The reality of the creative life

By Caitlin Kelly

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This essay, from LitHub, is brilliant and spot-on:

The writerly apartment in this fantasy is bare and minimal; the walls are unpainted plaster, or the wallpaper is peeling; the heat is faulty or not there; there are books stacked on the floor. It looks this way because it’s Paris struggling out of the deprivation and destruction of a world war, or New York soldiering on through the Depression, living in the wreckage of 1920s glamor. The writer spends hours in cafes, working and drinking, because the cafes are heated and the apartment is not. The aesthetic of this fantasy is permanently frozen in the first half of the 20th century, in the cities (and occasionally the beach resorts near cities) of Europe and the United States. The reason the fantasy writer lifestyle is set in such a particular time and place is that the interwar and postwar American writers who went to Europe for cheap rents have exerted a massive influence on the American idea of what literature is. Who casts a longer shadow across American fiction and curricula than Hemingway, Fitzgerald, and Baldwin?

While considering the specificity of these images, recently, something came to me: It’s an Anthropologie catalog.

(For those unfamiliar with it, Anthro is a major American retailer, with stores that change their look every few weeks and who sell a costly-but-gauzy kind of clothing and accessories to women who typically work in a corporate environment.)

Everyone wants to be a writer!

Or make films or art or music because…freedom from typical work constraints is so deeply appealing.

The catch?

 

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Life costs money.

I grew up in a household of creatives, and we did live in a house my father owned, and drove decent used cars. Some years were better than others financially, but we also lived in Toronto, where the CBC and NFB had appetites and budgets for my father’s work as a film diector, long before there were dozens of cable channels seeking content.

Living in Canada also meant we never paid a penny for healthcare — which has cost me and my husband, living in New York as self-employed workers, $1,700 a month for the past two years.

Yes, really.

Thanks to a new plan, I’ll “only” pay $700 a month starting today, saving us $700 a month.

But our monthly “nut” is still more than $5,000 and we have no children.

Living a life creating things is one many people dream of. But it still has to be supported by someone, usually multiple someones, actually paying for food, fuel, medication and housing — let alone haircuts, dental work, new eyeglasses, etc.

The solo creative life is affordable only to those who can stand to live frugally, and for long periods, because so little creative work actually pays well enough to live a life that allows for sick days, a vacation, owning a home.

As one childhood friend, who, as a single mother helped to create animated films you might have watched, told me recently: “I lived on air.”

I know artists and illustrators and film-makers and writers and playwrights and poets. They love their creative work but rarely enjoy the payment and insecurity that comes with it.

 

So, to pursue this life often also means having a side hustle, a day job, a trust fund, a hard-working, well-paid spouse or partner.

 

It’s extremely rare for me to have a month in which I’ve generated no income from my writing, because I don’t have a side job. It is my job! That means, without my husband’s hard work at his two freelance positions, (and our emergency savings), we’d be in deep shit, unable to pay our bills in full and on time.

It shames me to admit that this is the case for me right now — but the reason I do so here is because it’s true.

This can be a financially precarious life, and often is.

Here’s a post I wrote in 2011 about this dilemma — would you rather be creative or (the great American fetish) productive?

Whenever I’ve taught or lectured on journalism, I crush a few young dreams when I make clear that traditional news journalism more resembles an industrial assembly line than an artist’s studio.

Editors aren’t terribly interested in whether you’re feeling creative — they want accurate copy/content/visuals and they want it now!

The worst of its managers rely on the crude tool of by-line counts, i.e. how many stories have made it into the paper with your name on it (your byline.) So re-writing press releases or dumping puff pieces all add up to more bylines, if total garbage. So you’re visibly and undeniably producing and are therefore (whew! job saved!) productive.

Now….how to be creative?

What does that look like to you?

It might mean inventing a recipe, choosing a new color for your living room, or starting a poem or sketching your cat or simply staring into the sky for an hour to let your weary brain lie fallow, like an overworked farmer’s field that needs time to re-generate.

 

 

 

Why we’re all so weird about money

By Caitlin Kelly

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Few issues are as fraught with emotion as how we get, spend, save or give away our money.

If you don’t have enough to survive, every day becomes an emotionally and physically exhausting battle.

And when you live in a country devoted to bare-knuckled capitalism like the United States, if you don’t have enough, the social safety net is weak and thin.

The federal minimum wage is still an absurd $7.25 an hour — I’ve never paid any of my part-time assistants less than $12 an hour, even 15 years ago.

