don’t be terrified, as so many people are, of: 1) using color; 2) choosing the wrong one. There are tremendous design websites all over the internet to help; I like Apartment Therapy.

A few things to consider: 1) what direction does the room face? (north light is colder); 2) how do you want to feel in that room? Revved-up? Soothed? (choose accordingly); 3) remember that the floor and ceiling are also “colors” in themselves; 4) choose the right finish — glossy is a nice touch here and there, but matte finish usually looks more elegant.

Keep it clean and tidy

There’s no point creating a lovely home if it’s dirty, dusty and cluttered.

One simple and good-looking solution is using baskets to hide magazines, books, assorted mess you haven’t gotten to yet. Like this one, well-made and strong.

The Container Store also offers some great-looking boxes, like these, which we own.

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This Tizio lamp is one of my favorite possessions. The light it casts is clean, bright and has two intensities. Because the base is so small, it’s versatile. The lamp can also be flipped upwards to cast reflected light instead. I also had to wait years until I could afford it!

Love where you live, right now

It’s easy to say…why bother? It’s a rental or a dorm room or I’m only here for a few years.

It’s your life! It’s your home, whether shared or solo.

 

Let its beauty nurture you, every single day.

 

 

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I spied this little guy in a shop window of a children’s clothing store in the 7th arondissement of Paris. I love having him home with us now!

Seek inspiration

There are people who couldn’t care less about how their home looks — but some of them are simply freaked out by the whole idea of decorating or home improvement: Where to start? What to choose? I’m broke, dammit!

Every image, every bit of light and shade I see, can inspire me visually. It might be the symmetry of an allee of trees or the curve of a Moorish arch. It might be the bubbled glass of a 17th century window.

Put down your phone/computer and really look, long and thoughtfully, at the world around you.

Snap photos. Make notes. Revel in beauty!

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$31. Score!

Our attachment to objects

In antiques, art, beauty, behavior, culture, design, domestic life, life on February 14, 2016 at 1:48 pm

By Caitlin Kelly

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Silly, perhaps, but I get such pleasure from using my red leather Filofax!

Why do we form our attachment to certain objects?

Whether something inherited from a beloved ancestor or a gift from a friend or our partner or spouse or something we buy that we’ve always wanted or have saved hard for.

I was listening to the terrific NPR radio show Radiolab as I drove into Manhattan recently to attend the Winter Antiques Show, arguably the best show in that city each year, and probably one of the world’s best places to look at — and buy –museum-quality objects of every possible material, design and period.

 

Radiolab’s episode was all about why and why we become emotionally attached to certain objects or why some of them fill us with awe.

One of my favorite travel moments was finally seeing the Bayeux Tapestry in Bayeux, Normandy, France. As someone passionate about early textiles, I had long wanted to see it in person, and so we did. Amazing! It’s actually embroidered on linen, 230 feet long, created in 1070.

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Another object, also red, that I enjoy. I found this little robot in the window of a children’s clothing shop in the 7th arrondissement in Paris

I grew up in a home filled with interesting art and objects, from Japanese prints and Eskimo sculpture, (now called Inuit), to a Picasso lithograph to my father’s own handiwork in oil, silver, lithography and etching.

I’ve also been lucky enough along the way to be able to buy some art and photographs and antiques, so our apartment is filled with reference books on art and design and a variety of decorative objects we enjoy using or looking at.

So attending the Winter Antiques Show was a special treat. Admission is $25 and it’s held at the Park Avenue Armory, an enormous red brick building on Park at 67th. It accepted 75 dealers from all over the world, from Geneva to London to California, some of whom wait for years to be allowed into the show.

And what a show!

 

Imagine being let loose in a great museum, able to touch, hold and examine closely the most exquisite objects — whether a fragment of an Egyptian sarcophagus or a 16th century atlas or a piece of porcelain made in 1740.

You can wander about with a glass of white wine or champagne, coming face to face with a boy’s sword from 1300, ($20,000), or an astrolabe made in 1540 for the Spanish king ($1.3 million). I assumed I wouldn’t be able to afford a thing, and many prices were four, five and six figures.

But, despite my worries, it never felt snooty.

Sure, there were women wearing furs and quite large diamonds and lots of cashmere; I wandered about in my black Gap cotton Tshirt and black leggings. I’ve studied antiques at several institutions and bought and sold them at auction, so I know what I’m looking at when it comes to several categories.

