This is really one of the best museum shows you will ever see anywhere — even if you’re not a fashionista.
Christian Dior, the French fashion designer who died so young at 52, and who was quickly succeeded by 21-year-old (!) Yves St. Laurent, left an indelible mark on fashion and fragrance.
I love the contrast here between the simple rope and layers of crisp tulle!
This show, which ends February 22, is a massive, gorgeous, mesmerizing tribute to Dior and all the in-house designers who followed him — Marc Bohan, Raf Simons, Maria Grazia Chiuri and John Galliano. Each brought a specific vision to their work, from the clean-cut elegance of Bohan to the riotous OMG-ness of Galliano.
The show begins with Dior’s earliest work, sober-suited dresses and coats from the 1940s, as Europe was emerging from the misery of WWII — and a fantastic tomato-red coat with deep patch pockets and a cravat-type collar is a hit of joy.
One of the many terrific elements of this show is how well it also explains and unveils some invisible design processes — like the creation, for every garment, of an initial muslin prototype, which is refined until it’s time to use and cut expensive fabrics. (If you’ve never watched the film Phantom Thread, starring Daniel Day-Lewis as a fashion British designer, it’s a great primer.)
A wall of paper sketches, each with a tiny swatch of fabric pinned to each design, helps us see how designers plotted out an entire season, as do the “inspiration books”, (which reminded me of “The Book” taken home every evening by Miranda Priestley in The Devil Wears Prada.)
There’s a wall of magazine covers, vintage and contemporary, showing how the house of Dior has stayed fresh and relevant decades later.
I’m obsessed with textiles and fabric (no idea why!) so seeing the spectacular fabrics used here — in addition to the final design — was a great joy for me, like this, by Fortuny.
I loved the gallery of photos, black and white and color, of models and celebrities wearing Dior. If you know and love Richard Avedon’s classic 1955 image, Dovima with Elephants, the dress she wore is here!
The museum’s central atrium is astounding, with dresses somehow stacked all the way to the ceiling and a dazzling light show and music, leaving you happily awestruck by so much elegance. The curators also showcase a few gowns in glass cases you can literally sit beside, soaking up every detail, like a gown with embroidered tarot cards.
There are dozens of mannequins to admire and benches to sit on for a bit to just savor it in comfort.
As you finally leave, a bit drunk on beauty, there’s a room full of the dresses worn by current celebrities at the Oscars or Golden Globes or at Cannes. I’m not really a celebrity follower but I do love fashion, so it was actually a thrill to see the exquisite pale pink gown, a sort of damask with roses, worn by Jennifer Lawrence when she won her Oscar — I remember her working hard to gracefully scoop up the enormous train to climb those steps to the stage.
And — oooooh! — Absinthe, the stunning chartreuse satin cheongsam with fur trim worn by Nicole Kidman.
I’ve never been a fan of “fast fashion” — rushing to snag some of the thousands of garments pumped out by cheap labor for mega-corporate brands like Zara and H & M. Zara, for example, releases a staggering 20,000 new designs a year, the idea to keep luring shoppers in for more, more, more merch.
Even though many retailers say they’re addressing sustainability, “the clothing that they make still doesn’t have any greater longevity,” said Elaine Ritch, a senior lecturer in marketing at Glasgow Caledonian University.
Faced with this reality, the concept of “slow fashion” has emerged over the past decade as a kind of counterbalance to fast fashion. The idea: slow down the rapid pace of clothing consumption and instead buy fewer more durable items. It’s an idea championed, for example, by the fashion blogger Cat Chiang, Natalie Live of the brand The Tiny Closet, and Emma Kidd, a doctoral researcher in Britain who launched a 10-week “fashion detox.”
They are sounding the alarm, in part, because the negative impacts of clothing extend beyond the landfill. The chemicals used in making, dyeing and treating many fabrics are so harmful that the E.P.A. regulates many textile factories as hazardous waste generators. And overall, apparel and footwear produce more than 8 percent of the global greenhouse gas emissions associated with the harmful effects of human-caused climate change.
To anyone living on a tight budget, the suggestion to buy less is risible — if you can’t afford stuff, you aren’t buying it.
But also laughable to anyone who grew up before the very idea of “fast fashion”, as I did, pre-Internet, in a country (Canada) with fewer retail choices, lower salaries and higher taxes. We just didn’t buy a lot because…who would?
I lived in Paris the year I was 25, life-changing in all the very best ways, and have returned many times since, ideally every two or three years.
French women, beyond the wealthy, are discerning and typically very selective, adding a few key items a year — not every day or week or month. Small city apartments don’t have enormous suburban dressing rooms, for one thing.
They also know that great grooming matters just as much.
Although I live near New York City, with ready access to some of the world’s fanciest stores, I often spend my clothing and accessories budget in Canada (I know where to go!) and Europe. I like the colors much better (lots of navy blue, browns and camel — American color options often glaring and weird) and the styles and, key — higher quality.
I’ve always had a sewing kit, accustomed to mending and sewing buttons back on. I’ve always used a cobbler to re-heel and re-sole shoes; I have one pair bought in 1996 still looking amazing, (OK, Fratelli Rosetti on sale.)
I don’t enjoy shopping for clothes (needing to lose a lot of weight is certainly very de-motivating in this regard) but am a sucker for great accessories: boots, earrings, shoes, scarves, a fab handbag. (My latest — which draws daily compliments everywhere — is a black woven leather handbag found in a Santa Fe consignment shop for $120, less than half the price of a store downtown.)
