I only started posting — usually three to four images a day — about a month or so ago. My long-term goal, possibly, is to sell my images to interior designers and stagers, people who furnish and decorate homes for sale. I began my career as a shooter, and have sold my work to The New York Times, Time and the Washington Post, so we’ll see.
My work: @caitlinkellynyc.
I’m enjoying it for a few reasons, which are very different from my frequent use of Twitter and (sigh) Facebook, whose behavior has proven so deceptive and appalling it’s difficult to use it now in any good conscience.
What I like about Instagram:
— Non-political. It’s not filled with people ranting endlessly, let alone arguing with others, about their specific causes.
— Global. I’ve been stunned (and delighted) by literally instant responses to my images, from a 13-year-old fellow baker in Britain to an auto body shop in Brazil to an Istanbul photographer.
— Not just photos, but photos of some of my favorite passions: pilots and their airplanes (especially women!), vintage clothing, jewelry and flowers.
— Creativeinspiration. Photos of places I long to visit; interior design; terrific art and ceramics, like the guy from Australia who hand-painted exquisite blue-on-white tall vases. I found a young British art student, Kat Thomas, (katt_artt) whose work is spectacular.
— Playful connection. I snapped a pair of studded black leather boots on a red carpet at the Met Opera in Manhattan, then spotted an almost identical image, by an Italian man, of his cool studded black boots on a red carpet. I suggested he check out my picture, and he did. Silly? But fun!
— It’s sharpened my own gaze. Thanks to the camera in my cellphone, an IPhone 7, I’m forever seeing, appreciating and capturing beauty around me, night or day, rain or shine. On a recent foggy, rainy morning I hastened to get out to our local reservoir to snap some images. I’m so glad I did because by afternoon, skies were clear and the mood was gone.
What I dislike:
— Selfies. Just stop. Seriously. I don’t get why people keep posting image after image after image of themselves! When someone follows me, and I see nothing but selfies, I’ll never follow back.
— Endless self-promotion. Yes, Insta is a great place to promote your product or brand. But enough!
— Too much photo manipulation. I’m old school! I began my career shooting film, so when I see images that have been heavily manipulated and filtered, I often flip away fast.
— Too much lifestyle content, posed and perfect. Many of the most popular sites are perfectly posed and lit, whether of people carousing (usually white, thin, young people) in trendy/cool places or of food or tourist-y moments. Insta is a place for people to escape into fantasy, but it’s also feeding some tremendous envy and resentment.
Why can’t I ditch my messy life today and live on a Greek island, too?
Thanks to Twitter, I also met up in Berlin with Jens Notroff, an archeologist who works on Gobekli Tepe, a 12,000 year-old Neolithic site in Turkey and Dorothée Lefering, a travel blogger whose post about Rovinj, Croatia impelled me to stay there for a glorious week last July. I’d never even heard of it before!
We all met for lunch at Pauly Saal (a trendy restaurant) in Berlin last July, thanks to “meeting” them regularly through several weekly Twitterchats focused on travel — and Jens and I bonded for certain after trading the lyrics to the Rocky Horror Picture Show.
Now, thanks to Insta, I’m reviving my photography skills; I began my journalism career as a teenager selling three cover photos to a Toronto magazine, then sold to Time, The New York Times, Washington Post and more.
I love how my Smartphone has made me hyper-aware of my surroundings once more. The glossy perfection and waayyyyyyy too many selfies of Instagram don’t appeal to me, but I’m loving the global reach it offers.
I also spend a lot of time on Facebook participating in online-only women’s writing groups, where we find friendship, freelance work, staff jobs, mentoring and moral support. At worst, it can get ugly and weird, but at best it’s my daily water cooler, as someone who works alone at home in the boring suburbs of New York.
(It costs me $25+ in train and subway fare into New York City to meet people face to face, so social media offers us all an easy and affordable option.)
But I also plan play dates — this week an Oscar-viewing night with a neighbor, lunch here with an editor, a Canadian consulate event at the Tenement Museum in New York City, and meeting friends for dinner in Harlem at Red Rooster.
