Making a lovely home: 7 elements

I was so lucky to inherit this 16th c Italian textile from my mother

By Caitlin Kelly

Midwinter, mid-pandemic — cabin fever!

Help is on the way!

As some of you know, I spent some time in the 90s studying interior design at the New York School of Interior Design.

I learned a lot, and loved almost every minute of it. The school has taught and trained some legendary designers, so I really enjoyed and appreciated how rigorous it was. I even got an A in color class, which remains one of my life’s triumphs — we learned how to mix colors from scratch.

I decided not to go into the industry for my living, preferring to just love it, but my professional-level training has also informed how nice our one bedroom apartment looks since I better understand design principles.

Here’s a helpful post from the UK magazine Homes & Gardens:

The seven:

Space

This is one of the most challenging — too many rooms are just overstuffed while the enormous houses some people prefer (and can afford!) can mean trying to figure out how to create areas of use that make sense and relate to one another. Our living room is 24 long and 12 feet wide, a great space, even with only an eight-foot ceiling (built mid 1960s.) I would kill for the much much taller ceilings and elegant windows I see in most French and British design magazines.

So we divided the room into two-thirds, divided by a low bookshelf that holds two matching table lamps that illuminate the sofa and the dining area at one end. I’ve lived in this space for decades, so re-arranging it is both a mental break and a necessity as our tastes change.

We have a small dining room that, now, is once more being used as a sitting room — we kept our old sofa and now love our view from it straight north up the Hudson River. We settle in with our newspapers and, as snooze time overtakes, nap!

Line

The vertical lines of the room come from features like windows and doors or maybe a tall fireplace. They’re prized for giving a feeling of freedom and can make a room seem taller. Choosing a tall piece of furniture, for example, can lead the eye upwards and visually heighten the room. In any scheme a balance between horizontal and vertical lines is essential.

Form

This is the shape of your room and the objects in it. Too many rooms are full of endless squares and rectangles!

Consider some circles or ovals as well.

Our antique dining table is oval. We have two square olive velvet stools. Our dining chairs have oval shaped backs. Look around your room with an eye to what shapes it contains — too much repetition?

Here’s our living room’s gallery wall — as you’ll see, it has a variety of shapes, sizes and colors although the dominant colors are red, black and white.

top row, left to right: My photo of a staircase, Paris; a 1950s British photographer; Jose’s image from Mexico

middle row, left to right: a poster from a show I saw in Paris; David Hume Kennerley’s portrait of former First Lady Betty Ford; a winter portrait of the Grand Canyon by a friend

bottom row, left to right: me and a pal after a magazine photo shoot about kids cooking; Bernie Boston’s famous image; a Hokusai poster.

A mix of the famous and the personal.

Light

Crucial!

If your room has lots of natural light, you’re lucky! We use mirrors to help amplify it and bounce it around a few rooms.

Lighting is not easy to do well. Every room should have multiple light sources, ideally all on dimmers, not just harsh overhead lighting which can be both unflattering and inefficient.

Over the years, I’ve changed our bedside tables a few times…the latest ones (a few years old now) are chased silver, hollow, and I have no idea where they come from (other than the Connecticut antiques store where I found them.) There are so many styles it’s overwhelming! The shades are simple pleated ivory. And, yes, I like finials!

I found our living room pair on sale in a chi-chi Greenwich, CT. store.

Sometimes the best things can be found in thrift and consignment shops or (my favorite!) at auction.

Color

So much to say!

Regulars here know my love for the British paint company Farrow & Ball knows no bounds — I even got to visit their Dorset factory in 2017. Amazing!

I like colors that are fairly quiet but not boring so I can add the patterns with things I can easily change.

The trend now is for very deep saturated colors, which are really beautiful but not for me in a one bedroom apartment. One lesson I learned the hard way is that when you live in an open-plan home (we have 3 doors: the front door, the bathroom door and the bedroom door) you can’t have different colors everywhere!

Well, you can, but it’s gross.

The eye is going to travel from one space to the next and needs to not be constantly confused.

So, after several iterations (faux finish brown; Chinese red; pale yellow-green) our living room is now a pale soft gray (F & B’s Skimming Stone.) So is the bedroom (initially faux finish cobalt blue, then aqua, then Granny apple green.) The bathroom remains a deep mustard, a nice contrast to the gray glass tile of the shower. The kitchen cabinetry is a soft green, also F & B. (One reason I’m a fan is that you can re-order a discontinued color.)