My beloved Birks, bought in Berlin, seen here on the streets of Rovinj, Croatia
I prefer neutral colors to prints, low or flat heels to higher ones, simple cuts to anything with frills or flounces. I shop maybe two or three times a year. I find it tiring and there’s no one to help in any meaningful way.
Recently back in my hometown of Toronto I bought a pair of boots, low, black suede; with tax, $280 Canadian ($211.00 U.S.) Yes, pricy, but with my typical intent of wearing them for at least three to five years, a lot.
This year I finally tossed out a pair of black suede flats that had seen a decade of wear.
With CPW, cost-per-wearing; the more you use an item of clothing, the more you amortize out its initial cost. A black pleated ankle length dress I bought in 2016 from Canadian brand Aritizia ($100 on sale, reduced from $150) is still an elegant, hand-washable four-season stand-by for every occasion, from a professional meeting to date night to a very elegant Toronto summer wedding reception.
Were I a wealthy woman, and lost the weight, I would — I admit — buy a few more clothes, but much nicer ones, from my favorite designers: The Row, Dries Van Noten and Etro.
Having terrific style is rarely a matter of being wealthy, but being selective and consistent.
My feet, in Birkenstocks bought in Berlin, on the cobblestones of Rovinj, Croatia
By Caitlin Kelly
Now that the U.S. Congress has its highest-ever number of elected women — yay!— The New York Times recently commissioned color portraits of each. Given the nature of politics, where everything is fodder for argument or criticism, most of the women chose safe-but-snoozy gem-toned jackets, the default option of TV reporters and anchorwomen everywhere.
Damn! I was immediately intrigued by her confidence, and wondered who voted for her as well. Those boots! That lilac-highlighted bob! That Miyake-esque dress! That muffler!
Intriguingly, she represents a wide swath of Connecticut, not a place I’d expect to elect a woman with such awesome style.
Rep. Rosa di Lauro of Connecticut; NYT photo by Elizabeth Herman or Celeste Sloman
I love personal style!
I grew up among people who did as well. My father had a growing collection of safari jackets and highly-polished leather shoes while his late wife, literally, had garment racks bulging with designer clothing. My mother owned a glossy black mink with an emerald green silk lining and a stunning collection of wigs, changing her hairstyle daily when she felt like it.
One of my Banana Republic scarves, a Ghost bias-cut dress bought in L.A., a silk floral and sequin jacket bought at an Opening Ceremony sample sale. Why are my Dad and I hysterical? It’s my wedding and all we can hear outside the church, on Toronto’s Centre Island, is cows mooing from a petting zoo nearby.
My own style? It’s tough when you’re (sigh) larger than a 10, a size most designers ring with razor wire, deeming the rest of us too fat to bother with, while I’m a size 14 to 16 trying hard to get back to a 12.
The basics of great personal style include knowing your body well enough to emphasize the better bits and draw attention away from the rest; wearing clothes that fit you properly and are comfortable without being sloppy; meticulous grooming (hair cut/color, manicures/pedicure, attractive eyewear, discreet make-up, well-polished/ironed footwear and clothing.)
I spent a year living in Paris, and visit as often as we can afford, which has taught me a lot. I don’t find nearly as much inspiration in New York and black is, indeed, our official color.
Style is less about spending a lot money and more about choosing quality cuts and fabrics, knowing what suits you best, wearing it with pride and consistency.
My style? Minimal. European.
— Knits, not too revealing. Recent finds include a Michael Kors top and matching skirt, several sweaters and dresses from Canadian retailer Aritzia.
— Scarves. Silk, wool, cashmere, cotton, Hermès to vintage. When your basics are simple, you need a hit of added color and pattern. My favorites include a violet wool muffler from J. Crew and four silk crinkled ones from Banana Republic, in cream, dark brown, pale pink and fuchsia. (visible in my new Welcome and About photos on this site.)
— Good jewelry. Lucky to have a generous husband and I haunt antique shows; I wear my tiny diamond wedding hoops almost daily. Here are a few of my most-worn rings.
l to r: wedding ring, Secrett, Toronto; vintage; new; vintage, found in Truth or Consequences, NM; new, mother-of-pearl and sterling, bought in Alexandria, VA.
— Unexpected patterns and colors. While I stick to neutrals for my main pieces, I add color and pattern in scarves, gloves, hats, shoes.
— Shopping out of the U.S. I pretty much hate most of what I see from mass-market American retailers: colors, shapes, sizing; sleeves too long, armholes cut for elephants. So, every two or three years, in Paris, I stock up, and every four to six months, in Canada, usually in Toronto and Montreal, where I know the stores. Thanks to the Internet, you’re only limited by budget and what’s available. In Canada, I like Aritizia, Ca Va de Soi, La Senza (lingerie) and Heel Boy and Brown’s, shoe stores. Were I wealthy, I’d buy almost everything from Gravity Pope, another Canadian clothing and footwear retailer. We buy scarves at Diwali in Paris on every visit.
— Occasional full-price the-hell-with-it investments. Very rare, but worth it. In December 2014 I wandered into Barney’s and found an Isabel Marant heathered navy light wool jacket in my size and a dark denim carryall with black leather handles and base. I blew $700 and don’t regret a penny, still using both and loving them. A $250 cardigan from Canadian brand Ca Va de Soi is perfect in size, shape, color and weight.
— Thrift, resale, vintage and consignment. Check out The RealReal, Vestiaire Collective and others for high-end stuff. Recent scores include a beige suede newsboy cap and a burnt orange velvet and silk muffler.
My husband is a snappy dresser, slim and able to carry off French looks with ease, like a wrapped muffler with a jacket or blazer. I follow a British professor, Nigel Cleaver, on Instagram and hope to go clothes shopping with him when we get to London later this year; his Insta handle is (!) ignoreatyourperil.
