My writer’s life — mid-pandemic

 

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From my last group experience, attending and speaking March 8 in Fairfax, VA at the NSC 2020

 

By Caitlin Kelly

 

We haven’t yet received our badly-needed $1200 per person from the Federal government, nor even tried to apply for unemployment payments (which freelancers are entitled to) , nor pandemic payments of $600/week….all of which we could use!

A lot of outlets have cut back on their freelance budgets, so it’s easy to panic, but panic never paid the bills.

Work, thankfully, continues to show up.

This past week offered three fantastic windfalls — all of them totally unexpected — and for which, even more now, I am so grateful:

— A woman writer who follows me on Twitter booked me for a coaching session from across the country for this weekend.

— A doctor I helped a few weeks ago (months?), discussing his amazing Twitter story-telling and whether it’s book material, suddenly dropped some very real cash into my PayPal account.

— I posted a question in one of the private writers’ groups I belong to on Facebook, asking for peers’ advice on where to place an unusual personal essay. An editor saw it and commissioned it.

And, always, the usual searching for more work…

A few months ago, I began working with an intern, (now home from college in Brooklyn at her parents upstate), and she and I are still, slooooowly, plugging away on a potential book proposal. I keep kidding around on Twitter with a few agents and book editors, hoping to get it to them if/when we ever get back to a more thriving economy.

I applied April 8 for a Canada Council grant, asking for the maximum of $25,000 (Canadian) to research another stalled book proposal. Only 20 percent of applicants win one and it might not be the full amount and I won’t know til August….but at least I tried. It’s open to Canadian citizens, not only residents.

 

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I’ve pitched a number of COVID-related ideas, but others have beaten me to it, or they failed to find favor.

My latest assignment — of all things! — is for Mechanical Engineering magazine, and required me to interview the nation’s top experts in their fields. PANIC! “You have a knees-quaking English major who has never studied physics or chemistry”, I wrote the editor, when he made the assignment.

But it went well and I learned a lot and the scientists were all fantastic to talk to — warm and down-to-earth. I ended up talking turkey hunting with one of them, a female legend who hunts on her Texas ranch on weekends. Of course! Turned out I had two very unlikely things in common with another scientist — we’d flown the minuscule domestic aircraft of Nicaragua and eaten at the same Indian restaurant in Montreal, across from the McGill campus.

It’s these moments of shared humanity that make all the learning implicit in journalism — even a very steep curve sometimes! — still so enjoyable.

I caught up by phone with a pal in California who I met more than 20 years ago when, having never met before, we shared a room at a Boston writing conference to save money. She’s now doing a podcast on education and invited me to talk to her about my last story for Mechanical Engineering (out in June) on STEM.

 

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Having read a pal’s story in a magazine I get, I asked her for the favor of an introduction to her editor — which she very generously made and which elicited an immediate and enthusiastic reply to my email and resume. Writing LOIs (letters of introduction to potential clients) is often a total waste of time, and one I avoid for that reason. Hoping for work!

I wrote to two editors of the FT’s glossy magazine How To Spend It. No reply. Will chase further; same for their House & Home editor, who follows me on Twitter.

Advised a Georgia MD up in NYC volunteering at a local hospital, who I follow on Twitter, about gathering details if he hopes to write a book about this pandemic.

I’m always months and months behind on my own reading, so have used some downtime to reduce the piles (three of them!) of Financial Times, NYT magazine, Architectural Digest, Vogue and the now-defunct Photo District News.

Resilience is earned

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How did our ancestors do it?

 

By Caitlin Kelly

 

On social media, I’m seeing a lot of people freaking out, marinating in terror and anxiety, desperate for this pandemic to just be over.

There’s no way to remain unmoved by this crisis.

There’s no way to ignore the tremendous grief and shock it has imposed, certainly for anyone who’s lost a friend, colleague, neighbor or loved one — and in New York, where we live, that’s more than 10,000 people, with 600-700+ people dying every day.

But, every morning, New York governor Mario Cuomo addresses us, and one of his repeated refrains is this:

Emotion is a luxury.

If you spend every day and night for weeks, even months, terrified, your body is going to be ravaged internally by adrenaline and cortisol — the chemical reactions urging us unto “fight or flight” — when we can do neither.

That alone is wearying and exhausting!

