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Archive for the ‘entertainment’ Category

I admit it: I still like The Breakfast Club

In aging, behavior, education, entertainment, film, life, movies on September 20, 2016 at 1:11 am

By Caitlin Kelly

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THE BREAKFAST CLUB, Judd Nelson, Emilio Estevez, Ally Sheedy, Molly Ringwald, Anthony Michael Hall, 1985. ©Universal Pictures/Courtesy Everett Collection

This can be a real vote-splitter or relationship dealbreaker.

It’s basically a movie about five white kids in suburban Chicago, detained for bad behavior for a full day in their high school library.

Who cares, right?

Made in 1985, it opens and closes with a great tune by Simple Minds, Don’t You (Forget About Me) and was shot in a set in the gym of a high school closed in 1981.

But it’s really about what it feels like to be a teenager — misunderstood or ignored or bullied by your peers and/or teachers. To feel at odds with your parents, whose lofty expectations of success and prowess — you know, living up to your potential — can feel like an elephant sitting on your chest.

The movie was shot within three months for a reputed $1 million, since earning more than $97 million in box-office receipts. I can’t imagine how many residual checks its actors are still receiving, decades later.

It’s also about something that really never changes, no matter where you live or when you grew up — how you can spend four years in high school and walk past the same people for days, weeks and months assuming you have nothing in common, nothing to say to them or vice versa.

The five students are each a “type” — the criminal, the princess, the brain, the recluse and the jock.

I identify most with the brain, the nerdy kid who geeks out over physics and Latin club. Not that I was so smart, but I definitely didn’t fit the other categories.

I arrived at my Toronto high school halfway through Grade 10, a terrible time to arrive — halfway through the second year?! Even worse, I’d chosen a school in a neighborhood so insular that everyone there had been attending the same schools since their first grade. The lines were well-drawn, the cliques established.

I hadn’t even been in a public school, or in a classroom with boys, since Grade Seven. I had pimples and wore the wrong clothes and was far too confident, (having attended single sex schools and camps where I won every award available.)

I was nicknamed Doglin, barked at in the hallways, a dog bone laid on my desk. It was brutal. I cried every day after school and would crawl into bed with all my clothes on when I got home.

My torturers were all male, a gang of three or four, one a redhead with freckles whose 50s-ish nickname (and this long past the 1950s) was Moose.

I made a few dear friends, which kept me sane, and I made the team, two years in a row, for a high school television quiz show and our team did really well.

It finally got better in my senior year when — yay!!!!! — I even got chosen as prom queen, and will regret forever I have no photo of my gorgeous butter yellow chiffon gown, complete with matching scarf. I’m not sure I ever felt so pretty. Even then, a very long time ago, it cost $125, a bloody fortune.

By the time I graduated, I’d had a really cool boyfriend, sold three photos to a magazine for its cover and another to our school library. I’d rounded up my pals to create a school newspaper that fellow students were glad to have once more.

I still don’t know what turned it all around, but am so glad it had a happy ending.

Then, at our 20th. reunion, I re-met one of my closest friends and we re-ignited our friendship, which has continued on for decades more. We’ve visited their lake-side home in Ontario many times, in every season, and our husbands love spending time together.

Neither of us ever had children.

But our friendship is a joy and a pleasure I thought we’d lost.

How was high school for you?

 

Three great cop shows — all European!

In Crime, culture, entertainment, television on September 6, 2016 at 12:19 am

By Caitlin Kelly

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I’m not, per se, a huge fan of cop shows, (although I enjoyed, and miss, NYPD Blue.)

But three shows have really caught my attention: Wallander (the Swedish version), The Tunnel and Inspector Lewis.

There are two versions of Wallander, the Swedish one (with English subtitles), filmed in the small southern coastal town of Ystad, and the English one, with Kenneth Branagh. For a variety of reasons, I prefer the Swedish.

I love the craggy, grumpy Wallander (pronounced Vall – AN -der), played by Krister Henriksson, who always looks like he could use 10 more hours of sleep, some coffee and a shave. He supervises two young detectives, Pontus and Isabelle, and their relationships form an interesting backdrop to the storylines.

I love the moody gray, blue and black palette of each 90-minute episode, which feels — to a North American viewer accustomed to 30 or 60-minute shows punctured with ads — luxurious and immersive, like a movie.

I love seeing Sweden’s gorgeous landscapes and beaches, and I like the way they say “Tack!” like a gunshot (Thanks, or please) into their cellphones.

I sat riveted every Sunday evening to see The Tunnel, a BBC production that is — a first — bilingual, half in French, half in English. It’s also the first time that officials allowed anyone to film inside the undersea tunnel that runs between England and France.

I missed the first episode, but it begins with the discovery of a woman’s severed body, half on the English side of the tunnel and half on the French side.

Ah, les rosbifs“, sigh the young French female detectives as the grizzled English cops arrive, as they now, resentfully, have to work together to solve a bi-national crime.

I saw no North American press coverage of this amazing show, and think Clemence Poesy is astounding as Elise Wasserman, the pale, taciturn blond who leads the French investigation. Her leonine face seemed to be make-up free, her hair always un-brushed, focused laser-narrow on her work.

Her British counterpart, Karl Roebuck, is a tough old thing who has multiple children with multiple women — and can’t keep his trousers zipped. He’s used to charming his way through most situations, a tactic Elise (even tougher) is utterly immune to.

The storyline is complex , with a surprise twist at the end.

It’s violent, of course, at times but emotionally compelling, and I found myself deeply involved with the two key characters.  This 10-episode series also had a very distinctive aesthetic — pale, washed-out, everyone wearing blue, black, green or brown.

The scene switches constantly from England to France, from one culture and language and procedural style to another. (As someone who’s lived in both countries, and speaks French, I loved this element of it.)

Inspector Lewis, (simply called Lewis in the UK) is so English!

Set in and around the gorgeous city of Oxford, and on the university campus, its three major characters are as likely to head to the pub for a pint as to gather at a murder scene.