For inspiration, we read the weekend FT’s How to Spend It, which offers insanely expensive ideas, but also some cool stylish ones we can afford. I read Vogue and Porter but don’t follow anyone on Insta or any fashion bloggers.
Where do you get your personal style?
Are there people whose personal style has inspired you?
I admit it…one of my favorite Toronto stores always gets a visit
By Caitlin Kelly
Her name is all the rage, again — the Japanese expert on de-cluttering, Marie Kondo, and her motto: If something you own doesn’t spark joy, toss it!
As someone both frugal and sharing a small-ish apartment with not very many closets, this is an issue of both limited income and limited places to put things. So, typically, we don’t buy a lot of additional stuff and, routinely, take castoffs to local thrift or consignment shops or to Goodwill.
Every time I drop off at Goodwill I’m stunned by the mountains of stuff I see being donated; having lived in Mexico and visited developing countries where even the basics are considered luxuries offers me valuable perspective.
We live in a small town in suburban New York and drive everywhere, including to any store, so most weeks I only buy gas and groceries and a meal out. Maybe a nail polish or a lipstick.
I do look at lots of things on-line, but rarely succumb. I recently bought three — a lot for me! — sweaters on sale from my favorite retailer, a Canadian company called Aritizia. But my shopping sprees are so rare that my credit card company software gets alerted as a result; I use only one credit card, American Express.
I almost never buy “fast fashion”; too cheaply made, not my size or style and, most essential, environmentally ruinous.
In lean times, and even in better ones, I haunt a few favorite consignment shops, both for home goods and clothing and tend to keep things for a long time — still wearing a pair of (designer) Italian monk-straps (then new) bought in 1996.
A classic style, made of top-quality materials well cared for is a great investment as long as it still fits you well; I’m still using a down jacket I scored for $50 in 2004.
And, yes, I love new things and last summer spent (madness!) a mortgage payment on a brand-new, on-sale Tod’s suede handbag. I had just gotten a breast cancer diagnosis and it was my birthday and I said the hell with it! (Our mortgage is not that big.)
I recently read that Americans throw away (!) 81 pounds of clothing a year.
This is insane.
So it’s a challenge, especially as I do treasure lovely things and adore fashion and really love to look stylish. I shop like a Frenchwoman, buying only a few items each season, being very thoughtful about each. I stick to neutrals — black, gray, cream, brown, navy — and add fun with my accessories.
For our home, we buy, similarly, the best quality we can find, and keep using it for decades, like our Wedgwood white daily china and the heavy crystal goblets we bought at an antique show.
I confess to two layers of boxes in the garage about six feet high and a small storage locker, holding a mix of luggage, out-of-season clothing, sports equipment and professional needs like photography lights and books.
To avoid acquiring objects I:
1) buy the most expensive possible, which limits it!
2) regularly toss out anything we’re not using.
3) focus on enjoying experiences — travel, museums, concerts, meals, nature — more than things.
Even some shoe soles are stylish! A brand called Freelance
The second you arrive in Paris — unless you’re already stylish, small and thin — you can feel like a Stegosaurus among orchids.
It’s a cliche but a true one — French men and women often dress, and design their interiors — with a terrific sense of style, and one I find endlessly interesting and inspiring.
French clothing colors are quite different from those offered in North America, especially in the U.S., where garish primaries and brilliant pinks and turquoises predominate, especially in summer.
A French red is a soft tomato-red, not a cold blue-red, their orange slightly dusty, their yellow a soft mustard. Green is a deep emerald or teal, or a soft, pale mint, maybe even a strong chartreuse. You’ll find many more neutrals — gray, cream, beige — than in the U.S. Also, lots of great browns and rust tones, like the rich russet red of cinnamon and a lovely pale peach, the color of ballet pointe shoes.
On the streets, (where in New York you see a lot of black), you’ll see instead a dozen shades of blue.
I love their combinations, in scarves, shoes, clothing and interior fabrics: mustard/gray; navy blue/soft pink; red/gray; olive/burgundy. Clothing is often displayed by color, making it easier to find what you want, or to match outfits.
Much less popular, in general. Men and women both wear prints, but usually on a scarf or a very small-scale design shirt or blouse.
You might not be a scarf person — but men and women of all ages here wear fantastic scarves year-round, whether of wool, cotton, linen or silk. Most are long and narrow, like a muffler, and add a note of stylish confidence. Incredible selection everywhere, and at all price points.
Even grocery carts are chic!
Since so many American women are large — the average U.S. women’s size being a 14, (maybe a size 6 to 8 in Paris) — almost everything for sale in the States hits below the hip to disguise bulk.
Not in Paris! T’s, jackets and blouses are all cropped shorter. French armholes are also cut higher and closer to the armpit, with narrower sleeves, making for a much cleaner line, but also challenging-impossible for those with larger upper arms. Even a size Large to Extra Large can be a lot smaller than you need.
Tall men with broad shoulders may find French clothing less accommodating as well.
I have seen larger sizes for women, but at high price points — usually $200-400 for a stylish blouse or dress, found in a few indie boutiques.
Fit matters here. You won’t see baggy-assed trousers or pleated khakis on men or women, nor pants that need shortening. Attention to detail is a key element of how Frenchmen and women present themselves in public.
Available in every conceivable color and material — from black raffia to pale pink iridescent patent leather to metallic green kidskin with a parrot on top. A jazz shoe — soft-soled, laced — is a perennial favorite, in all colors and finishes, as are loafers. You won’t see many high heels, impractical on cobbled streets.
