What have you kept from your early years?

This little bear used to sit deep in my uniform shirt pocket during my years at boarding school. Invisible comfort and companionship.

By Caitlin Kelly

I read very few newsletters — already inundated by Twitter, two daily newspapers, a dozen monthly magazines and, when I have an ounce of attention left, books.

But I really enjoyed the latest one from an American journalist, Anne Helen Peterson, on the boxes her mother kept for her from her teens — a time, she writes, so much more memorable to her than her 20s and 30s.

She writes beautifully about what it felt like to go through those boxes and reconnect with her much younger self; I’d guess she’s in her mid to late 30s.

An excerpt:

That big plastic storage bin was allowed to sit undisturbed because my mom lives in a small town in Idaho with a basement approximately the size of my current house — as is the Idaho way. But now she is moving to a place with NO BASEMENT, and some tough decisions have to be made. By me.

I spent the day after Christmas pouring out the contents of these envelopes, taking pictures with my camera and, as an old friend of mine used to say, with my heart, and allowing that heart to be towed in so many unanticipated directions. Because turns out: I was an excellent archivist of my teen self.

The corsages, sure, but that’s classic memory book stuff. I’m talking about movie stubs and campaign pins, about 9th grade English notebooks and printed-out (and pencil-edited) drafts of college admissions essays.

All archives are, to some extent, narratives: edited stories of the self or others. What I kept then was a story of myself that felt precious and still, at that point, untold. I wasn’t saving in the hopes of someone else discovering who I was. I think it was much more a case of ensuring my future self’s attention. The artifacts were the grammar that made the story readable.

I envy her terribly!

I lived with my father and his girlfriend (later wife) ages 14 to 19. I have very few artifacts of those years: my high school graduation yearbook, some photos. I struggle to think of much else.

My family of origin was never one to keep stuff for others…my father sold the house we lived in and went to live on a boat in the Mediterranean when I was 19 and in my second year of university. I took my wooden trundle bed and wooden desk to the studio apartment I moved it with me. And my stereo!

I really treasure the photo below.

I was maybe six or seven and sitting in the backyard of the last house I shared with my parents before they divorced. It was a big house on a beautiful, quiet street — Castlefrank — in one of Toronto’s nicest neighborhoods, Rosedale. I never lived anywhere like that again.

Luckily, my husband Jose (a photo archivist for the USGA) was able to take this one precious very faded color photo and bring it back for me.

My mother left behind several thick photo albums, but, typical of our relationship, I know very few of the people in them. She never spoke much about her life to me. I do have images of her — slim, gorgeous — modeling for the Vancouver Sun, and a spectacular photo of her that I love.

Cynthia being glamorous.

My stuff? Not much. I moved a few times and only years later found a set of excellent encyclopedias that had been in storage while I was boarding school and camp.

I still fondly remember some items from my teenage-dom — a thick caribou skin rug my father brought back from the Arctic which shed horribly, a poster and a fantastic embroidered sheepskin coat, wildly bohemian and wholly out of place in my white, suburban-ish high school. But I own none of these.

Oddly, a little embarrassedly, I still own and treasure a few stuffed animals from my childhood — like the elephant I found in my London hospital bed after my tonsils were removed. Faded but much beloved, she sits in our bedroom still.

Baby Elephant!

Because I moved around a fair bit and neither parent even had a basement — let alone the willingness to store any of my stuff in it — I’ve definitely lost some very precious teenage things, like a green and white Marimekko notebook in which I wrote my prize-winning poetry and some songs. That one really hurts. I had a storage locker here in New York, but I lost track of the payments for it — and they sold everything in it.

Do you still own treasured items from your early years?

Who, if anyone, will want or value them later do you think?

10 reasons to watch Babylon Berlin

By Caitlin Kelly

I may have raved previously about this series — the most expensive German TV production ever made (2016) — “with a budget of €40 million that increased to €55 million due to reshoots” says Wikipedia — but am now re-watching it for the fourth time, both savoring the smallest details I missed or misunderstood before and the comfort of favorite scenes and moments.

It’s a neo-noir detective series that starts in Berlin in 1929, during the Weimar Republic, a period of incredible tumult and change.