For me, it was absolute heaven, and most dealers were surprisingly kind and welcoming,  making time to explain their objects’ design and histories, like a $55,000 blue enamel pendant made by a famous British architect as a birthday gift.

It was originally found at a flea market!

Having bought some good things for low prices at auction and flea markets, I’m also always curious to find out their current market value and learn more about them. Dealers are de facto always passionate about their area of specialty, so no one seemed to mind my curiosity.

I even bought a photograph.

That was a huge surprise, and I hadn’t bought art in ages. But I discovered a Finnish photographer whose black and white work mesmerized me and the price was manageable — less than the cost of three months’ groceries.

Here’s a link to his work, and the gallery I bought it from.

One reason I so enjoy flea markets, auctions and antiques is making my own design choices. My maternal grandmother owned some very good things — but she never bothered to pay tax on her inherited fortune, so when she died almost all of it was sold to pay off those debts.

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This Tizio lamp is one of my favorite possessions. The light it casts is clean, bright and has two intensities. Because the base is so small, it’s versatile. The lamp can also be flipped upwards to cast reflected light instead.

I never saw a thing from either grandfather or my paternal grandmother and almost all my mother’s belongings were also sold quickly when she suddenly had to go into a nursing home.

Jose’s parents left him a few belongings, but we’re not a family buried in heirlooms.

Almost everything lovely in our home, then, is something we’ve bought, and an expression of our aesthetic and taste. My husband is a career photographer, (here’s his blog), so we have a growing collection of images, from one you might know (of JF Kennedy standing at the window of the Oval Office) to an early Steichen.

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These 3 pendants were given to me by my mother, a friend and my late grandmother. They have sentimental value to me as a result.

My favorite objects include:

my Canadian passport, a stuffed Steiff bear the length of my thumb, another small stuffed bear, a few good photographs, two silk Hermes scarves, a photo of my paternal grandfather, who I never met.

What — if any — objects do you treasure and why?

 

More simple pleasures…

In antiques, art, beauty, behavior, books, domestic life, life on September 1, 2015 at 12:30 am

By Caitlin Kelly

That low, golden, slanting light of autumn

Lying by the pool, snoozing, listening to the symphony of cicadas, planes buzzing overhead and sprinklers

Dinner on the balcony at sunset

Frozen yogurt with sprinkles

Blueberry pancakes with bacon and maple syrup

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Watching “Casablanca” for the umpteenth time — “Of all the gin joints…”


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Maple syrup — on almost anything

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A stash of my favorite Canadian candy: Big Turk, Crunchie, Mackintosh toffee and Crispy Crunch

An icy gold gimlet, (expertly made by my husband)

Our balcony garden

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And its shadows

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Sitting at an oak table made 300 years ago, wondering who else has sat there over the centuries

Listening to Joshua Bell playing Mozart at Lincoln Center

Having my hashtag go viral — #MissingTheZero — because too many Big Name Publishers are paying us pennies now

Candles flickering, tapers and votives and lanterns

We love to have dinner on our balcony, a pleasure we eagerly await all year long

Dinner on our balcony

A cotton vintage tablecloth

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Savoring a book I like so much I don’t want it to end (The Goldfinch)

A new pair of pretty shoes

Freshly ironed pillowcases

A cool breeze

Lighting a fire in the fireplace

Playing co-ed Saturday softball with the same friends for 15 years

Writing a story I know will make a difference, like this one

And you?

Making a pretty home: grace notes

In antiques, beauty, design, domestic life, life, Style on March 5, 2015 at 1:03 am

By Caitlin Kelly

Here’s the next in my ongoing series, which includes 10 tips; lighting; choosing and using color and customizing/DIY.

If you’d like personalized help or advice, send me some photos and I’m happy to help you find a solution to your decorating dilemma. I charge $150/hour.

As a former student at the New York School of Interior Design, I learned a lot in those classrooms!

The smallest home — even a shared dorm room — can still be made personal and lovely. And it doesn’t have to take much money, but a bit of imagination.

A few ideas:

 

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— Look for items that are similar, in size, shape, color and texture. Group them together

A small (or large collection) has much more visual impact than one item. Here are two wooden horses I found in Port Hope, Ontario, a small town east of Toronto. I found the smaller one (new? not sure) at auction for a few dollars. The larger one, hand-carved folk art, was more than that, just over $100. But the pair work nicely together.