My weekends are also filled with in-person social activities from now through mid-April, so I don’t feel isolated and lonely, which social media can create online interaction is all you do.
Facebook was also useful recently in a highly unusual way — with a local woman reporting to our town in real time that a woman had been shot in an apartment complex nearby, that the shooter was on the loose (!) and that’s why we heard police helicopters overheard for hours.
(She died and he was captured in New York City at the bus station.)
The hashtag for our town’s zip code, whose Facebook page has thousands of members, was the single best place to find out what was happening.
If you visit the website abcnews.com, you’ll find a slideshow of images, a tight edit chosen from among the hundreds shot daily by some of the world’s greatest sports photographers.
The man editing those images this year is Jose R. Lopez, my husband — photo of him above with the entire schedule of every event to help him plan and manage his time.
A frail child, he was never an athlete himself, but, as a staff photographer for The New York Times, photographed two Olympics — Atlanta and Calgary, one summer, one winter. He knows the incredible skill and training it takes to even make the team, whether you’re an athlete competing or someone covering it as a journalist.
Thanks to a helpful colleague already on the ground in Korea, Jose has the complete schedule he needs to plan out his coverage.
Because of the 14 hour time difference between our home, (and ABC’s headquarters), in New York and Korea, it’s going to be a rough few weeks, with sleep a luxury and many weird shifts for him. I admire his tenacity and determination and am now in full-on kitchen duty, making sure there’s plenty of healthy home-made food to sustain him.
I’ve never attended the Olympics, but have two personal connections to them — a film my father made about Japan, and some Olympic badges he brought home with him from Tokyo (1964) and having a New York City coach when I did saber fencing who had competed in two Olympics himself. I couldn’t quite believe I even knew an Olympian, let alone got to work with him to improve my skills.
As a Canadian living in the U.S. I have two countries to cheer for.
It’s a life that makes intellectual, physical and emotional demands specific to the business.
We, at our best, share a clear (rarely explicitly discussed) set of values that resonate for those working in nations with a free press — albeit also under the heavy hand of free-market capitalism that makes even the very best job temporary.
If you’ve worked in any form of hard news journalism especially, whether photo, video, digital, print, television or broadcast, you share with thousands of colleagues worldwide the same challenges and experiences:
— balancing the need for speed, to beat every possible competitor, with the need to be 100% accurate
— discerning the many lies and omissions and distortions fed to us by the powerful into a report that, we hope, will help our audiences better make sense of their world, whether climate change, new legislation, economic issues
— working with very few resources (low pay, no assistants or secretaries or researchers)
— entering a cut-throat world where there’s always someone younger and cheaper ready to grab our hard-won spot
— knowing your value is only as great as your last story, not the prizes, awards and fellowships you’ve also collected
— having to persuade scared, dubious, wary sources to share with us their data and images to help us tell our stories thoroughly
— sometimes working in conditions that are dangerous, or merely extremely uncomfortable (heat/rain/conflict zones/war zones/the aftermath of natural disasters)
It all creates a bond that runs deep and strong, knowing that everyone in the same room gets it.
We recognize it immediately in one another, members of a far-flung tribe.
We tend to share characteristics: we’re self-reliant, funny, wary of draaaaaama, able to put strangers at ease quickly, brave, badasses, typically pretty humble, (because we all know someone who’s done similar work much better/sooner than we have!), willing to challenge any form of authority to get the story — and incessantly curious about the world, even after decades of examining it closely.
That can make meeting someone new, even one much younger or older, staff or freelance, editor or shooter or writer, as comfortable as meeting a familiar friend.
I’m the veteran of three major daily newspapers, the Globe & Mail (Canada’s national daily), the Montreal Gazette and the New York Daily News, and have written television news and thousands of articles for everyone from Reuters and bbc.com to Marie Claire.
And every day, like my colleagues, I now watch in dismay as our industry keeps firing people like me — people who know what we’re doing, people readers and viewers rely on.
In the past few weeks alone, Ontario towns lost 33 regional newspapers as they were closed down for good, and new owners fired the entire staff of the L.A. Weekly, a respected newspaper — instead asking its readers to offer unpaid work.