And Season Four starts next week in Germany — not sure when we’ll have it here.

The many characters are indelible, including:

Charlotte Ritter, young, broke, working her way into becoming the city’s first homicide detective but working at night as a prostitute because she’s supporting an older sister and her deadbeat husband and their two infants, a younger sister, a mother and grandfather — all sharing the same squalid flat.

Gereon Rath, a cop who comes to Berlin from Cologne, both innocent and hardened by his WWI PTSD. He’s a “trembler”, much mocked by a colleague for his ongoing post-war trauma.

Helga Rath, his sister-in-law, with whom he’s been having an affair for a decade, with his soldier brother MIA.

Detective Chief Inspector Bruno Walter, whose heart harbors both compassion and terrible, deadly ambition.

If you’ve never seen it (on Netflix), 10 reasons why it’s worth your time:

  1. To understand the many currents of Weimar Germany — intense nostalgia for The Fatherland, humiliated and broke after WWI, terrible poverty, unemployment, major new cultural changes like cinema and women joining the workforce.

2) To watch Gereon’s face as he takes his first airplane flight, moving from terror and disbelief to wonder. Magic!

3) To appreciate Charlotte’s blend of innocence and optimism in the face of relentless poverty and odds against her, and her toughness and determination.

4) To enjoy the long slow simmer of love between Gereon and Charlotte.

5) The music and sets and costumes! The soundtrack is also available — and it’s so good.

6) If you’ve never been to Berlin, to get to know it a bit through location shooting.

7) To feel as though you’re living their life with them, in all its complexity and fear and small joys — like a sunny afternoon swimming in a local lake (Berlin has more than 50! I spent an idyllic afternoon at Schlactensee.)

8) To travel to Berlin vicariously — without a mask or jet lag!

9) To keep unraveling so many layers of deceit and betrayal — and surprising loyalty and generosity.

10) For sheer pleasure!

And enjoy this terrific blog about the series — lots of inside intel!

Welcome to Usetaville

Our apartment building in Cuernavaca, Mexico where I lived at 14

By Caitlin Kelly

At a certain point in your life — after a few decades on earth, and especially if you know a specific location really well — you still see, and fondly remember, so many things that “used to” be there, hence usetaville.

In our Hudson Valley town, this includes long-gone antique stores, including the just-closed E-bike shop that used to be an antique store, the art gallery that used to be Alma Snape flowers and the photo studio that was once Mrs. Reali’s dry cleaners.

There’s a growing tree across our street I’ll never like as much as the towering weeping willow that once stood there, also long gone.

Of course, change is inevitable!

Businesses come and go — so many killed by the loss of customers in this pandemic — and in cities where every inch of real estate has commercial value, almost everything is up for grabs…the former three-chair hair salon I loved for many years is now part of the growing empire of two very successful local restaurateurs and the lovely cafe across Grove Street, formerly Cafe Angelique, has been a Scotch & Soda (a Dutch owned clothing chain) for a long time now. Bleecker Street in Greenwich Village of New York City, once a treasure trove of cool indie shops, is legendary for its rapid store turnover.

I enjoy reading the writing of British Airways pilot Mark VanHoenacker, who wrote recently in The New York Times about going back to see the interior of his childhood home in Massachusetts; he now lives in London.

A childhood home — if we lived in one house or apartment long enough and especially if our family has since moved out — may enclose a nearly undimmed set of early memories, as if its walls formed a time capsule we sealed behind us as we left. And if the possibility of retracing my flight from this Pittsfield house has both troubled and fascinated me for many years — if it’s what recently compelled me to write “Imagine a City,” a memoir and travelogue, and if even now I can’t decide whether to climb this darned staircase — well, my favorite stories remind me that I’m not alone as I grapple with the meaning of return.

I recall a scene from Marilynne Robinson’s novel “Home,” a modern rendition of the parable of the prodigal son, in which Jack — like me, the son of a clergyman — writes a letter: “Dear Father, I will be coming to Gilead in a week or two. I will stay for a while if that is not inconvenient.” After Jack walks into the kitchen for the first time in 20 years, his sister tells him, “The cups are where they always were, and the spoons.” I think, too, of Henry James’s Spencer Brydon in “The Jolly Corner,” who after 33 years abroad returns to his childhood home in New York and an encounter with a ghostly self who never left.

