By Caitlin Kelly
It’s hardly as though we need any more books. We have hundreds already, many of them (ugh) still unread, even years after buying them, whether reference, history or fiction.
But who can resist a brand new book?
(I’ve just bought three more books: Transit by Rachel Cusk, The Hustle Economy [a bit too basic for me, 12 years into full-time freelance] and Hillbilly Elegy, a New York Times best-seller that I’m enjoying but not bowled over by.)
The top three books in this stack were requests, given to me by my husband Jose for Christmas 2016.
I love the names of wine: gewurtztraminer, gruner veltliner, Vouvray, Muscadet, grenache, Montepulciano. (Dream second career? Sommelier, except for all that memorizing!) Jancis Robinson is someone whose work we read every week in the Financial Times. (My other favorite wine writer, a friend, is another woman, Lettie Teague, who writes for The Wall Street Journal.)
The next two books are a holdover from my childhood years growing up in Canada, where most of my reading material was published by Penguin; I’d read rapturous reviews of MacFarlane in the FT and am fascinated by landscapes and how we experience them.
The bottom four books were the happy result of browsing an indie bookstore, Logos Books, in Manhattan while recently waiting to meet a friend.
I so rarely spend time in bookstores — I would easily spend hunreds of dollars each year! — so I really enjoyed a good long browse.
The collection on offer was deliciously eclectic.
If you don’t know her or her work, Martha Gellhorn was a legendary war correspondent, ferocious and admired — and, incidentally, the third of Ernest Hemingway’s four wives. She was the only woman to land in Normandy on D-Day and covered every war, determined to be there to record every detail, no matter what the obstacles.
I long ago read a biography of Antoinette May, another war correspondent — a birthday gift from a friend and Globe & Mail colleague. Smart, tough determined fellow female journalists give me role models!
I’ve never read anything by John O’Hara and, frankly, I just loved the cover. The story is set in 1930. I love reading about earlier eras.
A Little Life has received rave reviews, although some say it’s a very sad book. I very rarely read fiction — as you can see, with five of these seven being non-fiction — so I hope it’s good. (I was given The Goldfinch as a birthday gift two years ago and put off opening it for a year, having heard it was far too long. But I absolutely loved it, even though it is too long.)
The bottom book is my main man, Ray Bradbury, one of the best writers of the 20th century. While his genre is technically science fiction, his voice is calm, quiet, compelling and unforgettable.
I recently started re-reading The Illustrated Man, which I first read when I was 12. I was so impressed with it that I wrote Bradbury a fan letter, from my summer camp in northern Ontario, and sent it to his New York City publisher, Ballantine.
Within two weeks, I had a hand-signed reply, with his home address in California, a postcard I treasure to this day.
He was real!
He wrote back!
To a little girl in Ontario!
What I could not have known then was that he — also age 12 — was magically transformed by a chance meeting. This, from his official website:
Throughout his life, Bradbury liked to recount the story of meeting a carnival magician, Mr. Electrico, in 1932. At the end of his performance Electrico reached out to the twelve-year-old Bradbury, touched the boy with his sword, and commanded, Live forever! Bradbury later said, I decided that was the greatest idea I had ever heard. I started writing every day. I never stopped.
Books can do this to us.
They connect us to the past, to an imagined future, to ideas and questions and challenges and gorgeous images.
They transport us, without a need for tickets or passports or jet lag.
The words of Charlotte Bronte…
What are you reading these days?