Wallace McNamee; photo by David Hume Kennerly
Last weekend, more than 200 veterans of our business, many of them white-haired, gathered in a church in Arlington, Virginia, for a memorial service for Wallace McNamee, one of American photojournalism’s greats.
If you’ve been looking at news photos, in any medium, you’ve seen his work; his, like many of them, were the eyes recording history: elections, assassinations, pop culture, war.
My husband, a career photographer and photo editor at The New York Times for 31 years, knew and worked alongside McNamee in D.C., as did many of the men and women there — some editors, some competitors, all of us gathered to share their love and respect.
Colleagues and friends arrived, as we did, from far away, former awed interns now running the nation’s largest photo agencies and choosing images for its most influential publications.
Two photographers I’d never met both told me the same thing about Wally: “I was the new kid in town. I didn’t know anything and he showed me the ropes.”
Not the typical image of the sharp-elbowed, conscience-free “journalist” you may be more accustomed to.
If you maintain the skewed, ignorant and toxic notion that “all news is fake”, I wish you’d been there in that small white church, sharing the crowded pews, to witness what, at its best, our business really is about.
American journalists are now in a defensive crouch, thanks to a President who attacks us, our work, our ethics and our intent every single day.
I’ve been working as a journalist for more than 30 years, published in The New YorkTimes, Washington Post, Wall Street Journal, Irish Times, VSD, The New Zealand Herald, Sunday Telegraph and dozens of magazines.
I was a staff reporter at the Globe & Mail, Montreal Gazette and New York Daily News.
I love what I do and I’m proud of (most of!) our work.
I’m sick of hearing my industry and my colleagues maligned!
Yet there he was in Phoenix on Tuesday, telling a crowd of thousands of ardent supporters that journalists were “sick people” who he believes “don’t like our country,” and are “trying to take away our history and our heritage.”
— Most journalists make little money. Some, like the late Kim Wall, have attended some of the most rigorous colleges and universities to learn our craft. While a corporate attorney fresh from law school might expect to make $150,000 to start — and millions if they work as a lobbyist or make partner at a major firm — only the highest-paid journalists, (those in television, a few columnists), will ever become wealthy through our work, regardless of skill, talent, experience or awards.
Unlike people who get up every day driven by profit and money (hello, billionaires), we do this work because it matters to us and to our audience.
— Our work is team-oriented, not all about Big Stars who preen and strut and insist on our constant fawning and genuflection. There are some in this stratosphere, but everything you read, hear and see is the result of intense and focused teamwork, egos be damned. Yes, we make mistakes, but not for lack of effort — my Times stories are read and reviewed by three editors, each of whom can grill me for further detail.
— Journalists who lie and make shit up are quickly found out, shamed and fired. In a private business, people can (and do) get away with many forms of chicanery, unnoticed. CEOs of public companies make out financially for years like bandits regardless of their personal ethics.
— We don’t have to carry or show a press pass to do our jobs. We don’t have to pledge allegiance to anyone, a fact that makes some people very angry. How dare we think independently!
— Our job (at its best) is to challenge authority, to read the fine print in annual and corporate reports, to FOIA the hell out of reluctant government agencies. It pisses some people off that we don’t just lie down and give up. Too bad.
— How exactly does Trump, or anyone, know whether or not we “like our country?” As if being critical of liars and cheats, dismantling false promises and fact-checking endless assertions is…unpatriotic.
As if “unpatriotic” even matters to us.
That’s not why we do what we do.
Also from the Times:
An element of presidential leadership that we are all taught in grammar school: its broad influence — how it can set a tone for others to follow.
Yes, mistrust of the media was growing even before Mr. Trump emerged on the political scene. But this much is unmistakable: The president is significantly adding to what is, without question, the worst anti-press atmosphere I’ve seen in 25 years in journalism, and real, chilling consequences have surfaced, not just in the United States, but around the world.
We do this work:
— to help audiences better understand a complex world, whether business, science medicine, politics, technology, environment.
— to hold the wealthy accountable to the remaining 99% of us. In an era of income inequality unprecedented in a century, it’s our job to question those grabbing the levers of political and economic power.