— Don’t overlook the beauty, color, texture and life that flowers, greenery and plants can add

But have fun with it. Don’t keep them in their sad little plastic nursery or grocery store pots! A funky antique or vintage tin, a glass jar, a pretty pottery container are so much nicer; this site, Jamali Garden in New York City, is a trove of amazing and affordable ideas. Keep an eye out at your local thrift and consignment shops for affordable ideas and inspiration. I found this terrific metal cachepot at a local consignment shop for $25 and have been adding various pieces of greenery and flowers over weeks, replacing them with fresh ones as needed.

 

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Treat yourself to a few tools, like Oasis, the green foam used by florists to line pots and dishes so you can adapt a wide array of containers to any design you like. A frog, a glass or metal holder into which you stick plant stems, will also offer you more arrangement options.

 

$10 for five at my local thrift store. Score!

$10 for five at my local thrift store. Score!

— Color!

A calm soothing white/cream/neutrals color scheme is gorgeous (albeit difficult with small children and/or pets). But adding pops of color keeps it fresh. I scored five of these lovely wine glasses for $10 at my local thrift store. So pretty with a holiday table!

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— Add a personal and unexpected detail

This velvet sofa is at least a decade old and the welting had worn thin on the cushions. Replacing it was too costly, so was re-upholstering or slip-covering. All that needed fixing was the welting. But the scale of the welt was also key, something bold and interesting. I looked at plenty of polite, safe pale green options on-line before going in this direction instead. Love it.

 

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— Relate texture and colors to one another

I found this Victorian mirror in Port Hope as well; its soft apricot velvet interior echoes the color of fabric on a table below and several frames we hung nearby. The table-covering is dark embroidered silk (texture, color, pattern), with a pierced copper-colored lantern (texture, color, pattern) atop a bold cotton print (pattern, color.)

 

At night, with a votive inside it, it casts such gorgeous shadows!

At night, with a votive inside it, it casts such gorgeous shadows!

— Keep your eyes open for surprises

I found this pierced metal lantern in, of all places, a shop at the back of a cafe in Minneapolis, when I was out there for a presentation at the University of Minnesota about my book, Malled. I’m a curious traveler and, no matter where I journey, even for a short business trip, I build in a day or two to explore local shops, museums and/or restaurants. Regional tastes can vary widely and you never know what you might find. This one cost very little — $13.50 — so I bought two, (pairs always have more impact!), and shipped them home via FedEx since they were light but too bulky for my suitcase.

 


 

One error many people make is assuming their rooms have to be all-done-all-at-once. Buying everything from one place, whether Ikea or some other retailer, can make a room look cookie-cutter and boring.

If you’ve inherited some nice pieces, find ways to incorporate them, whether some lovely china and glassware or a great old chair (if the shape and condition is good, re-upholstering is well worth it.)

Read design magazines and borrow some books from your local library, (not to mention hundreds of on-line sites for inspiration), to find rooms you find really attractive — so much so you want to go live in them!

Don’t worry if they’re in a huge mansion or tiny cottage; don’t focus on cost or whether you’ll find something just like it. Look at all the details you find appealing and figure out why so you can make (more) thoughtful and informed choices when you buy something to add to your home. 

Clear, fresh colors (lemon yellow, aqua, fresh white) or moody, jewel tones? Worn and weathered surfaces or clean, shiny modern ones? Do you prefer a floor of bare hardwood (and what color)? Or an area rug? Maybe sisal?

The most interesting of all rooms are added to, (and subtracted from!), layer by layer, year after year, decade after decade. The richest, visually, use different textures, tones, materials — like wood, glass, stone, metal, wool, silk, cotton, velvet, mirror and ones that relate to one another the way old friends find much in common to discuss.

Also look at some specific styles of design, whether French, English, Japanese or Swedish; you might find you’re suddenly and deeply passionate about tansu chests, Navajo rugs or bergeres. (Hello, Ebay….)

This book, from 1977, A Pattern Language, is widely considered extremely helpful.

I like this one, Decorating With Pattern, from 1997; (as you can see, the newest books aren’t necessarily the best!)

Of all my many design books, I love Home, by Stafford Cliff, with great photos and interviews with people about their quirky, lovely homes. Certainly the only design book I’ve ever seen with an athlete included (Sebastian Coe)!

Have fun!

 

 

 

Making a pretty home: choosing and using colo(u)r

In antiques, art, beauty, behavior, design, domestic life, life, Style on December 15, 2014 at 12:46 pm

By Caitlin Kelly

This is the first in a series of four posts, each one focused on an aspect of making your home (more) attractive. As a former student at the New York School of Interior Design, I learned a lot, and color theory was one of my favorite classes…

All those teeny, tiny paint chips!