I haven’t been back to my earliest childhood home — on Castlefrank Road in Toronto — in many, many years. It was very big house with a long deep backyard and I still remember well my playmates who lived on either side of us. But I left it when my parents split up when I was six or seven and we moved into an apartment downtown. As a teenager I lived with my father for four years in a white house on a corner, easily visible when driving in Toronto, but have never asked to see it again inside.

So many changes!

I suspect these sorts of memories are very powerful if you spent a decade or more in the same home and if you liked living there. When we visit Montreal, our hotel windows overlook Peel and Sherbrooke — my home for a year at 3432 Peel Street in a brownstone — gone! My visits to Ben’s delicatessen a few blocks south — gone! But — hah! — the glorious Ritz Carlton is still there; we used to have Friday night dinners there when my mother hosted a TV talk show.

I lived for all off four months in an apartment in Cuernavaca, Mexico with my mother — and decades later went back to see how much it had changed, including the empty field next to it.

Not at all!

I had some difficult moments living there, but it was very good to revisit the place and see it again.

I’ve been back to my high school and university campus, both in my hometown of Toronto, and even once revisited my former summer camp, the one I attended every year ages 12-16 and loved.

Our town also holds a few 18th century buildings, including a stone church from 1685, the second oldest in New York state.

Do you have specific places that you remember well — now long gone?

Have you ever revisited your childhood home(s)? How was it?

My 2 weeks with Queen Elizabeth

By Caitlin Kelly

I admit — we were in the middle of a restaurant lunch yesterday when we learned that Queen Elizabeth had died.

I burst into tears.

I know for many people the monarchy is something hated and archaic. I get it.

For a Canadian who grew up, initially, with photos of Her Majesty on our classroom walls, then later on our stamps and currency, the Queen was a daily part of our lives, even if only her image.

As a young reporter for the national daily Globe and Mail, she became a part of my daily life in person when I was chosen to cover a Royal Tour of the Queen and Prince Philip.

It was the oddest sort of high profile assignment as it meant my stories would run on the front page most days — yet there would be little to say beyond what she wore, what she might say and who she met. It was both thrilling to be chosen and terrifying, especially as this was long before cellphones or the Internet or light, quick laptops. I would have to file for up to five daily editions, racing to meet each deadline with no easy access to a telephone or even a place from which to send my story or even to sit down and write it.

This made for some seriously weird moments — like the big old house in small-town New Brunswick where I begged to use their kitchen table to write, and, when an older gentlemen entered his own kitchen, muttered “Globe and Mail, on deadline!” Then I had to kick the lady of the house off her own telephone to commandeer the line, unscrew the handset, attach alligator clips, and transmit my story in time. The gentleman was a judge who would be attending a formal dinner with her that evening.

Or the hotel lobby gift shop whose pay phone I needed to use.

Or the small-town rural home whose front door I banged on in desperation…scaring the hell out of its poor owners as I begged yet more strangers for their help and to use their phone.

Each day was long and tiring, often with multiple events, and I think we were working 12-15 hour days, whipped.

We must have eaten, but I don’t remember when or how or what.

We traveled in a huge press pack, with Time and Newsweek and BBC and CBC all jammed into press planes or buses. Sometimes we flew in a Lear jet (a first!) and observed the “purple corridor” — the elapsed time between when Her Majesty’s plane took off and ours was allowed to.

We were all technically competing with one another for…no real news!

It was very odd to watch her turn her charm on and off like a spigot on walkabouts — we’re so used to politicians and celebrities who crave our attention, admiration, votes and money that to observe someone with multiple castles, the wealthiest woman (at least then) in the world up close — becoming cool/distant when she felt like it, was quite disorienting.

A dapper Glaswegian security man in a tweed jacket followed behind the Royal entourage, holding out his hands to keep us at bay like wild animals.

“You need a whip and a chair!” I joked.

“I could use the whip,” he replied, with a flirtatious twinkle in his eye. (I later bought one and gave it to him as a joke at our final party.)