And perseverating really is bad for your health, as this New York Times health writer explains:

 

There are important health reasons to tamp down excessive anxiety that can accompany this viral threat. We have a built-in physiological response to imminent danger called fight-or-flight. Hearts beat faster, blood pressure rises and breathing rate increases to help us escape the man-eating lion.

Underlying these stress-induced changes are hormones like adrenaline, noradrenaline and cortisol that can cause trouble if they persist too long in our circulation. Sustained anxiety increases the risk of cardiovascular disease, digestive problems, clinical depression and, ironically, infectious diseases like Covid-19 by weakening the immune response to a viral infection.

 

Some of you have already weathered serious storms: cancer, job loss, unemployment, sexual assault, abusive workplaces and/or families.

 

The only silver living to any of this is resilience.

 

When you get a cancer diagnosis, people rush to cheer: “You’ve a trouper! You’ve got this!” and mostly, unhelpfully: “You’re so brave.”

But there’s only two choices — get on with it, or give up.

We live in a county north of New York City with a wide array of income levels, a few towns more working-class and some studded with millionaires, even billionaires, like Martha Stewart or the Clintons.

The town just south of us is an affluent one, where some people see “hardship” as their child not winning elite college admission.

So there are endless books and articles published to help the pampered and protected somehow learn to artificially acquire grit and resilience, when those are qualities one tends to discover — often unwilllingly, through circumstance — only through lived experience.

You walk through fire, emerging singed.

Scarred.

Wary.

Wiser.

Here’s former U.S. Secretary of State Madeleine Albright, writing in The New York Times:

My life in the decades since, both in and out of government, has been enriched by the survivors of other extraordinary times. During my time as secretary of state, I met a 6-year-old boy in Uganda whose mother had been killed in a massacre. He had pulled himself out from under her body and walked several miles, carrying his little sister on his back, to a camp run by a religious organization. In Sierra Leone, I held a 3-year-old girl who had lost her arm to a bullet; she was later adopted and lived on the same street I do in Washington.

In Bosnia, I grasped hands with women whose husbands and sons had been murdered and dumped in a mass grave near the village of Srebrenica. In Thailand, I met teenage girls who had been rescued from sex traffickers; they braided one another’s hair while telling me of their determination to live fearlessly despite scarred minds. At Georgetown University, back in Washington, I taught alongside a professor, Jan Karski, who had escaped from wartime Poland carrying to Britain and America some of the earliest eyewitness accounts of the transport of Jews to killing centers ordered by Hitler.

During my tenure in the State Department, I worked closely with Vaclav Havel, leader of my native Czech Republic, and with South Africa’s Nelson Mandela; both had spent years as political prisoners. I also visited American soldiers, aviators, diplomats, aid workers and Peace Corps volunteers deployed to regions where each day brought intense suffering and renewed conflict.

As president, Bill Clinton talked often about “the quiet miracle of a normal life.” But what we customarily think is “normal” is neither as common as supposed, nor as inevitable. A generally contented society is a rarity that humans must do our best to establish and sustain.

 

 

And now, who are we?

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This changed my life, October-November 2018

 

By Caitlin Kelly

Interesting essay in The Globe and Mail:

I’m not going to suggest this crisis has a silver lining, not when medical workers and shop staff and home-care assistants are out there putting their lives on the line, and people with the virus are dying afraid and alone. There is no silver lining, but there is a rare opportunity to see how behaviour changes when it is challenged by a new and terrifying threat. It seems to me that we’ve quickly – but perhaps only temporarily – lost our appetite to strive for perfection.

It’s been astonishing to see human fragility on display on a mass scale, with no shame or scorn. Vulnerability isn’t generally the mode that is most welcome in this world, and even people who say they love Leonard Cohen’s line, “There is a crack in everything / That’s how the light gets in,” tend to spend most of their time furiously hiding their own cracks from public display.

But now it’s all cracks. Firefighters break down during interviews, nurses sob on their Facebook pages, broadcast anchors reach for the Kleenex. Cory Deburghgraeve, an anesthesiologist who volunteered to do intubations at his Chicago hospital because he’s young and childless, talked about treating people who are isolated and in distress: “I have to find a way to hold it together in order to do this job. I tear up sometimes, and if I do, it can fog up my face shield.”

