Almost 40% of Americans have “no faith” in the media

By Caitlin Kelly

From a recent conference held in New York, with some of the industry’s top leaders…

Typical of such summits, the people speaking were largely white, upper middle class and already perched high in the industry…not necessarily the best place from which to enact meaningful change. By the time you’ve hit the heights, so to speak — like any industry, really — you’ve climbed the greasy pole and know how many ways you can slip back to the bottom: pissing off your advertisers or publisher, to start with. I’ve been working in journalism since I was 19, freelance and staff — a senior editor at three national magazines and a reporter and feature writer for three big dailies. I enjoyed my career, but I’m mostly out of it now, and not subject to the exhausting chase for clicks and views. The Washington Post recently hired a social media coach (!) to work with their reporters. This is, for me, a fresh hell. Not enough any longer to produce terrific stories…

An excerpt from that conference, as reported by The New York Times:

“The media” pops up on your smartphone and is thrown onto your front porch. It is transmitted on television sets and is featured in glossy magazines. It’s so varied in so many ways but is similar in one respect: Many Americans don’t trust it.

According to a recent Gallup poll, trust in mass media has hit a near record low: Only 34 percent of Americans have a “great deal” or “fair amount” of confidence in the media, while 38 percent of Americans have none at all...

“We do need some level of news, but there are so many people that just need basic information,” argued Sarah Alvarez of Outlier Media, a news organization focused on low-income Detroiters.…

“You can’t do a big investigation if you are not covering the city council every day,” said Sara Just of “PBS NewsHour.” You can’t find out who the corrupt mayor is if you are not there every day.” The disappearance of that kind of local journalism, she said, is what “worries me the most. That’s not going to be the for-profit center, but it is how we find out what’s going on.”

Jeffrey Goldberg, whose publication, The Atlantic, put up a paywall shortly before the pandemic, argued for a subscriber-funded model: “Our industry made a mistake 20 years ago by giving away quality journalism for free — we trained readers to expect something that took work, time and energy and funding and we gave it away. And we have to stop doing that.”

As some of you may know, George Santos — a lying sack of garbage — not only recently got elected as a Republican Congressman from Long Island, despite a barrage of lies about his work, education, life and but now sits on two committees.

Only one small local newspaper noticed what a grifter he is but there was no other media interest in following up.

I found this analysis by Dame insightful and, sadly, spot-on:

We live in a golden age of national media startups. Every week another group of bright-eyed and bushy-tailed media personalities launches another cleverly branded news site to solve all of American journalism’s problems.

So why do all these sites sound the same?

Why do political news sites, begun with lots of fanfare about how different and innovative and disruptive they plan to be, end up covering the same stories covered by every other established media source?

Why are they all obsessed with whatever Donald Trump spews onto his private social accounts? Why do they listen every time GQP Rep. Marjorie Taylor Greene speaks? Why do they report on what senators say on Tucker Carlson’s show, on each other’s podcasts, on Chuck Todd’s Status Quo Fetish Hour?

Why do they all move in a pack, chasing the same ball, like 5-year-olds playing soccer for the first time?

Because — as any honest journalist knows — the few who rise to a position of any power or influence, let alone a job with a liveable salary – has already been co-opted. When a year at one of the fancy journalism schools will cost more than a year’s salary and the industry is already highly insecure, only a brave (or trust-funded few) can even still afford to buy entree to the industry or stick around very long.

So those who become staff journalists can start to look and sound the same….as does their reporting.

Pack journalism dominates — one person chasing all the others to match a story (no matter how tedious!) for fear their managers (as as they will) ask why they aren’t covering it?

Not IF they should at all!

It’s lazy and easy to sneer “fake news” when you dislike what you hear or see.

I rarely see anyone ask…what’s the upside for this worldview?

It’s also pretty obvious that those sneering “fake news” have rarely, if ever, even met or spoken to anyone, anywhere, who actually works in journalism — bringing any genuine curiosity about what it’s like to produce news or features.

We all have some idea what doctors or lawyers or cops or teachers do all day but few of journalism’s most toxic and virulent critics really have a clue about the ecosystem of news production — which is why such attacks leave me unmoved.