I broke a few controversial stories and ended up being the brunt of some serious bullshit from competitors who had not matched my reporting. At a crowded mess hall somewhere in Manitoba, the legendary BBC TV reporter, Kate Adie, saw my distress and whispered in my ear: “The higher your profile, the better target you make.” She later mentioned me and that event in one of her memoirs.

A few specific memories:

— The stunning jewels of a tiara she wore to a dinner

— a brooch with an emerald the size of a baby’s fist

— a small suitcase in the back of a car, with a large red cardboard tag: The Queen

— being given a small piece of paper each morning with the official language we were to use to describe her clothing; eau-de-nil, not “light green.”

At the end of it all, we were invited aboard the royal yacht Britannia for drinks. That was amazing enough, and then we were each presented to Her Majesty.

It was brief, but memorable.

A family reunion, of sorts

My maternal great grandmother, Blanche Gresham, 1924

By Caitlin Kelly

For years, my late mother and I were estranged. When we were in touch, even as her only child, she almost never discussed her childhood or adolescence before, at 17, she met my Canadian father in the south of France, then left her native New York City to move to his hometown, Vancouver, where I was born six years later.

Both parents grew up wealthy — in large houses with servants, attending prep school (my mother), owning a horse and a sailboat (father). But neither childhood was necessarily calm and happy.

So their histories have remained mostly a mystery to me.

My mother died April 15, 2020 and a very large, heavy packing crate arrived a year later from her final home, a nursing home in Victoria, B.C.

For a variety of reasons — partly fear the works inside would be very damaged (they weren’t), ambivalence about owning the final items of hers and knowing we have no one in our family to leave these things to — I didn’t open it for nine months.

It took a lot of hard work to get it open — thank you Jose!!

This week, finally, we did, and my husband Jose attacked it with a hammer and crowbar and a lot of determination!

Amazingly, the four things inside were in excellent shape; only a few bits of one frame had chipped off and the glass was wholly intact on everything (having been taped.)

There were two family portraits and a gorgeous Inuit print of a polar bear from 1961 I had long admired. And a sampler, from 1845.

This is one of the earliest Inuit prints, by Lucy, 1961; ignore my unbrushed hair!

So now my maternal great-grandmother — Blanche Gresham — later the Countess Casagrande of Park Avenue — has come almost full circle, some 3,011 miles.

I only met her once, as a very old, very infirm lady in that apartment. My mother adored her. I adored my grandmother — while we both had very difficult times with our own mothers. Go figure!

These women led quite extraordinary lives, cocooned by enormous wealth, but with marital mayhem — my grandmother married six times, four in a decade. I never met any of them, long gone by the time I met her.

I think (?) the smaller image is her with my grandmother Aline, and her sister Lois

I am very curious about these women and their lives; the money came from my great grandfather, Louis Stumer, a Chicago stockbroker and developer of a gorgeous skyscraper in 1912, The North American Building, on State Street in Chicago, (since torn down):

Developers Stumer, Rosenthal and Eckstein hired one of Chicago’s busiest, and best, tall building architectural firms Holabird & Roche for the project. William Holabird and Martin Roche, along with a team of talented designers and engineers, had developed a commercial building system that was not only pleasing to the eye, but more importantly for an investor could be built quickly, efficiently, and ready for rent-paying tenants on schedule. They were instrumental in helping make what came to be known as the Chicago School world famous.

One reason I chose to move to the U.S. was my fascination with this family and their lives. One relative became an ambassador, one an archeologist, one (!) a bullfighter. My cousins had lives that included piloting their own Cessna and running a rug business from Morocco. They were all intimidatingly confident — and so much larger than life than most of the quiet, polite Canadians I grew up around.

It’s quite comforting to finally have these women in our home now.

A must-read book of 20th century history

By Caitlin Kelly

There are very few book of more than 500 pages anyone wants to tackle!

Let alone one that focuses on an international source of death…

No, not COVID, but AIDS.

I found this book on the shelf at my father’s house on our visit to Ontario in September and had been wanting to read it for many years but hadn’t sought it out.

Then, there, I had time to sit in the fall sunshine and read for hours.