 

No question, social media is typically shiny and performative, certainly for “influencers” and anyone who needs to maintain a veneer of fabulousness to keep their credibility.

This blog is one social media spot where I tend to loosen my stays, as it were, revealing some truths about myself — attractive or not! — in the knowledge many of you (despite 22,000 followers) aren’t actually listening.

The ones who are (thank you!) tend to be kind.

My shell really cracked wide open in June 2018 with a diagnosis of small, early-stage breast cancer, surgery and radiation.

I’m not someone who cries easily or often, but I cried at the dinner table. I cried in our shared hallways.

I asked others for help and succor; two friends were amazing and came with me to the hospital for moral support for tests —- three in one day.

It changed me in some powerful ways, how I see my life and how I want to relate to other people. Cancer does that to its survivors.

Normal life, certainly in the land of “rugged individualism”, the United States, usually means asking for help is somehow considered shameful, a moral weakness, hence conservatives’ blasé brutality toward the poor and needy.

How dare they!

I found this essay, by a former New York Times colleague of Jose’s, really sad.

As the host of The Takeaway, a national daily NPR talk show, Tanzina enjoys a well-paid, challenging dream job many of us would kill for, yet…

 

When I gave birth to my son at the end of January, an unexpected miracle to me at the age of 45, I never could have imagined spending my maternity leave in the middle of a pandemic.

But by the time I brought my son home to my apartment in Queens, the coronavirus had already landed in the United States. Soon, the borough would become the epicenter of the virus, nearly collapsing the emergency medical services of nearby Elmhurst hospital.

Single parenthood is certainly tough. Raising a newborn is already isolating; now leaving the house may be dangerous. But the pandemic has highlighted just how fragile my social networks really are, which, as a public figure and radio host who’s had her name and face splashed across billboards and tote bags, is something that’s hard to admit.

 

This global scourge is certainly forcing millions of us to reconsider our choices, whether work, family, friendship, where we live, what we buy, what we deem essential and what, we suddenly see, is real, shallow, silly bullshit.

 

So, what next?

 

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Social and economic differences, something we used to politely ignore socially and politically ignore when useful to our needs, are suddenly glaringly obvious — as African-Americans and Latino and lower-wage workers are dying from COVID-19 in disproportionate numbers.

 

 

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What’s the path ahead?

 

Will this all somehow change for the better?

When and how?

I wish.

some thoughts from The New York Times:

 

A crisis on its own has not been enough to start a labor movement, but if a movement has been simmering, a crisis can make it boil over, said Nelson Lichtenstein, a labor historian at the University of California, Santa Barbara. For example, he said, the conditions weren’t right for workers to revolt during the 2008 recession, but this time they might be.

“We have had a decade and more of agitation, planning, think-tanking on the need to solve problems of inequality and capitalist dysfunction, and so these ideas are more prominently on the agenda, and not only of liberals,” he said.

During this pandemic, workers in the United States have organized strikes at Whole Foods, Instacart and other companies, asking for protections like hazard pay, gloves and sick leave. Congress has passed policies, albeit temporary ones, that would have been politically unthinkable before now, including paid leave and direct payments to individuals. Democrats have introduced bills to make some of the benefits permanent.

 

 

Has this pandemic changed you?

 

How?

 

Do you think, if/when this ends, you will revert to your “old” self?

 

Will society?

What do you miss most right now?

 

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By Caitlin Kelly

I woke up one morning this week and said…I miss antiquing.

How weird is that?

In our one-bedroom apartment, we certainly have no need for another item! We try to purge on a regular basis, donating to our local thrift shop or to Goodwill.

What I miss, really, is the distinct pleasure of a long, lazy afternoon wandering a flea market or indoor antiques mall — which two French verbs describe beautifully: fouiner (to nose about) and chiner (same, for old stuff).

Also — French again! — flaner, to wander without specific purpose. (Couldn’t find the circonflex symbol!)

I lived in Paris when I was 25, and every weekend I happily rummaged through piles of old lace and grimy bits and bobs at various flea markets. I have the happiest memories of looking for 1960s girl group records with my friend Claes, a gay Swedish journalist who was another of 28 foreign journalists spending an amazing eight months together in that city on an EU-sponsored journalism fellowship, Journalistes en Europe.