I agree that mainstream American journalism needs to be a lot better, but few wake up in the morning determined to print or broadcast something they know to be false.

Believe it or not, like many journalists, I’m disappointed by too much of it every day.

Not because it’s “fake news” but because it’s:

• repetitive
• overly focused on crime, violence, sentimentality and military
• boring
• ignores most of the world beyond the U.S.
• rarely addresses the roots of complex issues like poverty and homelessness
• doing a lousy job covering and explaining the urgency of climate change
• sucking up to corporate interests

I have no illusion all journalists are good guys! Some are inevitably lazy, unethical, rushed, underfunded, poorly trained and edited.

But it doesn’t mean journalism is unimportant to democracy, regardless of its flaws. If you can’t access basic, verifiable, mulitply sourced facts about corrupt politicians or dangerous medical issues, to name only two key issues affecting us all — good luck!

A few more thoughts about our responsibilities:

Untrue assertions make their way to mainstream news consumers in several ways. Common tactics sources use include false equivalence, whataboutism, bothsidesism and good old-fashioned lying. Well-meaning journalists play a role by allowing sources to give “their side” of an argument — true or not — out of a belief that fair, ethical journalism requires them to do so.

False equivalence refers broadly to situations where a source makes an assertion that two things that share some similarities are equal despite significant differences between them. Comparing Trump supporters’ Jan. 6, 2021, protest in Washington, D.C., to protests following the death of George Floyd is an example. The Floyd protests didn’t turn into a deadly riot that overtook the U.S. Capitol in an attempt to overturn a presidential election.

Whataboutism is a form of false equivalence in which a source responds to an allegation by claiming that someone else did something similar or worse without addressing the substance of the allegation.

Two journalism films are worth your time no matter how much you want to dismiss my defense and protestations, the 2015 film Spotlight, which won the Oscar for Best Picture, about an investigation by the Boston Globe investigative team of three reporters that uncovered 249 abusive Catholic priests and 1,000 victims….many more exist worldwide, as evidenced by the long list in the film’s final credits, from Igloolik, Canada to Argentina.

At its best, this is what journalists do.

Also, the 2022 film She Said, about two New York Times journalists who uncovered decades of abuse by former movie mogul Harvey Weinstein — now in prison for those crimes.

Both are slow moving and procedural but also show the internal hierarchies of power at each paper and how they impeded or helped the reporters and the emotional and physical toll that such reporting on difficult issues affects us.

Because it does.

How cynically — if you even consume news or journalism — do you view the industry?

A matter of trust

By Caitlin Kelly

It’s foundational to everything we do, from earliest childhood to later years — we (have to!) place our trust in medicine and health procedures, in the men and women who pilot airplanes and drive subway trains and schoolbuses, in the chefs and cooks who prepare our meals when we eat away from home — and the health inspectors whose role it is to make sure it is safe.

If you live in the U.S. and follow news — which some of you don’t — a big story of late has been a shocking, relentless barrage of lies from a newly elected Republican congressman from Long Island, George Santos.

From The Daily Beast:

The perplexing series of alleged lies from George Santos, the Republican congressman-elect from Long Island under investigation by county, state and federal prosecutors, have continued to roll in this week—with each “embellishment” as shocking as the last.

Among the new claims under scrutiny in the last 24 hours: Santos’ high school education, his claim to be half-Black, a claim that his family’s Jewish last name was Zabrovsky, and that “9/11 claimed” his mother’s life after she’d “fled socialism” in Europe.

Basically everything he told voters is a lie. And…he will still be sworn into office.

HOW?

I think about trust all the time because trust in journalists — my career since university — is very very low.

This causes endless problems if voters believe a pathological liar like Santos — but not the reporters who uncovered those lies.

It’s a problem when people shriek “Fake news!” when they hear things they don’t want to, like COVID running rampant still.

It’s a problem when we keep sending our hard-earned tax dollars to governments that don’t do what they said they would, further eroding our trust in them, which, for Americans especially, seems subterranean at best.

