Why Pulitzer Prizes still matter

By Caitlin Kelly

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Pulitzer

This week the most coveted awards in journalism were given out, the prizes named for Joseph Pulitzer, a man born in Hungary in 1847 and who became a legendary publisher of major American newspapers; (pronounced Pull-itzer.)

It is a very big deal to win a Pulitzer Prize, both for the writers and photographers who win it for their individual, often team, efforts, but also for their editors and publishers.

It can take decades to win one, or, for the fortunate few, it arrives early in their careers. The photographer who’s won the most ever in journalism, four, is Carol Guzy, of The Washington Post — who began her career as a nurse.

In a time when our industry is struggling mightily — tens of thousands of us having been laid off in recent years — this sort of accolade is still something many of us strive for.

If you stay in journalism a few decades, you come to know, and sometimes work with, and possibly deeply admire, many colleagues, sometimes scattered globally. When they win, we’re also cheering for our tribe.

Here’s the list of all the 2017 winners, including history, poetry, drama and music.

One of my favorite stories of 2016, a stunning 18,102 word account of a young combat veteran, was written by The New York Times’ staff writer C.J. Chivers, himself a former Marine. He won the 2017 Pulitzer for feature writing.

His award is one of three Pulitzers awarded to the Times this year. Another went to Australian-born, New Delhi-based freelance photographer Daniel Berehulak for breaking news covering the drug war in the Philippines being waged by President Duterte. He also won the award in 2015 for feature photography for documenting the Ebola outbreak.

From his website:

Their Ukrainian practicality did not consider photography to be a viable trade to pursue so at an early age Daniel worked on the farm and at his father’s refrigeration company.

Not so surprising — journalism is still considered a terrible career choice by many parents: it’s professionally insecure, badly paid and sometimes dangerous.

It’s one of the many reasons we, (I’ve been a journalist for decades), are so proud of our colleagues who persist and succeed. It’s damn hard!

In an era of “fake news” and endless claims to the “truth”, we need media literate readers/listeners and viewers more than ever.

And we need smart, tough, determined reporters, whether visual or word-focused, and their editors and their publishers, to stay committed to strong, intelligent work of lasting value —- not just chase clicks and views.

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David Farenthhold — we all knew he had this one in the bag — took the prize for National Reporting, on Trump, for The Washington Post.

In 1912, one year after Pulitzer’s death aboard his yacht, the Columbia School of Journalism was founded, and the first Pulitzer Prizes were awarded in 1917 under the supervision of the advisory board to which he had entrusted his mandate. Pulitzer envisioned an advisory board composed principally of newspaper publishers. Others would include the president of Columbia University and scholars, and “persons of distinction who are not journalists or editors.” Today, the 19-member board is composed mainly of leading editors or news executives. Four academics also serve, including the president of Columbia University and the dean of the Columbia Graduate School of Journalism.

Also from the Pulitzer website:

What do Pulitzer Prize winners get when they win?

There are 21 Pulitzer categories. In 20 of those categories the winners receive a $10,000 cash award and a certificate. Only the winner in the Public Service category of the Journalism competition is awarded a gold medal. The Public Service prize is always awarded to a news organization, not an individual, although an individual may be named in the citation.

Selfishly, I have a deeply vested interest in the Pulitzers — as we have one in the family. It belongs to my husband, Jose R. Lopez, whose blog is here.

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On 9/11, as fighter jets screamed over Manhattan and the Twin Towers fell, Jose was a team member of talented, fast-thinking, quick-acting New York Times photographers and photo editors covering it.

They won the Pulitzer that year for breaking news photography.

Jose, then a photo editor, (and former news photographer), literally turned his basement Brooklyn apartment, (the very day he was to move in with me and everything was already packed!) into a local Times bureau — scanning and transmitting images from his computer as photographers delivered their film to him.

There was no way to physically get into Manhattan from Brooklyn in time, to reach the Times‘ building that day.

On a day of confusion and terror and trauma, the Times team stayed calm and organized. Their job — our job — always, is to witness, testify, explain, share.

That’s what we do.

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Columbia Journalism School

Do you prefer journalism or “content”?

By Caitlin Kelly

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Ooooooh, content! Aka books.

 

Good old English.

Content, with the emphasis on the second syllable, is what I used to be to work in journalism.

See also: happy, pleased, satisfied.

Today it’s about content — i.e. kawhn-tent — with the emphasis on the first syllable.

This is where I thump my cane and start shouting “Kids, get off my lawn!”

Or some similar shriek of frustration.

Truth is, of course I’m a “content provider”, in that I write words on demand to specific lengths that I sell to others for their use.

I guess it’s a nice little catch-all. Sadly, though, there’s nothing in that phrase to connote, oh you know, history, ethics, values, quality.

It’s like calling the sun a “light provider” or the ocean a “fish (and many other creatures) provider,” reducing what journalists once offered to a pile ‘o words, delivered as fast and cheaply as humanly possible.

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My story in July 2014 Cosmopolitan (U.S. edition)

I can, after decades in this field, legitimately call myself a journalist, author, writer – having worked as a staff reporter and feature writer for three major daily newspapers and on staff for several national magazines as an editor.

That, plus hundreds of freelance pieces.

But the irony of an industry in disruption is that there are now many more people working in public relations — trying to sell stuff — than there are journalists. I get pitches every single day for things I couldn’t care less about from people who clearly couldn’t care less that they’re wasting my time deleting them.

Here’s a post about the rise of “content marketing”:

Content marketing is currently “in,” and brands are finding it’s surprisingly difficult to create compelling content that actually draws in readers. So they’re opening their pocketbooks and are willing to pay for content creation, and if you’re well-positioned with some decent writing credits, you’ll find that there’s plenty of work to go around. There are several freelancer job sites popping up where brands can advertise for these positions.

Unless you’ve been living under a rock, you’ve likely noticed the news industry has struggled in recent years. Newspapers and magazines have endured thousands of layoffs and freelancers have found, in addition to facing shrinking budgets, news organizations are paying significantly less for digital stories compared to what they paid for print.

And a cheerful piece about why journalism students don’t even want to consider a job doing what the job used to mean — actual reporting.

I have several friends who teach journalism, both undergrad and graduate level, and find a scary trend — students who sit at their desks, Google and think that’s journalism. My friends have to shove them out of the building to actually look at stuff and talk to strangers, some of whom are intimidating as hell and two to three times their age.

Yes, really!

It could be funny, perhaps, if all those PR people weren’t being paid to make everything look and sound shiny.

It could be funny if the people being hired to pump this stuff out weren’t really young and utterly inexperienced, like the editor who sent me an email I literally could not understand.

This is the person being paid to edit me, two years after leaving college.

 

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Did you read my coverage of the Paris Unity March? I blogged it here. That’s journalism

Which is why places like ProPublica, (where another friend is still doing dangerous and complex international reporting work), and The Washington Post are needed more than ever — if you haven’t been reading David Farenthold’s reporting on Donald Trump’s many misuses of his charity, you need to do so before the Presidential election.

Journalists get paid, (less and less and less), to tell real stories about real people — about crime and poverty and graft and corruption and politics and the environment. The stories are often dark and depressing and often crazy-complicated and have multiple furious gatekeepers insisting: “There’s no story here!”

Which always means there’s a hell of a story to be told — if there’s a place to publish it and someone to pay us to do that.

 

Are you content being offered a steady diet of content?