Of course, color shows up in many ways: fabrics, rugs, artwork, wall, ceiling and floor, lamps and shades…

Here’s the antique armoire (possibly 18th century, bought at auction online, delivered from NH) whose teal color is now repeated in our living room. The two baskets up top were plain and I painted them in two colors. The small painting is my late mother, painted by my father.

Texture

This is also tricky.

Our new sofa is a pale silver velvet, but has a sheen that reflects light. The throw pillows on it are print linen and a different kind of velvet, in burnt orange, a color in the linen print.

Adding texture can come from rugs, throw pillows, a throw, different sorts of fabrics.

Also from decorative items: glass, brass, ceramics, wood.

Our new dining area rug is a deeply textured sisal.

I’m still deciding — months after pulling down our living room curtains — what to do with the window! Probably a Roman blind, but it’s a huge commitment of funds so I’m not rushing into it.

Pattern

Design school taught me that you can, and should, have at least three different patterns within a room, (fabrics, rugs.)

But…which ones?!

This is where scale matters. Do you want a large-scale design (not as easy to find with many American sources as British) or small? A print or woven? A damask or something more modern?

Again, British designers seem much bolder in their use of pattern on chairs and sofas and curtains. The expense of acquiring anything new is always a bit sobering…but a room with no pattern is sad indeed!

The new/modern sisal rug at one end of our living room deliberately echoes this antique kilim I bought this fall in an online auction — the diamond patterns are similar even though the period, colors and materials are different.

I wanted this rug because — a rare find! — it was in perfect condition, the perfect size, well-priced and offered the colors I wanted, but in fairly quiet tones. The teal is the exact color of the antique armoire it lies in front of. The white relates to the silver sofa it also lies in front of. Everything needs to relate!

Living in the past. Long past!

By Caitlin Kelly

Loved this Guardian story about people who choose to live in the 1930s, 40s, 50s, 60s and 70s — estehtically, anyway.

And I recently did a lot of global reporting — speaking to people in Seattle, DC, Ontario, Genoa, L.A., Stockholm, London, Finland and Philadelphia — about a hobby they all share, historical costuming. (The man in Philly does it for a living!)

It means making and wearing clothing of much earlier eras and centuries, finding patterns and appropriate fabric, and wearing the correct undergarments to create the correct silhouette. (No sports bras allowed!)

It’s an amazing obsession, and demands a lot of patience and skill and meticulous attention to detail. It’s mostly enjoyed women, and mostly white women — something they’re well aware of! I did include an Iranian-American.

One of the women I spoke to is a mechanic in Finland. One is an Army wife in Ontario. One is a jewelry appraiser in Stockholm.

All were a joy to speak with! I could have spent hours geeking out with Jenny Tiramani, a legendary costume designer who worked for years at Shakespeare’s Globe Theatre — and who founded and runs London’s School of Historical Dress.

Here’s the piece, my first sale to the Styles section of The New York Times, for whom I write fairly often:

Here’s the start:

It’s a world of corsets, stays and chemises. Of weskits, bum rolls, breeches and hoop panniers. For actors, wearing period costume has long meant literally stepping into the past: lacing soft modern flesh into antique shapes and learning how to use the toilet without peeling off multiple layers.

“Bridgerton,” Shonda Rhimes’s racially diverse Netflix series set in 1813 England, has suddenly ignited new interest in Regency fashions. But a global community of hobbyists has been designing, making and wearing clothing from the 19th century and earlier for many years. Long a private obsession fueled by films like “The Leopard” and “Pride and Prejudice,” social media has widened the conversation, with fans of all ages and backgrounds worldwide now trading notes on how best to trim a sleeve or adjust a straw bonnet.

Pre-pandemic, they gathered in Los Angeles at Costume College, an annual conference, at Venice’s Carnival and the Fêtes Galantes at Versailles. Some lucky Europeans, like Filippa Trozelli, find themselves invited to wear their historical clothing to private parties at ancient local estates.

As someone who loves vintage/historical textiles — and who wore an Edwardian day dress for her first wedding — I totally get the appeal of this obsession. I love the notion of time travel, of swishing through a garden in yards of silk or meeting up in Venice with equally obsessed pals from around the world.

I had long wanted to write about this subculture, as I follow several of the women on Instagram, but never had a “peg” or “hook” — i.e. what relevance would it have now? Thanks to Bridgerton, it does!