Despite the grim topic and the fact it all happened more than 30 years ago it is a tremendous read — powerful real characters, from death-denying politicians, AIDS activists, researchers in Washington and Paris competing for prestige and power as they sought a vaccine, the individual men and women affected and their families and friends…

It is an astonishing piece of reporting, of history — and so sadly, powerfully prescient of what we’re all enduring with COVID. Of course its author, Randy Shilts, also later died of the disease.

I remember a lot of this because it was also my time.

I was a young and ambitious daily newspaper reporter in the mid 1980s, and so AIDS became part of the work I did for The Globe and Mail and the Montreal Gazette. I lost two dear friends — both gay men — to this disease because, then, it just killed everyone, and they died terrible deaths.

I still remember the names of some of those incredibly dedicated and frustrated doctors doing their best against, then, an implacable enemy.

Dr. Anthony Fauci was one of them.

For millions of closeted gay men, it also meant suddenly coming out to their families — some of whom rejected them, leaving them to die alone in ever-more-crowded hospital wards.

It affected women and children through shared needles, through blood tranfusions, through unprotected sex with men who were infected, whether they knew it or not.

We were horrified by it, scared of it, despairing when someone we loved called to tell us it was now their turn.

I know most of you won’t even consider reading it, and I get it!

But it is an important and powerful testament to all the issues we’re fighting today….still!

Political infighting.

Denial.

Vicious battles between those who recognize(d) the science and those who refused.

Demonization of victims.

Demonization of the health-care workers caring for them.

Fear that caring for AIDS patients could kill someone.

Insufficient funding to help victims.

Insufficient government action — sooner — to mitigate the disease’s spread.

Writing personal history

By Caitlin Kelly

I’m no celebrity, obviously, but have been urged for a while to write a memoir.

I’ve always resisted because…really?

How would my life be of interest to strangers?

I’ve enjoyed it, for sure, and had some wild adventures — visiting 41 countries, a two-year marriage, winning some nice writing awards — but is that of larger appeal?

I’ve had a great career: three major newspaper jobs with some fantastic assignments (going to the Arctic, covering Queen Elizabeth), a European fellowship, two books, etc. — so maybe some of that would be interesting to other journalists.

My family, as readers here know, is not a Hallmark card. My late mother and I were estranged for the last decade of her life. I have three half-siblings, one of whom I’m estranged from, one of whom is a self-made millionaire and one I’ve never met and don’t want to.

So, does a any of this add up to a book an agent will rep and a publisher will buy?

To be determined.

Most books are 80,000 words.

So far, I’ve easily and quickly written 20,000 and, to my surprise, am really enjoying it. It’s a mix of personal and professional stories, ranging from my time in Toronto to that in Paris to moving to New York knowing no one and without a job.

I have diaries from my 20s I haven’t even looked at, and a journal from 1998 of my trip to Australia and New Zealand, so I have some material there to work from.

Thanks to Google, I’m constantly fact-checking — like the distance from Montreal to the Arctic, or where the tree line ends in Quebec (the 56th parallel.) I also found a glaring error in my aunt’s Wikipedia entry, so am fortunate my father is still alive and lucid at 93 to do some corrections there; my aunt and uncle, both Canadian but British residents, were very well known in Britain in the 1960s and 70s for their work in TV and radio.

Several people who follow me on social media are most intrigued by my estrangements — how and when they happened and how it has affected me; my recent New York Times story on this topic elicited a stunning 700 comments, so it clearly struck a nerve.

We’ll see if this ends up being commercially useful.

Memoir starts with “me” — but it has to make sense to thousands of strangers.

In the meantime, I’m banging out 1,000 to 1,500 words a day.

What, if anything, would you want to know about me?

Living in the past. Long past!

By Caitlin Kelly

Loved this Guardian story about people who choose to live in the 1930s, 40s, 50s, 60s and 70s — estehtically, anyway.

And I recently did a lot of global reporting — speaking to people in Seattle, DC, Ontario, Genoa, L.A., Stockholm, London, Finland and Philadelphia — about a hobby they all share, historical costuming. (The man in Philly does it for a living!)

It means making and wearing clothing of much earlier eras and centuries, finding patterns and appropriate fabric, and wearing the correct undergarments to create the correct silhouette. (No sports bras allowed!)