I’m 14 days into my six-week six-nation European journey, much of it solo.
A few notes, in transit:
The kindness of strangers
It’s an interesting experience, as a generally competent and independent adult, to be vulnerable, to need other people to pay attention to me when I need it — like when I got on the wrong train in Frankfurt and, re-directed by a kindly stranger, quickly de-trained.
When transport and restaurant and shop and hotel staff are helpful, even friendly, it matters so much more than when you’re at home, surrounded by the love of friends and family. I enjoy travel, and am happy to do it alone, but rudeness and indifference can sting without the emotional supports of the familiar.
I was enjoying a leisurely breakfast in a crowded corner cafe of Berlin’s Ku’damm, a major street, and a spot surely full of tourists like me — when I noticed a police motorbike speeding down the sidewalk opposite.
It was nothing serious, but it could have been.
This trip, I’m spending more time than ever before paying attention to my surroundings and how the people around me are behaving. Without my protective, savvy husband — (a former White House Press corps photographer who spent eight years watching the Secret Service protect the President and his family) — it’s all up to me.
Situational awareness matters now.
The humility of needing translation
I speak French, so Paris was easy. I don’t speak a word of German, (or Hungarian or Croatian or Italian.) Nor do I use apps or carry a pocket dictionary. It is humbling to rely on others’ knowledge, and their willingness to use it to help me.
I was at a gym here in Berlin trying to explain something, when a young man, clearly on his way to the office, stepped in: “Do you need help translating?”
I did. And was so grateful!
People may share tables here, and expect to do so. North Americans are more accustomed to lot of physical room, in public and in private.
I love this crazy painting in my Berlin hotel, lobby, Hotel Savoy
Your memory isn’t my memory
Everyone has their favorite (or not!) memories of the places they’ve been and I’m constantly told to Do this! See that! by well-meaning friends.
But your memory of each place is shaped, as mine are, by many variables: who you were with, how old you were, your budget and tastes, the time of day and year, the weather, even the strength of your currency, in that moment.
We also may enjoy wholly different things!
I like to wander. I’m just not a box-ticking type of tourist, rushing to every must-see or trying every must-do.
One of my loveliest afternoons happened by walking a side street, slowly, and discovering one of Germany’s major auction houses, housed in a gorgeous architect-designed building from the late 1800s. I had a great chat with the woman at their front desk, a former Lufthansa flight attendant who got married — in all places — on Staten Island, New York.
That’s not an experience I could have planned, nor offered by any blog or guidebook.
Sitting still is key
Travel is, for all its many pleasures, tiring. Your feet get sore and tired from walking. Your arms and shoulders get weary from dragging a backpack or suitcase. You get hungry and thirsty.
You need to think, to make notes, to just stare into the sky for a while.
You have chosen to stop working — and also just need to rest.
Most of my favorite memories are of sitting still for a while, even an hour at a time (!), watching the light shift and the people walking by, possibly sipping a pot of tea or a prosecco.
There’s never enough champagne!
Taking photos is my greatest joy
I started my career as a photographer, so I love finding images to treasure and frame for our home. My husband gave me a gorgeous little Leica for my birthday and I’m making very good use of it!
Everything is visually interesting to me: light, shadows, foliage, the patterns on a bike or a dress.
I’m fascinated by how different my hotel’s street in Berlin — Fasanenstrasse — looks at all hours — the sky is light at 3:45 a.m. (!) and at 7:10 a.m. I suddenly noticed sharp sunlight briefly illuminating a fantastic stone carving in a doorway.
Routine still matters
I found a gym in Berlin, took a spin class, lifted weights — and sweated happily. At home in New York, I’m at the gym two to three times every week and I miss it. I need to stay in shape.
Routine — although deadening when never broken — is also a little soothing when everything else around you is new.
That little white bear in the very back? He’s along for the ride!
So does comfort
Yes, I travel with a very old, very small, very beloved stuffed bear.
And I’m fine with that.
Acquisition versus disposal
I rarely shop for anything at home beyond gas and groceries, and find much of what I really crave too expensive — and that which I can easily afford unappealing.