Claes died later of AIDS.

I still treasure the mix-tape he made for me.

 

 

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A friend’s decanter…I love cut crystal!

 

Today I follow a number of vintage clothing and item-sellers on Instagram, like Ruth Ribeaucourt, an Irishwoman who married into a French ribbon-manufacturing family, and who is passionate about lovely old things, some of which she sells through her online Instagram shop, @the_bouquiniste.

As I’ve blogged here before, I really appreciate old things in good condition, items well-used and cared-for and which offer me — sometimes centuries later — more utility and esthetic pleasure.

I write this atop an oak gate-leg table my father gave us, likely made in the late 18th century; ours is a dead-ringer for this one (circa 1780.)

So many questions arrive with antiques, an attachment from history.

 

Who sat here before us?

What did they eat?

What did they wear?

 

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Didn’t buy them…but, as always, just enjoyed their beauty en passant

 

Love this recent blog post from London-based friend Small Dog Syndrome blog, who misses, of all things, her daily commute:

We are lucky to live in central London and on a normal day I can get from my front door to the office in about thirty minutes if I catch the right train, perhaps slightly more if I don’t. I tend to give myself 45 so that I can walk at a leisurely pace to the train station and pick up a nice coffee if I feel so inclined. I pass a historic churchyard that’s typically filled with dogs on their first walk of the day, and a famed antiques market every Friday.

My transit time tallies to between an hour and an hour and a half a day. It’s exercise, fresh air, and usually I get an episode or two of a podcast in or a chunk of time on my current audiobook (which I listen to at at least 1.5x normal speed so this can really add up in a work week).

I miss it. Genuinely. This was prime “me time” and I miss the start of my morning that got my bloody moving and switched my brain on.

What are you missing most right now?

 

When you meet your hero(ine)

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Too late now, but enjoying her letters; legendary journalist

 

By Caitlin Kelly

Inspired by this edition of The Moth, a story-telling radio series I’ve been listening to for many years,  my own moment…

It was the mid-80s and I had won, finally, my dream job, as a feature writer and reporter for The Globe & Mail, Canada’s national newspaper.

There was then, and still isn’t really, no better journalism job in Canada to have — chasing a wide array of stories and knowing we enjoyed a smart, national audience. Every morning, walking up the rear parking ramp past the huge satellite dish that would shoot our words out later that day, made my pulse jump with anticipation and excitement. Before heading to work, we’d hear our own stories on the CBC —- rip and read radio, we called it.

No job since has ever matched it.

But I had originally dreamed of becoming a photojournalist, then as now a very difficult and insecure way to make a living. I shot for a while, selling images to the Globe and Toronto Star and the final edition of Time Canada.

Now I was a word person.

I heard that dozens of legendary photographers were soon arriving in Toronto, some of them to shoot for A Day in The Life Of Canada, one in a series of fantastic coffee-table books; (years later, my husband Jose Lopez, would become a photo editor on A Day in the Life of America.)

Jill Krementz would be one of them.

An idol of mine! There were then so very few women working in the field and she was also well known as someone who takes author photos; for a while, married to Kurt Vonnegut.

I asked my editors if I could shadow her for the day.

 

It became one of the most fun days of my life.

 

We went to the home of Arthur Erickson, one of Canada’s top architects. He invited us into his living room — and Krementz said: ‘Ignore her”, meaning me. She stood on a sofa and started shooting.

So that’s how a successful New York woman behaved! I took note, my long-held dream to one day work in New York City. (I did!)

Our entire day was filled with meeting some of Canada’s most amazing talents. On assignment, she shot writer Alice Munro — and en route we ran into (!?) producer Lorne Michaels, of Saturday Night Live.

We went to the National Ballet School (where I had taken classes) and at day’s end I spotted some teens all dressed up for prom heading into her hotel.

“What do you think?” I asked. She sprinted over, hardly winded after a long, grueling day.

Then — imagine! — we sat on her hotel bed as she unrolled all her film. I couldn’t believe my good fortune to meet her, talk to her, watch her work.

Wait for the ending…

We’re now Facebook friends.

Not sure how we found one another, except through New York’s creative circles, and I was surprised and delighted to see she reads my posts there and invited us to get together PP — post-pandemic.