No matter how simple her outfit, a stylish French woman chooses an interesting shoe.
There are lots of great choices for men, with a flat-soled leather or or suede boot a popular option. The Marais, long a gay neighborhood, offers fantastic options for men, and BHV Homme is an entire department store just for men.
So many bags! While some tourists drop thousands on a Big Name Designer bag like Chanel or Hermes, there are many other stylish and less-expensive options, whether a classic French maker like Lancel, Le Tanneur or Longchamps to something more fun and funky.
A great cut and lively color are de rigueur.
I lovelovelove shopping for our home here; on this trip I bought everything from napkins to bathmats to a throw for the bed, even a comforter.
I find the colors and textures so alluring, with bed linens — sometimes made of linen — offered in every color of the rainbow. If you love beautiful objects and home goods, set aside time to browse department stores BHV and (higher-end) Le Bon Marché.
Small, light packable items like salt and pepper grinders, aprons, napkins and small trays make gorgeous gifts and souvenirs.
Both of these stores have excellent cafés and if you spend more than 175 euros in one day, be sure to claim your détaxe — the 12% value-added-tax — at the store’s designated desk.You must take your passport.
For those with the budget and enough time, ($150/meter and up), you can also visit the showrooms of the Rue du Mail (as I did), a street lined with high-end interior fabric for sale, like Pierre Frey, and order some for your home. They need at least three or four days’ notice, (not including a weekend) and it allows you to bypass the annoying American gatekeeper system, where you can only buy such fabrics through a designer.
Every time I visit Paris, I stop in, and am still wearing and loving several garments I bought there many years ago — and I’m a size 12 to 14, so you don’t have to be tiny. Great selection of shoes, scarves, dresses and blouses. In June, sales start and her lovely winter coats were half-off for about $200.
It’s huge! A terrific cafe sits on the top floor, offering splendid views of the surrounding area. You’ll find clothing, shoes, home goods, luggage, make-up and perfume. Check out their throw pillows and comforters; (you can always mail them home.) Their stationery and crafts section is amazing — with lots of very good art supplies.
This high-end department store, founded in 1838 in a quiet, mostly residential neighborhood, offers a very beautiful physical space to shop in — spacious and full of natural light. Lovely tea room and an amazing food hall!
On the Rue du Pont Louis-Philippe, one of three very good paper stores all beside one another. Paper for writing letters, framing, lampshades or wrapping; also notebooks and gorgeous cardboard folders.
This chain of stores is a must if you like scarves as much as I do, in silk, cotton and wool. Their crinkled one-color scarves are well-priced at about $20, and adding one or several to your outfit, men and women, adds a pop of Parisian panache.
First admission — we brought with us an empty duffel bag to contain our purchases, which cost us an additional 70 euros overweight charges (about $85.)
But my suitcase came in five kilos below the weight limit on our way to Ireland for three weeks’ holiday while Jose’s came in .7 kilos over, thanks to a lot of heavy camera equipment. (He is a professional photographer, after all.)
When I travel, and knowing everyone has their own style, I prefer to dress well when in European cities, (and all cities, really.)
I hate “looking like a tourist” — I saw many women my age wearing T-shirts, thick-soled running shoes and hiking clothing in a stylish urban place. Because I work alone at home in sloppy casual clothing anyway, travel offers me a nice chance to dress up. So, when in town in Dublin, I wore skirts or dresses and flat shoes. I didn’t pack a rain jacket (I find them clammy) and knew I could buy one there if I needed it — we enjoyed the driest Dublin June in 40 years!
I also would come back to our hotel sweaty and tired after a day’s exploring, so always wanted to change into fresh, clean clothing for dinner.
Jose typically wore dress shirts and khakis or nice jeans, with a great pair of Vans denim sneakers or, in the country, hiking boots. He also brought a lightweight navy blue blazer for dinners out and brought two ties.
In the country, I wore yoga pants and long-sleeved T-shirts and sneakers.
Before we left, I scored some great clothing at the Canadian store Aritizia, whose clothes are affordable, stylish, simple, comfortable and washable, perfect for travel.
three dresses (here’s one of them, although mine is a deep burgundy, which I had shipped to NY from their Chicago store)
five cotton long-sleeved T-shirts (could have done with three)
a warm fleece (Patagonia)
one short-sleeved cotton T (for working out or hiking)
one dressy black T shirt
one black duster (long jacket)
one pair of flat sandals, one pair of light mesh sneakers (Merrells), two pair of black leather flats
bathing suit (unused!)
a small portable umbrella
a pair of leggings (worn for hiking, relaxing, golf)
two pair of yoga pants (dark gray, dark brown), worn as trousers
three light sweaters, (one cardigan would have been enough)
two purses, one dressy, one casual
two necklaces and other jewelry
five scarves (very well used!)
Binoculars, a headlamp (for reading in bed) and a very tiny pocketknife (which cut a lemon into slices for our in-room end-of-day gin & tonics!) I also brought a small sketchbook, pocket-sized watercolor kit, colored pencils, several brushes and a pencil.
Depending on your budget and sense of style, I love almost everything from this American, woman-owned company, Title Nine (nope, I get nothing for saying so), from great sports bras to bathing suits to sneakers to casual/comfortable/stylish skirts and dresses perfect for summer travel.
Because I’m a voracious reader, some unread Irish and UK newspapers and magazines, (lots of story ideas in there!), guidebooks, maps.