More simple pleasures

By Caitlin Kelly

— A great selection of teas, loose and bagged: Earl Grey, Irish breakfast, orange spice, pomegranate, Constant Comment, PG Tips

— A lovely teapot to make that second cup. No sad bags in mugs, American-style!

— a hot bath scented with eucalyptus oil

— an aptly named, very good red wine

— a scented candle, bedside

— votive candles to light upon waking

— a cozy bathrobe and slippers in which to lounge in style; (mine is a burgundy cashmere with burgundy sheepskin slippers. Bliss!)

— games! Chess, Bananagrams, gin rummy.

I bought these in July. Have only read five of them so far!

— lots and lots of unread newspapers, magazines and books

— looking at French real estate on-line and fantasizing about une vie francaise

— a bowl of clementines

— a finger of single malt

— or a Mimosa!

— baking something delicious: apple crisp, muffins, a Bundt cake

— fresh flowers or green plants

— ironed linen or cotton napkins

— a tablecloth with a table pad underneath

— a duvet under which to snuggle and snooze

— a nap!

— a lovely scented soap. Our go-to is the classic Maja, made in Spain.

— two boxes of comfort

Absolutely no embarrassment to have two boxes of beloved stuffies nearby. The tiny black and white bear I’ve had since childhood; same for the white one with the fabulous pin. The sheep is from Ireland, the loon from Canada, the alligator from Florida. The little rhino saw me through breast surgery in 2018. The elephant I’ve had since my tonsils were removed in London, maybe age four

The joy of seeing art again

By Caitlin Kelly

I hadn’t been to a museum since early March 2020, after attending a conference, where I saw a show of Degas at the National Gallery, which I loved.

I really miss seeing art face to face!

So when a very good friend got us tickets to to see a show at the Whitney (closing this weekend), and an outdoors lunch afterward (30 degrees be damned!) I eagerly said yes.

I had planned to double-mask but my one mask was so hot and so uncomfortable I couldn’t.

The show is fantastic. I’ve been to Mexico several times and so I knew the work of the big three muralists — Rivera, Siquieros and Orozco. I’d seen some of their work in situ. The scale is astonishing, truly monumental. You really need to step back a good. few feet to really grasp it all.

This show offered insights into how the Mexican muralists inspired American artists between 1925 and 1945, years of economic upheaval.

There’s the Bonus Army.
There are riots and police brutally putting them down with guns and batons.

There’s a powerful shared spirit of rebellion.

The show includes this huge, wall-length black and white photo of an L.A. mural — commissioned to show happy Mexicans — that instead is a powerful, damning repudiation.

Note the rapacious eagle — the symbol of American might and power — hovering above a crucified Mexican.

Of course, the mural, like so many, was quickly destroyed or painted over.

Their rage and honesty are searing and challenged, then as now, corporate and political power.

Today’s many #BlackLivesMatter murals — honoring the many Blacks shot dead by police — seem to be the contemporary equivalent.

These muralists did not mess around!

Rivera was hired to paint a mural at the then-new Rockefeller Center in midtown Manhattan, a hugely prestigious commission — but failed to curb his politics as expected.

From Wikipedia:

The Rockefeller family approved of the mural’s idea: showing the contrast of capitalism as opposed to communism. However, after the New York World-Telegram complained about the piece, calling it “anti-capitalist propaganda”, an image of Vladimir Lenin and a Soviet Russian May Day parade were secretly added in protest. When these were discovered, Nelson Rockefeller – at the time a director of the Rockefeller Center – wanted Rivera to remove the portrait of Lenin,[2] but Rivera was unwilling to do so. In May 1933, Rockefeller ordered the mural to be plastered-over and thereby destroyed before it was finished, resulting in protests and boycotts from other artists.[3] Man at the Crossroads was peeled off in 1934 and replaced by a mural from Josep Maria Sert three years later. Only black-and-white photographs exist of the original incomplete mural, taken when Rivera suspected it might be destroyed. Using the photographs, Rivera repainted the composition in Mexico under the variant title Man, Controller of the Universe.

The controversy over the mural was significant because Rivera’s communist ideals contrasted with the theme of Rockefeller Center, even though the Rockefeller family themselves admired Rivera’s work.

The Whitney show is large, with works by others, like Ben Shahn and Philip Guston. There are works by Canadians and Japanese, also influenced by the muralists and their commitment to social justice.

