Social media can be social — meeting and getting to know new friends and colleagues solely through LinkedIn or Twitter or TikTok or blogs or Insta or Twitter — and/or, passively, it can offer us a peek into other worlds, wholly different from our own.
Given that we’ll have to stay physically distant from so many people for so many years — yes, years with this goddamn pandemic — virtual life and relationships are the safest and best many of us have now.
Travel? Also difficult to impossible; we recently lost $2,000 for non-refundable airfare and hotels after cancelling two much-anticipated vacations.
So, yes, I’m loving images (however enviously!) from Greece and Morocco and Kenya and Cornwall and the Hebrides…
Last week, Abby Lee Hood and I did a pitching workshop aimed at helping other freelance writers write better pitches — a pitch is a sort of a sales document for a story we might want to write. They’re not easy to do well and we got 47 people to sign up, which was fantastic. It went very well and people were still buying copies of our Zoom video days later.
I’ve yet to meet Abby, who is non-binary and has tattoos and owns a small pig, a three-legged cat, an albino hedgehog and a dog. They live in small-town Tennessee, a state I’ve never been to.
They are 27. I am…much older.
What on earth would we have in common?
As we’ve gotten to know one another, we found we both share some similar issues with our families of origin. We both have high ambitions for our work. We both hustle hard for assignments. And we also share some fundamental life values.
I’ve found them to be a deeply generous person, rare these days it seems.
So I hope our workshop, beyond its obvious goal, also modeled that sort of inter-generational friendship for a few others.
Some of the many lives I enjoy witnessing, between Twitter and Instagram, include:
Three women archeologists
A male archeologist in Berlin who works on Gobekli Tepe, a famous Neolithic Turkish site; I met him on one of the travel Twitterchats I participate in
A Canadian Arctic marine biologist
A Chilean photographer
A photographer in Queretaro, Mexico
A Canadian mother of two young boys in Australia whose nature photos are amazing
A Scottish mountain climber
A nephrologist in San Antonio, Texas who writes as Doctor T on Twitter
If you’ve been reading Broadside for a while — thank you! — you know I’m generally an openhearted person.
I like people and approach new situations, professional and personal, with a sense of optimism.
Working as a journalist means I have to quickly put strangers at ease and gather useful information from them. We have to establish trust fast — something of a contradiction.
Working as a journalist also means assuming most people are not lying to me, or want to do me harm in so doing, because a journalist who publishes lies is someone with a very short career. So we fact-check when possible and seek out sources whose background and credentials are as legit as we can find.
When it comes to personal relationships, trust is also paramount, at least for me.
My first marriage, to a physician, lasted barely two years; he bailed and remarried, quickly, a fellow therapist (!) he worked with and with whom he spent a lot of personal time. I was wholly reliant on him financially, so I had to trust him. I had little choice then.
Jose and I have spent time apart. I traveled alone for six weeks in Europe in June-July 2017, as blissful as I could be. I love solo time and traveling alone, exploring to my heart’s content.
I had an amusing evening in Berlin, sharing a table with three handsome young men (all co-workers), one of whom (as part of the conversation!) took off his dress shirt.
It was all good fun, nothing more.
Trust is the basic foundation of every interaction we have, from infancy to death:
— our parents
— our physicians
— our caregivers
— our teachers and professors
— our school/college administrators
— the police
— the courts
— our clergy and religious leaders
— our political leaders
— our relatives
— our romantic partners/spouses
— our employers
— youth group leaders
— our co-workers
— government agencies whose job it is to regulate/fine/shut down offenders
If you’re a person of color, or non-Christian, or gay, you have now become a target for hatred — with more and more deaths-by-vehicle, targeted by sociopaths or a pervasive police brutality that is deeply shocking, if no longer surprising.
You can’t even go out for a bike ride or a walk trusting in your personal safety.
And, as I’ve written here before, trust can be quickly shattered, and is difficult to regain….after dating a con man in 1998, being laughed at, literally, by my local police and D.A., my worldview would never be the same again.