In Dublin, on sale, Jose scored two gorgeous blazers and two shirts; in Ardara, a thick wool turtleneck sweater. We bought two copies of a book illustrated by artist Pete Hogan — whose watercolor work we admired hanging from the fence around Merrion Square one afternoon. We had a great conversation with him and he allowed me to photograph his paintbox.
I bought little in Ireland, which is unusual for me (and I did hit the sales!): a pair of olive suede sneakers, (84 euros, made in Portugal), several books, five antique forks and an antique Indian bag and a purple wool sweater for a fat five euros at the flea market.
I also bought, (yes, weirdly), a pile of great/affordable lingerie at Brown Thomas, Dublin’s poshest department store and at Marks & Spencer. Much nicer quality and lower prices than here in New York!
This was a journey documented with many photos, some of which you’ve seen here, and memories and new and renewed friendships. Ireland has many very beautiful objects for sale — from wool scarves, hats, sweaters and throws to ceramics, glass and porcelain.
Getting in and out of these three cities, and around them while staying there, can feel overwhelming. It’s not. Download whatever apps work best for you (I am not an apps person!) or, as I do, grab a few really good maps, including separate maps of the bus and subway systems. Study them in bright light at your leisure — i.e. not in the dark/wind/rain when you look like a gormless tourist inviting thieves to snatch your purse, backback, phone or suitcase.
In London and Paris, the lines have names; in Paris for the final destination, and in Paris they also have numbers. In NYC, they have numbers or letters — the L, the Q, the 4. The problem with NYC? Sometimes they go express and you’ll have to get out before the stop you had planned.
I was heartened in Paris and London to see sliding glass panels at some station platforms that open in concert with the train’s doors — which prevent the horror of suicide or homicide. In NYC, which has nothing so civilized, be careful.I can’t say this too strongly; people have been shoved onto the tracks and killed by mentally-ill people standing near them. Stand as far back as possible from the platform edge and be aware of who is near you.
Cabs cost a fortune in London, less so in Paris and are not terrible in New York. In NYC, you’ll see bright green cabs — they won’t stop for you if you’re in Manhattan as they are designated for the outer boroughs. You’ll also go crazy around 4:30 p.m. trying to hail a cab as that’s the time of shift change and many are racing to the garage.
Take the bus whenever possible. You’ll see so much more of the city and start to understand its geography. Buy a weekly transit pass in each city to save money and speed you up; in New York, you slide your Metrocard to enter the subway, dip it when entering a bus.
Remember that others work there and are weary/late/in a hurry. Don’t hog seats/space with your bags and packpack!
When walking do not, ever, walk slooooooooowly and in a large pack of bodies that spans the width of the sidewalk. It’s rude, dangerous and obstructive. Nor should you abruptly stop dead in the middle of the sidewalk or stairs or the entrance to the subway. We’re in a hurry, dammit!
It’s too easy to assume your default setting of hotel/Air BnB/couchsurfing. How about house or apartment-sitting? A home exchange?
As I blogged here earlier, I spent my three Paris weeks in two people’s homes, both of them professional photographers and photo editors, (hence, great taste!) It was so much more relaxing for me to lounge away my mornings at the kitchen table or dining table, reading the paper or a book. I was able to spread my stuff out, do laundry, cook my own meals — and listen to music as loudly as seemed prudent.
In short, I felt truly at home in a foreign city. I loved food shopping, coming home with my baguette and gooey hunk of Reblochon (cheese) and some fresh figs for breakfast. I bought several sorts of loose tea and enjoyed it as well.
Unless I can afford a really lovely hotel, I’d rather rent a place.
A whole set of blog posts on its own!
If you love antiques as much as I do, you’ll quickly suss out the best vintage stores and flea markets in these three cities; in Paris, I scored a gorgeous fedora and 80s earrings at Eponyme in the 11th and was deeply disappointed by the sky-high prices at the flea market at Clignancourt. In Manhattan, check out the East Village — East 7th and East 9th — for lots of vintage and some great indie shops; I just discovered Haberdashery on East 9th. Heaven! It has one of the best-edited collections of serious vintage I’ve ever seen.
All three cities offer boatloads of style from smart, savvy retailers, whether the fabric department in London at Liberty (swoon) or the jewelry in Manhattan at Barney’s (bring a Brinks truck full of money.) Pick a cool/chic neighborhood and spend a leisurely afternoon exploring it, whether Williamsburg in Brooklyn, Marylebone High Street in London or the 6th or Marais in Paris.
Don’t forget — you can, (as I did twice on that trip) — box and ship home your new things from the local post office or a bunch of your less-needed clothes/shoes to make room/reduce weight in your suitcase; mine weighed just one pound below the limit when I returned!
These are three of the world’s most stylish cities. Sure you can schlub around in baggy pants and white sneakers and bright pink nylon, but you might as well wave a flag shouting “Tourist!”
Many of their residents take serious pride and pleasure in how they present themselves, whether the hipsters of Willamsburg or the Sloanies of London. In NYC, assume that wearing black makes for good native camouflage; women favor a good, fresh manicure (easily acquired in many affordable nail salons), and haircut, with polish in cool dark non-frosted shades or pale.
Parisian women, and men, are justifiably known for their style and it’s easy enough to fit in if that’s fun for you. Women rarely wear prints or leggings and many sport truly eye-catching accessories — an unusual hat, a terrific muffler, interesting shoes. I rarely saw anyone wearing high heels; cobblestone streets chew them up. Many men, of all ages, also wear mufflers or scarves to add a dash of color and texture. Look for unusual color combinations and flashes of wit — a lavender sock, a tangerine pair of gloves.