Few decisions are as stressful for many people as choosing the colors for their homes: walls, ceiling, baseboards, floor, front door, interior doors, window trim, shutters.

Not to mention all the rugs, pillows, bedding, furniture, lighting.

Your wisest first step?

A few basic questions:

— Where does the majority of the light in each room come from? If north light, which is cooler in temperature (i.e. bluer), factor that in. If the room gets little natural light, will you paint it a rich, deep jewel tone that absorbs even more light?

The view, of a Pennsylvania field, out my friend Scott's window

The view, of a Pennsylvania field, out my friend Scott’s window

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

— What do your windows look out onto? We live on the top floor of a suburban building, and face trees, hills and a river, i.e. all natural tones. Maybe you live in the middle of a noisy, crowded city, or out in the quiet countryside. Consider your outdoor surroundings as well.

— What mood to do you hope to create? Bright and cheerful? Calm and soothing? Warm and welcoming? Bohemian gypsy? Formal and elegant? Every color, and combination of them, carries a feeling and a mood. Make sure it’s the one you really want!

— What are the most flattering colors in your wardrobe, the ones you wear again and again? Yes, really. Interior designers often take many of their initial cues by carefully observing what colors their clients wear. Makes sense — if you absolutely love black or navy blue or creamy white, (or coral or pale yellow), why wouldn’t you want these in your home as well?

— How adventurous am I willing to be? Unless your landlord forbids adding color to your walls, it’s all up to you to decide what your choices are: a ruby-red dining room, a bright yellow hallway, a charcoal gray bedroom? Simply defaulting to safe/boring white or beige can leave you and your family stuck in neutral (pun intended.) My living room, over 20+ years, has morphed from grey/beige sponge-painted to a rich deep Chinese red to its current pale yellow/green. The hallway has been several shades of yellow, coral and now the same color as the living room. Paint is the least expensive way to change the look and feel of any room.

— How much physical work/time are you willing to put in? Almost every piece of furniture can be painted to a more interesting and beautiful color. Some of my best finds have been objects that I bought in another color and later painted, like the wooden table lamp whose base was a sickly pale green with pink (!) striping, but the shape, size and price were perfect — $55; a $7 can of matte finish cream color spray paint and it looks fantastic. Ditto the enormous baskets I bought at Crate & Barrel but whose unfinished surfaces didn’t match anything. Two coats of pale turquoise paint later, they’re a nice accent atop an 18th century teal-toned armoire of the same color.

— Find inspiring colors and color schemes everywhere — from hotels, restaurants, even the movies! One iteration of our living room was inspired by the film “Gosford Park”, with deep ruby-colored curtains against rich red walls. Gorgeous! I’m still dreaming of the deep, rich turquoise walls in “The Last Station” about Tolstoy’s final days. The kitchen in “It’s Complicated” is often cited as one of the dreamiest ever.

A fact many people easily forget — the floor itself adds a large block of color! 

Before you start piling on even more new colors, look carefully and critically at each room’s floor color to make sure it will work well with everything else in the room. A common error is buying a bold carpet that ends up visually dominating the space when a softer mix of tones gives you inspiration instead.

The loveliest rooms are so harmonious in their mix of colors that nothing stands out on its own but adds to the overall look.

How, then, to choose the colors for a room?

If you’re starting from scratch, the two common and easiest inspirations are curtain/bedding fabric and/or your rug(s), as most will have a mix of several colors and tones to work from.

 

I lovelovelove this duvet cover from Pottery Barn: soft colors, classic pattern, rich but not wearyingly busy

I lovelovelove this duvet cover from Pottery Barn: soft colors, classic pattern, rich but not wearyingly busy

 

 

 

 

 

 

 

 

 

 

Which is why solid-tone curtains are difficult! Do you really want an entire wall of…beige? Dark blue? Cold white? Check out the lovely linens from retailers like Pottery Barn, Crate & Barrel, Anthropologie and Zara Home and see what sorts of color combinations speak to you; once you’ve  chosen a harmonious palette, look for ways to repeat it throughout the room, remembering that every piece of furniture in the room, even just the trim, (if it’s wood, for example), adds yet another color to the mix as well.

Download or buy a color wheel, so you understand color relationships.

