Having now seen it so many times that I can recite its dialogue by heart, I still stan for this movie, made in 2006 for a relatively small $35 million— it’s since grossed $327 million — no doubt aided by the fact it’s shown so often on various cable channels and fangirls like me keep tuning in again.
I love seeing two of my favorite cities featured — New York (mostly the towers of midtown) and Paris.
The final scene grabs my heart every time as, in the background of that final shot, are the offices of Simon & Schuster, which publishes Pocket Books, which published my first book. I will never ever forget the joy and pride I felt crossing that same intersection clutching the galley, (unpublished final version.)
And, now that so many magazines are gone or have shuttered their print versions and slashed their budgets, it’s also a nostalgic vision of how glitzy and glamorous life often was (and still is for a few) at a Big Name fashion magazine.
The soundtrack is fantastic as well, pushing Scottish songwriter and singer K.T. Tunstall into much wider prominence with her songs, like Suddenly I See, absolutely the perfect fit for this film.
Starring Anne Hathaway as Andrea Sachs, an initially gormless-but-ambitious young journalist, (and based on the true-life story of Vogue assistant to its editor Anna Wintour) and Meryl Streep as her voracious boss, Miranda Priestley, it’s a fun film that also offers some helpful lessons:
Never show up to a job interview with no idea who you’re talking to
Never show up to a job interview looking like an unmade bed
Your friends can be a terrific support group — or whiny and negative. Choose wisely
Ditto for your boyfriend/girlfriend/partner/spouse
Yes, your first job out of college may feel “beneath you” but it’s meant to sharpen all sorts of skills, from time management to EQ to how to read a room
Yes, for a while, your personal life may suffer. You shouldn’t do it forever, but some jobs and industries offer a weeding-out: only the truly determined survive.
If your boss is extremely demanding, what else did you expect?
Alliances matter — the only way Andy gets her hands on an unpublished manuscript quickly is knowing someone with access, and being willing to make the ask
If you want to make it in New York City journalism, you’d better bring your A-game!
Empathy matters, whether for your boss, your coworkers, your friends, your sweetie
My father made films for a living, mostly documentaries, and won the Palme D’Or at Cannes for one; here’s his Wikipedia entry. So maybe my addiction to film comes honestly! In a typical week, I watch probably two or three films, whether a classic on TCM, something on HBO or go to a theater to happily sit in the dark.
My tastes don’t include horror or a lot of comedies. For reasons I can’t explain, I love films about spies and spycraft.
An amazing cast — George Clooney and Matt Damon, two favorites — and a twisted tale of government malfeasance in the MidEast. Clooney won the Oscar for Best Supporting Actor. Filmed in Iran, Texas, Switzerland, Lebanon, Spain and D.C. (this kind of multi-national location shooting seems to be a theme of my favorites!) They used 200 locations on four continents. It also feels, right now, terribly timely in light of terrible Saudi behavior — and American complicity in it.
Clooney again! This time, corporate malfeasance. (Hmm, I see a theme.) Also in the cast is the phenomenal British actor Tom Wilkinson , playing a corporate executive whose conscience over a highly dangerous and profitable agro-chemical lands him in the wrong hands. The fantastic British actress Tilda Swinton plays the firm’s smarmy lawyer — the final scene, shot in a midtown Manhattan hotel — is one of my favorites. She won the Oscar for Best Supporting Actress and it’s well deserved. Clooney, badly shaven and hollow-eyed, plays a “fixer”, a lawyer assigned to clean up the firm’s messy cases. It made many critics’ list of the year’s top ten films.
Of course! If you’ve never seen this classic, a gorgeous black-and-white film with some of the all-time great lines — you must! Ingmar Bergman and Humphrey Bogart star; she as a European refugee fleeing war-torn Europe and he as a tough-talking American bar owner in that Moroccan city.
I must have watched this Stanley Kubrick film 20 times since I first saw it as a young girl. To my eyes, it hasn’t dated at all — even the subtlest details of what space travel might look and sound like having come to fruition now or some variation of same. The soundtrack, the special effects, the costumes and the ending which still puzzles so many. Its esthetic deeply affected many later films.