My family relationships, too often toxic through anger and alcohol, taught me to be wary of intimacy.
Trust also underpins every freelance personal and professional relationship:
— our friends
— our colleagues
— our clients
— our agents
— our editors
— our social media networks
I spend a lot of time (too much!) on Twitter, where I have some 5600 followers, including some very senior people in my industry.
I’ve made several very good friends with people I still have yet to meet face to face, whether in Brazil or Tennessee.
So this past weekend, we did!
SO MUCH FUN!
A gay couple, one of whom works in our industry (journalism) and her partner, came up to our home and shared a long lunch that started at noon — and ended at 5:30.
We all took the chance of getting together and hoping we would be as we are on social media — fun, funny, playful, smart, interesting.
We were and we did.
I call these Twitter blind dates, not that we want a romantic thing, but we go into them really only knowing a tiny profile photo, a bunch of tweets and LinkedIn profile. Hoping for the best!
I’ve done this many times, never disappointed.
With a retail expert who lives in Virginia.
With a travel blogger and an archeologist (2 people) in Berlin.
We’ve been repeat house-guests a few times, and that also requires trust — that we’re quiet and thoughtful and don’t smoke or do drugs or will break or stain or ruin things. We bring food and drink and a gift and we always send a thank-you note.
We also trust our hosts to offer us a clean, soft bed. To let us have quiet alone time. To offer good food. To not (as one did to me?!) leave a filthy cat litter box beneath my pull-out bed.
I also once house-sat for a family of four headed to Tuscany from Vermont — unpaid. I was perfectly happy to walk their small affectionate dog. I was not at all happy to also get stuck watering their large garden in a heat wave and (!?) cleaning their pool.
That friendship died with this abuse of my time and energy. I trusted them to be fair with me, and they were not.
Charlotte Bronte’s words, from an exhibit at the Morgan Museum in New York
By Caitlin Kelly
This is my ongoing series, a peek behind the curtain of a full-time writer.
I thought I had an agent!
I was wrong!
That agent (the fourth to see it) took three weeks to even read it — the previous one called my proposal “too narrow” — said he was interested, but when I pushed back on some of his ideas backed out and said we “don’t share a vision.”
Oh, and he read my 26,000-word proposal so carelessly he failed to notice I’ve already published two books.
For God’s sake — three weeks’ wait for this level of incompetence?!
So the search continues.
The good news is that I know a lot of fellow authors and some kind enough to offer editorial and agent contacts.
But it’s an ongoing slog, to be honest.
Rejection is really disspiriting and really tiring.
Rejection means trying over and over and over to make yet another new contact — and wait and hope — who might be excited about my work. I’ve also asked a few friends for their advice on how better to position and market this idea. One kindly offered to read over the proposal as well.
I found a potential agent who sold a book fairly similar to mine; the agency only accepts referrals. (We know one of their authors so I have asked them for a referral. I feel shameless at this point, but needs must.)
I also coach fellow writers and had three clients this week, repeat clients, which means a lot. My coaching isn’t cheap — $250/hour — so I know I need to bring value! I’ve booked two more clients for early March, both of whom found me through Twitter.
But wait….how can I possibly justify coaching others when I’m such a failure (so far!) selling my book?
Apples and oranges! My experience helps writers at all levels, sometimes polishing a personal essay or helping them think of new markets or sharpening a story pitch. So this very frustrating book slog doesn’t dent my confidence and nor should it.
This is the only way to survive writing for a living — retaining optimism and confidence and that of others.
I have yet another New York Times story in the can, (more than 100!), edited and with photos taken, so I’m just waiting for it to be published. In the meantime, I pitched four different Times editors — the Kids’ section, the Well editor, the Letter of Recommendation (NYT Magazine) and Styles. Three were rejected and still awaiting the fourth reply.