 

Have you ever met someone whose work you so deeply admire?

 

Water dripping on stone

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By Caitlin Kelly

I’ve always — imagine! — been impatient.

Have always hoped, somehow, my journalism would make a difference to the world, to its readers, maybe even to voters or policy-makers.

In my early 20s, I tackled a grim and difficult and important story, the testing of cosmetics and other products on animals. I won’t detail what I saw, but I never forgot it, and to see that as a young person is to be changed. I wrote it for a brave editor, the late and much missed Jane Gale Hughes, whose Canadian national magazine — as small in size and apparently unsubstantial as a TV Guide — was called Homemakers.

Its name was misleading, suggesting anodyne chitchat.

Quite the opposite!

Jane, extremely rare for any editor who hopes to keep their job, had to fight the advertising department because, of course, the advertisers of the products being tested would object and pull their lucrative ads.

The ads whose revenue paid her salary and my freelance work for her.

She ran my story anyway and I’m really proud of it and grateful for her belief in me as a younger journalist to produce it.

This tension between money and truth-telling never goes away.

In 2005-6, when I was a reporter for the New York Daily News, then the nation’s sixth-largest paper, I did a huge investigation of the cruise ship industry.

What I learned persuaded me to never take a cruise.

Of course, the editor refused to run my stories — for fear of losing their ad dollars. They finally ran one-half of my work.

 

Journalism matters!

 

Every story that digs deeply.

Every press conference — pure theater! — during which smart journalists ask challenging, tough questions, even in the face of sneers, insults, pompous political lectures and hostility.

It all adds up.

It must.

Jose and I are soon at the tail end of long and challenging and satisfying careers in journalism. We remain deeply passionate about the need for intelligent, analytical, critical reporting on  every aspect of life.

But both of us were cautioned — long ago — to remember that even a lifetime of our committed excellence, even for the largest and most influential outlets, and all the work of all our talented colleagues, is the equivalent of water drops on stone.

One at a time.

Each story — each image — only a drop.

How can it matter?

Drop after drop — repeated over and over and over and over — as we and others continue the work, and stone wears away.

 

Dancing for your life…street version

 

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By Caitlin Kelly

Loved this, from The New York Times dance critic:

One day, before the coronavirus pandemic, a river of pedestrians — half manic, half clueless — was feeding onto the escalator at the West Fourth Street subway station during rush hour. Blocking the escalator entrance were people gazing at their phones. Once they finally stepped on, they planted themselves on the left. It was a mess.

You stand on the right; you pass on the left. This is the choreography of everyday life.

I found myself directing people where to stand and when to move. As the bottom half of the escalator started to organize itself, I noticed that something similar was happening toward the top. I recognized the voice up there: It belonged to Ori Flomin, a dancer, teacher and choreographer. We saw each other and giggled.

“Of course,” he said, “we are the ones arranging people in space.”

 

I started studying ballet at 12, and took ballet and jazz classes five nights a week in my 20s. I only stopped a few years ago thanks to my messed-up knees.

Dance, for fun or in a studio, has long been a way to stay in touch with my senses and sense of balance and rhythm and grace. I’ve never really understood people who “hate to dance” but I know there are many of them! Once you learn to parse a piece of music — a waltz or a mazurka, have your body remember allegro and adagio and what it should do in response — it’s a permanent muscle memory.

And understanding how your body moves within space — and especially in relationship to other bodies — is key to dance, even if all you ever do is take a dance class. You still have to navigate your spot at the barre or leaping and spinning across the floor. You swing your legs in grands battements, careful not to knock anyone while focused on staying strong, centered, elegant.

Spatial awareness is a very real quality we all need to cultivate right now in shared spaces to avoid endless transmission of COVID-19.

Heedless selfishness is now, we all know, lethal.

Those days are gone. Or soon will be; on April 1 — no joke! — New York governor Andrew Cuomo declared every New York City playground closed.

But the ambitious, driven, rushrushrush sort of people who live in New York City — a massively dense city to start with — are also used to being shoved and jostled, in the subway, in line-ups, pretty much anywhere.

So learning to literally keep your damn distance, every day, everywhere — to step out of an elevator with anyone else in it (a la Devil Wears Prada!) — is a new challenge.

Add to this the relentless American individualism that somehow insists each person’s own comfort and safety matters far more than anyone else’s…good luck!