Red and green are complementary colors, and we tend to associate bright red and deep green with Christmas…but color comes in every possible tone and shade. Our living room works well visually because its color scheme is, at root, red and green — but a variety of reds, from rich bright red (rug) to Chinese red (a chest of drawers) to a burgundy/rust tone as the sofa’s trim. The greens range from sage (velvet sofa) to olive (cotton, loveseat) to pale yellow-green walls.

We found this small rug in Montreal, the exact colors and tones of the living room

We found this small rug in Montreal, the exact colors and tones of the living room

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Blue and yellow work beautifully together for the same reason. Consider a room in the same tones on the wheel: cool tones like blue, violet, lavender, leavened with cream, silver, white, for example.

I love an English country-house look — a bit weathered, lots of antiques, pattern — and that sharpened my eye when I chose this fabric for our lined bedroom curtains, a metallic-printed linen from Ralph Lauren (yes, he makes fabric, too.) It was surprisingly inexpensive and adds a depth and warmth to the room that thinner, plainer curtains never did.

A soft metallic blue overprinted on pale blue linen; note the large scale as well!

A soft metallic blue overprinted on pale blue linen; note the large scale print

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Our vertically striped living room curtains, (like the bedroom, custom-made and lined), also offered a very wide palette of possibilities and I’ve used almost every single color in them, whether in pillows, sofa trim, rug, lighting.

Once you’ve chosen a color palette for each room, find ways to link each object in the room to that scheme — I repainted plain white Pottery Barn picture frames a deep turquoise, for example, in the bedroom.

And keep your color scheme coherent! Few things are more visually exhausting and confusing than a rainbow riot of color in every space.

In our one-bedroom apartment, the dining room and bedroom are a pale, soft gray (Sherwin-Williams Modern Gray), the living room and hallways are Gervase Yellow (Farrow & Ball), the kitchen Clunch, a cool cream (also F & B) and the bathroom a rich mustard (F & B again.)

The pale gray in the bedroom is starting to feel tedious, so it’s soon to become a clear, crisp pale apple green.

When in doubt, look to nature…it’s all there!

 

Gorgeous!  A fall sidewalk in Maryland, seen while out antiquing. These are the colors of our bathroom

Gorgeous! A fall sidewalk in Maryland, seen while out antiquing. These are the colors of our bathroom

 

 

 

 

 

 

 

 

 

 

(I can help you — send me your questions and photos! $150/hour.)

 

Making a pretty home: 10 tips

In antiques, art, beauty, design, domestic life, life, Style on November 27, 2014 at 3:44 pm

By Caitlin Kelly

Most of us want to create a pretty, tidy and harmonious home, whether you’re living with four room-mates and in college, jammed into your first tiny solo apartment or making sense of a larger home.
It seems like it should be easy, as there are so many resources online now, from Apartment Therapy (which includes houses and is excellent) to Houzz.

But it’s still, for many people, a deeply confusing and overwhelming process: choosing the colors for walls, floors, ceilings, front door, baseboards; selecting the size and shape and color of your sofa and chairs; rugs, lighting, curtains (or blinds? Or none?)…

And most of us have limited time, energy and budgets.

I studied interior design at the New York School of Interior Design in Manhattan and planned to leave journalism to work in that field. I didn’t, but I learned a great deal and it’s reflected in our home, a one-bedroom apartment in a 1960s six-story apartment building north of New York City. We own it, so we have also invested some money in a full renovation of our one very small (5 by 7 feet) bathroom and galley kitchen.

Here, with lots of photos, are some ideas you might find useful as well:

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1) Seek inspiration!

It’s really difficult to design a room, let alone a home of any size, without some inspiring ideas about what you like: Modern and sleek? (Read Dwell magazine.) Historic and formal and elegant? (Try Traditional Home.) Cosy and weathered? (the UK version of Country Life.) I don’t use Pinterest, but it’s very useful in this respect. Your local library will also have gorgeous reference books whose images you can photocopy. Here are four magazines I read often, if not monthly, and have for many years. I get tons of great ideas from them, especially about small spaces (European homes are often much smaller), interesting color combinations (like lime green and chocolate brown) and mixed periods, like a super-contemporary lamp over a battered farm table.

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2) Group your art

The focus here, on the long (25 foot) wall of our living room, is a vintage photo given to us by a neighbor cleaning out his garage. It’s an amazing image, probably no later than 1905 and possibly from the 1880s, and we were delighted to get it. He also gave us (!) the two lovely smaller pieces to the left of it, both original framed prints. The small images above the photo I found in antiques shops, the egg in Vermont and the dog in New Hope, Pennsylvania. The image at the far right is my own photo of a staircase in an 18th century building on the Ile St. Louis in Paris.