I’m still blogging for the Lustgarten Foundation, which funds pancreatic cancer research, so I get to interview scientists. It’s a bit intimidating but also really challenging and interesting.
My friend Abby Lee Hood, in Nashville, convened a Google hangout and 22 fellow freelance writers and some radio people showed up from London and Amsterdam and Seattle and L.A. It was great! We are all so lonely and so isolated. There were perhaps three or four of us older than the rest — most were in their 20s and 30s, some even younger. But we have lots in common. I so enjoyed it.
I’m trying to read for pleasure and have started or am in the middle of four books. The one I’m most enjoying is Lab Girl by Hope Jahren, which manages to make even obscure science compelling. I will also ad that her chapter describing mania, from the inside, is one of the most powerful things I’ve ever read; my mother was manic depressive and I witnessed several episodes. They were completely terrifying.
And this payment arrived!
The United States has no such system, but Canada and other nations pay authors a sort of royalty for library use of our books. The way most commercial publishing works means many authors — like me — will never ever see a royalty for our work. We got paid an advance of four or five figures (some get six!) and have to “earn out” with sales, but with each sale netting us a few dollars, never the cover price. It really is just a fancy and costly way to buy mass distribution.
So it’s deeply satisfying to know Canadian readers are still finding value in my work since Blown Away came out in 2004 and Malled in 2011. I did deliberately choose subjects that fascinated me but I also knew would hold longer appeal than a few years’ trendiness.
The amount I get annually is very little in relative terms — about $500. Some authors earn thousands from it.
And it’s worth 20% less because of the Canadian dollar.
We’re coming up on a year of the pandemic and I can’t see getting access to a vaccination for months — even as Jose and I newly qualify.
I’ve been trying for months to find an agent who wants to represent my book proposal. I’m extremely frustrated at how slow this process is and how it feels like begging for attention — it is — even after having already sold and published two books with major publishers.
The fantasy is that agents are cool, smart, helpful.
Some are just…really rude. Like the one I was referred to a few years ago, at a fancy New York City agency. I described the book I hoped to produce and he warned me not to be…shrill. For Christ’s sake.
Then the one this year, also referred by a friend, who hadn’t even bothered to look at my work or realize I had already published twice before.
The lack of respect is appalling, fed by the thousands and thousands of people desperate for a book deal. It’s not pretty.
There are a few ways to find an agent. If you have friends who write in your genre, and are generous, several will offer you a referral to theirs, who may or may not want your book or not be a fit. Or you go find books similar to yours and see who the agent was the author thanked and try them. Or…cold pitch strangers.
None of which is quick or easy or fun.
I’ve also been facing a battery of medical tests to determine why my blood has excess iron. Turns out I have a genetic mutation that causes it but still have to have an MRI of my liver to make sure there isn’t another reason as well. The solution to the former is 16th century — blood-letting!
And I have been trying and trying and trying to lose weight, starting with intermittent fasting November 1. I see my GP Feb. 23 and will see what progress, if any, this has made for my health.
Add to this pile ‘o stress the loss or fading of several friendships.
I know COVID has affected many people, if not their health, their attention span or ability to spare time for others. But it’s hard to go through this much stuff all at once without people to talk to, so I’ve been over-burdening my husband. I very rarely cry, but it’s been a time of tears here recently.
And none of this, objectively, is terrible.
No one but me cares if I sell this damn book
Only my GP cares if I lose weight.
The liver issue won’t require surgery.
And we are very lucky to have work and savings and no one else dependent on us, as so many are.
But I’m cooked.
Only after writing it all down, getting it out of my head, did I realize that trying to manage three damn difficult things at the same time — each of which is slow as hell and anxiety-producing and the successful outcome of which is, to some degree, beyond my control — is so tiring.
Yes, I’m impatient!
I work my ass off and I’m generally used to succeeding,
I loathe failing.
Like everyone, I hate medical surprises; I had no clue my liver was weird. No symptoms. This all showed up thanks to a routine blood test.