American unions now have the lowest membership in a century, even as one third of American workers lurch into what’s now widely and risibly called the “gig economy”, a jaunty and inaccurate euphemism for fiscal insecurity.

This week Richard Thaler just won the Nobel Prize for Economics.

From The New York Times:

 

Professor Thaler’s academic work can be summarized as a long series of demonstrations that standard economic theories do not describe actual human behavior.

For example, he showed that people do not regard all money as created equal. When gas prices decline, standard economic theory predicts that people will use the savings for whatever they need most, which is probably not additional gasoline. In reality, people still spend much of the money on gas. They buy premium gas even if it is bad for their car. In other words: They treat a certain slice of their budget as gas money.

He also showed that people place a higher value on their own possessions. In a famous experiment, he and two co-authors distributed coffee mugs to half of the students in a classroom, and then opened a market in mugs. Students randomly given a mug regarded it as twice as valuable as did the students who were not given a mug.

This “endowment effect” has since been demonstrated in a wide range of situations. It helps to explain why real markets do not work as well as chalkboard models.

Money is so often a proxy for other, often deeper, darker issues: power, control, status, humiliation, (why Hollywood power broker Harvey Weinstein could be a sexual predator and so many people who relied on his goodwill to help them get or stay rich remained silent for so long.)

I’ve been fairly obsessed with money for a long time.

It’s caused no end of drama within my family and I’ve been handling my finances alone since I was 19 and moved out of my father’s home to live alone in a large city and pay for university from my earnings as a writer and photographer, with a small monthly income from a grandmother.

It taught me very early to know my worth and to bargain hard for it. I still remember the joy of earning 18 percent on a Canada Savings Bond, whose value quickly doubled.

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One place I do spend money freely — travel

 

I also remember vividly being so strapped then that it took me months to save the $30 I needed to buy tights and slippers so I could attend a free ballet class.

My living expenses were phone/rent/tuition/books/clothes/groceries/answering machine.

No car. No TV. No cable.

My family has plenty of dough, but made clear to me to never ask for a penny of it, nor ever expect to run home for help. I inherited some money from my grandmother in my mid-20s, which helped me to to buy an apartment, a security for which I’m very grateful as I’ve bounced in and out of the job market, survived three recessions and work as a full-time freelance journalist — an industry now in complete chaos.

I break into a sweat when spending money on more than the basics; (except for making our home lovely and travel.)

My cellphone and computer are probably four or five years old, (no big deal.)

But our Subaru has 180,000 miles on it, is 16 years old and cost us $1,800 in repairs in recent months — so we’re finally about to lease a gorgeous luxury vehicle.

The thought of committing to anything beyond our monthly health insurance and mortgage payments is scary even though we have the cash, (money we’ve saved for years), and emergency savings, so this is not — as Thaler would nod knowingly — 100 percent rational thinking.

 

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Airfares? I’ll splurge on those…

 

Some of the financial challenges I see so many women struggling with:

1) being scared to ask for more (i.e. raises, bonuses, negotiating a higher salary or fees)

2) giving money and gifts to children and grand-children to their own financial detriment

3) under-earning because of sexism, racism or other institutional barriers

4) under-earning while taking time away from paid work to care for children and/or others

5) failing to understand the devastating financial impact of divorce and planning for that. I had a prenuptial agreement in my first marriage and could have ended up in very dire straits without it.

 

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Does handling and managing your money cause you anxiety?


 

Self-indulgence, self-denial, self-care

By Caitlin Kelly

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Which of these best describes your default choice?

I know a few people who immediately choose the first, justifying their expenditures — sometimes far beyond their budget or means — with “I deserve it” and “I work hard” or “It’s only X$/euros/pounds.”

I watch those people from a distance, warily.

Not spending money can be a monumental challenge for some. Or not over-eating or drinking or smoking.

Maybe my perspective is a result of my unlikely and stringent childhood, shuttling between a strict girls-only boarding school and more permissive but still-regimented girls-only summer camps.

The former offered very little comfort, softness or emotional respite, only a large, shared dark green wicker basket of cookies every afternoon and the chance to watch television in the common room for a few hours one evening a week.

So I’ve always been suspicious, sometimes even disdainful, of people who constantly insist on pampering and spoiling themselves, having seen too much of it in adults who should have been more aware of, and attentive to, their responsibilities.