 

6th floor life

 

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Our view

 

By Caitlin Kelly

The number 6 has always been a good one for me — my birthday is the sixth day of the sixth month.

We live on the sixth, top floor of our building — the third time I’ve had that spot in an apartment, first as an undergrad in Toronto, attending University of Toronto, and later in Montreal, in a gorgeous 30s complex called Haddon Hall; I dream of actually getting that apartment back! Two bedrooms, great views, perfect condition, working fireplace, tall ceilings….sigh. All for $600 a month, mid 1980s.

My ongoing decision to live on the highest floor of a building, far away from any access to it, is the result of a terrifying experience in my second year at university, when I lived in a studio, alone, at the back of an alley on the ground floor, in a sketchy downtown Toronto neighborhood.

The kind of place, if anyone had been paying attention to my welfare, someone would have said: “No way! Not a safe choice!”

But no one  paid attention and it was affordable.

One night I yelled out the window at people making noise. A few nights later (I really don’t remember), a man tried to pull me out through the bathroom window — as I was taking a bath, directly below the window.

I was wet and slippery and the window too small and narrow.

But that was the end of that apartment.

I spent the summer, recovering emotionally from this attack, in a shared sorority house on a quiet and lovely street, surrounded by other women.

My next home was the 6th floor studio at the back of a six-floor 60s building, with a balcony, overlooking a park.

No one could possibly get at me.

No one ever did.

It was a great little apartment, only one long block north of campus, so I could zip home and change clothes in fall and spring as the temperature shifted. It gave me back the confidence I could live alone, safely, and enjoy my independence again. I was already writing for a few national magazines and would sit at my desk, tapping on my pale turquoise manual typewriter, staring out over the park’s treetops, like a bird in my own little nest.

In Montreal, that high perch proved, sadly, less secure as our building was broken into repeatedly, thieves assuming that renters were wealthy, which we weren’t. I got so scared I went to the police for advice since my bedroom was at the very opposite end of the apartment from the front door — no escape. They had little comfort to offer except that burglars were likely unarmed. I lived there for 18 months while working as a reporter for the Montreal Gazette.

When my first husband and I bought this suburban New York apartment, the first attraction wasn’t its great view of the Hudson River, or the lovely grounds — it was all we could afford! I was lucky enough to have a decent down payment, thanks to an inheritance from my maternal grandmother. The place was a bit gross, thanks to wall-to-wall filthy beige carpet that stunk so badly of cat urine even the realtor stood on the balcony while we looked it over.

In the decades since, by far the longest time I’ve ever lived in one home, (the longest before that was maybe three or four years, in childhood/adolescence), I’ve repainted each room and hallway multiple times. The living room morphed from a mushroom beige/gray faux finish to a brilliant Chinese red to the pale yellow/green we last did in 2008. The bedroom went from a faux-finish crisp blue and white to aqua to apple green to Skimming Stone, a lush, warm gray from my fave, Farrow & Ball.

I really love the quiet perch of a top floor.

We’re literally in the treetops and red-tailed hawks soar close by daily, one even landing on our balcony railing once.

Our river view, looking northwest, is now obscured by tree growth, but fine in the winter. We watch barges gliding upriver and storms heading south.

In these perilous times, home up here once more feels like a nest, safe and enclosing.

And impossible, we hope, to breach.

 

 

Tough love for tough times

 

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By Caitlin Kelly

As someone with a green card, I can’t vote — so my enthusiasm for how New York’s governor Andrew Cuomo is handling this crisis will carry no political weight.

But every morning now, at 11:30 a.m. EDT on weekdays and noon on weekends, we watch his 30-minute press conferences, live, and listen to another 30 minutes of questions from reporters and his replies.

Jose , (my husband), spent eight years in the White House Press Corps as a New York Times photographer, covering Presidents Reagan, GW Bush, Clinton. He’s heard plenty of political spin and is not easily impressed, but is a huge fan of Cuomo’s handling  of the COVID-19 crisis — and New York City is the hardest-hit city in the United States.

Unlike the joke in the White House, Cuomo — another born-and-bred New Yorker — doesn’t bullshit or blather on about how great he is.