I really hate grovelling to find an agent — meeting repeated rejection — watching everyone crow on social media about their book, movie and TV deals.
Who are our sources and how do find and choose them?
By Caitlin Kelly
Every time you consume media — in any form — you’re also at the end point of a lot of editorial decisions made while invisible to you, the end user.
We know that a wooden table was once a tree.
We know that a cooked meal was once a pile of ingredients.
But most non-journalists don’t know, and some of course don’t care, how their information arrives to them in the final state that it does.
I’ve been a journalist for decades, staff and freelance, writing often for national magazines and for The New York Times.
It may come as a surprise to you — or not! — that we’re not told by our bosses who to quote or to interview. Maybe interns or those very new to reporting, but, apart from a friendly suggestion, I’ve never been ordered to speak to anyone specifically as a source for a story.
This is good and bad.
It’s good because it assumes we bring sufficient intelligence to the work. It assumes we know how to do our jobs without micro-management and supervision — editors and producers are busy!
It’s good because it lets us just get on with our work without endlessly seeking and getting some official approval or green light to proceed. (Our bosses are busy!)
Despite the very persistent belief that we are told what to do and what to write at the behest of our (pick one! left/right-wing managers and corporate owners) we’re usually not.
But it’s bad in a few specific ways:
— It allows laziness
We will reach for the sources most easily found, certainly on a tight deadline, and those are often people we know or people who have already gained plenty of public attention. Just because someone is well-known doesn’t mean they’re smart, credible or the best person to explain a specific story. It often means they have the money, or their organization does, to hire a public relations firm ($5,000 to $10,000 a month retainer normal) to make sure their voice is loud(er/est.)
Pre-Internet, we had to work a hell of a lot harder to find and build networks of sources: no email, no texts and no instant results from Google or Bing. Now it’s the quickest option to return to someone already much-quoted.
— It allows persistent, if unconscious, bias
We tend to choose to work with/hang out with/consult people who make us comfortable. They look like us and sound like us and went to the same schools or live in the same sort of place. That means automatically and unconsciously screening out many good possibilities. Every time I start to report a story, I try to seek out BIPOC and LGBTQA voices and people living in very different ways/places from me.
How often do we even hear, on radio or TV, someone speaking English with a very heavy accent (probably sub-titled) — while we keep choosing and privileging people easier to listen to?
How often, if ever, do you see someone with a visible disability, like a wheelchair, being interviewed for a story totally unrelated to health?
–— It can be a real problem if our editors push back
It’s only happened to me once and cost me an editorial relationship at The New York Times (i.e. income.) I was writing a story about what life is like when one half of a couple is ready to retire but the other is not. Instead of the usual anodyne tale I knew they wanted (he golfs, etc.) I found a gay couple whose affluent life was suddenly up-ended when one of them suffered serious health issues and the younger partner had to get a government job for the health benefits. I found and offered a real story of real struggle and real adaptation. Not wanted.
— We automatically self-censorand choose sources our bosses will like
We know who our employer’s ideal market/audience/demographic is and it’s our role to speak most directly to them. At The New York Times, as with some others, there’s too often a default to affluent voices, if not the wealthy.
This also means that women over 40, let alone 60 or 70, remain basically invisible and inaudible because women’s magazine’s demo’s (the very narrow demographic appealing to its advertisers) is 18-35. You heard that right. There have been very, very few magazines that acknowledge and feature older women (36 is older?!) and they’re long gone, like Mirabella and MORE. If you read AARP magazine or its tabloid bulletin, all older women and men (50+) are presumed to care about are money scams, Medicare and aging celebrities. UGH.
— It’s a problem when we’re not paying close attention
One way a lot of reporters now find sources is through a service called Help A Reporter Out, or HARO. I’ve used it many many times. It’s a request list sent out three times a day to PR firms, universities, government, agencies and individuals.
It boasts one million sources — and 75,000 journalists and bloggers use it.
