The best day of the year

By Caitlin Kelly

It happened this week, as it has now for several years.

It’s when one specific check, (or cheque, as Canadians and Britons spell it), arrives. It’s a payment from a cultural agency of the Canadian government, an annual payment from the Public Lending Rights program.

There are 30 of these programs worldwide, but only one in the Americas, so I’m fortunate to be Canadian and to be a participant — it’s a royalty system that pays people who have created books now held in public libraries.

I had never heard of it when I lived in Canada and only learned of it thanks to meeting a man whose wife was enrolled in it.

If you have published a book, or several, that meets its requirements, and have registered it, and it is held by public libraries, you’re eligible.

It is open not only to writers, but to photographers, illustrators, editors and — crucial to a nation that is officially bilingual (English, French) — translators.

I’ve published two books — both about life in the United States, albeit through the eyes of a Canadian — and both are still receiving this payment.

 

BLOWN AWAY COVER
My first book, published in 2004. As someone who grew up with no exposure to guns, I was deeply intrigued by this most American of obsesssions

 

malled cover HIGH
My second book, published in 2011

 

Last year I got $452, and this year $507.50 — love that 50 cents!

To determine who gets how much, the program samples seven library systems in French and English — that might be a major city like Toronto (my hometown, whose libraries bought multiple copies of Malled), or a collection of smaller ones across a province or territory.

If your book has been registered for 0 to five years, the payment rate is $50.75 for each hit (i.e. it is still in those library systems), dropping each year to $25.38 for those held 16 to 25 years.

It may seem a pittance, but it means the world to me because it means my work still has readers.

The lowest amount one can receive is $50 and the most — even if you have 20 books in circulation — is $3,552.50

The PLR has 17,000 registered and a budget of about $10 million; every year there are 800 new registrants and more than 5,000 titles added.

The check arrived with a charming letter from its chairman, his closing sentence: “I leave you with my best wishes for another productive year of creation.”

 

I so appreciate that my government supports the arts in this way!