I do enjoy many pleasures — good food and wine, travel, music, a lovely home — but I can also wear myself out battling internally over how often and how much is too much.

I sometimes find it hard to just be nice to myself.

 

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And, as someone who works alone at home, with no boss or colleagues, no performance reviews except winning repeat business from my clients, it’s all up to me to find and complete enough work to earn my living.

That means no dicking around — I don’t even sit on our comfy sofa until my workday is done, daytime television only tuned to CNN or BBC in the case of huge breaking news.

Self-care, a word I find odd although I heartily endorse its spirit, can be difficult for people who’ve been raised to be stoic and uncomplaining. It can feel like self-indulgence when it’s really just putting gas back into your depleted physical, emotional and spiritual tank.

It’s also deeply unAmerican, (a nation founded by Puritans), to take time off, to slow down, to actually take and enjoy vacations.

It’s so much easier, in an economy driven by consumer spending, to just buy stuff, more stuff, better stuff and newer stuff — which (funny thing!) also takes no time away from remaining “productive”.

It does very little to produce happiness.

And not being perpetually busy here is often seen as evidence of stupidity or laziness — not a smart decision to rest and re-charge.

My six weeks off, unimaginable to some, (and yes, a huge investment), was a great gift to myself.

Many could see it as self-indulgence, and maybe it was!

But here’s the thing….

The money that funded it only resulted from years of self-denial, saving hard, whether an unexpected windfall, (a massive copyright settlement in Canada that won me and many journalism colleagues five-figure sums), or my own income.

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Americans also continue to have frighteningly low rates of savings, for a variety of reasons: health insurance and post-secondary education — hardly luxuries! –— are now big-ticket items, for one.

Low and stagnant wages are another problem.

But if you’re making enough to surpass basic needs, you have to save. And that often means — ideally for a while anyway — doing fewer fun, cool, tempting things, like buying the latest tech toys or phone or putting a vacation or wedding or new something on credit cards.

I’ve also been fasting, (800 cals/day, 2 days per week) since April 2016 and it’s helped me to lose weight; I’ve blogged about it here.

No one wants to go through life forever feeling deprived. But, I’ve seen, if you can stick it out and be patient, results do accrue.

Writing for money

By Caitlin Kelly

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“No man but a blockhead ever wrote, except for money”

— Samuel Johnson (died 1784)

Few subjects will so quickly divide a room than writers talking about how much money they make from their work.

If you write blockbuster fiction, made into Hollywood movies, you might own a lovely home, or several, and shiny new cars.

If you write non-fiction that hits a cultural or political nerve — like over-rated “Hillbilly Elegy” — you might also hit it big.

If you write poetry, you might get “paid” with a copy of the journal that deigned to accept your work.

If you’re a full-time freelance writer, as I am, you probably earn a fairly wide range of fees, unless you’re primarily writing for Hollywood, or the elite tier of top-flight magazines and/or producing a Niagara of material, with very little time off.

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There’s also a steady oversupply of people desperate to say: “I’m a writer!”

Blogging doesn’t pay most of us, (unless sponsored.) And yet, blogging here since July 1, 2009, has brought me more than $10,000 in income, teaching my skills to others. (I offer webinars.)

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My first book, published in 2004. As someone who grew up with no exposure to guns, I was deeply intrigued by this most American of obsessions

I began writing for money — for national magazines and newspapers — in my second year at university, in Toronto, where I was doing an English degree. It’s the center of Canadian publishing, home to most major newspapers and magazines. I just had to gin up the nerve to start approaching them, and one of the magazine publishing houses was, literally, a block south of campus.

I got my first assignment for a national women’s magazine after writing a furious letter to the editor, asking them to run better material. That editor, (bless her!) called me in for a meeting, and said: “I’d rather have you writing for us than to us.”

Yes, a hugely lucky break.

But I already had two years’ experience writing every week for our demanding university newspaper, so I brought developed skills.

The money I earned writing helped put me through university and paid my rent and groceries, living alone from the age of 19 in an apartment.

That taught me to negotiate for better pay, early and often.

I also overheard an editor pleading with a fellow writer, (a man, older than I), out-earning me for the same kind of weekly column by 50 percent, not to quit.

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My second book, published in 2011

So when I see — and I see it every day — writers accepting shitty pay, or no pay, and refusing to even try to negotiate for more, or to build their skills to a level they can ask for more and legitimately get it, I lose it.

