Four blogs worth a visit — my Pratt Institute students!

By Caitlin Kelly

"It's the one with he goats in front"...Pratt's deKalb Hall, built in 1955
“It’s the one with the goats in front”…Pratt’s deKalb Hall, built in 1955

It’s been a great semester with the four senior students who signed up for my blogging class at Pratt Institute in Brooklyn, a small art school with a justifiably excellent reputation.

It’s been fairly challenging to teach and engage so small a group, but we’ve had fun and we’ve had some fantastic guest speakers, three who came out to Brooklyn in person and two via Skype.

My husband, Jose Lopez, a photo editor at The New York Times, explained how to use photos legally and well; Troy Griggs, a Times graphic designer, shared his thoughts about how to design a blog that will really engage readers and Rani Nagpal, who works with a major Manhattan real estate firm, taught us about SEO.

Anne Theriault, a Toronto feminist blogger whose work on the Belle Jar has been featured many times by Freshly Pressed, Skyped in, as did Sree Sreenivasan, who is the chief digital officer for the Metropolitan Museum of Art.

Both were funny, lively and super-helpful. Much to my surprise, Anne told us she breaks several blogging “rules” — she doesn’t revise every post to death before posting, she posts only once a week and she rarely answers comments from readers.

Here are two of my students, Grace Myers (left) from Bowie, Maryland, and her bestie Ellen Trubey, from California.


Grace’s blog is Rough Guide to Life, a lovely, thoughtful guide to meditation, breathing exercises and ways to slooooow down and enjoy life; the photo of her in a tree on her blog is very Grace! She graduates soon, so I hope her blog will continue, and continue to attract and inspire readers.

Darnell Roberts, our only male student, and an illustration major, writes this blog about video games. A passionate gamer, his drawing work is charming — one of his super-heroines is called GravityGirl. It’s been a sea of estrogen with four chatty women in the class, but he’s held up well.

Ellen’s blog, He Is Out There Somewhere, details the ups and downs of dating in 2014 and beyond, especially the travails of using sites like Tinder and OKCupid. Ellen is also an illustration major, and uses many of her own drawings to illustrate her posts. Like her, the blog is chatty, down-to-earth and practical.

Tiffany Park’s blog, Morning Calm, follows Asian artists exhibiting in New York City; her blog has won her three internships so far and she’s even been re-blogged by major artists like Takashi Murakami.

I also privately teach blogging webinars, and offer individual coaching at $150/hour (one-hour minimum), so if you feel it’s time to up your own blogging game, please email me at I work by phone or Skype, at whatever time suits you best.

I’ve helped bloggers from New Zealand to D.C. to Rochester, NY improve their writing, photo selection, graphic design and theme, whether for a blogs that’s personal or one that’s professional, designed to attract new clients; some testimonials here.

Please visit my students’ terrific blogs — and please comment!

So proud of them all…


How Many Words Are Too Many? NYT Plagiarist Resigns, Producing 7,000 A Week

The New York Times building in New York, NY ac...
Image via Wikipedia

In the second screw-up of a thriving journalism career over plagiarism in recent weeks — in this case with a 31-year-old business writer for The New York Times, Zachery Kouwe —  over-production seems to be the culprit.

He has resigned.

It’s too easy to line up and waggle fingers at anyone caught doing this. It’s much harder to be that person.

Any journalist who still has a job, at The New York Times, (which just axed 100 people from the newsroom, some who took the buy-out, some canned), or elsewhere is under the gun. They know very few other jobs are out there, certainly not at the $80-100k/year plus that an outfit like the Times is paying. With 24,000 print journalists losing their jobs in 2008-2009, it’s easy to feel like a polar bear tap-dancing on a shrinking ice floe, staring across what was miles of solid ice at a very large expanse of open water. Once you’ve gotten a good job, like many others these days, damned if you’re going to blow it.


No one wants to trash their career. Few intend to do so. Hearing stories like that of Gerald Posner and Kouwe, both of whom basically said “I was writing too much” begs the question — what’s too much?

In my most frenzied month of freelancing, I cranked out 9,000 words: from initial call to the people I interviewed to final copy. Kouwe was doing almost that each week, he says.

In addition to my blogging here and other writing and editing work, I’m writing a non-fiction book and, after about 2,000 words a day, I’m pretty tired. I hope to produce 5,000 to 6,000 per week, i.e. a chapter. I have a deadline, but it is months away — not minutes, as it is with a blog, for Kouwe and anyone else trying to keep up, let alone lead, a large and competitive pack.

From The New York Observer:

In the coming days, inevitably, The Times will look inward to ask whether the pace of publishing in the blogs can be sustained given the level of editorial oversight they obviously need.

The DealBook banner says that it is “edited by Andrew Ross Sorkin.” Though he does oversee it, he does not edit the majority of its posts, sources said. The editing responsibilities of DealBook are primarily left to Jack Lynch, who staffers said aggregates for the site and posts items and doesn’t precisely give thorough spot checks on each item that he posts.

“Many people have thought for quite a long time that DealBook was the part of BizDay that desperately needed a baby sitter,” said one staffer.

A Times spokeswoman said, “Our journalistic standards are the same online as they are in print.”

When we asked Mr. Kouwe if he felt he needed stronger editing, or if perhaps the breakneck pace was to blame, he said, “It wasn’t anybody else. I was pushing myself to do as much as I possibly can. It was careless.”

The web is a lovely thing for many of us, offering freelancers and others a larger, more interesting platform for our work and ideas.

Maybe not so much if you are on staff, having to crank out yards of the stuff — while remaining readable, accurate and reliable. These days, added to the daily responsibilities of covering a beat and staying highly visible and productive on it, it’s starting to look like a speeded-up industrial assembly line.

Is this journalism any of us want to read? Or produce?