I haven’t yet been to Oxford, (or Ystad), so I enjoy seeing the gorgeous scenery and the creamy stone buildings of the university. There are endless little digs at class difference and a wry perspective on the insularity of academic life.

Like Wallander, Morse plays a somewhat avuncular role with his younger sidekick, and it’s interesting to watch that relationship.

These shows allowed me to enjoy visiting Europe each week, without a long flight or jet lag.

Do you have a favorite police show?

 

 

The Tragically Hip — a global Canadian campfire

In culture, entertainment, life, music on August 21, 2016 at 1:48 pm

By Caitlin Kelly

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Did you see it?

Last night’s astounding concert by the Tragically Hip, whose lead singer, Gord Downie, 52, has an incurable brain tumor, the kind that killed an American legend, Senator Ted Kennedy.

It was broadcast by CBC, and we watched it here at home in NY on television, live-tweeting with fellow Canadians.

One guy tweeted — “I’m in Seattle. Where can I find a bar showing it?” I tweeted the link and he tweeted back, “Watching it. Thanks!”

Another Twitter pal needed to find a place to stay near Kingston, an area we know fairly well, and I tweeted out my suggestion.

One friend watched it on her phone in her car on a road trip from Toronto, sitting in New Mexico.

Canadians at the Olympics in Rio shared a hello.

Canadians in VietNam and Africa tweeted hello.

The Hip, as they’re known, have been together for 30 years, an unchanged line-up, since they met in Kingston, Ontario — fittingly, the site of last night’s concert, the last of a national tour.

The arena had 6,000 people in it, while Market Square, usually a venue for farmers selling carrots and maple syrup, burst with astonishing 20,000 fans.

In the arena audience, wearing a Hip T-shirt and a jean jacket, standing alone, (although clearly not without security nearby), was Canada’s Prime Minister, Justin Trudeau, eight years younger than Downie.

No fuss was made about him. He didn’t grandstand or make a speech.

Thank God. That was so typically Canadian — low-key, modest, no need to make a fuss or draw attention away from the main event.

It was Downie who called out to Trudeau, putting him on notice (and praising him for a good start) to address the many needs of Canada’s aboriginals, facing appalling rates of murder and suicide.

The show went almost three hours, with three encores, an astonishing length for any band, and for a man whose craniotomy scar was visible, etched into his face, mostly hidden beneath an array of hats with feathers, hard to imagine. (The show’s TV credits included his “wellness” team, and his oncologist has been traveling with him.)

His costumes were goofy and playful — a silver suit, a pink metallic suit, a sparkly silver suit. A Jaws T-shirt.

Two striped socks pinned together at his throat to keep it warm, he explained.

He cried, although it was hard to tell his sweat from his tears.

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It made me deeply homesick.

Living in the U.S., which I have for decades, means living in a place where Canada is seen as a bit of a joke, all hockey and beer. It gets old and it gets lonely when no one knows — or cares about — your shared cultural references.

There are also very few times Canadians get weepy and emotional and wave enormous flags at one another in public.

The Olympics is one.

This was another.

Here’s a lovely analysis by fellow Canadian musician Dave Bidini:

Canada is good when it’s viewed and heard through the Tragically Hip, and the Tragically Hip is good when they’re viewed and heard through us. No other band stretched our potential as a nation of popular art. They put weird songs on the radio. They put thousands in stadiums listening to strange, wild jams. They wrestled our inherent Presbyterianism and won over a public that, more often than not, demurred when it came to stronger flavours. They offered an anti-hero as hero who was as interested in promoting his brand and chiselling his image as he was selling cars or soap or gasoline. For all of their commercial proportions, the Tragically Hip weren’t a commercial band. They have a sense of composure, and dignity. And grace, too.

In terms of history, and the history of art in Canada, we scramble to celebrate what’s good or who’s done what and why this thing or that person matters, but it’s often in the greasy sizzle of a sudden trend or in the twinkling glimmer of the rear-view mirror. But with the Hip, we were given the chance to cheer them not through museum glass, but in the hot thrall of the moment. We were able to point to them – point to Gord, whose courage as a performer will be forever burnt into our imagination – as they deadheaded across the country.

 

As we, living in the U.S., face day after day after day after day of the insanity and toxicity of liars like Ryan Lochte and Donald Trump, what a refreshing break from bullshit and spin and feeling like I need a shower every time I listen to one more piece of trash being sold to me as gold.

What a glorious, heartbreaking night.

 

 

Some of my recent reading…and yours?

In books, culture, entertainment on August 4, 2016 at 12:57 am

By Caitlin Kelly

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Not a day goes by that I’m not reading for hours — newspapers, magazines, websites, blogs…

But books.

Aaaaaaah, books!

That’s what I read for pure pleasure.

Here’s some of my recent reading:

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Kicking the Sky, Anthony de Sa

 

Loved this book. Loved!

I grew up in Toronto and, like anyone who knows their hometown or city well, I know its history when I was a teenager there and its urban peculiarities.

Toronto was stunned, in 1977, (I was in my second year at University of Toronto), by the murder of a young boy, a Portuguese immigrant named Emmanuel Jacques. He was raped and murdered and left on a rooftop.

It was ugly and terrifying and the city had never seen anything quite like it, at least not in recent memory.

Toronto is, then as now, very much a city of immigrants, and the Portuguese community was clustered in a few streets downtown. The women would scrub and wash their sidewalks, something I’d never seen anywhere else in the city.

This novel, by a man who grew up in that community himself, is so detailed and nuanced, so filled with moments you know he lived. It’s also set along an alleyway filled with garages, so  much a part of Toronto as well.

His characters are indelible, his intimacy with the subject and the city and the backstory utterly compelling, told through the eyes of a 12 year old boy, Antonio Rebelo.

Although the murder is grim, his characters are not — and I highly recommend it.

(If you like or are curious about other novels set in Toronto, I also really enjoyed Cat’s Eye, by Margaret Atwood and In the Skin of a Lion, by Michael Ondaatje, better known as the author of The English Patient.)