I also see some Big Name Writers telling the world they have no savings and no money put aside for retirement, as if to glorify the de facto penury of being a writer.

Bullshit!

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If you have no savings and are perpetually broke, even while earning your full-time living as a writer, consider:

Your skills are weak and no one will pay you properly for them — since so many competitors do it better, or say they can.

You’re unwilling or unable to negotiate higher rates.

You’re living beyond your means, possibly sabotaged by high rent/mortgage in an expensive city; (Toronto, New York, London, San Francisco, Vancouver.)

You didn’t realize that writing for a living is no less serious — and often just about as glamorous — as sanitation work. Just because you enjoy it doesn’t mean it isn’t work. (Sanitation workers, at least, have a union, paid sick days and a pension.)

You haven’t done enough work yet to acquire a consistent track record of achievement, when it’s more reasonable to ask for higher pay rates..

You have a weak or inexperienced network — or people don’t like and trust you enough (yet) to refer you to their decently-paying contacts; most of my work now comes through referrals.

You need to improve your marketing and sales. While people think writing for a living means actually writing, about 75 of my time and energy is spent finding and qualifying new clients.

You need more help with domestic chores or other tasks. It takes time and energy to find well-paid markets for your work, often in addition to teaching.

You write only for low-paying outlets, almost all of them digital, offering $50 or $100 or $300 for long, reported stories, (some writers think this is a lot of money). No one can earn a living at these rates, or work a healthy number of daily/weekly hours to do it. Aim for a higher-paying mix — agency work, print work, non-profit or custom publishing or branded content. 

You might need a job, part-time or full-time, until you have a decent financial cushion and can turn down low-ball offers. You can’t refuse lousy jobs and terrible payment if you’re always desperate for the next gig.

You’re too slow! You have to know your minimum hourly rate and stick to it. If you waste  time or work inefficiently, you’re cutting into your profit margin. It’s a business!

Caitlin Kelly, an award-winning non-fiction author and frequent contributor to The New York Times, is a New York-based journalist. Her one-on-one webinars and individual coaching, by Skype, phone or in person, have helped writers and bloggers worldwide; details here. Contact: learntowritebetter@gmail.com.

An exercise in optimism

By Caitlin Kelly

I have my new passport in hand now — and it’s good for ten years.

I hope I am!

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Lake Massawippi, Eastern Townships, Quebec, Canada

Acquiring a new passport really is an exercise in optimism, as international travel, (all travel, really) always requires three key elements:

Good health

Jose and I are now at an age we read the obituaries and keep finding people our age, and younger, who have lost their lives prematurely, most often to cancer and heart attacks. We pray for continued good health, without which travel — let alone anything else — is out of the question.

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Co. Donegal, Ireland, June 2015

Leisure

This is such a privilege!

So many people work in jobs, sometimes multiple jobs, that allow them little to no paid time off, or are too scared to actually take their paid vacation or — worst — insist in answering work-related demands even while they are supposed to be resting and recharging.

Jose and I both work full-time freelance and are only paid when we work; i.e. no paid vacation days, ever. Every day we take off without pay means we have to make it up somehow, since our overhead costs are fixed.

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A cup of tea at the Ritz in London, January 2015

Disposable income

Another mark of privilege.

Many people just can’t afford to go anywhere a passport is needed, i.e. to leave the United States (or their home country) — poorly paid or unemployed or beggared by debt service.

We don’t have children or dependent relatives, so we have more options in this regard.

Of course, travel and adventure can also be found and enjoyed close(r) to hand, exploring your own neighborhood, town/city/state/province. Both my native Canada and adopted U.S. are enormous, tremendously varied and filled with alluring places to visit.

The places in Canada I still want to see include Newfoundland, P.E.I. and some more of the Far North.

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Paris

In the U.S., I hope to visit Colorado, Utah, Montana, Wyoming and several more national parks. I really want to do a driving trip the length of California. I’d like to visit Portland, Oregon, where we have several good friends.

Internationally?

It’s a very long list of places I’ve yet to see, including Japan, Laos, Cambodia, Mongolia, Tibet, Nepal, South Africa, Namibia, Argentina, Chile, Brazil, islands of the South Pacific, Antarctica, Lebanon, Greece, Croatia, Finland, Iceland and Morocco.

Where do you want to travel to next and why?

A barstool conversation

By Caitlin Kelly

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Grand Central Terminal; the view from Cipriani. What’s not to love?