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3) Look around your home

in every room, for items that — when placed together — will have an artistic or interesting relationship to one another: frames, mirrors, photos, small objects like a box or an animal or bird. This grouping, in a corner of our living room, includes: a pierced metal lantern with a candle in it, ($12 on sale at Pier One); two small metal birds (our local garden shop); a vintage silk embroidered shawl (local antique shop); a Victorian ceramic vase (Toronto antique shop); two marble bits of statuary ($25, antiques show) and a huge Victorian mirror ($125, Port Hope, Ontario antique shop.) I’ve owned some of these items for decades, but it’s the combination that’s fun: echoing shape, size, color and texture with a mix of scale. I added a small spotlight ($12, Home Depot) for a bit of drama, adding both shadows and reflections in the mirror behind.

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4) Customize what you have.  We bought this Crate and Barrel armoire many years ago (it’s still available, in a slightly different version, for $1,299), but I hate looking at stuff. Inside the armoire are plates, glasses, serving pieces, candlesticks — a visually exhausting mess. I lined the doors with this charming map-of-Paris print, on linen, which was inexpensive, referenced other Parisian/French elements in the place, and gave us a nice neutral that wasn’t as boring as plain beige would have been.

5) Add unusual and lovely fresh flowers and/or plants. I found this deep, wide metal cachepot for $25 at my favorite consignment shop and have been adding fresh flowers and interesting greenery to it for weeks. I always have fresh flowers and plants in every room, even in the bathroom, as a touch of color and beauty. Really nice on a cold, gray rainy or snow day, especially!

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6) Shop often. I don’t mean spend a lot of money or make hasty impulse buys! But every month or so, I treat myself to a visit to a few favorite shops, whether thrift, consignment, garden or Big Box, to see what’s out there. I scored a gorgeous set of red glass goblets at my local thrift shop — $10 for five — recently. Favorite sources include Anthropologie (on sale!) for terrific housewares and linens and flea markets.

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7) Think about including textiles in the mix. If you have pets and/or small/messy children, maybe not. But textiles’ colors, textures and patterns, especially vintage pieces– whether a lovely duvet cover, a knitted throw for the sofa, a cover for a chair or table — can add tremendous charm without a lot of cost or taking up precious space. I’ve covered my desk with a 19th century paisley shawl, my corner table with a 19th century silk shawl and my armchair with a 19th century carriage blanket. None were especially costly; try amazon.com or regional/country auction houses for great finds in this department.

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8) Upgrade to better quality and design whenever possible.

Unless you’re wealthy and can afford to buy everything you want the very second you want it, you may have to postpone high quality purchases. I recently spent $300, (yes, really), for three new cream-colored silk lampshades. They’re clean, fresh, elegant, and a huge improvement on the cheap crappy ones I was using until I had the spare income to finally upgrade. Even a fresh set of pillowcases or hand towels can make a significantly cheery difference to your space.

9) Visit museums galleries and open houses to see how others have handled space and texture and material. The pro’s know!

10) Use your cellphone camera every day. Whether you see a cool texture on the sidewalk or a colored wall in a store or restaurant that inspires you — or a scene you’d like to frame and display in your home — that little camera will keep your eye fresh.

Here are just a few images I’ve collected in the past year for visual inspiration.

Need help? I can work from photos! Email me at caitlinvancouver@yahoo.com; $150/hour.

Fresh flowers, always on display at the Metropolitan Museum of Art

Fresh flowers, always on display at the Metropolitan Museum of Art

Isn't this gorgeous? It's a lamp on the Pratt campus, where I teach

Isn’t this gorgeous? It’s a lamp on the Pratt campus, where I teach

A restaurant table in Brooklyn

A restaurant table in Brooklyn

 

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12 things I can’t live without

In antiques, art, beauty, behavior, culture, design, domestic life, life, Style on November 5, 2014 at 1:05 am

By Caitlin Kelly

Every month, Elle Decor magazine asks a designer about his or her must-haves. For some, it’s a name-brand pen or vehicle, or a luxury brand.