From the Whitney:

With nearly 200 works by over sixty Mexican and American artists, this exhibition reorients art history by revealing the profound impact the Mexican muralists had on their counterparts in the United States during this period and the ways in which their example inspired American artists both to create epic narratives about American history and everyday life and to use their art to protest economic, social, and racial injustices.

A winter walk in the woods

By Caitlin Kelly

It had been weeks, maybe months, since I’d walked our reservoir path, the reservoir to the left and hilly woods to the right. I’ve been walking it for decades, in every season, and know it well. But there are spots I’ve still not explored, close to the water’s edge, like the moss colony I found this weekend.

In winter, the trees are bare, except for one species whose stiff, dried leaves — a pale biscuit beige — stick straight out as if in a breeze. I spied many nests and two squirrels but the silence was absolute, the only sound a tiny creek.

There’s a busy road circling the reservoir so there is some traffic noise, but no birds or animals now.

There are plenty of big flat rocks to rest on or sit on and a few benches at various points to sit and enjoy the view.

It was cold! Thirty degrees Fahrenheit, plus a 16 mph wind.

This anorak — which I’ve worn for 20 years — is the best garment ever: warm, windproof, water-resistant, elastic cuffs, a hood, multiple pockets. Even after gaining a lot of weight since I bought it, it still fits, thank heaven. I was absolutely cosy, plus lined wool hat and lined suede gloves.

It felt so good to fill my lungs for an hour with fresh cold air.

To be alone.

To sit in silence.

To look closely at natural beauty, which always soothes and refreshes me.

To see how different the familiar appears in every season.

To savor such a respite a five minute drive from home.

To know it hasn’t changed in decades and likely won’t, even though our suburban village is starting to add a lot more density and buildings, to our dismay. Some will basically wreck our fantastic Hudson river shoreline, so every unchanged vista matters even more to me.

Some images:

A fun NYC day (albeit COLD!)


By Caitlin Kelly

There’s only so many pandemic months I can stand to live a cycle of apartment/gym/grocery store. Living in a small suburban town with virtually everything amusing closed for months is lonely and isolating!

So, occasionally, I drive the hour into Manhattan, find street parking (sometimes unpaid, when lucky) and wander a bit, savoring fresh air and sunshine and funky old buildings and stonework and little old ladies moving slowly down the block, hipsters in plaid coats and so many dog-walkers!

Carved red sandstone, exterior of an apartment building on Leroy Street

I parked this time on Leroy, a short north-south street in the heart of Greenwich Village, all residential, a mix of five and six-story walk-ups and several brick houses built in 1813.

Imagine! Who walked these streets then? What did they wear? Where were they going?

I was headed a block north to my favorite city street, Bleecker, an odd street that manages to run both north-south on its western edge (right?) then straight across to terminate at the Bowery.

Robert de Niro grew up there.

Herman Melville lived there.

Even singer Dua Lipa lived there for a year.

The legendary John’s Pizza.

Here’s its Wikipedia entry.

The pandemic has closed many places, but a few great ones remain — so I hit Rocco’s Pastry and Murray’s Cheese, stocking up on delicacies like sfogliatelle and Brie. I ate brunch outdoors — the only way right now to eat there since indoor dining is banned again and it was cold! Like, 30 degrees cold.

Safely distanced, this is the only way to dine in New York right now, regardless of weather

So I read my Sunday New York Times and covered my coffee with its saucer to keep it hot and wore my lined leather gloves as I ate my baked eggs.

Ludlow Street

I drove southeast to the East Village and parked, again at no cost, on Ludlow Street, just to explore a different neighborhood a bit. I didn’t walk very far but was happy to see two great shops on Rivington are still there, Economy Candy and Edith Machinist, a terrific vintage clothing store. I also found out there’s two-hour metered parking for $10.75 on that street — a garage can easily cost three or four times that much.

I sat for a while on a park bench, soaking up some sunshine, watching locals wander by. It’s not a cool, trendy, hip part of the city, but a weathered neighborhood where people live who don’t work on Wall Street and flee to the Hamptons.

I enjoyed lunch, also outdoors, eavesdropping — a much missed habit! — on five guys, mostly in their 20s and 30s, clearly all really good friends, joking and laughing at the next table.

I so miss city energy.

So even if “all” I can enjoy — no ballet/opera/concerts/theater — is a sunny day walking, I’m happy with that.