Sitting at the bar is where I’ve had some of my best conversations — in Corsica, in Atlanta, in San Francisco and last Friday evening in New York City.

It was about 6:30.

Commuters were rushing to their trains north, to Connecticut and to Westchester, tourists, as always, posing on the steps and slowing rushed New Yorkers down as they raced for the 6:47 or whichever train was next.

Never get in the way of a New Yorker in a hurry!

I settled in at Cipriani , an elegant Italian restaurant in a balcony overlooking the station. I had a magazine and a Mr. C, a citrus-based cocktail. The bartender kindly plugged in my cellphone to charge it.

A handsome young man in a navy suit and white shirt, no tie, slid onto the stool to my left; a slightly older man with a head of wild black hair and oversized sunglasses sat to my right.

“How’s your week been?” I asked the man to my left.

He told me he’d just gotten a new job, and we toasted, clinking our cocktail glasses.

He seemed surprised I was happy to toast a stranger’s success. Why not? Who would be too churlish to deny him that pleasure?

It’s a big deal to flee a job that’s a poor fit for one you hope will be a much better one. Been there, done that.

That’s the beauty, I suppose, of being near the tail end of a long career. For someone only a decade in, every decision can still feel problematic because you’ve yet to make that many of them.

An investment banker, he admitted he didn’t much like the field, but — probably like many people, especially those unhappy at work — he had pretty much fallen into it. If you know anything about I-banking, the income is certainly seductive, but golden handcuffs are still handcuffs.

I urged him to start creating an exit strategy. Life is far too short to stay in a field or industry you really don’t enjoy, I said.

He looked surprised by my vehemence, and my insistence one could actually enjoy one’s work life.

We ended up talking for about an hour, sharing stories of family and work, of dating woes and East Coast snobberies, and the classic diss we’d both experienced: “Where’d you go to school?”, a tedious sorting mechanism. (The only correct answer being the coy, “In New Haven” (Yale) or “Providence” (Brown University) or another of the Ivy League.)

“I’m strapping, right?” he asked me, at one point. He was, actually.

It was a bit awkward to be asked, even though the answer was affirmative.

He was a little drunk.

It made me a little sad.

He was single, and just under half my age, a fact he finally realized but managed to handle with grace.

We had a good conversation with lots of laughter, a few of of life’s more painful challenges and a few high fives.

I like how the right bar and a drink or two can connect two strangers companionably for a while.

(Just in case, though:

  1. Make sure you don’t get drunk; stay safe!
  2. Make sure no one has access to your drink except you (beware someone dumping rohypnol; i.e. getting roofied.)
  3. Make sure you feel 100 percent comfortable with the tone and content of any conversation. If not, move or leave.
  4. Make sure you can leave quickly and safely, if necessary; trust your instincts.)

 

Do you ever sit at the bar?

Do you ever talk to strangers there?

Money: getting/spending/saving it

By Caitlin Kelly

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One of my pleasures is enjoying culture — and yes, it costs money!

A friend recently saw an ATM receipt that left her gobsmacked — $139,000 — in the hands of a young woman, maybe in her 20s.

My friend is a single mother who works in a creative field, frustrated that she has yet to hit the level of income she craves, deeply envious of the stranger with so much more than she.

I get it — when I found out that a friend of ours, someone our age, earns $500,000 a year, I was stunned.

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The level of poverty in the U.S. is deeply shocking — given the astonishing wealth here

My husband and I are both working full-time freelance, with a mortgage that won’t be finished for another five years unless, somehow, we make a lot more money and can pay it off sooner.

What’s currently killing our ability to save — or enjoy much beyond basics — is $1,800 month in health insurance costs; his, heavily subsidized by his former employer as a retiree while they soak me the full price.

Yes, there is cheaper insurance, but it all comes with huge deductibles and co-pays.

The getting and spending, (and saving and investing, ideally), of money is often a lifelong challenge for all but the very wealthy.

But it comes down to basic economics: if you’re always broke, you’re under-earning or living beyond your means.

If you’re mired in poverty — with little education and/or weak job skills, multiple dependents and/or health issues — it can feel, and be, almost impossible to climb out.

And I know far too many women, of any age, who remain somehow terrified of money — especially when asking for it or more of it, (i.e. negotiating an initial salary, asking for raises/bonuses/commissions/better freelance rates), and handling their finances confidently and intelligently.

As if, for some reason, we don’t deserve it.