So I love to shop when I travel.
But I offload as I go; every post office sells stiff cardboard boxes and plastic packing. I spent 38 euros ($42) this week in Berlin to mail three packages home, things I do want later but don’t need to want to drag around at the moment.
It’s 2.5 years since I was last here, in the depths of winter.
My husband Jose and I came for my birthday, and three friends joined us that evening, one from her home in London, her partner from visiting his parents in Sweden and a journalism colleague stationed here. Some had never met one another, and I had never met two of them, but it was a terrific evening.
We ate at this gorgeous restaurants in the Marais, Les Chouettes (The Owls.)
I lived in Paris for a year when I was 25, on a journalism fellowship, so the city feels like home to me. I speak French and have been back many times since then, four times in the past decade.
The city is a feast in every way: great food, beautiful colors everywhere — flowers, doors, women’s clothing — millennia of history, gorgeous architecture, reams of culture, tremendous racial and ethnic diversity.
Most visitors spend their time in the 1st through 11th arrondissements — with possible visits to the quieter, chi-chi, residential 16th. (Balzac’s home is there) and the grittier 18th, 19th and 20th. The buses and subways are clean and efficient and many taxi drivers now speak English.
Some photos of our week:
Jose planned a terrific Sunday jazz brunch at La Bellevilloise, a 100+ year-old building that’s been re-purposed into a cultural center in the funky 20th arrondissement (neighborhood), with great views of the city. The buffet style food was delicious, the music Django-esque, and the crowd a mix of all ages, tourists and Parisians.
I recommend it highly; you must make reservations!
The flat we’ve rented, from a journalism colleague of Jose’s, is in a trendy nabe, the Marais, (literally, as it once was, the swamp), an area filled with indie boutiques, bars and restaurants lining its narrow streets, with fantastic names like “the street of bad boys” and “the street of the white coats.”
The view from our flat’s living room
Our rented flat is on the first floor at the end of a tree-filled cul-de-sac, so it’s blessedly silent at night.
My Paris isn’t typical.
I don’t feel compelled to fight the crowds and see all the official sights: Notre Dame, the Louvre, the Musée d’Orsay, the Tuilieries, the Eiffel Tower.
I treat it instead like an old, familiar friend, as one more big city I enjoy.
Some tourists stagger along with pontoons of shopping bags from Chanel and Vuitton and Hermes. Instead, I’ve bought everything here from eyeglasses to bathmats; the colors on offer are so distinctive and these things bring us daily pleasure at home for years afterward.
We have a few favorite restaurants, like this one, Les Fous de L’Ile, on the Ile St, Louis, (where we rented a flat for two previous visits) and love to try new ones.
We tasted two whites and two reds, with matching types of cheese and baguette and water to help us not get too drunk and learned a lot.
Paris has changed, of course, since I’ve been coming here, and five new things I notice this time:
— people jogging in the streets in Spandex and Fitbits, (once unheard of)
— far fewer smokers, more vapers
— so many people speaking excellent English, happily, from cabbies to store clerks and restaurant staff.
— Everyone’s wearing “les baskets” — sneakers — and a good thing, too! This is a city that demands and rewards hours of walking, but ohhhh, your feet will get tired if you don’t wear comfortable and supportive shoes.
— This visit, too, I’m much more aware, all the time, of our surroundings and every possible egress; with terrorism attacks in various European cities, including the massacre here at the club Bataclan, you can’t be stupid and tune out. A policemen was attacked with a hammer outside Notre Dame on Tuesday.
We live in weird and frightening times. I came out of a department store to find a large crowd and a lot of security guards and thought…ohhhhh, shit.But it was only (!?) people waiting for some American actor/celebrity to show up; apparently Tom Cruise has been here filming the latest Mission Impossible.
On a more sober note, one thing you’ll notice here, if you pay attention and look at the doorways of residential buildings, is the number of signs and monuments to the men, women and children who died during the Resistance and in WWII.