The winter zhuzh

Looking down from our bedroom window

By Caitlin Kelly

We’re in it now, kids!

Only after December 21, in the Northern Hemisphere, will we slowly inch/centimeter back toward longer days and more light.

The long, cold, dark, rainy, slushy, sleety, snowy days of winter can be rough!

Add the isolation of avoiding COVID, and it may be the most difficult some of us have ever faced. Some of you are grieving the loss of loved ones.

My go-to solution, however shallow and silly it may seem, is to zhuzh our home — i.e. to make it as lovely as possible. Few things are more depressing than a dark, dirty cluttered home and few more deeply nurturing than one that is clean, well-lit, comfortable and welcoming.

If you don’t sigh with relief and happiness when you open your front door, as we do…maybe this is the time to make your home, no matter its size or location, the respite you so badly need.

Add color and pattern

This can show up in so many ways.

If you can handle the physical work alone, a gallon or two of paint can totally transform a chair or chest of drawers or a room, certainly a small one; include the baseboards/skirting boards for a unified look. As regular readers here know, I’m a huge fan of this UK-based, now U.S.-owned paint company, Farrow & Ball, whose colors fill every corner of our one-bedroom apartment. The sitting room is Peignoir (likely soon to change!), the rest Skimming Stone, and the bathroom a strong mustard yellow and the kitchen a green-ish gray; one benefit of their brand is that you can always request more of a discontinued color. Highlight of my 2017 England visit — a trip to their Dorset factory! SWOON.

A pretty throw rug or tablecloth or placemats and/or linen/cotton napkins, a throw or comforter.

We have and enjoy all of these.

Our duvet cover and bedside rug

Cushions/throw pillows

There’s such a dizzying universe of options, and each can really change the style and flavor of your sofa, chairs or bed. I like this new-ish site, St. Frank, with its ethnic styles. My super cheap-o pillow-cover hack? Buy two gorgeous napkins and hand-sew the edges around an existing pillow you already own. Like these cheerful green and white cotton, 20 inch square — four for $32. That’s two pillow covers at $16 each.

Plants

Nothing like glowing green on a wintry day.

Fresh flowers in every room, even the bathroom and kitchen. Invest in a few flower frogs or floral foam and you can use a wide variety of containers, not just a standard vase.

Add comfort

Team duvet! If you’ve never succumbed to the floaty, puffy, super-cosy allure of a duvet…go for it! Blankets are fine, but once you’ve snuggled beneath a duvet and a pretty, removable, washable cover, it’s hard to go back. Covers can be found on plenty of sites, from Anthropologie to Garnet Hill to Zara Home. I LOVE these solid color linen ones –– 19 colors.

Same for shams and pillow cases. Freshly ironed cases and shams, changed frequently, are a simple luxury.

A sheepskin rug, bedside, is a lovely way to start the day.

My pillow is so so so sad. If yours are as well, fresh new ones (with pillow protectors from the start) are a good investment.

Light matters!

Found, of all places, in Minneapolis!

Candlelight is especially lovely these days. Go 18th century with a candlestick bedside. Dine by candlelight, a mix of votives and tapers.

If you can get a handyman, MASKED, to come to your home, install dimmers in every room you have overhead lighting; few things are as harsh and unflattering than standard overhead lights. Every room should, ideally, have multiple sources of light: table lamps, task lamps, standing lamps. Keep bulbs and shades dusted and replace shades when they become torn, stained or burned. A bougie addition I love are pretty finials, like these — make sure they thoughtfully match the style, color and scale of your lamp and shade. When the light glows up, it can add a pretty grace note.

Changing up your lampshades can make an enormous, stylish difference to your room and style. Ballard Designs has many sizes, shapes, colors and styles, as does Fermoie. I also love these pleated fabric ones from Oka.

Our former living room curtains — for sale!

And how about your windows? Too many ready-made curtains are saggy, thin and just…sad! They droop and drag and don’t insulate drafts or block light when you do want to sleep. A huge splurge, if possible, is having curtains made — they will be properly weighted and lined. But there are some good options; love these from Madura, whose curtains we had a few years ago and the quality was excellent. If you choose a color, remember that when closed you’ll have a large unbroken block of color and how will that play in the space? If you choose a pattern, is the scale of the design too small to register from a distance or so bold you’ll soon tire of it? And how does its color, scale and pattern relate to everything else in the room?