London men, especially, dress with care: narrow-toe, highly-polished leather shoes, narrow trousers, a great briefcase. Women dress more eccentrically and playfully there than in Paris or New York — all black in London and Paris just feels sad and lacks imagination, while the pom-pom-studded skirt I saw on the Tube in London would raise dubious eyebrows in much of New York.
Bring an umbrella to all three cities! In a month, (late December to late January), I faced a frigid low of 33 F to a high of almost 50. London was more humid. A small umbrella, (with a sealable Ziploc bag for when it’s soaked and you need to tuck it into your bag or backpack), is a must.
To stay warm, I’m a big fan of cashmere, even socks, mitts, scarf and/or hat. Light and silky, it’s super-warm but not bulky. Add a thin layer of polypro or silk beneath your clothes on the bitterest of days. Woolen tights aren’t easy to find in the U.S. but also make a big difference.
Eating and drinking
London will bankrupt you! I have little great advice other than…expect it and bring money. I save hard for my vacations and refuse to make myself miserable, so I mix up splurges, (a cup of tea at the Ritz in London [not the full tea!] for about $10) and a cocktail in their gob-smacking gorgeous bar for $30), with a quick cheap sandwich for lunch.
Keep in mind that museums and art galleries often have excellent dining facilities; I loved my lunch at Tate Modern,
Paris restaurants typically offer a plat du jour, always less costly than dinner. For about $15 to $20, you can enjoy a hot meal of two or even three courses. Wine can be a little as five euros a glass — about $7. Enjoy!
New York City has a terrifically wide array of options, from the hautest of elegant bars and restaurants to the usual national chains like Olive Garden, Friday’s, etc. The city excels at diners, old-school, all-service restaurants whose enormous laminated menus go on for pages. Few things make me as happy as settling in at the battered Formica counter, (look for a shelf or a hook beneath it to hang your purse or pack so no one can grab it and run), and eating there. Try Neil’s, at 70th and Lexington, or Veselka, on the Lower East Side, in business since 1954.
Whatever you do, flee midtown: boring, crowded, filled with tourists.
When you’re a visitor with limited time, it’s tempting to rush around all day and forget how tired, hungry and thirsty you’ll end up. Allow for a two-hour lunch or a glass of wine or an espresso sitting outdoors in a Paris cafe — which has heaters for the winter. Slow down.
And do not keeping staring into your bloody phone. Just….be there.
Read about your city!
These might be histories, or fiction or guidebooks. I always take my London A-Z, (a highly detailed set of maps), and my Plan de Paris, (ditto), both of which are small and slide into a pocket or purse easily.
There are, of course, dozens of great blogs written by savvy, stylish people living in each of these cities whose posts will be timely and give you all sorts of fun ideas; I like Small Dog Syndrome for London and Juliet in Paris (whose August 2014 posts about London were super-helpful and detailed.)
Pick up the local newspapers; in New York, compare the New York Times, New York Post and New York Daily News to get a real picture of this city’s diversity; in London, the Guardian, Times and Daily Mail; in Paris (if you read French), Le Monde, and Liberation. The letters to the editor, alone, offer some serious insights into what people all around you are thinking and care most about.
Yes, you can read online but don’t. Go old-school and savor it.
Gives you something to tuck under your arm, and look like you belong!
I arrived in Paris on December 20 with 30 days ahead of pleasure and business, spent in two of the world’s most stylish cities, including festivities like Christmas and New Year’s. I live near New York City, so already have a big city wardrobe with a lot of black, which I knew, from previous visits, would work just fine in Paris.
But which clothes for comfort and style?
For temperatures ranging from near 50 to a frigid 33?
For business meetings in London and long afternoons walking Paris streets?
To fit into local norms?
To be comfortable out walking for hours?
I chose very few colors: black, cream, white, scarlet, purple.
My weapon of choice…
I see you eye-rolling at its cost, but cashmere can be found on sale, in thrift, consignment and vintage shops. It costs more than wool every time, but it lasts. It has the supreme value of being really, really warm but also light (i.e. not bulky) and, oh yeah, elegant.
So I brought a black cashmere T-shirt dress that hits mid-calf. The damn thing is, literally, 20 years old, and I have to keep sewing up little holes in it. But it’s the best investment I’ve ever made. A garnet-colored long-ish cashmere cardigan and a black cashmere turtle-neck.
I’m deeply regretting leaving behind several more cashmere turtleneck sweaters, (but whose colors didn’t fit the bill.)
My coat, (and I debated long and hard about the wisdom of this choice), is a black wool sweater-coat that I pin closed. Even at 33 degrees — which is damn cold! — I’ve been fine, wearing layers beneath it, a wool shawl, a wool hat and wool or lined suede gloves. I can shuck it off easily when on the Metro or stuff it into my carryall. It’s stylish, comfortable and adapts easily to any layers beneath it. (My other options were too bright and/or bulky.)
Also, two nylon T-shirts (warm but not bulky), one pair of black leggings.
Three skirts, black, scarlet and a dressier DVF one with those colors in it. Stockings in black, purple and scarlet. A black H & M cotton dress. Several pairs of comfy/warm yoga pants and a cotton sweatshirt for lounging and sleeping in. Two pretty caftans for when I’m a houseguest visiting friends in London.
Two pairs of shoes and one pair of boots, all black, all low-heeled, all comfortable and tested before I left home. I’ve been walking all day here, on wet cobblestones and pounding the Metro stairs, all good.
I did pack (hah) a set of clothes for working out, and very light gym shoes. Unused, so far!
My one concession to dressy is a very thin print silk jacket I’ll wear over my black cotton dress, add purple stocking stockings and a devore brown velvet scarf, nice for New Year’s dinner here in a restaurant.