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It does mean taking charge.

It does (gulp) carry consequences, no matter how much action (or inaction) you choose.

I once attended an information session at the U.S. firm where I keep my retirement money.

It was laughable.

As in laughably bad, full of jargon and weird, arcane advice possibly of value to people with millions to manage — or waste.

Not me!

Selfishly, as a journalist, I get paid to learn, and, in writing about personal finance for the Times and Reuters and others, have learned (and taught readers!) a lot about handling money.

I also read the financial pages of two newspapers daily and read several business magazines to keep abreast of what’s happening in the domestic and global economy.

If you don’t know the word fiduciary, learn it and make sure anyone going near your money professionally is one.

One of my favorite people, and bloggers, is writing candidly about getting smarter about money. I admire her for being forthright and questioning her decisions publicly.

People rarely do.

I urge anyone thinking about how to better handle their finances to read this fantastic book, (which I reviewed in The New York Times, and am now friends with its author), Pound Foolish. It’s not a how-to, but a smart and insightful overview of the personal finance world.

She also writes a smart and helpful advice column for Slate.

My other favorite money columnist is Michelle Singletary, with the Washington Post.

ALL IMAGES COPYRIGHT CAITLIN KELLY 2013.
Still there, since 1927, the Monte Vista Hotel in Flagstaff, Arizona — travel has always been a priority for me

Jose and I were were lucky to both have attended and graduated from college debt-free; he on full-ride scholarships, I attending Canada’s best university for $660 a year. (No, there’s no missing zero.) Neither of us attended (or needed) graduate or professional school.

Nor did we have children, saving us an estimated $200,000+ per child to raise.

Nor do we have dependent relatives.

My priorities have been travel and retirement.

But I admit it — it really did feel useless and annoying to keep putting money away year after year after year for what I hoped would one day help fund a retirement, denying myself so many purchases, (newer car, nicer clothes) and pleasures in order to do so — until that sum finally grew to six figures and I thought, with relief and pride: I did that!

And, yes, for many reasons, saving money is difficult for some people, and impossible for those who don’t earn enough to get past subsistence.

But it’s also urgent (and tedious!) to distinguish between wants and needs, between what everyone around you may boastfully own, often on credit, (new phone, new car, huge and lavish wedding, bigger house, etc.), and what fits your financial priorities.

Peer pressure to keep up — i.e. spending! — will kill you and your financial future.

It’s one reason I constantly urge women, especially, who earn less and live longer, to always, always ask for more — and to read this book that tells them how to do it.

Do you find handling money frightening or intimidating?

Any great tips to share?

Need an affordable EpiPen?

By Caitlin Kelly

BUSINESS OF FREELANCING

Here’s how to find one, my story yesterday from Forbes.

The backstory, for those of you who don’t use or need one, is the staggering price increase for the EpiPen, an injectable device that pumps epinephrine into your system to address anaphylactic shock, an allergic reaction to nuts, shellfish, fish or any number of substances.

If someone goes into that shock, they need the injection within 30 minutes or they can die.

In the U.S. — whose entire healthcare “system” is run to wring the maximum profit from our inevitable physical needs — there’s only one company making them right now, Mylan, whose female CEO, Heather Bresch, the daughter of a Senator, no less, might be the most loathed individual in the country right now.

Knowing she has the market cornered, (as other competitors left the field), she spiked the price of EpiPens to $600 — a huge jump, and one that makes a lifesaving device unaffordable to many people.

(The company, now under tremendous public fire, is offering a $300 coupon.)

Imagine needing, (as some people do), three sets for each child: school, home and your vehicle, a cool $1,800 to start.

Oh, and Bresch earns $19 million for her.…ethics.

 

I’ve been following this story, not because anyone I know uses an EpiPen but because I’m so sickened by corporate greed.

 

I also grew up, to the age of 30, in a nation with strict government oversight and regulation of drugs, medications and device prices — so no one gets gouged.

That’s Canada.

I decided to pursue this story on Friday morning, and started at 10:00 a.m.

I put out calls and urgent emails to sources in the U.S. and Canada, racing the clock to get the story reported and written quickly; as a “trending topic”, I needed to get it posted as soon as I could, yet make sure I was producing a smart, well-written and well-sourced piece.

Social media saved my bacon — a request to a writers’ group I belong to on Facebook prompted a fast reply from someone who knew a physicians (!) who personally relies on EpiPens and who emailed me back quickly and in detail.