I saw this glass monument in the park next to Le Bon Marché, an elegant, high-end department store — steps away from a brightly-lit carousel filled with happy children
It honors two little girls who perished in Nazi death camps and I found it deeply moving,
Arrested by the police of the Vichy (occupation) government, complicit with the Nazi occupiers, more than 11,000 children were deported from France between 1942 and 1944, and assassinated at Auschwitz because they were born Jewish. Several of them lived in Paris, in the 7th arrondissement and among those two “very little ones” who hadn’t even started attending school.
As you pass by, read their name because your memory is their only resting place.
A great joy of summer here is the huge amount of sunlight. Paris is much further north than you might expect — 48.8 degrees north, (the Canadian border with the U.S.) — and the sun isn’t setting right now until 9:45 or later, so there’s a long, lovely dusk.
I woke up this morning to a Twitter feed filled with images of a skinny white woman about to marry a billionaire, Pippa Middleton, sister of the Duchess of Cambridge.
This week, 242 people died of cholera in Yemen.
Guess which got the most attention?
To many people, now, both are journalism — and possibly of equal value.
Not in my book. I’ve done it for a living since 1978.
I’m really weary of watching fellow reporters fawning endlessly over the wealthy and powerful and their private jets and their super-yachts and their pretty lives.
What good does any of this voyeurism offer to a broken world filled with growing income inequality but a reminder that 99.9% of us will never live a life even vaguely resembling this.
All this, as the Trumps and his billionaire Cabinet take millions from other plutocrats to craft policy to make them all even richer.
If you haven’t yet seen Spotlight — which won the Oscar for Best Picture in 2015 — or All The President’s Men — a 1976 film was nominated in that category but that won four other Oscars — do it. Soon!
Spotlight tells the story of a team of reporters at the Boston Globe who uncovered a sex abuse scandal within the Catholic church, for which they received American journalism’s highest honor, the Pulitzer Prize, in 2003. The film makes clear, as does ATPM, that real reporting and journalism that can topple powerful, secretive abusers. It takes time, teamwork and tough editors and reporters who simply refuse to give up once they realize the magnitude of the story, even as it looks impossible to get.
In ATPM, two Washington Post reporters, Carl Bernstein and Bob Woodward — two real people of the same names — bring down President Richard Nixon after months of piecing together disparate facts and crimes, all the way met with denials and resistance. In one great scene that every reporter can identify with, the editor in chief, Ben Bradlee, says, “I have to really trust my reporters. And I hate trusting anyone.”
In our business, serious mistakes can end a career.
In both films, weary, rumpled reporters do what most journalists actually do — knock on dozens of strangers’ doors (often met with resistance or hostility) looking for sources to speak to them and confirm what they have so far learned or suspected, read through reams of paper documents to find the ones that matter, meet with scared, reluctant witnesses to, or victims of, the crimes, trying to persuade them to put the facts “on the record”, i.e. make them public.
Much of true journalism is slow, tedious, quiet, behind the scenes. It can involve a lot of frustration as you hit dead end after dead end, source after source who refuses to help or to comment, fearful for their job, reputation, even their life.
It’s the opposite of fawning over the wealthy and powerful, which so many now see as “journalism.”
As Trump and his family, and associates, continue to prompt more and deeper investigation, remember that it’s the reporting by The New York Times and Washington Post that have brought much of their behaviors to light.
This week the most coveted awards in journalism were given out, the prizes named for Joseph Pulitzer, a man born in Hungary in 1847 and who became a legendary publisher of major American newspapers; (pronounced Pull-itzer.)
It is a very big deal to win a Pulitzer Prize, both for the writers and photographers who win it for their individual, often team, efforts, but also for their editors and publishers.
It can take decades to win one, or, for the fortunate few, it arrives early in their careers. The photographer who’s won the most ever in journalism, four, is Carol Guzy, of The Washington Post — who began her career as a nurse.
In a time when our industry is struggling mightily — tens of thousands of us having been laid off in recent years — this sort of accolade is still something many of us strive for.
If you stay in journalism a few decades, you come to know, and sometimes work with, and possibly deeply admire, many colleagues, sometimes scattered globally. When they win, we’re also cheering for our tribe.