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The Killer Next Door, Alex Marwood

 

Wait, more murder and mayhem?

Hmmmm.

Not even sure where or when I bought this book, as it’s not my genre at all. But it’s very very good and very very scary.

Marwood, a London-based journalist, sets her novel in a seedy London boarding house filled with transients, one of who is very much up to no good.

Her characters, and their individual histories, are wholly believable, and if you know London a bit (as I do), you can totally picture this street and the characters’ English reticence that pervades every scene.

She also describes so well the cultivated anonymity of people who need a huge city to disappear into…until it happens to them in a way they hadn’t planned on at all.

 

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Inside, Alix Ohlin

 

Whenever I go back to Canada, usually two or three times a year, I drop into a bookstore to see what’s on the shelves there, always finding fiction and non-fiction I just won’t see in an American bookstore, and prominently displayed.

I normally don’t read fiction, as I so often find it disappointing, but am enjoying this one, interlocking portraits of four people.

I enjoy reading stories set in places I know, allowing me to fact-check the work for veracity and detail while being able to picture scenes easily — this 2012 book is partially set in Montreal, where I’ve lived twice, and New York, where I’ve lived (nearby) for more than 20 years.

Her writing is clear, simple, unadorned, but she paints a picture of people who are complicated and private, trying to know themselves and one another, sometimes succeeding, sometimes not.

The New York Times review was savage — but this one, from the Rumpus, was not.

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Alligator Candy, David Kushner

Oh, this is a tough one.

I don’t, I promise, automatically reach for books about murder! (Trying to fathom what this inadvertent pattern of mine is saying about my current tastes.)

Yet here’s another, this one a powerful memoir by the older brother of a young boy who was snatched in the woods of Florida, and killed, on his bike, on his way to buy candy.

Jonathan was 11, and it was 1973 — again, a resonant time for me, as it was my adolescence, too, although far from the pine woods of Florida.

I found the book too long and sometimes repetitive, but, like de Sa’s novel, Kushner captures so well a lost sort of innocence, when kids roamed freely outside and they — and their parents –thought nothing of it.

And…on a totally different subject, I’m also reading The Genius of Birds, a new book of natural history by Jennifer Ackerman.

It’s a great read and I’m learning a lot. Our suburban New York balcony is in the tree-tops and we’re happily surrounded by birds, so I’m very curious to learn more about them.

We have swallows fluttering past each morning and evening, hear jays and robins and woodpeckers and crows — and once even had a red-tailed hawk land on our balcony railing. It was amazing!

Last year’s favorite book, by far?

The Goldfinch, a work of fiction by Donna Tartt, which I received as a birthday gift. MUST read that book, (and yes it drags at the end.)

 

What are you reading right now?

 

Anything we should pick up?

Three thoughts about the theater

In art, beauty, culture, entertainment on April 9, 2016 at 3:24 pm

By Caitlin Kelly

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The Belasco theater, Broadway, NYC

What a feast!

I’ve seen four plays within a month: “Blackbird” on Broadway with Jeff Daniels and Michelle Williams, Wild Sky at the Irish Arts Center, Hughie on Broadway with Forrest Whittaker and The School for Scandal at the Lucille Lortel, a 200-seat theater on Christopher Street in the West Village.

Thanks to tdf.org, all four shows (single seats, all excellent seating) cost $147, about the cost of one Broadway ticket.

I’m a movie buff and my first entertainment choice, at home or out, is always to choose a film, whether a documentary, foreign film, drama or comedy. (I don’t watch horror films.)

So this theatrical binge was both unusual and instructive.

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I loved Blackbird; here’s my blog post about it.

I didn’t much enjoy Hughie and found it (written in 1942) very dated. But the set and lighting were gorgeous and the acting excellent.

Wild Sky reminded me what a magic act theater really is: three actors, no scenery, a tiny stage and audience. It was about the 1916 uprising that led to Irish independence.

And The School for Scandal — written in 1777 (!) — was funny, fresh and delightful. The costumes were a hoot, (the men wore tremendous wigs, some lime green or purple), the sets inventive and the acting terrific. When you come home imitating specific lines and quoting them verbatim, that’s a great play and performance.

Theater is, by definition, a high wire act, both for the actors and the audience.

 

Here’s a recent interview with playwright Kenneth Lonergan and Timothy Olyphant and WNYC radio host Leonard Lopate. (28 minutes.)

The pair point out that every night, and every audience, is different, as are their reactions — a laugh line met with hilarity one night can be met with frosty or confused silence the next.

That silence can rattle the best actor, unless they realize what a living, breathing thing every performance is.

They’re both eloquent here on this fundamental point.

An audience member might fall ill or have their cellphone ring. A piece of scenery might break or fall, (one show here was notorious for its many injuries, including broken bones and a concussion). Someone might forget their lines.

We all hold our collective breath and, as the house lights dim, embark on that show’s adventure together.

In a mediated screened world, it’s an intimacy hard to duplicate.

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Great writing speaks to us across centuries

 

Most of us know the works of Shakespeare and some of the classics. It’s rare that we get to see a production from the 18th century — The School for Scandal met its first audience the year after the United States declared independence from Britain, in 1777.

Imagine the world then!

No radio, television, Internet, airplanes, penicillin, women’s emancipation.

No cars or computers or endless Presidential election campaigns.

And yet…and yet…the most human urges: to scheme, to gossip, to backbite, to create false rumors, to swindle, to grab an inheritance, to marry someone twice (or half) your age, all of which are addressed in this excellent play with wit and charm.

There’s slapstick, romance, surprise, betrayal. They all cross the centuries quite nicely.

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Sound familiar?!

 

Success is fleeting, elusive and rarely a permanent condition for playwrights, (or many other creative people.)

 

On my way home, an hour’s drive, I listened to the great CBC radio show q which is also played now by some NPR stations in the U.S.

The Pulitzer winning playwright, Ayad Akhtar, discussed his play Disgraced; here’s the interview (13: 26)

I loved his calm demeanor when asked about his fame and fortune after winning the 2013 Pulitzer Prize.