At best, you might get 100 replies. But, at its noisy and narcissistic worst, many replies are also demands for links to people’s books, websites, products and services — pay to play. When you need to produce many stories quickly, (and luckily I rarely do, as a freelancer), you don’t have the luxury of a lot of time to make sure your sources are diverse, even if you know you should, and even as diversity and inclusion are now a hiring and management focus for many employers.
Most of my stories are 1,000 to 1,200 words, leaving only so much room to choose who to include — while aiming for a mix of gender, race, age, expertise and geography. My recent Times Styles story included nine sources; I would normally include maybe six at that length.
And I was taken to the woodshed in a furious Tweet for not interviewing a person of color beyond an Iranian woman.
What if you were a reporter here who didn’t speak fluent French?
— It de facto privileges people who dominate social media (TikTok, Insta, YouTube, FB, Twitter, etc.)
Many people, for lack of Internet access or savvy or language skills or confidence or time — or fear for their personal safety — can’t just promote the hell out of themselves all the time. Those who can will therefore more easily command the lion’s share of our distracted and divided attention.
That includes overworked reporters, editors and producers. Easy access to a source who’s readily available often beats the 5th or 8th or 15th un-returned text, email or call (if anyone has the time and persistence to even do it.)
— It really (further) alienates and pisses off our diverse audiences who still don’t see themselves represented in our work
This is a big one.
If you’re not a cisgender white man or white woman, nor someone with a platform/organization/PR firm/ready access to journalists, it’s less likely you’ll ever get quoted or interviewed.
This creates lousy and lazy journalism. And ongoing deep frustration for every BIPOC or LBGTQA reporter or producer wanting to include voices that are quieter or less-consulted. Too often, a journalist turns to a known/respected/trusted Big Name policy analyst, think tank or academic voice to explain an issue, when someone whose own lived experience remains silent and invisible.
— The voices we hear from most also bring their own strong biases and opinions
It’s often too easy to defer to the demands for audience from the powerful and wealthy, always happy to sue and bringing threats of retaliation. Not a good idea.
Even the present-oriented hunter-gatherers, it turns out, had to develop communal strategies to quash the drivers of overwork—status envy, inequality, deprivation. When a Ju/’hoan hunter returned with a big kill, the tribe perceived a danger that he might think his prowess elevated him above others. “We can’t accept this,” one tribesman said. “So we always speak of his meat as worthless. This way we cool his heart and make him gentle.” This practice became known among researchers as “insulting the hunter’s meat.”
It was not the only custom that aimed to discourage a destabilizing competition for status and avoid a concentration of power. The tribe also “insisted that the actual owner of the meat, the individual charged with its distribution, was not the hunter, but the person who owned the arrow that killed the animal,” Suzman writes. By rewarding the semi-random contributor of the arrow, the Ju/’hoansi kept their most talented hunters in check, in order to defend the group’s egalitarianism. A welcome result was that “the elderly, the short-sighted, the clubfooted and the lazy got a chance to be the centre of attention once in a while.”
Reading about these strategies, I felt several things at once—astonished by their ingenuity, mind-blown by the notion of ridiculing exceptional achievements, and worried that my failure to imagine taking comparable pains to protect leisurely harmony meant that my own brain had been addled by too many years in productivity mode, too many twitchy Sunday evenings.
I think about this a lot, as readers here know.
I’ve been working for income from my first part-time job at 15 as a lifeguard. I started writing for income at 19 and was selling my photos at the same age, sometimes from a street corner in Toronto, sometimes to the dubious tough guy old photo editors of Time Canada (sold!) and Maclean’s, Canada’s national newsweekly.
So working hard and competing for jobs and work with many others is normal.
Leisure — rhymes with pleasure! Treasure! Not so much.
Living in hyper-competitive, expensive New York/the U.S. makes rest problematic —- many workers don’t even get paid sick days or vacation days. Freelancers like me and Jose only earn income when we work. Social media makes an ongoing performative fetish of productivity (truly a word and idea I loathe!), never legacy or creativity or beauty.