I did laundry in the laundromat across the street — Charlie Chaplin-esque! Washing only one washer full cost eight euros, (about $12), so I skipped the additional cost of drying and used the clothes dryer, (the non-electric kind that is a rack across which you lay or hang all your clothes), in our borrowed flat.
There are sales only twice a year in Paris, in January and June. They start January 7 and I’m back here January 11 ready to run for it! I’ve already mapped out some of my targets.
French women do dress differently than Americans — a lesson I learned at 25 when I lived here for a year. They generally buy many fewer items than Americans do, take good care of them and keep them for many years.
I’ve been checking out some of my favorite shops already and you can have anything you want, as long as it’s made in black, white, camel or navy. You see, at least in better stores, few prints or clothing made badly of cheap fabric. So you buy less, spend a bit more and love it.
I also love the colors you find here that are much more difficult to find in the U.S. — navy blue, a soft neutral peach, deep emerald green and every possible shade of gray.
One of the other things that makes a long trip easier is how many shoe-repair shops line the streets here! Our NY town of 10,000 lost its only cobbler a few years ago necessitating a 10-minute drive to another town — here in the 7th arrondissement, an upscale neighborhood, there are four cobblers within a five-minute walk of this apartment.
Dry-cleaning is expensive here (which I knew) so I’m hand-washing anything delicate.
It’s been an interesting reminder how few clothes you really need and how many ways you can combine them to make a cool look.
A few wardrobe items worth buying here:
— Jewelry, especially costume. The French make amazing costume jewelry! I’m still wearing and loving pieces I bought here 20 years ago. Look for bold, unusual pieces. A trip to les puces, the flea market, (esp. Vernaison) at Porte de Clignancourt, offers fantastic options.
— Underwear. If you’re small enough! There are gorgeous colors on offer, and look for chains like Princesse Tam Tam. Much prettier than that old American standby, Victoria’s Secret. I’ve seen the most gorgeous jewel-toned lacy silks ev-uh!
— Vintage. If you’re a label-girl, you’ll find plenty of Hermes, Chanel, Issey Miyake, etc. Just bring a sack full of cash.
— Scarves. My weakness! I passed up a terrific wool piece with maps of the Megeve ski slopes at the flea market, but scored two pretty ones (so far) for $15 and $20 each.
— Shoes. I’m forever fascinated by what stylish Frenchwomen wear on their feet. My favorite pair so far this trip? Petrol green patent oxfords. You don’t see many women tottering along on stilettos, so you’ll find plenty of cool, stylish flat or low-heeled options. (I’ve got my eye on a fab pair of pony-fur desert boots.)
Sometimes work is sheer drudgery, the thing we can’t wait to flee at day’s, week’s or career’s end.
But sometimes, when we’re lucky, it’s pure joy.
A young friend of mine is traveling throughout SouthEast Asia for three months leading tours and photographing it all. She — yes, really! — fell off an elephant, and into the Mekong River in Laos recently. I awoke in suburban New York to her panicked email from the other side of world asking for my husband’s email; (he’s her mentor and a photographer.)
This week I covered three, all held in New York City, where I live — (and my feet are sore!) — interviewing their organizers and some of their many vendors.
The first show, Premiere Vision, brings together 300+ textile, lace, button and zipper manufacturers to meet the people who need their goods to make the clothes we will buy in a year from places like Marc Jacobs or Diesel or Tommy Hilfiger.
However unlikely, I spent 45 minutes at another show discussing…pockets.
As in: the fabric used to line pockets, specifically of jeans and jackets. I loved this pair of shorts, showing how creatively one can use these fabrics.
At PV, there’s a whole section of people selling their designs, some of which I now realize adorn my workout clothing — for $500 or $700 you buy their design outright and can use it in whatever way suits your needs. Another few vendors sell scraps of vintage wallpaper and fabric that end up used for pillows by Crate & Barrel and other major retailers.
As someone obsessed with textiles and a student of design, this is the most paid fun imaginable — getting to see and touch gorgeous fabrics, meet smart, cool designers and see how it all comes together.
Occasionally, I review a week in the life of a full-time writer, me.
That’s a whole week ago, so I can barely remember. Finished up a fact-checking job for another writer, someone I’ve never met who lives in Florida, whose book is a series of brief biographies. A story I’d written for the Wall Street Journal — whose income, as always, I rely on — was abruptly killed, an overnight loss of $600. Shit.
In an online members-only writers’ forum, I saw the plea for fact-checking help and, for $25/hour, jumped in. I made up $500 of that lost $600 with a week’s phoning, emailing and on-line research, even though I’d never fact-checked before. Much of my work now means jumping, without hesitation or fear, into media and projects I have zero experience with.
But now I have to let all the people I interviewed for the WSJ piece know they’re not going to get the mention they had hoped for. One of the problems of writing for a living that’s rarely discussed publicly is managing your sources, without whom you have nothing to write about. I hate wasting people’s time and now have to share this disappointing news with them. I fear it make me look incompetent, when a killed story happens maybe 1% of the time.
Off to cover a trade show in Manhattan, at the (ugh) Javits Center, the massive conference center at the western edge of the city. I hate Javits! This is the third year in a row I’ve attended the National Retail Federation’s Big Show, an annual event that brings every possible vendor of anything interesting to a retailer — scanners, training programs, scheduling software, PLM (product life management) software. It’s basically an annual arms race, in which one or several Big Box retailers adopts a specific system, the vendor touts their win, and competitors think “Hmmmm, maybe we need this as well.”