It’s an amazing obsession, and demands a lot of patience and skill and meticulous attention to detail. It’s mostly enjoyed women, and mostly white women — something they’re well aware of! I did include an Iranian-American.

One of the women I spoke to is a mechanic in Finland. One is an Army wife in Ontario. One is a jewelry appraiser in Stockholm.

All were a joy to speak with! I could have spent hours geeking out with Jenny Tiramani, a legendary costume designer who worked for years at Shakespeare’s Globe Theatre — and who founded and runs London’s School of Historical Dress.

Here’s the piece, my first sale to the Styles section of The New York Times, for whom I write fairly often:

Here’s the start:

It’s a world of corsets, stays and chemises. Of weskits, bum rolls, breeches and hoop panniers. For actors, wearing period costume has long meant literally stepping into the past: lacing soft modern flesh into antique shapes and learning how to use the toilet without peeling off multiple layers.

“Bridgerton,” Shonda Rhimes’s racially diverse Netflix series set in 1813 England, has suddenly ignited new interest in Regency fashions. But a global community of hobbyists has been designing, making and wearing clothing from the 19th century and earlier for many years. Long a private obsession fueled by films like “The Leopard” and “Pride and Prejudice,” social media has widened the conversation, with fans of all ages and backgrounds worldwide now trading notes on how best to trim a sleeve or adjust a straw bonnet.

Pre-pandemic, they gathered in Los Angeles at Costume College, an annual conference, at Venice’s Carnival and the Fêtes Galantes at Versailles. Some lucky Europeans, like Filippa Trozelli, find themselves invited to wear their historical clothing to private parties at ancient local estates.

As someone who loves vintage/historical textiles — and who wore an Edwardian day dress for her first wedding — I totally get the appeal of this obsession. I love the notion of time travel, of swishing through a garden in yards of silk or meeting up in Venice with equally obsessed pals from around the world.

I had long wanted to write about this subculture, as I follow several of the women on Instagram, but never had a “peg” or “hook” — i.e. what relevance would it have now? Thanks to Bridgerton, it does!

What makes “home” truly home?

An earlier version of Jose’s desk

By Caitlin Kelly

Some people live their entire childhoods in one home, maybe in a house, maybe an apartment, maybe a trailer. But it’s home. There’s no doubt.

They feel safe, welcome, happy and well-nurtured there. They can’t wait to get home and miss it terribly when they are away.

For others, it can be a place to flee, for a while or forever.

Here’s an astonishing essay about home and house keys from a writer who — oddly — recently moved into the same small coastal British Columbia town my mother lived in for many years.

It brought up so many feelings for me.

Like this passage:

I first visited my father’s house when I was sixteen; we’d not shared an address for fifteen years. A few months later, I moved in, having nowhere else to go.

I used the keys like a tenant on a month-to-month lease—non-committal, curfew-blind—as did everyone else there: my father; his second wife; his stepson; the woman from church his wife invited to stay; the woman from Mexico his wife brought back to stay.

The whole crew pushed off eventually. My father sold the place and took an apartment next door to his office. I slept in his RV for a December and a January, then left for a commune six-and-a-half thousand miles away.

It was already my observation that you can peg the quality and tenor of your in-house relationships by how you feel when you’re steps from the door, key in hand, about to let yourself in. Are you braced for a hurricane? Ready for the dull emptiness of dead air? Smiling before your foot crosses the threshold? Quiet like a mouse?

My parents split up when I was seven, and sold the large house we lived in in one of Toronto’s best neighborhoods, on a quiet street where I played with the neighboring kids. My mother and I moved into a two-bedroom apartment downtown and I went off to boarding school.

But at 14.5, I also plummeted, with almost no notice, into my father’s home, shared with his live-in girlfriend, only 13 years older — a 28-year-old poorly suited to nurturing a troubled teen. It was often challenging for all of us.

They sold the house we later lived in when I was in my second year at University of Toronto, giving me a month’s notice to move out and find a place to live at 19.

I found a ground-floor studio apartment, at the back of an alley in a not-great downtown neighborhood — the sort of place a more attentive parent would have immediately ruled out. But he didn’t.