Nor does he insult the press corps, whose job it is to question every elected official and keep them accountable, as 45 does, most recently telling two veteran reporters: “Don’t be a cutie pie” and “Be nice. Don’t be threatening.”

During the conferences, Cuomo’s team also shows viewers clean, clear graphics with the numbers of infected, where, in the hospital, recovered — and dead. He explains who is most likely to die from the disease and why.

We live in a small suburban town, so density and crowding are less pressing for us than in the five boroughs of New York City.

Yet the state’s patient zero lives in a suburban town on the other side of our county. He went to synagogue (infecting many), traveled into the city by commuter train (more) and went about his business there (more again.) He’s alive and out of the hospital.

In the past few days, the National Guard equipped the enormous Javits Convention Center on the western edge of Manhattan as a hospital with 3,000 beds.

The Javits Center is an amazing facility,” said Semonite, [Gen. Todd Semonite, the head of the Army Corps of Engineers.] “Every 10 feet there’s a great big steel door in the floor, you open it up in there is all the electrical; there’s cold water, there’s hot water and there’s a place for sewers, so you can actually do things like sinks, right in the middle of a convention center to be able to make that happen.”

The hospital will be staffed by 350 medical personnel from FEMA and 600 medical personnel serving with the two Army hospitals.

Non-COVID-19 patients will be transported from hospitals in the New York City area to the convention center, just as they will be at the 1,000-bed Navy hospital ship the USNS Comfort when it is operational in New York Harbor on Tuesday.

 

Here’s a New York Times piece about Cuomo:

 

To the surprise of many who did not associate the name “Andrew Cuomo” with the word “empathy,” the governor has become a sort of national shrink, talking us through our fear, our loss and our growing stir-craziness.

“This is going be a long day, and it’s going to be a hard day, and it’s going to be an ugly day, and it’s going to be a sad day,” he told officers from the New York National Guard on Friday, charging them to fight this “invisible” and “insidious” beast and “kick coronavirus’s ass.”

Because New York is at the epicenter of the epidemic in the United States, with 519 deaths and 44,635 confirmed cases, as of noon Friday, Americans have their eyes on the state. Cuomo knows this. “New York is the canary in the coal mine,” he said during one of his passionate televised pleas for the president to provide more ventilators.

It is more than passing strange that in this horror-movie moment, with 13 people dying on Tuesday at Elmhurst Hospital in Queens and a refrigerated truck parked outside to collect the bodies, the nation’s two most prominent leaders are both Queens scions. Both men grew up in the shadows of their fathers, the hard-working sons of European immigrants.

The Trump family is a model of bad nepotism — noblesse oblige in reverse. Such is their reputation as scammers that congressional Democrats felt the need to put a provision in the coronavirus rescue bill to try to prevent Trump-and-Kushner Inc. from carving out a treat of their own.

And, from New York magazine:

Cuomo, most definitely, is not a fan of Trump:

“Government, presidential elections, it was tweets, it was all one-liners, it was all personality, character, celebrity. That’s what politics had become. And all of a sudden you have changed the lens,” he said while an aide brought him a large Dunkin’ Donuts coffee. “Government is about real capacity and real consequences and really knowing what you’re doing and real leadership. Elect the people who know what they’re doing, because you elect somebody because they are a celebrity, or because they have a great slogan, and then you ask them to perform. What do they say?’ ‘I never told you I could perform. I told you I was good looking. I told you I tweeted a lot. I told you I had a great slogan. I never told you I was competent.’ And by the way, it’s really serious. It’s not about celebrity and slogans. That is a stark shift. This is government at wartime.”

 

And, in a lighter vein, this from Michelle Collins, in Marie Claire magazine:

 

But the one thing I do have to look forward to every day like clockwork has been New York Governor Andrew Cuomo’s daily press briefings at 11 a.m. (Sometimes he’s late, and starts them at 11:30. I’ve started referring to this waiting time as “Cuomo FOMO.”) Like a velveteen gravity blanket for my soul, the second I see this man’s perfectly weathered face and tousled curls, the moment his Pacino-like accent fills my living room with its mafia-like authority, my blood pressure drops, my breasts seem to perk up on their own, and a tingly feeling of optimism washes over my imprisoned body as I think to myself… I think we’re gonna be okay.

Also: I think I’m in love with New York Governor Andrew Cuomo.