Here are (some of!) mine:

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Newspapers and magazines, in print

Every weekend, I read four newspapers, all in print: The New York Times, The Wall Street Journal and the Financial Times. I love taking an afternoon on the sofa to leaf through them, clipping books I want to read or shows I want to see. (I also look at the Guardian and Globe and Mail online.) By subscription, we receive about 20 magazines, from Wired and BloombergBusinesweek and Foreign Policy to lighter fare like Monocle, House Beautiful and Vogue. Yes, there are stacks everywhere. Otherwise, I’d never remember to read them!

Are you including pleasure in your daily life?

Are you including pleasure in your daily life?

Fresh flowers

No matter what the season, our apartment always has fresh flowers. For about $20 a week, I get enough beauty to make multiple arrangements for the living room, bedroom, dining room — even a few blooms in the bathroom! As we head into cold, dreary winter, even more essential.

Perfume

A mixture of scents, including L’eau de l”Artisan, Bulgari’s The Vert, Opium and Prada Iris.

My 21-inch-deep bathtub

Bliss! With scented bubble bath (love Algemarin!) or oils, no better place to relax in solitude.

8-10+ hours’ sleep every night

Can’t run at my usual pace without it. If I skimp, it’s naptime.

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My passport (and green card)

I treasure my Canadian citizenship, but am grateful for the legal right to live and work in the U.S.

The view from our top-floor apartment of the Hudson River

It hasn’t changed in decades. On July 4, we can even enjoy fireworks from five towns at once!

A ready stash of quality stationery

Nothing nicer than a thick, heavy piece of elegance with which to write a thank-you or condolence note; personalized is even better.

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Earl Grey tea, poured into a bone-china cup with a saucer

Fragrant, refreshing and a nice 4:00 p.m. break.

My wedding-day earrings

Tiny, glittering, comfortable, portable memories.

 An upcoming journey

Anywhere will do!

Long conversations with old friends

Comfort and connection.

How about you?

What are some of yours?

 

Please crowdfund this young British author — his idea is terrific!

In antiques, art, beauty, books, culture, education, History, journalism on October 29, 2014 at 12:40 am

By Caitlin Kelly

 

Josh Spero ed pic 2012 crop

If it weren’t for Twitter, I would never have discovered the wit and wisdom of Josh Spero, a 30-year-old London journalist who covers art for Tatler, a glossy British monthly magazine whose primary audience is people with multiply-hyphenated surnames and country houses that make Downton Abbey look shabby.

He also edits Spear’s magazine.

Josh is crowdfunding his lovely and unusual idea for a book — to seek out the previous owners of the books of classics he studied while at Oxford; so far, he’s got one-quarter of his goal amount.

We have yet to meet in person, I hope to do so when I get to London in early January 2015.

A few Spero-isms:

“I’ve never been able to stand rules and regulations”

“My working thesis – which my book has borne out, I hope – is that everyone’s life is interesting, worth telling, has some mystery or intrigue or romance or drama”

“I’m not an e-book man, for a few reasons. I don’t object to the idea, but like celery and exercise, I don’t really see why I should have it”

Tell us a bit of your personal history….

From six months until 26 years, I lived in Edgware, a barren untroubling suburb of north-west London, whose best escape was books. We used to walk down to the second-hand bookshop the other side of town, near the salt-beef bar, and I would buy half a dozen Hardy Boys novels a week, before I moved on to cheap copies of literary classics. My dad was then – is still – a London black-cab driver, my mum a housewife until I went to private school, when she had to get a job to pay for it.

University College School was in Hampstead, a leafy village within London which had been home to Freud and Daphne du Maurier (not as cohabitants), and it was famously, perhaps notoriously, liberal, which worked for me: I have never been able to stand rules and regulations. And still I read everything I could find.

Where and what did you study at university and why?

At UCS, I was taken by Classics – the Greek and Latin languages and their worlds. I loved the drama of their histories, the great men who kicked the Gauls’ arses (I was never a fan of Asterix) and beat back the Persians. It was a revelation to delve into Vergil’s occultism and Euripides’ mania, so I was desperate to study it at Oxford, the best place in the world for Classics, no doubt.

After passing Magdalen College’s stiff interview and being told I had a decent chance of a decent degree, I spent four glorious years there, half of them locked in the library, the other half arguing my way out of positions I hadn’t meant to argue my way into and doing Oxford Things (punting, politicking, student newspaper, inedible Formal Hall dinners).

Where did you get the idea for this book?