OK, OK. Schlocky, I know. But ohhhh, so much action and so many crazy chase and fight scenes from Berlin to Tangier to Paris and such a lonely hero, played in every version but one by Matt Damon (later Jeremy Renner.) I’ve seen every one of these so many times I know them off by heart but still enjoy them. I also love how he never does anything vaguely normal — like laundry or groceries. There are five in the series.
If you love magazines and fashion as much as I do — let alone a film (based on a true story about being the assistant to Vogue editor Anna Wintour), about an ambitious New York City female journalist — this is the one for you. I know the dialogue by heart but still enjoy it: the designer clothes, her insanely demanding boss, Miranda Priestly, and a great scene with Stanley Tucci that sums up what it really takes. Made for $35 million, it’s since grossed 10 times that in revenues.
Another film about journalism, this one winning the Academy Award for Best Picture. Also based on a true story, this recreates the teamwork it took at the Boston Globe to expose horrific sexual abuse by priests in the Catholic church. I love Rachel McAdams, a fellow Canadian, as reporter Sacha Pfeiffer — it’s one of the few films ever made that really shows what shoe-leather reporting is: all those interviews, all that door-knocking, all those documents to read.
It’s a boys’ club at the Washington Post — but what a club! This re-creation of the reporting on the Watergate scandal that brought down former U.S. President Richard Nixon, stars Dustin Hoffman and Robert Redford, a dream team in itself. This film, too, shows the persistence and guts it can take to sniff out a major story and get people to share enough to make it publishable.
Klaus Kinski as a crazed expedition leader in 16th century Peru. The final scene is extraordinary — a raft floating helplessly downriver, with Aguirre raging, the lone survivor. I love all of Werner Herzog’s films, but this one most of all and it’s considered one of both Herzog’s best films and one of the best films ever made.
An 18th century story about a Jesuit mission deep in the Argentine jungle, starring Robert de Niro and Jeremy Irons. The soundtrack is astoundingly beautiful, by the legendary film composer Ennio Morricone. The opening image is unforgettable — it won the Academy Award for Best Cinematography (and was nominated in six other categories.)
Few films have had as much an impact on later work as the esthetic of this one, directed by Ridley Scott, later better known for the Alien films. Everything drips with rain, streets are crowded and gleam with neon. Harrison Ford plays the Blade Runner, Rick Deckard, whose job it is to seek out and destroy replicants, robots who appear human. The eerie soundtrack is by Vangelis, best known for his score of the film Chariots of Fire. I also love the 2017 sequel, Bladerunner 2049, again starring Harrison Ford.
Another (!) film I love starring Matt Damon, and another focused on spycraft, specifically the beginnings of the CIA. Damon stars, as does Angelina Jolie in a film focused on themes of family loyalty versus that to one’s craft. I’m also partial to this movie since a scene was filmed in the town we live in, Tarrytown, New York.
To my mind, admittedly as someone who’s loved this one for decades, one of the most visually compelling films I’ve ever seen, directed by the late great David Lean (who also did Lawrence of Arabia.) Julie Christie is Lara, Omar Sharif as Zhivago and Geraldine Chaplin as Tonya, set at the time of the Russian Revolution. It was filmed in Finland, Spain and Canada.
By now, I’ve seen this 2006 film so many times I know the dialogue and soundtrack pretty much by heart.
It’s the story of a young, ambitious New York City journalist, Andrea Sachs, who ends up working at a fashion magazine, Runway, (a clear stand-in for Vogue), for a brutally demanding boss, Miranda Priestley.
Initially schlubby in dress and grooming, and resentful at her less-than-intellectual position — fetching coffees and selecting skirts — Andy soon wises up, dresses up and wins the day.
I felt different. I no longer expected to be rewarded for my long, uninterrupted workdays with respect, let alone cash. I didn’t expect anyone to celebrate my personal triumphs with me; instead, I braced myself for criticism I could neither anticipate nor diffuse. I was tired but sleepless, dogged by anxiety…I drooled at the thought of a schedule that would leave me time to care for myself.
I realized there would always be someone hungrier willing to race to the bottom of the payroll for a shot at a byline on a viral story. Not long after that revelation, I quit.