His award is one of three Pulitzers awarded to the Times this year. Another went to Australian-born, New Delhi-based freelance photographer Daniel Berehulak for breaking news covering the drug war in the Philippines being waged by President Duterte. He also won the award in 2015 for feature photography for documenting the Ebola outbreak.
From his website:
Their Ukrainian practicality did not consider photography to be a viable trade to pursue so at an early age Daniel worked on the farm and at his father’s refrigeration company.
Not so surprising — journalism is still considered a terrible career choice by many parents: it’s professionally insecure, badly paid and sometimes dangerous.
It’s one of the many reasons we, (I’ve been a journalist for decades), are so proud of our colleagues who persist and succeed. It’s damn hard!
In an era of “fake news” and endless claims to the “truth”, we need media literate readers/listeners and viewers more than ever.
And we need smart, tough, determined reporters, whether visual or word-focused, and their editors and their publishers, to stay committed to strong, intelligent work of lasting value —- not just chase clicks and views.
David Farenthhold — we all knew he had this one in the bag — took the prize for National Reporting, on Trump, for The Washington Post.
In 1912, one year after Pulitzer’s death aboard his yacht, the Columbia School of Journalism was founded, and the first Pulitzer Prizes were awarded in 1917 under the supervision of the advisory board to which he had entrusted his mandate. Pulitzer envisioned an advisory board composed principally of newspaper publishers. Others would include the president of Columbia University and scholars, and “persons of distinction who are not journalists or editors.” Today, the 19-member board is composed mainly of leading editors or news executives. Four academics also serve, including the president of Columbia University and the dean of the Columbia Graduate School of Journalism.
Also from the Pulitzer website:
What do Pulitzer Prize winners get when they win?
There are 21 Pulitzer categories. In 20 of those categories the winners receive a $10,000 cash award and a certificate. Only the winner in the Public Service category of the Journalism competition is awarded a gold medal. The Public Service prize is always awarded to a news organization, not an individual, although an individual may be named in the citation.
Selfishly, I have a deeply vested interest in the Pulitzers — as we have one in the family. It belongs to my husband, Jose R. Lopez, whose blog is here.
On 9/11, as fighter jets screamed over Manhattan and the Twin Towers fell, Jose was a team member of talented, fast-thinking, quick-acting New York Times photographers and photo editors covering it.
They won the Pulitzer that year for breaking news photography.
Jose, then a photo editor, (and former news photographer), literally turned his basement Brooklyn apartment, (the very day he was to move in with me and everything was already packed!) into a local Times bureau — scanning and transmitting images from his computer as photographers delivered their film to him.
There was no way to physically get into Manhattan from Brooklyn in time, to reach the Times‘ building that day.
On a day of confusion and terror and trauma, the Times team stayed calm and organized. Their job — our job — always, is to witness, testify, explain, share.
Now we’ve got a Trump senior advisor telling the American media to “keep its mouth shut” and that we are the “opposition party.”
So, in the interests of media literacy, some inside dope.
If you retain some faith in the veracity of media reporting, (and many don’t), it’s also useful to remember — or know — that what you read, see and listen to is heavily filtered, edited and condensed.
Maybe you knew that.
But if you ever work in a newsroom, or as a reporter or editor or photographer, you very quickly appreciate how much of it ends up on the cutting-room floor.
It is not, despite everything you may hear about the “crooked media” and our putative dishonesty, about partisanship.
It can be, but most often is for very different reasons, like:
Length and space
Less an issue with digital stories, where there’s no lack of room, although a shortened attention span from many digital audiences.
In print, whether magazines or newspapers, many stories compete every day for space.
Every newspaper editor has a “budget”, in addition to their monetary one, and daily “budget meetings”, in which every competing story tries to win its spot in that day’s report and what prominence it will get.
Then a talented team of photo editors, art directors, layout experts and graphics editors works to make each page, ideally, look terrific and draw you into each story.
This is my most recent NYT story, which got great play, (on the front page [aka the dress page] of the paper’s very well-read real estate section), the gift of a gorgeous illustration (by someone else from Toronto!) — and even netted me fan mail! It’s about how people, when renovating, sometimes find very weird things in their walls and floors, or place items themselves.