One of my first freelance writing jobs was covering the summer auctions of Contemporary art at Sotheby’s for The Guardian in 2007, those thrilling incomprehensible displays of pills in cabinets and what looked like disassembled crates. There the idea of provenance insinuated itself into my brain: every catalogue listed with delicious rectitude a work of art’s previous owners; soon it occurred to me that the same thing was true for books – and not just expensive books either. That’s where Second-Hand Stories comes from.

Over four years at Oxford, and six years tutoring afterwards, I had accumulated well over a hundred Classics books, from how to write in Greek verse (weirdly pleasurable) to texts of everyone from Plato to Propertius. There had to be curious tales tied to the names inscribed in them, so I sorted out the fifty-odd books in which their owners had recorded their names and set about tracing them, the previous owners of my books. I didn’t mind if they weren’t celebrities or lords or royalty: my working thesis – which my book has borne out, I hope – is that everyone’s life is interesting, worth telling, has some mystery or intrigue or romance or drama.

What was the best part of writing it?

The best part of writing Second-Hand Stories was, by a long way, discovering the stories of those who had owned my book. While I thought I might uncover some unusual tales from my eleven subjects, I never imagined what I’d find.

Thomas Dunbabin, who owned a thick purple-covered commentary on the historian Herodotus, had led the resistance against the Nazis in Crete in World War Two. Peter Levi was a poet-priest who had a chaste love affair with a woman who wasn’t his wife. Emilie Vleminckx is a student my age who conquered a blow-up at Oxford, a university she had fled to to escape her stifling life in Belgium. There was an actor in Hollywood films, a teacher in fascist Italy, a code-cracker from Bletchley Park and a boy I loved who died too young. To read the full stories, you need to buy the book! http://unbound.co.uk/books/second-hand-stories

There are, in Second-Hand Stories, some incredible tales, all of which I was lucky enough to come upon.

What surprised you most when you started seeking out the previous owners of your books?

Although I knew Classicists were an interesting bunch – we end up everywhere, from Mayor of London (Boris Johnson) to the darkest recesses of the library – I  had not the slightest inkling so many amazing lives were contained in my library. You’d have to be a great novelist with the broadest imagination to assemble half the characters that reality did. I was also surprised by how willing almost all of them – or their relatives – were to talk to me. Without them, Second-Hand Stories would have been utterly impossible.

What was the most difficult/challenging aspect of writing it?

The most difficult part of writing Second-Hand Stories was, by a long way, discovering the stories of those who had owned my book. Some were somewhat easier, having written their name and Oxford or Cambridge college in them. But others involved detective work, Google work or, frankly, guesswork.

One book was dedicated ‘To Peter, with love and gratitude, from Maurice’, where Maurice was obviously Maurice Bowra, the author of the book, a translation of the odes of Pindar (a vile toady to winners of the Olympian games). But the Peter was mysterious, until a smart suggestion from a former tutor made us look at the introduction, where Bowra had thanked Peter Levi.

Another only had the letters ‘MBMcCB’. It took several solid attacks on Google before I discovered someone else who had the same final three initials and it turned out the owner was his brother.

There was plenty of direction and serendipity in putting the cast of Second-Hand Stories together.

Any thoughts on e-books (which would have made your entire project — sadly! — moot.)

I’m not an e-book man, for a few reasons. I don’t object to the idea, but like celery and exercise, I don’t really see why I should have it. For a start, as you say, my book wouldn’t exist if we only had e-books – owners have no way of writing their names on them (if, by the terms and conditions, they even own them in the first place); they easily disappear or are wiped or become obsolete (we’ll always have the technology to read paper books, ie eyes); and you can’t have any real engagement with them (all those immaterial words on a screen have none of the heft of black ink of white paper). The physicality of books, their beauty and weight and feel, is my ultimate reason for rejecting the functional dullness of e-books.

Were there any other challenges in writing Second-Hand Stories?

Yes: getting it published. I was rejected by a great number of publishers largely with the note that ‘it isn’t commercial’. Good! It doesn’t have to be commercial – it has to be interesting. That’s why I’m thrilled Unbound http://unbound.co.uk/books/second-hand-stories believe in it. They’re a crowdfunded publisher, which means I need your support.

If you like the sound of my book, please pledge towards it here http://unbound.co.uk/books/second-hand-storiesit’s only going to be published with your help. There are rewards at each level too, ranging including signed first-edition copies, invitations to the launch party and even a private tutorial on Classics with me.

I’ve never done this at Broadside before, but love Josh’s idea and his spirit.

I hope you’ll support his book!

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