By Caitlin Kelly
I’m no celebrity, obviously, but have been urged for a while to write a memoir.
I’ve always resisted because…really?
How would my life be of interest to strangers?
I’ve enjoyed it, for sure, and had some wild adventures — visiting 41 countries, a two-year marriage, winning some nice writing awards — but is that of larger appeal?
I’ve had a great career: three major newspaper jobs with some fantastic assignments (going to the Arctic, covering Queen Elizabeth), a European fellowship, two books, etc. — so maybe some of that would be interesting to other journalists.
My family, as readers here know, is not a Hallmark card. My late mother and I were estranged for the last decade of her life. I have three half-siblings, one of whom I’m estranged from, one of whom is a self-made millionaire and one I’ve never met and don’t want to.
So, does a any of this add up to a book an agent will rep and a publisher will buy?
To be determined.
Most books are 80,000 words.
So far, I’ve easily and quickly written 20,000 and, to my surprise, am really enjoying it. It’s a mix of personal and professional stories, ranging from my time in Toronto to that in Paris to moving to New York knowing no one and without a job.
I have diaries from my 20s I haven’t even looked at, and a journal from 1998 of my trip to Australia and New Zealand, so I have some material there to work from.
Thanks to Google, I’m constantly fact-checking — like the distance from Montreal to the Arctic, or where the tree line ends in Quebec (the 56th parallel.) I also found a glaring error in my aunt’s Wikipedia entry, so am fortunate my father is still alive and lucid at 93 to do some corrections there; my aunt and uncle, both Canadian but British residents, were very well known in Britain in the 1960s and 70s for their work in TV and radio.
Several people who follow me on social media are most intrigued by my estrangements — how and when they happened and how it has affected me; my recent New York Times story on this topic elicited a stunning 700 comments, so it clearly struck a nerve.
We’ll see if this ends up being commercially useful.
Memoir starts with “me” — but it has to make sense to thousands of strangers.
In the meantime, I’m banging out 1,000 to 1,500 words a day.
What, if anything, would you want to know about me?