From the moment a writer proposes a story, there’s a level of trust between them and their editor, whether they’re on staff or freelance. A staffer can be disciplined, suspended or fired for lying while a freelancer can lose access to a coveted market; The New York Times, for which I’ve written more than 100 stories, periodically sends every freelancer its long and detailed ethics code, and those who break it are out.

But there are legendary stories of lying reporters and their names are known to those of us in the industry, like Janet Cooke and Stephen Glass and Jayson Blair, all of whom were — of course — much lauded for brining in powerful stories and every ambitious editor wants material like that. Until they turn out to be false.

Every time I ask a source to speak to me, they generally agree quickly and kindly, which, in itself is a sign if trust that I’ll behave professionally; my website makes clear I have a long and solid career in place as testament to that. Only once, and it was interesting, was I told “oh hell no!” when I tried to get sources, by an agency that helps teens on Riker’s Island accused of crimes. Only after pleading my case to them face to face did I win the interviews, which are in my first book “Blown Away: American Women and Guns.” I’m proud of having won these stories, as they were untold and powerful and I’ve never forgotten them — and I’ve done thousands of interviews in my career.

That took trust.

We live in an era of easy, quick and profitable manipulation — of words, ideas, images. A few years ago the news agency Reuters invited a group of New York journalists (arguably pretty savvy) to listen to a powerful and frightening presentation about how easy it now is to alter images, whether video or still. It was deeply sobering to know how much energy is spent trying to sort out the garbage. My husband, Jose, is a photo editor for The New York Times, and it’s also his job — like every news editor now — to sniff out fake images. Staff photographers and longtime freelancers have earned their trust, Many photos arrive through a photo agency like the AP, Getty and and Reuters, to name three major ones — by the time they’re looked at for publication, they’ve been vetted by many editors who’ve already vetted their photographers.

Trust requires a long unbroken chain.

In 1997, as I think I’ve written here before, I became the victim — one of many! — of a skilled and determined con man who had duped many people in Chicago, done time and moved to New York where he picked up again. I won’t get into all the grim details, but it was a lesson for me, for anyone, in what behaviors inspire our trust and why.

He was physically attractive.

He dressed well.

He was very intelligent and engaging.

He was (of course!) initially charming — later creepy and threatening.

I fell quite ill the day before I was to fly from New York to Sydney Australia alone, hoping to research my first book — he brought me a pot of homemade soup.

How can one — when should one — mistrust kindness?

Read The Gift of Fear, a must-read book for every girl and woman — which includes charm and niceness as warning signs.

Are you wary by nature or experience?

The best of 2022, hopes for 2023

By Caitlin Kelly

That last post wasn’t my cheeriest!

Some of my happiest moments of 2022:

The view from my friend’s cottage

In late May I flew to Toronto, my hometown, for the first visit in 2.5 years, catching up with dear friends there; even though I moved away permanently decades ago, I stay in close touch with about half a dozen of them. I was invited to a cottage on Georgian Bay only reachable by boat…six adults, a cat and a dog and all our supplies! It was very beautiful and quite cold! The cabin I slept in had no heat so I wore a wool hat and a very heavy wool blanket.

Big Sur, CA

My tiny perfect room at Deetjen’s, Big Sur

In June, my birthday month, I finally spent a solo month driving from San Francisco to Los Angeles — a lifelong dream only made possible thanks to a wholly unexpected inheritance from my late mother. Along the way, I stayed with a pal in a town near SF, with another in Santa Rosa, had meals with nine other pals, some I had never before met — but have known for years only through social media. It was a real joy, after so much social isolation and loneliness trying to avoid COVID, to sit and chat for hours. I reconnected with two dear friends, both former colleagues of my husband Jose at The New York Times. I had lunch with a woman who became a friend after we cooperated on an exclusive story for the Times…with 150 emails between us by the time the paper flew me from NY to San Francisco to write about Google. I hadn’t been back to that city in a decade, or L.A. in 20 years. I fell very hard to California — such beauty! I cried on the way to the airport the day I left. What a joy it all was!