“I’ve been doing this for 20 years,” he replied. “I never internalized my rejections — why would I internalize my success?”

Brilliant.

And, even as we all still watch and savor SFS’s playwright Sheridan’s work — 229 years later — he, of course, died in poverty.

So many of the artists whose work we revere today, which draw audiences and whose paintings now sell to Chinese and Russian billionaires for millions, struggled lifelong to earn an income and support a family and find appreciation for their ideas.

 

A good and powerful reminder, I think.

Broadway, baby! Seeing “Blackbird” and “Hughie”

In art, beauty, culture, entertainment, travel, U.S. on March 27, 2016 at 3:15 am

By Caitlin Kelly

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Living in New York is, too much of the time, really hard and really expensive: rents, transit, gym memberships, groceries.

Unless you’re a 1 percenter, so many of its costly pleasures dangle forever out of reach, but one tremendous luxury within my reach, thanks to the Theater Development Fund, is access to affordable theater and music tickets.

Over the years I’ve lived in New York, it’s allowed me to enjoy excellent seats to popular musicals like Billy Eliot, Carousel and South Pacific and astonishing performances of plays like August: Osage County, Skylight, Awake and Sing! and Bengal Tiger at the Baghdad Zoo, starring Robin Williams, a work that won the 2010 Pulitzer Prize.

Seeing favorite actors and actresses live has been  a privilege in itself, faces and names we “know” from film or television, like Lauren Ambrose (of HBO’s Six Feet Under) and Edie Falco.

Theater brings a specific and immediate intimacy impossible to achieve through any screen.

 

This week brought me a $36 ticket, (regular price: $138), to see “Blackbird” at the Belasco with Michelle Williams and Jeff Daniels reprising his role from 2007. I scored a fantastic seat, third-row aisle, in the mezzanine (first balcony) with terrific sightlines.

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The Belasco, at 111 West 44th street, opened in 1907 and is exquisite, a jewel box in its own right. The walls are painted in deep-toned murals, the coffered ceiling emblazoned with heraldic symbols and its lamps are stained-glass.

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Buying tickets through TDF, or the other discount options (like the TKTS  booths), means grabbing whatever’s on offer and jumping. You need to have read some reviews or have a good idea when you have only a few minutes to decide which ones are worth your time and hard-earned money.

But Blackbird? Hell, yes!

This play, which runs 90 minutes without intermission, is emotionally exhausting — even the playwright’s name is Harrower. Indeed.

 

It’s been performed worldwide, from Milan to Singapore to South Africa to Tokyo. A new film, starring Rooney Mara, (who starred in “Carol” and “The Girl with the Dragon Tattoo”), is due out this year.

In it, 27-year-old Una returns to confront now 55-year-old Ray, who had sex with her when she was 12 and he was 40. It sounds weird and sordid but unpacks layer after layer of emotion, fear, damage and desire one might imagine possible.

It’s full-throttle theater, with both actors modulating rage and disgust and fear, the still and silent audience along with them.

You wonder where they summon the stamina to tear through it all, while swept up in the intensity. In one scene, they’re on the floor of a messy conference room, both of them throwing piles of trash into the air.

And eight shows a week? No wonder it’s a limited run of 18 weeks, which is still a really long time to grind it out full-throttle in this work.

I love Michelle Williams’ work and her willingness to tackle tough characters. If you’ve never seen the 2008 film “Wendy and Lucy”, it’s a grim portrait of a young homeless woman and her dog, a far cry from her 2011 portrayal of Marilyn Monroe.

As Daniels told Time Out New York:

This is not a safe choice. The tourists who come in are going to get their ears pinned back. As they should. The arts should do this.

Here’s Daniels — one of my favorites from HBO’s series The Newsroom and much other work — on what it was like to return to this role:

As drama, the fateful meeting of Ray and Una was as compelling now as it was then. Unapologetically raw and full of terrible truths, the play confronts the audience from the first page on, never letting up, never letting go, tearing into those watching it as much as it does those of us on stage trying to survive it. Still, I was hesitant. Most roles are been there, done that. What cinched the decision to return was that Ray still terrified me.

Every actor knows you can’t run from the ones that scare you. It’s not the acting of the character nor is it the dark imagination it takes to put yourself through all of his guilt, regret and shame. To truly become someone else, you have to hear him in your head, thinking, justifying, defending, wanting, needing, desiring. The more I looked back at the first production, the more I saw what I hadn’t done, where I hadn’t gone. I’d pulled up short. Found ways around what was necessary. When it came time to truly become Ray, I’d protected myself. He’d hit bottom. I hadn’t.

From the first day of rehearsals for the new production, it was exactly the same and entirely different. Michelle Williams and I had the script all but memorized ahead of time, which was essential, considering the stop-start, off-the-beat rhythm of Harrower’s dialogue. The key to any play, especially a two-hander, is the ebb and flow, the back and forth between the actors. If ever there were a need for that elusive elixir called chemistry, it was now.

 

I saw “Hughie” two nights later, at the Booth Theater, built in 1913. I think it’s not nearly as beautiful as the Belasco.

The show is an odd little play, another two-hander, and only 60 minutes — of which about 50 are Whittaker’s. He was terrific.

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The set and lighting were spectacular but I found it, written in 1942 and set in 1928, a bit too dated for my taste, with endless references to dolls and saps.

Have you been to a Broadway show?

Did you enjoy it?

 

A return to vinyl

In culture, design, domestic life, entertainment, music, Technology on March 9, 2016 at 2:19 am

By Caitlin Kelly

“The digital era gives us everything to own,  but nothing to touch” — Stephen Witt, writing in the Financial Times

 

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Do you own a collection of vinyl, aka records aka LP’s — short for long-playing?

I do, but hadn’t been able to listen to it for a long time after ditching my college-era sound system more than a decade ago. They sat, forlornly ignored, in a pile in the hall closet, and I longed to hear them: Genesis, lute music, koto music, Juluka, Joe Jackson, Rickie Lee Jones. All of it!