Some people have wisely created passive income streams (like owning and renting out property) but that’s always intimidated me.
I lived to age 30 in Canada, and in Toronto, an intensely work-focused place. I moved at 30 to Montreal to escape all of it, choosing a regional newspaper much less prestigious (and less competitive) than the Globe & Mail.
I was burning out and I knew it.
The balance between work and rest, ambition and chilling out, climbing a career ladder or even stepping off it is an ongoing challenge. Americans, especially, are taught from earliest childhood to compete really hard and then to work really hard.
I very rarely see anyone legitimately exhort them to slow down, rest, recharge!
I’m nearing the end of my career in the next few years, really not sure when or how to stop. We are OK for retirement income.
Work has been my identity for a long, long time! Journalism, at its best, can do tremendous good — righting wrongs, taking the corrupt and lying powerful to account, sharing stories that help people improve their lives. I love being part of that.
And, I have to admit, it’s a thrill to produce work published to enormous global audiences.
The larger questions yet to be resolved without work are what sometimes are the basics of a good job/career — your tribe, the people with whom, if you’re lucky, you share values and ethics, in-jokes, jargon, institutional memory.
I’ve never been a joiner or club sort of person. Same with Jose. I need a lot of intellectual stimulation to not be really bored. Neither of us has hobbies — likely the inevitable result of being too work-focused since the age of 19!
Nor, like most of our peers, do we have children or grandchildren.
I was convinced no one would ever find it or read it or comment. Happily, I was wrong — WordPress tells me 22,000+ people have followed it and my daily stats show people arriving from across the globe, a real compliment.
I also write for a living, so the 2,315 posts I’ve so far published here have been in addition to producing dozens of paid/published articles and a book, Malled: My Unintentional Career in Retail.
It’s very weird to…not write. For probably every writer, it’s how we process the world and how we feel about our time in it.
Our tools are simple enough — a device, our hands, our eyes/ears/brain, access to the Internet (not easy for many!)
But I’ve spent the past week not working for income but focused on a book proposal I’ve been trying to revive for a few years, about women and journalism. I’m being vague until/unless it sells. Writing a book proposal is a lot of unpaid work, done in the hope you will actually find an agent and a publisher and get paid enough to make it worth doing. Each step offers its own challenges — having an agent sounds so glamorous but I have been bitterly disappointed by quite a few, even Big Name New York ones.
Like dating, it’s a combination of intellectual and emotional fit — and knowing your agent will do their very best for you. Both of my books faced 25 rejections each before finally selling and today publishing is so much more consolidated it’s even more daunting for the mid-list crowd like me.
Two friends — within a week — including one who works for a major publisher recently urged me to write a memoir. So I bought a book on how to do that and might start writing bits and pieces. It’s tricky for every memoirist with family dramas and unresolved issues. (Likely everyone!)
My husband, Jose, is a photographer and photo editor, working freelance for the USGA and The New York Times; he’s also my transcriptionist! I never learned to touch type, as he did, so I bang everything out with only two weary fingers. At the usual $1/recorded minute one pays a transcriptionist, I at least owe him lunch!
So I’ll enjoy the next week or so, as many of you — I hope! — will as well: eating, napping, watching movies and fun TV, taking walks. Reconnecting with yourself and those you love, ideally at home!
Wishing you all a great Hanukah, Christmas, Kwanzaa!
I also wrote for, of all places, Mechanical Engineering magazine, on STEM education and on water treatment. Both were challenging, fascinating stories to produce and — of course! — my editor then left the magazine. So we’ll see if there’s more work from them for 2021.
Thanks to Twitter, I was hired by the Lustgarten Foundation to blog about their work funding pancreatic cancer research. I’m not a science writer, so I was happily surprised to be invited to do this. It’s been quite extraordinary interviewing some of the world’s best scientists.