A great visit with Jose in November to Montreal and a hotel four hour drives’ northeast of the city on the north shore of the St. Lawrence. We live within a mile of the Hudson River — but this was a whole other sort of river! I loved speaking and hearing French again; I lived in Montreal as a Gazette reporter, in Paris at 25 and have been back to both places many times since.

A few days upstate in Saratoga Springs visiting very good friends, former Times colleagues. The hot springs did seem to help my arthritic hip!

I enjoyed some well-paid and really interesting work writing for a non-profit foundation that gives money for academic research. It allowed me to interview three brilliant, passionate and accomplished researchers. Loved it.

Jose continues to enjoy good health and has plenty of steady well-paid work, which has lightened my workload. I’m so grateful! I started writing and selling my photos at 19, hustling hard for decades. It is a great gift to just do a lot less.

Three dear friends each came to visit. We love our pals who live far away — one in Portland, Oregon, one in Milwaukee (both former students of The New York Times Student Journalism Institute) and my pal Scott, who lives in Pennsylvania. It was great to finally catch up with them, even though one of them fell desperately ill for about 24 hours — and so did we! With one very small bathroom, it was a bit of a horror movie. It wasn’t COVID or flu. Maybe norovirus.

Completely new, a much stronger relationship with one of my two half-brothers, 10 years younger, who fought stage 4 cancer and looks likely to be OK. We met when I was 15 and he was 5 but spent very little time together, even though we lived in the same city for decades; we had different mothers and never lived together. I had very early stage breast cancer (no chemo) in June 2018 so I have some idea what he’s been through and made sure to call and text him often. I’m surprised and glad (however a terrible way to get there) we have a deeper friendship now.

A lovely surprise — a C1 rating after my written and oral tests from Alliance Francaise (C2 is the highest), i.e. expert.

As you can tell, renewed and strengthened friendship remains my life’s greatest gift (beyond Jose and good health!)

For 2023 I hope:

For good health for me and Jose — and you!

Continued freelance opportunities

The health and income to allow me to travel more

To study and practice my French and Spanish

Mentoring journalists working at Report for America

A publisher for our book proposal (20 rejections so far, 16 more to go…)

What were some of your year’s highlights?

Hopes for 2023?

My writing year in review

One of my best memories of 2022…Pete’s Tavern, one of NYC’s oldest. I sat at the bar and had a long conversation in French with a visiting historic costume designer. She bought my beer!

By Caitlin Kelly

I’m writing less now than I used to…in some ways, this is good because at higher pay rates I can afford to produce less.

These were three challenging and interesting assignments speaking to academic researchers on health policy for a grant-making foundation; the communications director and I have never spoken or met but she knows me and my work through Facebook. I loved speaking to such smart, passionate people. It’s a real privilege and their work can be somewhat complex to explain.

My favorite story of the year was my first ever for the Financial Times, a global business paper in London I read every day. The quality is amazing so it was a real thrill to sell a story to them, about women ironworkers in New York City. Here’s the link. The pay rate was half what The New York Times pays — barely $500. I had to drive an hour each way to Queens, spend an hour or so speaking to the women there, then do additional phone interviews, so it wasn’t lucrative. But it was a lot of fun and a real accomplishment to break into the FT, so I’m proud of that.

I had two unpleasant experiences with New York Times editors, which effectively shut off any chance of writing for those two sections. I hate any sort of professional conflict because you can’t make a freelance living without ongoing relationships! I also lost $3,000 from the shady crew at ZZDriggs, a furniture sales website, who had committed to $6,000 worth of blog posts from me in a year — and abruptly, and without any warning at all, dumped me in July and gave no explanation. My attempts to recoup that lost income from a CEO who lives in a multi-million-dollar brownstone (of course) were fruitless. Not cool.

Also my basic mistake of not having a much tougher and clearer contract. Beware of twinkly charm!

Jose and I spent a lot of time and energy producing a 20,000 word book proposal for fellow freelancers which, so far, has failed to find any publisher, much to our annoyance and frustration — OK, mine. There are still more than a dozen looking at it…

One win was getting my rating from Alliance Francaise after taking their written and oral tests — C1 (expert!) Only one category is higher. Those bloody subjunctives!