Lanterns and lovely votives along shelves and windowsills (safely, probably not great with little kids or cats!) add a flickering glow. I love this lantern, which looks like it comes from a bazaar in Srinagar or Tetouan — not Bed, Bath and Beyond! I found my favorite lanterns at the back of a Minneapolis cafe, of all places.

Add scent

I’m not a huge fan of smelly candles, but a few can be lovely during months of no outside fragrance.

Room spray can be nice.

So can paperwhites or lilies.

I love something as simple as dropping affordable eucalyptus oil into my bath — scenting the entire (small!) room; I buy mine at Whole Foods. Other great winter bath scents are cinnamon, lavender, vetiver or patchouli.

Dust and polish

Boorrrrrring….but more necessary than ever, certainly if you live with kids and hairy pets…let alone everyone’s now dragging in road dirt, gravel, sand, salt and slush.

I keep a good supply of silver and brass polish and fresh pads for our mop, and cleaning cloths and Windex because, in the gloomy funk of winter, it’s easy to overlook how damn dusty things get.

Use the good stuff!

Some people inherit lovely linens or china or silver or glassware and never really use it, saving it only for special occasions.

Life is a special occasion!

If this terrible terrible year has taught us anything, it’s the shocking, desperate brevity and fragility of our lives, work and connections.

There is tremendous esthetic pleasure to be had sipping your tea or coffee from a delicate bone china teacup or making the bed with vintage linens or drinking your juice or wine from a bit of etched glass or crystal.

Savor it all!

My holiday gift list 2020: Enjoy!

By Caitlin Kelly

This is my favorite post every year!

I seek out a wide range of lovely gifts, from this year’s lowest price — $15.00 for a quirky deck of playing cards– to the highest, $1,150 for a stunning hand-made ring.

I don’t choose tech, music, books or things for teens/children/seniors.

I’ve carefully chosen almost all of this year’s recommendations from independent makers and retailers, with a very few from larger companies. The list includes two Black makers, one of them British.

I also offer the backstory for each item when I’ve found one. I love knowing more about whose skills and hard work I’m supporting and sharing.

There’s no income for me in this — just the pleasure of curating.

In a year where so many of us can’t safely or legally travel, I’ve also deliberately made this list pretty global and with some specific nods to travel and maps.

Gifts could arrive from places as far-flung as Los Angeles, Stockholm, Philadelphia, Cheltenham, England, Toronto, Ottawa, Sydney, Paris and Manhattan. When I ordered my two gorgeous throw pillows from Svensk Tenn, a divine Stockholm department store, they arrived within days, beautifully wrapped in tissue paper with a note. Presentation matters!

I’ve converted all foreign currencies into U.S. dollars.

From Pippa Small, a Canadian jewelry designer in London, whose rings go up to an eye-watering $26,000.

This pair of abalone shard earrings, simple and unusual. $467

Every year I find something fun from this American homegoods website, Mothology.

This year it’s a whale — who also serves as a handy bottle-opener. $16.95

https://www.mothology.com/tabletop/

I discovered this retailer, Alex Mill, when it popped up in my Instagram feed. I really like the witty simplicity of their goods. The company is eight years old, based in Manhattan, run by a son of the American retail legend Mickey Drexler (who used to run J. Crew), Alex Drexler.

A unisex bandana-print wool scarf in navy/white or red/black/white. $95

Nothing beats light, warm soft cashmere on a bitterly cold day — take it from me, a Canadian!

These neck gaiters are also beautifully unisex in navy, black, red and gray. $65

I love this boiled wool hoodie, which comes in yellow, dark green and black. $160

Farrow & Ball’s brilliant yellow is called Babouche, of course! They’re actually backless unisex leather slippers worn in Morocco and these come in two delicious colors — pale coral and pale blue. $45

Poor New York City! It has been so hard hit by the pandemic, losing millions of tourists who helped sustain Broadway, hotels, restaurants and other attractions. Since you’re unlikely to get here for a long time, enjoy some edible icons in delicious chocolate, from a New York company in business since 1923, Li-Lac Chocolates.

This package includes a train car, a Statue of Liberty and an edible Empire State Building. $160

https://www.li-lacchocolates.com/Chocolate-Gift-Basket-NYC

This six-year-old business, Meeka Fine Jewelry, owned and run by Philadelphia businesswoman Monika Krol, offers the kind of jewelry I really love: minimal, unusual and using lots of semi-precious stones. This isn’t a site for rubies, diamonds, emeralds or bling-y settings, but understated elegance. Here are just a few of her many, many offerings. Roam around!