For Christmas this year, my husband finally bought us a turntable and all the digital stuff needed to listen to my music again and I’m so happy!

But it’s also been an odd and sometimes deeply poignant experience, because my vinyl, which I haven’t added to since the 1980s, is a mini time capsule. Listening to it whisks me back to my 20s and the jumble of complicated feelings — intense, professional ambition, wanderlust, moving within six years from Toronto-Paris-Toronto-Montreal-New Hampshire, unrequited love — I felt throughout most of that decade.

When I put on Hejira, Joni Mitchell’s 1976 classic, a gift from someone, I’m back in my second year of university, living alone in a tiny, ground-floor studio apartment in a not-very-good-neighborhood of Toronto. I’m scared, broke, starting to freelance for national publications, even as a sophomore attending a very demanding school full-time. I have an answering service.

I eat a lot of tunafish and can still remember all the clothing I then owned, as there was so little of it. Her songs of one-night stands echoed my life at the time, flailing about romantically and wondering when I’d ever feel safe.

I discovered the terrific South African band Juluka and have never tired since of their anthemic music. I went to see Johnny Clegg performing near me about two years ago and danced non-stop through the whole show.

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Listening to the legendary French chanteuse Barbara brings me back to the house lent to me by a friend there at the end of my Paris-based journalism fellowship, and where I savored her eclectic music collection. I had never heard of this singer, and love this live double album.

One of my favorites is American guitarist Leo Kottke, who I interviewed many years ago. His voice is a bit of a foghorn, but his music is timeless.

And Canadian Bruce Cockburn (pronounced Co-burn), who morphed from gentle folkie to rocker and is still performing  and touring 40 years into his career. I love his early work, like Salt, Sun and Time — and the first track, All the Diamonds (2:41), makes me cry every time.

If you live in Colorado, he’s playing two dates there later this month.

I’ve been a huge Genesis fan since high school — prog-rock anyone? If you’ve never heard their double album, The Lamb Lies Down on Broadway, give it a try. Many people have since heard of Phil Collins and Peter Gabriel, both of whom were initial members of this seminal group. It’s an astounding set of music, based on a story about Rael, a Puerto Rican kid living in New York City. Voted one of the best prog-rock albums ever by Rolling Stone and NME.

Anyone remember Kate Bush? Apparently thousands of people, as she performed 22 shows in London in 2014 — and her last ones had been in 1979. If you haven’t heard her music, check it out. I love Running Up That Hill — which was chosen for inclusion in the closing music of the 2012 Olympics in London.

And Joan Armatrading, another British singer, who recently played the music hall in my town.

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It’s a totally different physical experience playing vinyl again after years of cassettes, CDs and downloads. Only cassettes, like LPs, had actual sides, and you had to participate in turning them over, as I now have to do again. I love the rituals of turning on the turntable, sweeping the grooves smooth and gently lifting and dropping the needle.

Here’s a recent story about the best new record shops (!) in my hometown, Toronto. Can’t wait to get in there and stock up once again.

Do you own, love and play vinyl?

What are some of your old and new favorites?

 

20 ways to survive winter, even enjoy it…

In behavior, domestic life, entertainment, life on February 1, 2016 at 11:57 am

By Caitlin Kelly

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Our view of the Hudson River

Some of you — lucky things! — live in much warmer places right now than frigid snowbound New York, (and much of the Northeastern U.S.)

For newcomers to this climate, like the refugee Syrians tobogganing in Canada, it can come as a hell of a shock.

I grew up in Toronto and Montreal, cities annually subjected to a sort of winter that makes finding ways to enjoy it essential. I thought I knew snowfall until I spent an adult winter (only one!) in Montreal, when it didn’t stop snowing for about 12 hours and I had to walk my poor little nine-pound terrier across the plowed mountains of snow on either side of the street.

I now live in a suburb of New York City, whose climate is similar, with many days and weeks of cold, ice and snow ahead.

My favorite blogger Chelsea Fuss is now living in Lisbon and recently posted a terrific list of 21 ways to enjoy winter, inspiration for this post.

Here are some of my tips for making cold, snowy, windy weather your friend, or at least less of a foe:

Moisturize!

Indoor heating parches your skin and lips, as do wintry winds. I keep a tub of lavender-scented body butter nearby and am now using it multiple times every day. A bottle of cuticle oil and a pair of cotton gloves to wear while it soaks in are good, too. Olive oil is a terrific moisturizer as well. I never leave the house now without a small tube of heavy-duty cream in my pocket or purse — and don’t forget to carry and use lip balm.

Sunblock

No matter that it’s cold, keep using your SPF.

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A silly winter selfie…

Sunglasses

The winter sun can be super-bright as it reflects off snow and ice. Not to mention brutal winds whipping into your eyes. Keep a great pair of sunnies handy.

Yaktrax

These are your best friend for navigating slippery, icy streets and paths. They slip over your shoes or boots to help grip the surface you’re walking on — falling on ice is no joke and emergency rooms are filled with broken bones this time of year.

Cashmere

Whether you’re wearing gloves lined with it, a hat or scarf or sweater made of it, it’s warm and light, saving extra bulk while keeping you super-warm. You can find it on sale and in some thrift and consignment shops and it wears well for years. (The photo of me above includes my favorite cashmere muffler, now a decade old or so.)

Warm Feet

Not sure if you want to spend $300, but these battery-heated socks are worn by the Austrian ski team, who surely know what cold feels like! Even indoors, warm toes will make you so much happier; I’m loving these gorgeous suede sheepskin slippers I received for Christmas this year — now on sale for $69 — in  jewel tones of burgundy, navy and tan.

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Greenery

Plants! Fresh flowers! We recently had two glorious purple hyacinths scenting our apartment and it felt like spring, even as the wind howled outside in frigid temperatures. Treat yourself to a bunch of tulips or a few green plants.