Score!

Working behind the scenes with my editor who, as usual and of course, I haven’t met, we discussed how to best present the story, an angle I hadn’t read anywhere else — yet.

We posted the finished story, about 1,200 words, by 5pm. (Good thing I’ve worked as a daily newspaper reporter. That kind of speed is normal for me.)

 

If you have time to read it, please share it widely; Forbes is a pay per view model, and this story offers an important way for people who need affordable access to get it.

Those #firstsevenjobs — yours?

By Caitlin Kelly

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Off on the train, hi-ho…

 

A little late to this party, but those of you on Twitter might have seen this popular hashtag, where people share their first seven jobs.

It’s been really interesting to see all the odd and unlikely things people do to earn money…tank driver, fishmonger, clown, pipeline surveyor, funeral musician.

It was also interesting to see how many of the jobs were fairly low-level/low-wage until people hit a well-paid professional career, and it seemed like a longer, slower trajectory for the Americans who tweeted, maybe because so many go on to graduate school, maybe because some just didn’t need — or couldn’t get — a better position sooner.

 

Here are the first seven ways I tried to make money, (and you’ll quickly see a pattern!):

 

  • Made and sold home-made bead necklaces on a street corner in a chi-chi shopping area of Toronto. I was 12.
  • Made and sold home-made envelopes (magazine pages, with an address label). I was 15.
  • Lifeguard at various Toronto swimming pools, public and private. Ages 15 to 18.
  • Waitress (very briefly!)
  • Busgirl (even worse)
  • Sold my photos on the street. Age 19
  • Sold my articles to national magazines and newspaper. Age 19.

 

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One of my first national magazine stories…I entered an animal testing lab. Grim and gruesome. But it was part of my job as a reporter

 

I soon learned that:

 

  • I like to sell
  • I like to talking to strangers
  • I’m not scared of selling or of speaking to strangers
  • I like seeing how people respond to my creativity
  • I like it even more when they pay me for it!
  • Lifeguarding is really, really, really, boring — until or unless (which never happened) someone is in serious trouble
  • Waitressing and bussing tables demands huge physical stamina, patience and a shit-ton of emotional labor
  • I prefer being paid to challenge and question authority (journalism) than kow-towing to bosses and customers (service work)

 

The world of work can appear terrifying, impenetrable, overwhelming. No matter how hard you work or whatever degree(s) you earn or your stellar marks/GPA, you can still hit a wall, or many.

There are many people out there insisting you follow your passion, without regard to — you know, money.

Just because you like making cupcakes/walking your dog/playing the banjo doesn’t mean you can earn a decent living from it.

The challenge for everyone, from first job to last, is finding steady work we enjoy, (at least much of the time), and that uses our skills and emotional intelligence.

Working for income is such a potent blend of drive, determination, talent, sheer get-this-shit-done-now, emotional labor, (i.e. sucking up, being nice to people even when — especially when — you’re being badly paid and treated like crap, as in retail and foodservice), management draaaaaaamas, finding smart/kind (if you’re lucky) co-workers, bosses and clients…

A job can look perfect on paper and then you start and….ohhhhh, shit…It’s not.

Or, yay! It really is.

I’ve spent much of my career as a journalist working freelance, i.e. without any paid sick days or paid vacation, without a boss or co-workers or raises or promotions or bonuses or commission. Whatever I earn has to come through my efforts and skills, and, when it works, the generosity of my networks who refer me on to their contacts.

Some years have been terrific, others much less so.

I do enjoy working in/with/on a team, as one does in a newsroom or magazine. I enjoy, and I miss, the camaraderie and the mix of smarts and energy.

But I also treasure autonomy, being able to plan and manage my own time, (and time off — Americans with staff jobs are terrified to ask for or use their skimpy vacation days) –and to pick and choose work that makes sense to me, intellectually if not always financially.

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My second book, published in 2011

I’ve had three well-paid staff jobs at major daily newspapers, in Toronto at the Globe and Mail, (Canada’s best), the Montreal Gazette and the New York Daily News.

I loved the first, enjoyed aspects of the second and barely survived the third; daily American newspapers, now struggling mightily and shedding staff like autumn leaves, are highly specific cultures, some welcoming, some less so.

I’ve also worked as a senior editor and editor in chief of a few magazines, work I enjoyed less, as it was totally desk-bound.

 

What were some of your first jobs — and what did they teach you?