Oxidized silver and prehnite stud earrings (the pale green of seawater) $150

Lilac chalcedony, oxidized silver stud earrings $125

A ring of Montana agate (clear with black speckles) set in 18k gold. I’ve asked Jose for this! $1150

John Derian is a much admired retail shop owner whose quirky style is terrific — he’s best known for glass decoupage dishes and platters. His East Village NYC store is crammed with lovely discoveries. In a time when the world feels so so distant, when even going to the grocery store feels scary, here’s a soft, sensuous way to experience the globe

A silk scarf with the globe printed on it. $175

I love everything offered by Stockholm design store Svenskt Tenn. There’s fantastic-but-spendy printed linen, sold by the meter, home goods, furniture. I’ve chosen to highlight only two item, but look around. So much beauty! The placemats are of the same linen print of the two sofa throw pillows we bought from them.

Linen print placemat, magnolia print $41.00

https://www.svenskttenn.se/en/range/textile/kitchen-dining-textiles/placemats/placemat-textile-japanese-magnolia/110001/

I defy you not to be charmed by this elephant print tea cosy. (Also, possibly, a hat?) $70

www.svenskttenn.se/en/range/textile/kitchen-dining-textiles/tea-cosys/tea-cosy-elefant/110569/

This Paris site is also swoon-worthy, if you love textiles and an 18th c aesthetic as much as I do, from Antoinette Poisson.

Throw cushion in black and cream $112

I hate most of the phone cases I see. But these, by Stringberry, come in a really wide array of designs. I bought one and love its design and its rugged, smooth-but-matte finish.

Phone case, $33.

Phone case, moon and stars design $33

I’m a huge fan of adding candlelight whenever possible, especially for those long, cold dark winter nights. I love the gleaming reflective brass of this two-taper design. I’d put it bedside or even in a small bathroom: 11 inches wide, 22 inches high. From a small-town British indie retailer.

Brass wall-mounted candleholder $121.96

https://www.tinsmiths.co.uk/brass-candle-holder-double.html

OKA is a homewares company owned by three women with classic English style. I love their colors and scale. As a big tea drinker and collector of early ceramics, this cup and saucer caught my eye.

Blue and white cup and gorgeous saucer, 18th c style $60

https://www.oka.com/en-us/product/kraak-breakfast-cup-saucer-blue-white/

Who among us is sick to death of Staples? To really spruce up your WFH desk, how about these?

Three pale turquoise faux-shagreen binders, also from OKA $65

https://www.oka.com/en-us/product/faux-shagreen-box-files-turquoise/#dimensiondetails

LOVE this one! Warm, hand-knit, colorful, unique.

Rainbow-hued massive wool cowl/hood, made by a Black woman creator, Chasten Harmon, in L.A. $265

Kingsley Thompson is another Black designer, working in small leather goods, Cheltenham, England.

Leather bookmark $27.59


Is there anything as tedious as ALL THAT hand-washing? Make it a sensual pleasure with Caswell-Massey soap. Fantastic quality, American made. The sandalwood is so nice!

A full year of soap, in three woody scents $98

OK, wait….Monet and VANS sneakers? Only from my favorite Canadian retailer with the weirdest damn name ever, Gravity Pope. I make sure to drop in every time I’m back in Toronto and always leave with a great pair of shoes or boots.

Yes, for guys, Monet paintings for your kicks. $90

https://www.gravitypope.com/collections/men/products/vans-vn0a2z5i18h-moma-monet-authentic

And I really want these simple pale gray suede boots. $475

We met the creator of Effin Birds, Aaron Reynolds, in Ontario at an annual conference up north and even shared an unheated cabin with him. His merch is very swear-y — but so much fun! There are pins and stickers and hockey jerseys and T-shirts, too.

Effin’ Birds pack of Playing cards $15

There’s nothing nicer for the most basic table than a pretty print tablecloth (add a padded liner beneath.) Like this one, from Paris shop Simrane.

Pale green and gray Indian print tablecloth $103

How can you resist? All the way from Piggott’s Store in Sydney, Australia!

Bright pink Indian cotton boxer shorts in a small palm tree print $43

Along the same lines, there’s nothing nicer than a fragrant neck to kiss. Here’s a crisp option.