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Wear cheerful colors

I love buying winter gear when I’m home in Canada as the selection is so terrific. My winter wardrobe now includes deep purple nylon boots, purple mitts and cap, a soft orange winter coat and a neon yellow faux-fur muffler. Not to mention the turquoise coat I had custom-made a few years ago. No tedious gray, black or brown for me!

A goosedown duvet

I love ours. Nothing is more cozy — and lightweight warmth — than a down duvet. Choose a pretty cover and snuggle in.

Cook some comfort food

Everyone has their favorites, whether cassoulet, mac and cheese, risotto or baking up a batch of muffins. Cold winter afternoons are a perfect time to pull out your cookbooks and find a great new recipe to try; one of my standbys is Bistro Cooking.

Have friends over

If you can woo friends over for a visit, enjoy an afternoon of cards, conversation or binge-watching together. Get off the bloody phone and computer and hang out in the same room with someone whose company you really enjoy.

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This gorgeous path is a five-minute drive from our home…

Go for a walk

If you’ve bundled up enough and your gait is steady, you’ll find it invigorating. The winter landscape is so beautiful — elemental, graphic, monochromatic — and so dramatically different from every other season. After a snowfall, the lights and shadows across those white expanses are also spectacular. I went out right after the enormous snowstorm of Jan. 23 and found our local woods walkway largely empty and silent.

Take photos

Not easy when it’s freezing out, but take advantage of the lengthening days and seasonal beauty to capture some of it. Winter offers such spare, sere beauty: shadows on snow, the low, slanting light, a coral and gray sunset, the gleam of ice.

The most fun for me of the recent snowstorm battering the East Coast was seeing all the images on Twitter and Facebook of people enjoying it all — even snowmen in Times Square!

A fireplace!

Few things are as welcoming as a wood fire…One of my favorite travel memories was arriving at Le Germain in Montreal to see a fire blazing in their elegant glass fireplace. Here’s a list of 10 New York City restaurants with fireplaces, including my longtime favorite, Keen’s Chophouse, (steps from Macy’s!)

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A Babar hot water bottle cover!

A hot-water bottle

Classic. If your bed or sofa just isn’t warm enough, fill a hot-water bottle and tuck it at your feet. I loved this one, spotted in a Paris store window last January — still regretting not getting !

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Our (only) bathroom. I spend many happy hours in this tub!

A long soak

When we renovated our apartment and our tiny bathroom, a super-deep tub was top of my list. It’s 21 inches deep — hell to clean! — but covers every inch of me. Add plenty of bath oil and some glorious scent like jasmine or eucalyptus from a bottle like this one.

A spa or hammam day

One of my happiest ever travel memories — going back maybe 20 years — was a bitterly cold, dark, dreary winter’s day in Paris when I retreated to the steamy depths of a hammam in the 5th arrondissement. Hammams are what I miss most about Paris in the winter, a Middle Eastern tradition, a place to relax, refresh, enjoy a gommage (exfoliation), massage, sauna. Last January I tried one in the 18th and the steam room was so hot you couldn’t even see across the room! Here at home in Tarrytown, we’re  blessed to have a gorgeous spa literally next door to us in a luxury hotel. What a lovely way to while away a frosty Sunday afternoon. Treat yourself!

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Pleasure matters! A cup of tea at the Ritz in London

Drink lots of tea

One of my favorite beverages is hot tea in all its glorious forms — oolong, rooibos, jasmine, green, herbal. And never a lonely little teabag dumped into a cup of hot water, American style. Please! Invest in a proper teapot and loose tea or bags, whether fragrant Constant Comment or the tangy, smoky Lapsang Souchong. I love discovering great tea rooms whenever I travel — like Le Loir Dans La Theiere in Paris or Bosie in Manhattan, so nice that I visited it twice in one recent week. It’s easily missed, on a very short block in the West Village but well worth a visit.

If you’re in the West Village, head east or west a few blocks and stock up on tea at Porto Rico on Bleecker or McNulty’s on Christopher, each of them a tin-ceilinged 100+-year-old institution.

Not to mention, a pot of fragrant tea is so much more comforting than slugging yet another bottle of cold, boring water — we all need to stay hydrated in dry/heated homes and offices.

I love this bright red enamel teapot!

Maximize interior light

Look to pre-industrial historic interiors for how best to boost winter’s weak low natural light — add a few large mirrors near your windows, candles and reflective surfaces like glass, crystal, gleaming brass, silver or copper. These might be candlesticks or lamp-bases or decorative objects. Dust every lightbulb in your home and, if feasible and safe, up the wattage to make sure you’ve got sufficient light to read, cook and work by. Thoroughly clean, dust or replace your tired old lampshades. Throw open those curtains!

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New curtains for the sitting area…no more black bare window glass on cold winter nights

Make or order something charming for your home

By mid-winter we all start to feel a bit cabin feverish — and if your cabin/house/apartment/room is less than cosy it can get really depressing. Even if you’re in a tiny rental, find something affordable that will cheer you up every single time you look at it. Maybe it’s a stuffed animal (oh, go on!) or a floral tablecloth or a lovely throw that you crochet or knit yourself. It might be an antique bit of beauty or something shiny and modern.

Think of it as your gift to your home, a way to say thanks to it for sheltering you and keeping you warm, safe and dry through these long few months.

 

 

 

And your favorite films are…?

In art, culture, entertainment, film, movies on January 3, 2016 at 3:24 am

By Caitlin Kelly

Watch a great movie!

Watch a great movie!

They used to be so long there was an intermission — with a word on-screen saying “Intermission.” One even had an overture, Dr. Zhivago, as if the audience were seated at the opera or a classical concert.

Today we watch movies in the palm of our hands.

My father made documentary films for a living and one feature film, King of the Grizzlies, for Disney. (How do you control a grizzly bear? Jelly donuts and electrical wire lining the path you want him to walk.) So I had been on-set as a little girl and when we went to the movies we usually walked in half-way through. It was years before I saw a film as it was meant to be seen.

You know, from the opening credits.