The work I most enjoy — and I really love it — is coaching other writers. I admit it, it’s money I make with the least friction or drama as clients seem to find me, mostly through Twitter. I don’t market myself heavily as such. My greatest weakness is my laziness when it comes to endlessly marketing myself to new clients and editors.

Usually when people come to me for coaching, they already have a defined need or problem they hope I can help them with. Sometimes it’s an essay they’re working on or a book proposal or a need to just brainstorm new markets for their work. I charge $250/hour (with a one hour minimum, paid in advance.) No one has asked for a refund!

My goals for 2023 are less about writing than reading and traveling more, working on my French and Spanish skills. I have a few potential clients lined up, but just won’t chase work hard at this point. I’ve been writing for a living since I was 19 and I’m pooped!

10 things I’ve gained from using Twitter

By Caitlin Kelly

I know…we were all supposed to have fled to Hive or Tribel or Mastodon or somewhere…oh yeah, Post, where I’m wait-listed.

No question, since Elon Musk bought Twitter, a lot of great people have fled for other platforms. For now, not me.

I started using Twitter in 2014 and still use it daily.

As one wise social media expert says — social media only amplifies who we really are. If you’re a jerk in real life, you’re a bigger, louder and more visible jerk on social media.

Here are 10 things I’ve found of value:

Access to extraordinary archeology finds, whether mosaics, Roman ruins or the oddments found on the Thames foreshore by mudlarkers liker Laura Maiklem. I’m passionate about material history, and not just that owned by royalty or the wealthy, the stuff that tends to fill museums. Laura finds things like 16th century pins or Tudor shoe soles. Amazing!

Stunning works of art. One of my treasured follows is Canadian paintings, with a wide array of art, curated by an elementary school teacher who remains anonymous. Alexandra Epps posts from London and even the man whose artwork graced the cover of Elton John’s album Goodbye Yellow Brick Road, Ian Archie Beck. posts his lovely contemporary work as well.

Stunning wildlife and nature photography, from Scotland, Iceland, Namibia and more.

Birders! My feed recently was filled with amazing close-ups of a saw-whet, a barred owl and a great horned owl — all in Manhattan’s Central Park.

A better appreciation for the many challenges of people with chronic illness and disabilities. There’s a lot of conversation there. Hence I learned the word “spoons” and its meaning.

I’ve made friends far away — like an archeologist in Berlin I had lunch with in July 2017 on my first visit there, and an editor near London who sent me to a colleague in Helsinki (!) who assigned me a great story. I “know” a farmer’s wife in Saskatchewan, an Australian living in France, a marketing maven in Guatemala. Not sure how I might ever have encountered them otherwise.

I recently set up a three-way, three-nation Zoom with two Twitter pals — one in England and one in Montreal and me in NY — to practice our Spanish!

Amazingly — a gorgeous box of homemade shortbread, made using a 100 year old mold — arrived this week from a Twitter pal in Ontario. YUM!

The most up-to-date information on COVID, through a network of health care workers and virologists. The government has basically given up. I see highly informative threads on matters like long COVID, handheld devices to measure a room’s Co2, and boxes used for filtration.

Almost daily I see work opportunities, some full-time and many for freelance work.

I really enjoy Twitterchats, although I only participate now in two, one for freelancers and one focused on travel. They meet every week on the same day at the same time, drawing fellow enthusiasts. The travel one, run by a man living in Nairobi, draws people from Vancouver, Dundee, Malawi, Kazakhstan! I always learn about a place I’d like to visit (like Jordan) and am able to share many of my own travel tips, having been to 41 countries and lived in five.

Thanks to direct messaging, I’ve been able to access some information I need and couldn’t really have gotten with a cold email. I’ve found it socially and professionally helpful.

I’ve been lucky — rarely trolled or bullied. And I don’t hesitate to mute or block!

Do you use Twitter?

Has it been useful to you?

Twitter in free-fall…what I’ve loved, hope not to lose

By Caitlin Kelly

I’m not sure how many of you use Twitter or appreciate it or have been following the nightmare takeover by Elon Musk whose every move as its new owner reeks of weird desperation and feudal overlord vibes.