The day before what should’ve been my last at the newspaper, an editor I once respected and trusted chose to unleash his frustration with the industry and his colleagues on me. He called me lazy and defiant, held the door open, and told me to get out.
It doesn’t matter much if you’re entering the field of journalism or any other. There are things you learn in your first full-time paid job that may sear, scare or freak you out.
The world of work is like landing on another planet after the structured, self-selected and nurturing life of high school and college, the attentive concern of your parents, teachers and some professors.
The work rulebook is invisible but essential.
The rules shift, sometimes daily.
Your “best friend” at work might turn out to be your worst enemy. Or your next boss.
No one will hold your hand and a few, sadly, will be thrilled to watch you fail.
It’s worth watching the film just to hear some of Miranda’s drawled bon mots:
Just move at a glacial pace. You know how that thrills me.
Details of your incompetence do not interest me.
Please bore someone else with your questions.
And, much as an entry-level worker might think “She’s soooooo mean!”, anyone who’s had to manage someone lazy, inattentive or generally gormless has longed to say them out loud.
And 10 reasons I still think TDWP is a great primer:
No one really cares about your feelings
Your job is to make your boss happy and make sure her/his needs are met on time, preferably ahead of deadline. It’s tough when no one asks “How’s it going? or “How do you feel about this?”
Well, yes. Your boss only got, and keeps, their job because (ideally) they set a very high bar for themself and for those they work with.
“Trying” has little value here
(Or as Yoda said in Star Wars, Do, or do not. There is no try.) Your boss may have zero to no interest in your difficulty attaining the goals s/he has set for you. It’s highly unlikely that anyone will give you a gold star or pat on the back just for trying (and failing.) Effort is expected — and results are now what matter most.
No one is going to say “Good job!”
Some young workers have been raised by parents, teachers and others who constantly and lavishly praised their efforts, even if they lost every soccer game that season or peppered their copy with typos, (like the blog post above in which she manages to confuse the word defuse with diffuse, not impressive for a NYT writer.) Get used to a world where your paycheck and continued employment are the measure of your value to the team. Expecting more than that marks you as needy and unrealistic.
Dress the part if you want to be taken seriously
You’re broke or have student loan debt or no sense of style? Too bad. Find a decent thrift or consignment shop and invest in the very best quality clothing worn by the senior people in your field. Keep your hair trimmed, clean and tidy. Polish your shoes and keep a fresh manicure. As Andy quickly learns, dressing appropriately for your industry shows respect for those who have attained its highest levels. They played the game and expect you to do likewise. Ignore this at your professional peril.
You have to figure things out really fast
Even if you have no idea, even during a meeting, what people are talking about. Read everything relevant to your industry — blogs, websites, publications, podcasts. Attend every conference possible; (you can often get in cheaper by offering to volunteer there.) Your job is to be smart and helpful, not to clutch desperately at the ankles of others who’ve already mastered the game.
Self-reliance is key
If your boss is older than 40, and some will be, they grew up in a very different world than someone now in their early 20s. They’ve already emotionally and professionally survived three recessions in 20 years and have probably pivoted multiple times along the way. No matter how much help you may consider normal, leave those expectations at the office door each morning.
You need to manage up, down and sideways
The only way Andy survives her job is by relying on the kindness, wisdom and help of others, from the driver who chauffeurs her to her boss’ home to deliver her dry-cleaning to a freelance writer who helps her obtain a manuscript before publication. Cultivate a wide and powerful network of people who know, like and trust you. Help them as often and much as you can so you’ve got a favor bank to call on in times of need.
Your personal life may have to suffer for a while
As Eisenhart discovered in the blog post above, and Andy finds no time for her fed-up live-in boyfriend, work in a new/first job can sometimes consume your life. It shouldn’t forever, but it might for as long as it takes to prove to your boss and co-workers that you’re 100 percent reliable.
Andy’s transformation from whiny baby to organizational whiz is a lesson every new employee needs to learn. Whatever will keep you ahead of the game — apps, multiple alarm clocks, spreadsheets — will also keep you calm, helpful and pro-active, not dodging wildly and panicking when things, as they often will, go awry.
Bonus: flexibility is key
Things change, sometimes with no warning. The most valued workers are those who remain cool, calm and on it, adapting quickly. No whining! No “This sucks!”