I was attacked there, so I only lived there for about eight months, glad to flee.

Between 1982 and 1989, I changed my place of residence a lot: Toronto-Paris-Toronto-Montreal-New Hampshire-New York. That included two apartments in Toronto, a student dorm in Paris, a gorgeous two-bedroom apartment in Montreal, a farmhouse in New Hampshire and then, finally, a one-bedroom, top-floor apartment I bought, thankful to never deal with another landlord or rent increase or cracked window or drafty kitchen, in suburban New York.

I haven’t budged since.

I love this moment when the rising sun hits the windows across the river!

In this apartment, with a stunning view northwest up the Hudson River, I’ve been through plenty: a marriage, divorce, being victimized by a con man; two knee surgeries, a shoulder surgery, hip replacement, early stage breast cancer. Three recessions. Jobs won, jobs lost. Friendships gained, friendships that withered.

A happy second marriage, now almost 21 years!

Bu throughout all of this, it’s been a good home.

I love our street — atop the highest hill in our county. Across the street is a low-slung townhouse development (so never a blocked view) and downhill another two-story apartment complex. Our street is winding and quiet, with old growth trees and stone walls. At the bottom are dozens of raspberry bushes — and yet (!) we can also easily see the towers of downtown Manhattan, 25 miles south.

So, yes, it’s the suburbs, and yes it’s pretty damn boring. But also quiet, clean and beautiful. Our town is so attractive it’s often used for film and television locations. It’s diverse in age, ethnicity and income, unlike many others nearby.

Our town reservoir

So, for me, home isn’t just the physical structure where I sleep and eat and work, but a larger vibe where I and my husband, who is Hispanic and a winner of a team Pulitzer for The New York Times, feel welcome.

I keep trying to envision our next home — whether a second home or selling this and leaving — but haven’t seen anything yet (affordable for us) that makes my little heart sing.

I have always longed to live in a private house again, with a fireplace and a verandah and a bit of land and privacy, although I am also very wary of the costs of renovation and surprise/expensive maintenance. The one downside of living in our 100-apartment building is having neighbors who keep opposing its very badly needed renovations — which could easily boost our apartment’s market value by 50 percent.

Tell me about your home — the residence, your town or city or region.

Do you love it?

Or long to flee?

And go where?

It’s sea shanty time!

By Caitlin Kelly

If you’re a TikTok fan — I confess I enjoy it but don’t follow people — you’ll have noticed a sudden interest in, of all things, sea shanties.

Here’s a nice piece from Vulture (part of NY Magazine) explaining why:

On the surface, it’s a little weird that digital culture in 2021 would become suddenly obsessed with 200-year-old folk songs about men on whaling boats. They sound like prehistoric oddities, which is part of the appeal. Simplistic in structure, they are deliberately repetitive and full of ideas and references that feel very, very far from life right now. Aside from the word Wellerman, they’re full of harpoons and pierheads and the specifics of butchering whales; the most recognizable lyrics are lines about “rounding the Cape” and the love of bonny brown-haired lasses.

Sea shanties are also resiliently uncool. They’re songs about whaling and strong winds…

One of my favorite songs ever, all nine verses, is by the late great Canadian folksinger, Stan Rogers, Barrett’s Privateers. Few things are as lovely for me as when I find a gang of fellow Canadians to belt out the words — some of which of course curse Americans!

Written in September 1976, it even has a detailed and helpful Wikipedia entry!

Here are some of the lyrics:

Oh, the year was 1778
How I wish I was in Sherbrooke now
A letter of marque came from the king
To the scummiest vessel I’ve ever seen
God damn them all! I was told
We’d cruise the seas for American gold
We’d fire no guns, shed no tears

But I’m a broken man on a Halifax pier
The last of Barrett’s Privateers

It’s a good time to sing and sing loudly and sing together.

There’s so much now we just can’t calmly discuss:

Politics

Massively divisive.

Money/income/economic status

Millions in desperate straits, facing eviction, job loss, unemployment — while the wealthy keep scooping up the gold

Race/Religion

Who dares?

Feminism

Same

Here’s a gorgeous, haunting song about heading out to hunt whales, Farewell to Tarwathie, sung by Judy Collins.