Here’s the latest on it from The New York Times:

A taste:

The order for immediate layoffs, the ensuing panic and the about-face reflect the chaos that has engulfed Twitter since Mr. Musk took over the company two weeks ago. The 51-year-old barreled in with ideas about how the social media service should operate, but with no comprehensive plan to execute them. Then he quickly ran into the business, legal and financial complexities of running a platform that has been called a global town square.

It’s really depressing!

OK, it’s really depressing for those of us — many of us writers and journalists — who have relied heavily on the site for years as a great place to promote our work and our skills.

I found two of my favorite assignments ever there, one a profile of a senior energy executive for a Finnish company (referred to an editor in Helsinki by a Twitter pal in London) and a time writing blog posts about, of all things, pancreatic cancer research, also for a woman who found me solely thanks to my posts there.

I’ve never blogged about either topic and would never have put my hand up for these assignments — but they were fascinating and well-paid and I’m grateful!

But my love for Twitter (which I know is a hellscape of trolls and bots if you end up in the wrong corners) is also based on the global connections and some new friendships I’ve made there, as have so many.

And, yes, I’ve blocked some truly obnoxious people, usually men who can’t tolerate the idea of a woman who dares to disagree, even politely, with them.

One of my dreams has been to get my first book back into print, revised and updated. Thanks to Twitter, I recently contacted an editor whose house might be a good fit — that just wouldn’t have happened for me otherwise. I wouldn’t have dared and I wouldn’t have known the etiquette.

What I like most about the platform is how real (or not) you can be. I post serious stuff about writing and travel and sometimes about politics. I retweet art and photos. I’m just me. I’m not there to be fake or hard sell although some are.

This week I got into a lovely and sentimental conversation with two other Canadian women (strangers!) about our much beloved childhood hamsters — one even shared a photo. I love this stuff.

Social media was designed to be social.

Some of my many treasured Twitter finds:

— an archeologist in Berlin whose main work is based in Turkey at Gobekli Tepe, a Neolithic site. I think we connected through a Twitterchat. When I finally visited Berlin in July 2017 we met for lunch.

— A prolific mudlarker in London, Laura Maiklem, who routinely posts images of treasures like a Tudor shoe. She’s gained more than 200,000 social media followers.

— A fantastic daily stream of Canadian paintings, in every medium, from every era. It began in 2018. So cool!

— Photos of 18th century clothing from various historians.

— pictures of various ancient mosaics from several female archeologists.

— inside dope on aviation from professional and amateur pilots, a group of #avgeeks.

— a Dutch woman who (!) is knitting me an amazing hat

— Gorgeous landscape photography, much of it from Scotland and England.

— I also really enjoy two weekly Twitterchats, where I meet up with fellow enthusiasts from around the world; #TRLT, for The Road Less Traveled, which draws people from Vancouver to Malawi. And #FreelanceChat, which assembles freelancers for a lively conversation and which teaches each of us new tips and insights.

I know a lot of people have already left Twitter and fled to Mastodon.

I haven’t yet, It feels really unwieldy and not nearly as easy to find and spark this sort of cross-disciplinary conversation.

Have you been a Twitter fan?

Have you left?

Have you joined Mastodon?

Some very good news

By Caitlin Kelly

Last spring, Jose and I were chatting about doing a possible book, a sort of guide for fellow freelancers, as millions of people are now eager to try this way of living and working.

Over July and August we worked really hard and, writing it together, produced a full book proposal which we shared with a pal in Toronto who worked for years in book publishing and now teaches it. She liked it a lot but made some very specific suggestions to improve it.

We did that and started submitting it to agents, with a few rejections.

Then — yay! — we found an agent quickly, also in Toronto, my hometown I left decades ago. So we are now officially represented and very excited. She won’t be submitting it to editors until early November after we take a badly needed break, (Jose’s first for 2022), to Quebec and upstate NY.

Then, all digits will be crossed!

It’s a wild notion to be co-authors after 22 years together, and Jose is a photographer and photo editor and photo archivist — not a writer! But he writes very well and has been a good soldier with all my demands for revisions.