I also Zoomed into eight classes around the U.S. — undergrad college classes in Utah, Philadelphia and Florida and high school journalism classes in Florida, Michigan, California. Ohio and Pennsylvania. I really enjoyed it and the students were engaged and lively. It’s the only bright spot of this isolation — that there’s a need and a hunger for voices like mine in the classroom and there’s a technology that makes it quick and easy.
The year started with the best piece of work I’ve produced since my books — a 5,000 word examination for The American Prospect of how Canadians experience their single-payer healthcare systems. I grew up there and was a medical reporter so this was a perfect fit for me. Jose, my husband, accompanied me for two weeks’ travel around Ontario and shot the images, the first time we had ever worked on a project together.
Personally, it was a year — as it was for many of us — of social isolation, fear of getting COVID, of not seeing friends or family. Visits with several physicians made clear the urgency of my really losing a lot of weight — 30 to 50 pounds — which basically feels impossible. I started 16/8 intermittent fasting November 1 and plan to keep it up indefinitely. I swim laps for 30 minutes three times a week and am trying (ugh) to add even more exercise.
I don’t mind exercising, per se, but I really hate doing all of it alone.
Probably like many of you, because seeing people face to face is so complicated now, I’ve massively boosted my phone, email and Skype visits with friends — four in one recent week with pals in London, Oregon, California and Missouri. This pandemic-imposed isolation and loneliness is very tough and I’m sure even the strongest and happiest partnerships and marriages are, like ours, feeling claustrophobic by now.
I took a chance and joined something called Lunchclub.ai — which matches you with strangers who share your professional interests for a 45 minute video conversation. My first was with a woman in another state who was half my age — but lively, fun and down to earth. Despite my initial doubts, I enjoyed it. You can sign up for two a week and at times that suit you best, between 9 a.m. and 5:00 p.m. ET.
In a time of such relentless isolation, why not?
Stuck safely at home, I’ve watched a lot of TV and movies. Favorites, many of which I’ve blogged here, include Borgen, Call My Agent, I May Destroy You, The Undoing, Trapped, Bordertown and DCI Banks.
My mother died in a nursing home in British Columbia — very far from us in New York — on Feb. 15, my best friend’s birthday. She was cremated and at some point I will go up there to spread her ashes and claim two enormous pieces of art she left me. We hadn’t been in touch in a decade, even though I was her only child.
My half-brother who lives in D.C., a five-four drive south, had twins in May, (the only grandchildren my father will ever have from his four children), a boy and girl, but he refuses to accept my overtures to rekindle a relationship — having decided in 2007 he was too angry with me. I was not invited to his wedding and have never met his wife. Estrangement is very familiar within our family.
On a happier note, thanks to a much better year for work, we were able to spark up our apartment a bit — adding a new silver velvet sofa and throw cushions from Svensk Tenn, a vintage kilim bought at auction, new lampshades and framing some art. When you spend 95 percent of your life at home, keeping it tidy and lovely helps a lot with the inevitable cabin fever. The money we’ve saved on not going to ballet/’opera/concerts, let alone commuting (a 10 trip train ticket into Manhattan is $95) or parking in the city (easily $30 to $50 for the day) has been substantial.
We’ve bought almost no clothes or shoes — why?!
We have eaten out, usually once a week locally, and if the restaurant is large and empty, will do so indoors.
We only took two very brief breaks: in July two nights at a friend’s home in upstate New York and two nights’ hotel in Woodstock, NY. It was very much appreciated!
I tried in late October to take a solo respite at a small inn in rural Pennsylvania — and ended up deep in Trump country. It wasn’t my style at all and I left two days earlier than planned.
I’ve tried to read more books, not very successfully.
Here are two I did read and really enjoyed.
And I started re-reading my own work, my first book, Blown Away, published in 2004. It holds up! Now a 2021 goal is finding a new publisher to re-issue it and financing the time it will take me to update and revise it.
How was your 2020?
What are some of your goals, hopes and dreams for 2021?