The center is so huge that even walking to the bathroom or coat check is a hike; one vendor wearing a pedometer tells me she walked 10 miles there in one day.
I run around the place interviewing the eight people I’ve been asked to meet. Some use acronyms I’ve never heard — PLM, RFID — and I’m dancing as fast as I can. RFID turns out to be, (to me anyway), fascinating, radio frequency identification, which embeds every paper clothing tag with a device that can be read from a distance without opening a box to check inventory. (OK, I guess I’m a systems geek.)
Having worked retail for 2.5 years as an associate for The North Face — the subject of my book, “Malled: My Unintentional Career in Retail” — and having to slash open huge boxes of clothing with a box cutter, (talk about inefficient and dangerous), I’m really intrigued by this efficient new system. But it’s expensive — 7 to 8 cents per tag — and I realize how much cost our clothing prices include that we never see or know about.
I leave Javits at 4:00 pm, into pouring rain. Of course, there are no cabs at the taxi rank and a long line of miserable people waiting. My feet are killing, me but I hoof it another four long, wet blocks to the bus stop to catch the crosstown bus to Grand Central to catch the train home.
So excited! Today I’m attending another trade show in the city, for the same editor, someone in a distant state I’ve also never met, (typical of my worklife). This show is a lot smaller, and a lot more fun, a combination of textile manufacturers and designers whose own paintings and digital prints designers buy, then use in their own collections. Glam-looking professionals, all in chic bits of black, cluster on the sidewalk clutching their coffees, waiting for the doors to open at 9:00 a.m.
Two dozen of us watch an hour-long video of spring/summer 2015 trends: pale colors, lots of mesh, netting, lace and transparent fabrics. Neon is out, kids! I run around the show until 5:00 interviewing the people on my list. Many are French, so I speak the most French I have in ages, which I love. I see spectacularly beautiful silk, lace, wool, mesh and satins and recognize the names of some Very Big fashion labels on the buyers selecting their choices. One designer of amazing patterns, which you can buy, own and use exclusively for $625, tells me that one of my favorite women’s activewear companies uses many of his designs.
I’ll never look at a piece of clothing quite the same way again. This is why journalism is so addictive. In one day, I’ve enjoyed: meeting a pile of highly creative people; gotten to use my language skills; learned a great deal about this industry and made some useful new contacts for future stories and projects. What’s not to like?
Time to bang out two 1,000-word stories, due this evening to my editor in California. No pressure!
I also call and email editors whose payments to me — as is now typical — have not arrived, even weeks later. While 30 days is normal, the pace of my production is much faster now, and waiting for a month for something I have to bang out within a day or two seems ridiculous. At this point, I have pennies in my bank account, bills are due and I have to start using my line of credit. (I have significant retirement savings and another emergency fund with six months’ expenses, but a short-term cash flow issue is not, in my mind, an emergency. I keep those funds in case, God forbid, I simply can’t work at all for a period of time, to be able to keep contributing the amount my husband relies on every month for our expenses and savings.)
A freelancer who can’t pay their bills on time is someone whose business, health and reputation are at risk. I’ve had a bank line of credit — $16,000 worth — for more than a decade. When I call and email editors, my tone needs to be breezy, relaxed, happy, not someone desperate for any assignment. (Even if it might be true!)
I email and call half a dozen editors, print and on-line, to check on the progress of my pitches to them. A pitch I’ve sent to one Marie Claire editor comes back, suggesting another editor there, and possibly a better fit for a competing magazine. I try the second MC editor and decide to give it a week before trying the competitor.
Exhausted. Between writing, blogging, tweeting and FB, I feel like my eyes are going to melt. I should jump at once into my next story, a long personal essay for Good Housekeeping, but I desperately need a day to myself and off the damn computer. I’m also physically spent from two crazy days of walking and non-stop interviewing.
I have an eye exam and discover — which I knew — I finally need reading glasses. The optometrist is a woman my age who tells me I’ve dodged that bullet a decade longer than most.
I get an email, out of the blue, from a source in California I’d interviewed last year for my (unsold) book proposal, asking me (!) to possibly speak at their annual conference. I give her an idea what that will cost and hope it will come through. I enjoy public speaking and it’s the easiest money I now earn.
I drive to Greenwich, a super-wealthy Connecticut town about 20 minutes east of us, to pick up a gallon of my favorite, spendy, British-made paint, Farrow & Ball. We’re having a new contact over for dinner — someone who might (!) send me on a very cool research trip for her organization — so we want the apartment spotless. I splurge on some gorgeous fresh flowers, white nerines, orange tulips and some greenery, and pick up the food for the dinner. I’d hoped to make filet mignon but at $29/lb. (!!!!) choose pork chops instead.
The show is fairly large, and the images — of immigrants arriving at Ellis Island in 1905, of child labor in 1915, of African Americans in the 1920s — are powerful, some of them very familiar. A former schoolteacher, Hine became the pre-eminent photographer of his era, capturing slices of life that were damning and which prompted social change. Yet he died broke and unknown.
I wonder what impels us to do the work we do, to care as deeply as we do, if this is to be our inglorious end.
Our dinner is a lot of fun; our guests have lived and worked in Europe, the U.S. and Africa, so we have lots of stories to share, from the White House (my husband was a NYT photographer there for 8 years) to Rwanda.
Pooped! A day to sleep, recharge, catch up with my husband, himself a busy, tired NYT photo editor, and read four newspapers — the WSJ, two days of the NYT and the weekend Financial Times.
I bang out this blog post, trying not to freak out about the coming week: bills due, no checks (yet) and a 2,000 word piece due on Thursday I haven’t had a minute to start work on.