I haven’t sold a new book since September 2009, when I sold Malled, so am eager to rejoin the fray. The industry has changed a lot since then, and getting tougher, of course. There’s been a lot of consolidation so fewer places to submit to. Then the nasty fact of payments in 25% increments…the first payment (- 15% to the agent, standard every time) upon signing the deal; the second upon acceptance of the manuscript; the third upon publication — up to a year later then the final one (!) a year after that. Unless you get a huge advance, which few do, it’s not a way to make a lot of money!

But we know for sure there’s a global market for this subject and we’ve read some of the “comps” — comparable books, a must for every non-fiction book proposal. I won’t get specific yet, but ours has at least six very distinctive features that competing books just don’t offer.

Wish us luck!

What’s missing?

By Caitlin Kelly

Whether by innate voracious curiosity or decades of working in journalism, my first instinct in response to almost everything I read, hear or watch is to ask….what’s missing?

It’s essential in that work to pay really close attention not only to what’s offered…but what isn’t being said? What does a long pause or silence in an interview mean? Why does almost every American national TV news report lack any useful or meaningful context? I routinely shout at the TV screen in frustration!

It might be a lack of diversity in sourcing — very common.

It might be sadly clear that the “news” item was simply a rewritten press release, also known as a “puff piece.”

It might be the reporter, editor and producer were too lazy or ignorant to dig deeper — like (!?) a recent report on the national nightly news from CBS that urged listeners to get vaccinated against polio (a good thing) but failed to even mention how polio is spread.

Or it might be the creators knew there was a minefield beneath the flowers — and decided to just let things lie.

This was immediately obvious to me while recently watching a new documentary about Leonard Cohen, a renowned Canadian singer/songwriter who died in 2016, but who has millions of fans worldwide. His life never lacked for drama — partnered with very beautiful women, one (Suzanne Elrod) who bore him two children, Lorca and Adam, spending six years in a Zen monastery outside Los Angeles, emerging to discover that a longtime friend and manager, Kelly Lynch, had robbed him blind, pocketing some $5 million of his earnings. She only got 18 months in prison — and he went out on tour at 79 (!) to make back his losses, which he did.

Here’s the thing:

I love his work.

I know many of his songs by heart.

I admire his art.

But to produce a documentary that doesn’t even speak to his children, or explain that maybe they wouldn’t speak on camera (!?) struck me at once as a huge oversight. It could not have been in error.

The film includes many musicians talking about their admiration for Cohen and his influence on them, from Judy Collins to Brandie Carlisle to Glenn Hansard.

As someone from an accomplished family, and parents who were devoted to their work, this hit hard. I’ve long wanted to write a book interviewing the adult children of highly successful parents, and not just “celebrities” like the Kardashians. I know that being the child of famous and successful parents can come at a very real emotional cost.

A little more candor here would have done the trick for me.

Work should be fun! (Really?)

By Caitlin Kelly

Long loud harrumph.

Thumps cane for emphasis.

No!

Ok, yes, of course, often, maybe, if you’re really lucky, much of the time.

But always, every damn day of a 40+ year career?

Unlikely and foolish to desire.

The tedious cliche is “that’s why they call it work.”

The opposite fantasy is “love what you do and you’ll never work a day in your life.”

Ask anyone who’s been in the working world for a decade, let alone 20, 30 or 40 years.

This is also, I know, somewhat stiff-upper-lip generational — and I think an insistence work be “fun” is really proxy for a lot of other frustrations: carrying massive student debt for decades, low wages, terrible/non-existent promotions and raises, toxic managers, coworkers and/or customers (hello, foodservice and retail!)

As I’ve written here many times, I generally enjoy my work as a writer of journalism and content marketing, coaching and teaching. But there have been many times I was utterly miserable, even for a full year — like my last staff job as a reporter at the New York Daily News — where I was consistently ignored or bullied. It was torture.

It was a steady, decent paycheck at a then-respected newspaper, then the nation’s sixth-largest.

But happy? No, I was not happy. Fun? No, it was not, ever, fun.