I also grew up with very little access to television, between boarding school rules and life.

So if I wanted — and who doesn’t? — to disappear visually into another world for a while, movies were it.

The two films then that left the most powerful impression on me were two I still happily re-watch, Dr. Zhivago and 2001.

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Dr. Zhivago, all 3 hours and 20 minutes of it, was directed by the late great British director David Lean (who also directed the classics Lawrence of Arabia and Bridge on the River Kwai) and featured Omar Sharif, Geraldine Chaplin (grand-daughter of the great comic Charlie Chaplin), Rod Steiger, Tom Courtenay and Julie Christie.

It’s the eighth-highest grossing film, nominated for 10 Oscars (and won five.)

There isn’t a thing I dislike about this film. I love its specific color palette — grey, black, white, red, lavender and bright yellow. I love the extraordinary panoramas of landscape (Alberta, Finland and Spain subbing for Russia), the music, the underlying love stories.

Despite one online critic calling it “cinematic comfort food” I still think it’s worth a look if you’ve never seen it.

Stanley Kubrick is better known for his films like The Shining, (which I still haven’t seen!), but 2001 is, for me, a 50 year old film that still offers fresh ideas and stunning visuals. One major difference from later films is its pacing — there are long scenes literally silent or without dialogue — the film’s first and last 20 minutes, for example.

I wonder how many of today’s viewers could tolerate that.

Inside the spaceship -- filmed in a British studio

Inside the spaceship — filmed in a British studio

The film posits the existence of a black monolith that reappears after millennia, its role unknown, and focuses on a space mission to Jupiter controlled by the spacecraft’s computer, Hal 9000. I won’t explain the whole thing (the Wikipedia entry is super-detailed) but I never tire of it, especially the final scenes, filled with dazzling color and a trip to the edge of infinity. (It was made in the late 1960s — very much of its times.)

I’m in awe of the many talents and skills it takes to create a film, from the book or musical (or original screenplay) to the Foley artist, (the geniuses who find and create sound effects), to make-up, hair, lighting and cinematography.

While directors (still overwhelmingly male) and actors get 99% of all our attention (except for cinephiles and Oscar night), making a film is truly a team effort.

My dream movie job? Location scout!

A brief and selected list of my favorites below, which somehow includes no films from the 1930s, ’50s or ’90s.

Some other films I love:

The Devil Wears Prada

So fun! Younger viewers may think the main character is a total bitch. She is, but with a purpose. Older viewers might find her younger assistant a bit whiny, and she is, but she smartens up. I love the snappy dialogue, the astonishing clothes and accessories, the journalistic ambition that underpins the whole thing. Besides, any movie with Meryl Streep and Stanley Tucci gets my vote! 2006

Notorious

I mean the 1946 version, starring Cary Grant and Ingmar Bergman, who travels to Brazil to infiltrate a gang of Nazis. That’s enough for me.

Butch Cassidy and the Sundance Kid

Paul Newman and Robert Redford, pure eye candy, play these real-life 19th century bank robbers, and Katharine Ross (better known for her role in The Graduate) plays their sidekick. Gorgeous scenes of galloping across Western landscapes, humor and drama and a final scene that gets me every time, partly because I recognize where it was filmed, with the distinctive twin volcanoes that mark it as Mexico. I was living in Cuernavaca then, where it was partly filmed, so there’s some serious nostalgia in it for me. 1969

Three Days of the Condor

Robert Redford again. Nuff said! OK, it’s about a guy working for the CIA who comes back to work to find all his colleagues have been killed — and has to figure out how and why. 1975

Jason Bourne

Jason Bourne

The Bourne films (Identity, Ultimatum, Supremacy)

Crazy, right?

I love how these films create a world where a solo actor, played by Matt Damon, races across the world fleeing execution by the agency that created him as a murderous monster. These films have it all: fantastic scenery (Thailand, Tangier, Berlin), lots of action and insanely complicated chase and fight scenes, and a love story. Not to mention their pure escapism — Damon never does anything vaguely normal and boring, like laundry or grocery shopping or sitting in a cubicle. Nope, it’s one desperate dash to a plane/boat/train/ferry after another.

Casablanca

If you’ve never seen this one, rent it this very instant! Starring Ingmar Bergman and Humphrey Bogart, it’s a love story complete with Nazis, Paris, trench coats, that song (“Play it, Sam”) and flashes of delicious humor and pathos. 1942

Aguirre, Wrath of God

If you’ve never seen any films by the great German director Werner Herzog, make time to explore a bit of his oeuvre. This 1972 film stars the wild man Klaus Kinski as Aguirre, in one of his five (shouting, screaming, exhausting) collaborations with Herzog. Filmed entirely on the Amazon in Peru, it’s a lush, crazed story of a 16th century conquistador. The final scene is unforgettable.

The Motorcycle Diaries

Based on the true story of Che Guevara’s ride around South America with his best friend, a once-wealthy medical student, it shows his transformation and political awakening. Starring Gabriel Garcia Bernal, this 2004 film is moving, beautiful to watch and a powerful insight into a legendary figure in history.

McCabe and Mrs. Miller

This Western film, made in 1971 by American director Robert Altman, was shot in Vancouver and Squamish, B.C., starring Julie Christie and Warren Beatty.  Although it sounds seedy and weird — a pimp sets up shop in a 1902 town — it’s well worth seeing for the plot, characters, cinematography. The final scene…The soundtrack features another Canadian, Leonard Cohen. In 2010, McCabe & Mrs. Miller was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically or aesthetically significant”.

Spotlight

As a career journalist, I love films that explain what we do and why it still matters a great deal. This fantastic 2014 film — partially shot in my hometown, Toronto — details the true story of the Boston Globe’s investigative team, Spotlight, into Catholic priests’ sexual abuses. Starring Mark Ruffalo, Jon Slattery (of Mad Men) and Toronto actress Rachel McAdams, this is a must-see. I blogged about it as well; here’s the post.