Lime cologne. $50

OK, I caved — here’s an amazing blanket from one of my favorite major retailers, Anthropologie. It fits my 2020 theme of, if we can’t visit a place in person, we can still dream and enjoy some version of it!

Black and white woolen blanket — with maps of Paris, London or New York. $200

I am oddly mesmerized by this dress, which also comes as a T-shirt and mock turtleneck. I love a stretchy dress I can throw a sweater on top of. I like a bold print. I really enjoy being stylish and comfortable. And this NYC site, Wray.com, has a wild range of sizes and prints, all the way to 3XL. It’s never easy to find stylish, fashion-forward clothing for larger women — and this site offers plenty of it; check out their Neighborhood dress and Quinn dress.

Print dress $228.

Regular readers of my blog, and this list, know I loooove a well-dressed man. And I love elegant touches like a great pocket square. I really like this indie American website, Sid Mashburn (and the partner site for women, a 10-year-old Atlanta store with some great stuff, Ann Mashburn) — classic but not boring menswear and womenswear.

Walk like an Egyptian! with this hand-rolled wool and silk pocket square, complete with hieroglyphics and Anubis. $80

You’ll either love or hate these chocolate leather lace-up boots, from Ann Mashburn. They’re pricey but I have no doubt you’d get a decade’s stylish wear out of them. $650

Living with very old things

By Caitlin Kelly

No, not me or Jose!

A decade ago my mother had to suddenly sell all her belongings and go into a nursing home, and into a small room. She was able to take a few pieces of art but lost a lot of it to auction.

I shipped home, across a border and country, a pair of her early textiles, framed. I have no idea where she bought them or when or if my grandmother had owned them. I wish I’d asked when we were still cordial, but of course I didn’t.

I’m a massive fan of textiles, old and new, and always wondered what these two pieces were — and I follow a serious antique textiles dealer in Britain on Instagram. I recently asked her if these were what I suspected — 17th century Italian.

They are!

Wow.

I’m now wildly fantasizing who used them, and when and where and for what purpose. They are velvet and gold thread and the centerpiece, I believe, is linen.

Italy in the 1600s was quite the place…1.7 million Italians died of plague in the first years of that century. In 1656 around 300,000 people in Naples, this was half the population of Naples at that time….Good God, why is this so awfully familiar?!

We own a few other quite old objects, which have been gifts or bought at auction or antique stores or shows. I know some people have zero interest in old stuff or owning old stuff, but I really love living with, enjoying and using lovely and material bits of history.

I find it extraordinary to tap away on a laptop on top of a gate-leg oak table, probably British, someone made in the 18th century. Ours looks almost exactly like this one, without a drawer.

The craftsmanship is amazing — finely curved edges, smoothly fitted leaves and legs. My father gave it to us a few years ago and I love it. It easily seats four, six at a pinch.

Then there’s a tiny teacup, hand-painted. I love its designs — also very unusual, and someone said, maybe made for the Islamic market. I’ve studied ceramics and silver and furniture and textiles because they fascinate me, so when I spot something potentially that’s very early (for me, anything 18th or 17th century) — and undervalued — I know what it is!

Like this 18th century teapot, missing a lid — $3.50 in an upstate NY junk shop; if it had a lid, it would sell for about $1,000.

The teapot on the table…

If I could own something really ancient, it might be a piece of Greek, Roman or Middle Eastern sculpture or art.

Do really old pieces interest you?

More simple pleasures

By Caitlin Kelly

With so many of our normal activities now too dangerous, what’s left?

Lots!

Gorgeous fall light, low and slanting

Peter Lorre in The Maltese Falcon

Bingeing great TV shows and movies

Lying under the duvet listening to the radio

Making butternut squash soup and apple crumble

Long phone calls with old friends

Planning your Christmas card list

Cosy new pajamas and slippers

A new wall or room color!

Farrow & Ball’s most recent fandeck

Shelter magazines to dream by

Fresh pillowcases

Bouquets in every room

Late afternoon naps

Choosing new recipes to try

If you have art or design reference books, leafing through them and enjoying the visuals

A bowl of tangerines

Drinking your tea or coffee from a favorite mug or lovely cup and saucer

A warm croissant with raspberry jam

Sitting alone in silence, every day

Waking up, dining and going to sleep by candlelight

A pot of tea

Patting your dog or cat or maybe even your tiny albino hedgehog

Playing cards with your sweetie

Hugging your kid(s)

A Kit Kat!

And yours?