When I worked for a few months in Toronto at Canadian Press, the national wire service, I had to write up every weekend’s accidental deaths across the province, slugged (named) Fatalities — aka Fats. NOPE. Not fun.

As a trade magazine editor in New York, I had a terribly low freelance budget and a highly demanding boss. Not a fun combination.

I do not subscribe to the belief that all work is, or should be, drudgery. But accepting that even the coolest-looking work has downsides and frustrations is more realistic. Even the best-known and wealthiest musicians and film stars have had work that failed to find an audience, auditions that were a disaster, spent years in the trenches working away before hitting the big time. Fun? Probably not.

I think we’re fortunate if we can find work that:

pays decently

offers kind, fun, funny, smart co-workers (even one of these!)

decent management

respect for the work we do

offers room for growth, internally or a boost to our next job elsewhere

helps other people live better/safer lives

I admit that, at its best, journalism has been amazing fun for me, many many times.

But it’s not a well-paid career.

It’s not a secure career and getting fired or laid off is pretty normal, even if expensive and annoying.

Forget a pension.

It’s often insanely competitive, even within your organization. So there’s plenty of stress and anxiety as well.

What’s the most fun job you’ve ever had?

No more yelling!

If you ever watch the HBO series Succession, here’s one very toxic boss, Logan Roy

By Caitlin Kelly

My favorite place in the suburban New York county where I’ve lived for decades is an indie art film house; some weeks I’m up there multiple times to see a film. I love movies!

Its programming director was recently fired for yelling at his staff, leaving one in tears.

There have always been bad-tempered toxic bosses, but in some places there’s now (happily!) a diminished appetite for them — as several high profile male NPR radio hosts have also learned in recent years, also fired for abusing their staff.

I welcome this, as someone who grew up in an emotionally abusive family and then worked in journalism, one of the most dysfunctional of industries; with a constant oversupply of eager job-seekers, nasty bosses can thrive and rise, thrive and rise, usually without any form of accountability. If they keep losing talented staff, well, hey, whose fault is that?

Having also survived years at boarding school, also being yelled at by old women who were our housemothers, I have little appetite for people unable to hold their damn tongues and be civil. I don’t care how frustrated you are.

I’ve survived quite a few terrifying bosses, one a woman at a trade magazine publisher in Manhattan, who thought nothing of shouting abuse across the room at all of us and, when I dared confront her, stood very very close to me and leaned in further….her pupils oddly dilated. I quit within a month, and with no job waiting and newly divorced.

At the New York Daily News, I dared to ask the photo editor a question in an open newsroom so large it ran from 34th to 33rd street. His idea to humiliate and intimidate me, he yelled at me that I was asking a really difficult question; how to fill out a photo request. What a dick. This was a wholly normal question for a new employee offered zero training. I was then 50 — and quietly told him that being abusive wasn’t going to alter my request. He then ran to my boss to complain about me. Such a FUN workplace!

And, of course, there was another trade magazine boss, a weird little troll who shouted at me for disappointing him when I was editing a 48 page trade magazine with no staff at all, able to offer only extremely low freelance rates that guaranteed careless work from the only writers we could afford.

He came into my very small office and, as I pleaded with him that I was doing my best, snarled: “Define best!”

I was, no surprise, fired a few days later.

I ran into him decades later while riding our shared commuter rail line. As he went to sit beside me, he asked: “Do you remember me?”

“Yes,” was all I said.

Journalism attracts people who are smart and tough and highly impatient, expected to produce flawless results very, very quickly…not a great combo. Then the most demanding rise into management where, sure, they have high standards — but also can get away with shouting and raging with impunity.

I’ve even encountered this toxic arrogance as a freelancer, like a young woman then an editor at the Columbia Journalism Review (ooooh, the delicious irony) who I finally had to hang up the phone on since she was unable to let me finish a sentence.

And, funny thing, she too has since risen in the industry.

I shook for an hour after that phone call — because if you’ve been the subject of a lot of yelling, especially as a child, it really evokes a sort of PTSD.

So every time another abusive manager loses their job, income and authority, I’m thrilled!

Have you been the victim of such bad behavior?

How did you handle it?