Short is often better — get to the point!
But complex issues demand complex and nuanced reporting for the audience to understand them and why they matter to us, like the NPR report I heard this morning on the Congressional Review Act, which I’d never heard of before.
Probably the biggest ongoing challenge every news journalist faces, especially those who work with images: war, natural disaster, terrorism, murder scenes, airline, train or car crashes. They have to process it emotionally, (or shut it out somehow.) Over the years, let alone decades, it takes a toll.
The day before I took my driving test (!), while a reporter at the Montreal Gazette, I covered a head-on collision between a city bus and a small car. I’ll spare you the details, but — 26 years later — I remember it all too well.
Secondary trauma is a real issue for many of us, and in a business where macho behavior is rewarded and emotional reactions in that moment can hinder our work. My husband covered New Mexico’s worst ever prison riot as a photographer when he was still a college student and spent a month in Bosnia at the end of the war in 1995. Both seared his soul.
I’ve reported stories with gory details I knew, but omitted. They informed my understanding of the issues and the reality of the event, (like a murder trial or 9/11), but civilians — i.e. non-journalists — just aren’t prepared to handle it.
By the time you see or hear it, it’s often heavily sanitized.
This is a big one, especially now.
If you can’t trust media coverage to be factual — and checked before publication or broadcast with multiple, reliable sources — you’re toast.
It doesn’t even matter what the story is, really, because the underlying principles remain the same: when in doubt, leave it out.
We have to make sure we know who’s talking to us, why now and their agenda(s).
Who’s funding them? Who pays their bills? Who do they owe favors to?
Many sources just end up sounding or looking really stupid.
It’s up to us to decide, as gatekeepers, what to reveal.
We’re all human and we all mis-speak.
That question changes when we’re covering a public figure like a politician, who’s chosen to be in the public eye and who has significant responsibility to voters. That’s why they hire spokesmen (and women) to spin everything.
It’s our job to untangle it all.
Far too many press releases!
I get several every day, and delete 99.9% of them unread, unopened and annoyed at the laziness of the people being well paid to send them.
There are three writers in New York City (!) with my name, one of whom covers beauty for a major magazine, so of course I get her email all the time.
Some press releases are useful, but are often full of jargon and of no interest at all.
Most of the best stories you’ll read and hear come from reporters and editors’ own ideas and research, tips from sources and observations of the world and its patterns.
Documents, leaks and FOIAs
If you saw the film Spotlight, which won the Oscar for Best Picture, you’ll know that poring over reams of documents can create the most powerful and damning stories of all.
The editor, then, of the Boston Globe, Marty Barron, is now at the Washington Post, which is kicking ass and taking names in covering the Trump administration.
The more Trump shuts down federal agencies and staffers, the more they’re leaking what we need to know.
You need a free press more than ever now.
The big three of news determinants.
The closer an event is to readers, listeners and viewers, the more likely it will get coverage — which is why Americans, certainly, hear just about nothing, ever, from entire parts of the globe: most of Asia and the MidEast, Latin and Central America, Eastern and Southern Europe, Australia and New Zealand.
Unless it’s seen to have a direct impact on American lives or economic/political interests…crickets.
Which is crazy.
Because the less you know about how the rest of the world operates and behaves, (i.e. differing histories, cultural values and resulting wars, unrest and public policies), the less you understand or care.
(Have you noticed the rise of Marine LePen, running for France’s Presidency? Nice.)
Don’t, please, get me started on celebrity — and how every day someone “reveals” a “secret” and media drool over first dibs on it.
If something happened even a week ago, let alone a few days, it might not be deemed “news” because, no matter how important, it’s not “new.” It’s a lousy way to make decisions, and very common.
The only way to make sense of the “news” is to absorb and process a wide range of it. If all you ever read or pay attention to is American (or your own country’s), the Internet offers you all of it, most of it free — radio, videos, newspapers, blogs, magazines…
I read the Financial Times every day and listen often to BBC. I get French and Canadian news through my Twitter feed.