Blade Runner

One of those films whose every visual reference — like 2001 — informs many later works that are better-known. Based on a Philip K. Dick story, this futuristic dystopian love story features Harrison Ford, (long before his breakout roles in Star Wars and Indiana Jones) as a “blade runner”, a retired cop charged with running down wayward replicants. Directed by Ridley Scott, (later famous for his Alien films), it’s a cult classic, with all the Scott-isms we’ve come to know and love — sudden terror, lots of bright lights and dripping water, dark crevices filled with menace. 1982

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Rocky Horror Picture Show

Oh, yes!

“It’s just a jump to the left…” This 1975 piece of insanity stars Susan Sarandon as Janet, lost on a dark road with her fiance Brad. Arriving at a castle filled with (at the time wildly transgressive idea) transsexuals and transvestites, they quickly lose all control. It’s a musical with classics like Time Warp. Tim Curry, in corset, plays Frank N. Furter, with sidekicks like Magenta, Riff Raff and Columbia. You either hate it or love it.

Bridesmaids

Too funny. 2011

The Heat

Even funnier, pairing Melissa McCarthy and Sandra Bullock. A 2013 buddy cop movie, it should be stupid but is funny as hell and occasionally even moving. 2013

Which films do you love most and why?

 

 

So, what are you reading these days?

In behavior, books, culture, education, entertainment, journalism on December 30, 2015 at 2:13 pm

By Caitlin Kelly

RifkaBrunt_Tell-the-Wolves

Check out this great post, by a Halifax librarian, about the 164 (!) books she read this year.

I’m the only person I know who loathed Elena Ferrante’s My Brilliant Friend, which she, too, adored and names in her top three favorites.

I probably shouldn’t admit this here — I’ve only read five of her 164. I, too, loved White Teeth and The Paying Guests, which I picked off a bookstore table.

There are several on her (fiction heavy!) list I’m curious about, including Yanigahara’s much-praised A Little Life.

But the vast difference between her choices and mine is also not surprising to me, because the books we choose, and love and rave to others about, are so deeply personal.

I know that some of you love (and write) horror, romance and science fiction, three genres I never touch.

I veer, always, to non-fiction, essay, memoir and biography.

Of course, being a writer, I gave and received books for the holidays this year; one of the ones I received is on the above list.

I gave my father the gorgeous new cookbook Vegetables by London-based chef Yotam Ottolenghi. I gave my half-sister, an ambitious amateur writer of fiction and poetry, a book of 365 writing prompts and I gave my husband, who grew up in (and misses!) Santa Fe, New Mexico, a book about Mimbre pottery.

I dropped into a great Toronto indie bookstore, Type, and impulsively picked up three new books — one that examines the use of language in poetry (a genre, embarrassingly, I never read), a book of essays written by women who work in technology and a memoir.

I also (always a question posed with trepidation) asked if they sell my own book, “Malled: My Unintentional Career in Retail” and they used to but did not re-stock it.

My second book, published in 2011

My second book, published in 2011

Ouch!

The glamorous life of the writer means, unless your book was a huge best-seller, the odds of it appearing in a bookstore a few years later are slim-to-none.

I still, very gratefully, receive emails from readers for both my books and also have received a healthy check through Canada’s Public Lending Rights system — a sort of royalty paid out to writers when their books are well-read through library copies.

(Much as it’s very satisfying to know my books have sold well to libraries around the world, every borrowed book, obviously, means one less sale.)

The late David Carr, NYT media columnist -- much missed. Brilliant, no bullshit.

The late David Carr, NYT media columnist — much missed. Brilliant, no bullshit.

I love to read, for all the reasons many of us do:

— to discover and enter new worlds, fictional and real

— to learn about a new part of the real world and how it works (or doesn’t)

— to better understand history

— to learn how to use and structure a compelling narrative

— to be inspired by lovely language

— to share someone’s story through memoir or biography

I grew up as an only child with little TV time, so reading was my default pleasure and source of amusement; I was reading and loving Greek myths when I was seven.

Sent to boarding school and summer camp for many years, I disappeared into books there to gain much-wanted and ever-elusive privacy and some sense of personal power.

I was in deep shit for laughing out loud reading my math textbook in supervised study hall — when inside it was Gerald Durrell’s classic My Family and Other Animals.

Before leaving for summer camp for eight weeks, I’d head to a long-gone Toronto bookstore, Albert Britnell, and choose eight yellow-covered Nancy Drew books. Every week, a fresh one would arrive in its brown padded envelope. Heaven!

Right now I’m reading John Keegan’s The First World War, which was a best-seller, and I can see why — tremendously researched but clear and detailed.

When back in New York, soon, I’ll be revising the proposal for what I hope will become my third work of nationally-reported non-fiction. But who knows? It’s difficult to sell a book proposal and there’s no guarantee.

Some of the recent books I’ve read and enjoyed, include:

The Goldfinch, Donna Tartt

This doorstop won her the Pulitzer Prize, and deservedly. I was given this book by a friend for my birthday in June 2014 but didn’t read it until the fall of 2015 daunted by its size, that it’s fiction (which I often enjoy less than non-fiction) and what many smart friends said — it’s too long! It definitely could have used a trim at the end, but I loved it. Much of it is set in New York City, a place I know well now after living near it for decades, and she perfectly captures feelings and characters you find there.

North of Normal, Cea Sunrise Person

I’ll be offering a post soon that’s a Q and A with her; I reached out to her on Twitter to rave about it. If you’ve read and enjoyed the American best-seller The Glass Castle, this will resonate for you — a story of a little girl who survived a crazy and isolated childhood, in this case in a tipi in the woods of northern Canada. It is simply astounding to me that she survived it with such grace and lack of self-pity.

Isn't this cover gorgeous?

Isn’t this cover gorgeous?

Skyfaring, Mark Vanhoenacker

I previously blogged about this gorgeous book, written by a British Airways pilot who flies 747s across the world. If you, like me, live to travel and love the smell of JP4, jet fuel, this one’s for you. Lovely lyrical writing.

What were your favorite recent reads, old or new?